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Panasonic's LX100 II gets a resolution boost and touchscreen
Panasonic has launched the Lumix LX100 II, a compact camera for photographers who might want a bigger sensor than on models like Sony's RX100 VI. The biggest change over the last model is a higher resolution 17-megapixel Four Thirds MOS sensor, a large boost over the 12.8-megapixel chip on the last model. It has much lower noise levels, even at high ISOs, meaning you can get clean shots at up to the maximum 25,600 ISO. It also gained a touchscreen, making it easier to manually set focus points, exposure and other functions.
Olympus execs: E-5 sequel due in 2013, mates Micro Four Thirds with Four Thirds
Photographers invested in the Four Thirds system haven't had many options lately, most of all if they prefer Olympus camera bodies -- the E-5 arrived in 2010, and hasn't really had company since. Olympus imaging president Haruo Ogawa and the company's Spanish lead, Miquel Angel Garcia (seen above), are both promising interviewers an E-5 sequel by the end of 2013, but it may not be what some expect. Both executives say the camera will support Micro Four Thirds lenses, yet take full advantage of the Four Thirds system. Based on earlier remarks and patents, DSLR Magazine speculates that it's a Micro Four Thirds camera that can mount the larger glass through a converter. Garcia may have hinted as much by telling Quesabesde that the mystery shooter ends a "transition period" that began in 2009: when nearly all of the company's interchangeable lens-based lineup has shifted to Micro Four Thirds over that time, there's only so much room left for interpretation. There's months to wait before we know precisely what's underway, but the clues suggest Olympus may bid farewell to the traditional DSLR within a year's time. [Image credit: Quesabesde]
Panasonic teases 42.5mm f/1.2 and 150mm f/2.8 MFT lenses, slated for release by 2014
Panasonic further reinforced its commitment to the Micro Four Thirds form factor when it released the Lumix GH3 mirrorless camera today, but the company also announced the development of a pair of prime lenses, set to ship next year or in 2014. Details are spotty at this point (limited to what you see in that slide above, in fact), but you can expect a 42.5mm f/1.2 optic (85mm equivalent) and a 150mm f/2.8 lens, which offers a 35mm equivalent of 300mm. There wasn't even a hint of pricing, but we'd expect both of these offerings to be quite costly, though they'll likely be significantly less expensive than DSLR equivalents.
Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on)
We've been very impressed with Olympus' first OM-D camera, the EM-5. That model's 5-axis image stabilization and super-fast autofocus won us over, while the retro design appeased nostalgics as well. Now, it's time for that speedy shooting to make its way to the company's other Micro Four Thirds models -- the E-PL5 and E-PM2. Both models, announced today, offer nearly identical specifications, with notable differences on the form-factor front. The E-PL5 is the premium model of this bunch, coming in at $700 with a 12-42mm f/3.5-5.6 lens or $650 for the body only, while the E-PM2 will run you 100 bucks less for both configurations. Both cameras include 16.1-megapixel Live MOS sensors, top ISO of 25,600, 3-inch 460k-dot touch-enabled LCDs, 1080i video and an 8fps continuous shooting mode. The EM-5's five-axis stabilization is absent here, though a three-axis version should suffice in low light. Each model also includes an external flash and a rebate offer for a free Toshiba FlashAir 802.11b/g/n card, which enables connectivity with the OI Share apps for Android and iOS. We had a chance to check both cameras out just before Photokina, and were quite pleased with the design, along with that OM-D-like focusing performance, which really is as speedy as Olympus claims. The camera focused instantaneously with almost all of the lenses we tried, though it was a bit sluggish, understandably, when paired with the 60mm f/2.8 macro. The displays were equally sharp, though the PL5 packs a nifty articulating version, which can tilt up, down or face forward for self-portraits. We also enjoyed shooting with the super-slim 15mm f/8 body cap lens, which features a tiny front element with a slide-over cover -- while it's limited on the aperture front and includes fixed focus, it's arguably more useful than a traditional cap (Olympus hasn't confirmed pricing for that optic, though it'll likely come in below the $100 mark). That aforementioned dust-and-splash-proof macro will retail for $500 in early October, while a new 12mm f/2 lens will ship during the same time for $1,100. The "Mini" E-PM2 will be available in silver, black, white and red, while the E-PL5 will ship in silver, black and white -- both versions will be available in October. You can take a closer look at each of the offerings in the gallery below, then jump past the break for the full rundown from Olympus.%Gallery-165432%
Olympus confirms new high-end Four Thirds DSLR 'currently under study' following vague Facebook post
Visitors to Olympus' UK Facebook page were met with some "BREAKING NEWS!!" on Friday. According to the post, the camera maker is developing a new DSLR that would theoretically offer focusing performance on par with the OM-D, while providing native compatibility with the company's high-end Zuiko Digital ED lenses, such as the 90-250mm f/2.8. We reached out to Olympus reps in the US, who added the following: "A new camera body is currently under study to complement our line of Zuiko Digital Specific Four Thirds lenses. However, Olympus has NOT issued a press release on this new camera body." With Photokina just a month away, it's unclear whether or not this new mystery DSLR will make its debut there, but it's certainly a possibility. As for looks -- that's anyone's guess, though the company's social media arm opted to include a picture of the E-5, which serves as Olympus' current full-size flagship. You'll find the full Facebook post at the source link below.
Olympus adds 75mm f/1.8 portrait lens to Micro Four Thirds lineup
During our first encounter with the OM-D E-M5 in February, Olympus told us to expect several more lenses to launch throughout the year, including a 75mm f/1.8 variant suitable for portraits and a splash- and dust-proof 60mm f/2.8 macro. Well, that first optic will be coming sooner than you may have thought -- it's expected to hit stores this summer with an estimated price tag of $900. The lens offers a 150mm 35mm-equivalent focal length when paired with a Micro Four Thirds camera, and consists of 10 elements in nine groups, including three ED elements that assist with correcting aberrations. Everything else you need to know can be found in the PR after the break.
Panasonic launches 12-35mm Micro Four Thirds lens with constant f/2.8 aperture
As powerful as they've become, Mirrorless camera systems can't match the versatility of a full-size DSLR. One key component we haven't seen is a constant-aperture lens, offering a consistent large aperture size throughout the zoom range. That changed today. Panasonic's new Lumix G X Vario 12-35mm optic packs one incredible advantage over its compact competitors -- a constant f/2.8 aperture. Because of the Micro Four Thirds system's 2x multiplication factor, this 12-35mm lens covers the same zoom range of 24-70mm glass on a full-frame camera, in a significantly smaller package. The optic consists of 14 elements in nine groups, and includes UED and UHR lenses to increase image quality and minimize distortion, along with built-in image stabilization and Panasonic's Nano Surface Coating to reduce ghosting and lens flare. It's also splash- and dust-resistant, and features a metal mount on the rear. Panasonic has yet to release pricing in the US, but the European price tag has been estimated at €1,100 (about $1,400) -- by comparison, Canon's equivalent optic (from a specification perspective) will run you $1,600. For its part, the 12-35mm MFT lens is expected to hit stores in August. Full PR is just past the break.
Pentax K-30 leaks out in French catalog, teases us with weather resistance and 1080p video
It's been more than a year and a half since Pentax first put out the K-r as its entry DSLR, so it's about time that a sequel roll along to keep the company in the game. If we believe a French catalog, the K-30 should soon one-up its 2010-era brother with a new 16-megapixel sensor and an upgrade to "full HD" (read: likely 1080p) video from the 720p of today. Most of the real change, though, appears to be on the outside: the body would be "tropicalized," which we're sure means weather resistance and not a trip to Tahiti. We'll be a bit disappointed if there aren't subtler under-the-hood changes, though, as the ISO 25,600 sensitivity wouldn't be any different than with the K-r, and the four frames per second continuous shooting would be a decided step back from the six of the K-30's ancestor. The €799 ($1,014) with-tax price for an 18-55mm kit version likewise seems a bit steep for an entry DSLR, although we'll bite given that this is the "maximum." Let's just hope there's some wild color options in the pipeline whenever the K-30 arrives.
Olympus OM-D E-M5 Micro Four Thirds camera review
More Info Olympus OM-D E-M5 Micro Four Thirds camera preview (video) Cameras, Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video) Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April) Stepping across the great DSLR divide into the land of mirrorless cameras always requires some compromise. Focusing speed, image quality, lens compatibility and battery life are frequent casualties, but for everyone except professional shooters, the size and cost benefits of swapping a full-grown beast for a compact ILC surely help soften the blow. The latest Micro Four Thirds model from Olympus, the OM-D E-M5, adds functionality that expand that list of betterments even further, allowing more versatility than larger DSLRs have to offer. These perks include a water-resistant design, for starters, along with a nifty lens that offers macro shooting and both manual- and powered-zoom in one compact package. One area where the 16-megapixel E-M5 does match the footprint of its full-size brethren is in price: you'll drop a cool grand for the body alone, while the 12-50mm f/3.5-6.3 lens kit will bump that tag up another $300. Make no mistake, the E-M5 is a fantastic camera, but $1,300 is mighty steep for any mirrorless model, especially one with a Micro Four Thirds sensor. This, however, is no ordinary MFT camera. As the first model in Olympus's OM-D line -- taking design cues from the company's popular line of OM film cameras -- the E-M5 is in a class of its own, at least as far as Olympus's portfolio is concerned. Besides physical appearance, perhaps, the most notable selling point is its focus speed: press the shutter release, and your subject comes into clarity with rapid-fire precision, whether you're shooting in bright sunlight or a dark restaurant. But though the E-M5 has already received accolades for its powerful focusing, you might be wondering how the whole package performs. Meet us past the break to find out.
Fujifilm X-Pro1 high-ISO shots go under the loupe in mirrorless standoff with OM-D E-5 and NEX-7
We'll soon be putting Fujifilm's new interchange able shooter through our own wringer, but in the meantime we found an apt low-light comparison with two of its non-reflex brethren. Although blogging photog Steve Huff admits the tests are "crazy" and depend on the camera's own auto-exposure choices, the results do give some food for thought. How would the pricier rangefinder-bodied X-Pro1 stack up against the Sony NEX-7 and Olympus OM-D E-M5? If we had to guess -- and we really do, given his methodology -- the noise levels on the Fuji at ISO 3200 and 6400 look to be slightly better than the Sony and smaller-sensored Olympus. If you'd like to take a stab at judging for yourself, follow the link below.
Panasonic Lumix GF5 looks identical to its predecessor, offers similar specs for $100 more (hands-on)
It's been a bumpy ride for Panasonic's GF line of Micro Four Thirds cameras. The GF1, an excellent mirrorless camera for its time, was soon replaced with a less-capable entry level model, the GF2. Then another, the GF3. And now, it's time to say hello (again) to the GF5. For better or worse, the GF3 won't be going away -- it'll sit tight at its new $500 price point (with a 14-42mm kit lens), ready to confuse consumers looking to purchase its nearly identical, yet $100 pricier, pseudo-replacement. Both cameras come equipped with 12.1-megapixel Live MOS sensors, though the newer model adds a "High Picture Quality" distinction -- it's been dubbed a 12.1-megapixel "High Picture Quality" Live MOS sensor. So, naturally, we're going to expect some pretty incredible images. Panasonic has also added an ISO 12,800 "extended" mode (the GF3 topped out at a native ISO 6400). There has been a jump in the video department, with 1080/30p MP4 recording joining the 720p mix. Burst mode capabilities have seen an increase as well, from 3.8 frames-per-second to... 4. Finally, it's slightly larger, due to a more substantial (and more comfortable) grip, though battery life has dropped from 340 shots to 320, likely due to a new processing technique aimed at further reducing noise in low-light captures. The GF3 and GF5 look so similar that we mistakenly photographed the former for a minute or two, only realizing the error when we flipped on the LCD. The 5 has a much-improved touchscreen, with a 920k-dot resolution (460k dots on the GF3). It looks gorgeous by comparison, but amateurs making the switch from a point-and-shoot may not take notice. The features they'll appreciate most relate entirely to the GUI, and include a highlight window for selection options, 14 filters with a realtime preview option, a background image that appears on the main menu and a filter recommendation while in Intelligent Auto. This feature works by suggesting that you apply the Expressive or Toy Effect if you're taking a macro shot, for example. Other additions include a stereo microphone for video capture, though the left and right mics are positioned oddly near each other -- on either side of the word "MIC" on the top of the camera, with the right mic angled towards the left -- so we can't image that you'll be getting a true stereo effect. Like its predecessor, the GF5 is clearly designed with beginners in mind -- more advanced photogs should consider the GX1 -- but with a $599 sticker price (with 14-42mm lens), it's sure to be a hit.
Lensbaby Composer Pro gets Samsung, Sony, Micro Four Thirds mirrorless mounts
Lensbaby faithfuls awaiting a mirrorless-compatible Composer Pro lens need not hold out any longer. The company's high-end creative optic is now shipping for mirrorless mounts of the Samsung NX, Sony NEX and Micro Four Thirds variety -- including the Panasonic Lumix G and Olympus PEN. These latest additions join Canon, Nikon, Sony Alpha, Pentax K and Four Thirds versions, which are all available for 300 bucks at the source link below.
Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April)
If a ship date pops up on Amazon for a date in the not-so-distant future, we're typically inclined to listen up -- after all, the world's largest e-tailer probably has a fairly good idea of when its products will first leave the warehouse. This time, it's the Olympus OM-D E-M5, which just appeared on the distributor's Japanese site with an estimated release date of March 31st. There's no mention of a date on the company's U.S. site, however, so it's still unclear whether or not the Micro Four Thirds cam will hit North American shores on the 31st as well. Still, unless a trip to Japan is in the cards for the end of Q1, your best bet for getting early access to the highly-anticipated mirrorless cam would probably be to get your pre-order on at our coverage link below.Update: We're now seeing US retailers listing the device with an April 10th release date. Check the More Coverage links below.
Olympus black E-M5 Micro Four Thirds camera and internals eyes-on
By now we're quite familiar with the Olympus E-M5's attractive external appearance, but what does it look like on the inside? The company carefully disassembled its new flagship model, and displayed the components in ten layers for us to examine at CP+ in Yokohama, Japan. The image sensor module is perhaps the most impressive component, due in part to its five-axis sensor-shift image stabilization. We can also spot the magnesium alloy shell, main system board and top plate. Another display encased a compete E-M5 kit, with a lens, split right down the middle. You'll find a variety of views in the gallery below, along with a special treat: the all-black version of the E-M5, in all its smooth metal glory.
Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video)
Olympus's inaugural OM-D mirrorless interchangeable lens camera, the E-M5, boasts the world's fastest autofocus and a pretty fantastic design, but it's also the first camera to implement a new five-axis sensor-shift image stabilization technology, that allows the lens to compensate for camera shake. The company was on hand at CP+ 2012 to demo the new sensor, which really does shift every which way to keep your photos and video still. We'll of course need to spend some time shooting photos and video with the E-M5 before labeling the five-axis sensor a success, but from the demo we saw today, it looks pretty darn promising. Jump past the break for a video hands-on, and scroll through the photos below for an up-close view of Olympus's latest Micro Four Thirds masterpiece.
Olympus OM-D E-M5 Micro Four Thirds camera preview (video)
Olympus has embraced the camera designs of yesteryear for several generations, from its first Micro Four Thirds models to last year's E-P3. But now the Japanese camera maker is stepping up its retro game, announcing a brand new line of Micro Four Thirds cams. Meet the OM-D. A dramatic departure from the more modern-looking PEN cameras, this new line of mirrorless models, specifically the E-M5, in many ways duplicates the design elements of the 1970s-era OM System. The first consumer camera in that SLR lineup, the OM-10, served as clear inspiration for the slightly boxy, black or silver and black magnesium alloy digital model we have today. We were able to spend some time with the Olympus E-M5 before tonight's announcement, and were very impressed with what we saw. Jump past the break for our impressions and an Olympus-guided video walkthrough, and thumb through the gallery below for a detailed look at the company's answer to the Fujifilm X-Pro1.
Panasonic Lumix DMC-GX1 Micro Four Thirds camera review
It's no surprise that the mirrorless interchangeable lens camera category is continuing to grow at a rapid pace. These compact, pro-featured ILCs undoubtedly have a strong future, with mass consumer appeal and a widening assortment of price points. We're particularly taken with the technology's compact footprint -- we're focusing our camera reviews on mirrorless models, and even outfitted our entire CES team with Sony's NEX-C3. But long before the likes of Sony and Fujifilm launched their first cameras, Olympus and Panasonic dominated the then-infant mirrorless category, developing the Micro Four Thirds sensor standard, that, for better or worse, has failed to catch on among other manufacturers. Surprisingly, Panasonic's pioneering days were far stronger than those of recent past, with the company's GF1 melting the hearts of compact-seeking professionals. But following that successful first model, Panasonic opted to take the GF series in a different direction, launching a dumbed-down GF2 (and later GF3) in what was likely an attempt to appeal to the much larger amateur category. This left the GF1 faithful without a worthy successor -- until now. Panasonic's Lumix line gets a lot more crowded Panasonic Lumix GX1 Micro Four Thirds camera surfaces in leaked photos Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-onThe Panasonic Lumix DMC-GX1 looks pretty standard on paper: there's a 16-megapixel Live MOS sensor, a choice of body colors, RAW shooting, HD video and a top sensitivity of ISO 12,800. Just as it did with the GF2 and GF3 body designs, Panasonic took a different direction with its new X-series lenses, swapping the traditional manual zoom for a motorized version, enabling a much more compact footprint. The difference when positioned alongside the NEX-C3's 18-55mm zoom is staggering, but Panasonic didn't arrive at this slick design without compromise, particularly noticeable when it comes time to swallow the $950 kit price. Still, one look at the hardened matte black metal body is all it takes to know that this is no GF4 -- this is it, the long-awaited successor to the GF1 has finally arrived. So, will the GX1 be our new top pick for the mirrorless category? Join us past the break to find out.
Panasonic G-series lenses get firmware update, performance boosts aplenty
Jonesin' to shoot some radder-than-usual HD video with that Lumix G-series lens? You're in luck. Panasonic released a firmware update for the family of lenses that gives them a needed level-up -- bringing 'em to version 1.1 -- to shoot higher quality video. Added features include enhanced tracking focus for videos, silent auto focus, improved stability for the optical image stabilizer and exposure control. The update applies to seven slabs of metal and glass, and every single unit in the 2011 line is also covered. Hit the source if you're ready to update, but don't expect that 720p ceiling to magically raise to 1080p -- it's just a poor attempt at marketing genius.
Panasonic shrinks its Micro Four Thirds lenses, launches X-series with wide-angle, telephoto zooms
Anyone who's used Panasonic's 14-42mm Micro Four Thirds zoom lens has probably noticed its relatively bulky design, especially when compared to Olympus's counterpart. Today, the company announced a new lens that offers the same zoom and f/3.5-5.6 aperture range in a housing less than half the size when closed, and still noticeably smaller when extended. The first of two optics in Panasonic's premium X-series -- the second is a 45-170mm f/4-5.6 zoom -- it's been billed as the world's smallest digital interchangeable power zoom lens, thanks to its internal zoom motor which lets you adjust the focal length using a side-mounted rocker -- the design is similar to the zoom toggle included with the company's new FX150 superzoom. Priced at $399, it also includes a metal lens mount, instead of the plastic mount used with the existing $199 14-42mm lens. That second 45-170mm zoom ($449) can replace Panasonic's 45-200mm lens ($349), and while the size difference isn't as dramatic is its smaller X-series sibling, it's still noticeably smaller and lighter. Both lenses include optical image stabilization and feature nano surface coatings, designed to reduce ghosting and lens flare. The 14-42mm lens will ship in October in black and white (for use with silver bodies), and the 45-170mm zoom will ship in September. They'll only be compatible with the GF-2, GF-3, and G3 at launch after downloading a firmware update -- Panasonic is leaving it up to Olympus to release supporting firmware for its own cameras be compatible with all G-series cameras at launch, without the need for a firmware update. Jump past the break for more details from Panasonic, and check out the gallery below -- complete with side-by-side shots for both lens classes.%Gallery-131060% Update: Panasonic issued a correction saying that both lens will be compatible with all G-series cameras without the need for a firmware update.
Panasonic GF3 reviewed: aging 12 MP sensor, good upgrade for current compact users
When the Lumix GF1 was released less than a year after Micro Four Thirds first made its debut, it made a huge splash for its size, image quality, and versatility. Problem is, Panasonic set the bar very high for future GF-series models, and has sadly come up short with its latest update, positioning the GF3 ($600 with 14-42mm kit lens) as an upgrade for compact camera owners while leaving enthusiasts longing for much more. DPReview took the GF3 to task, publishing a very comprehensive review while finding that while Panasonic's latest ILC is a good fit for some photographers, more advanced users will likely be disappointed -- especially if they're expecting a rangefinder-like successor to the GF1. We spent a few hours with a pre-production GF3 earlier this summer, and weren't blown away by its performance. When testing against the class-leading Sony NEX-C3, we found the Sony camera to offer faster focusing, better high-ISO performance, more accurate white balance, and better image quality overall. So unless you're really gunning to save 50 bucks on an ILC with a kit zoom (or you already have a collection of Micro Four Thirds lenses), the $650 C3 is definitely the better bet.
