HD Camera
Latest
PlayStation 5 accessories include a camera and '3D' headphones
Sony has unveiled the first official PlayStation 5 accessories, including a camera, headset, remote and charging station.
GoPro Hero3+ review (Black Edition): your action videos never looked so good
Got an adventurous spirit? A love of video? If either of those apply to you, then you're likely well-familiar with GoPro. Heck, if you nodded "yes" to both, then there's a chance you actually even own one. Every iteration of the camera has promised to bring your chosen activity to life in more detail and clarity. So, what could the king-of-the-cams pull out of the bag this time around to inspire another purchase? The answer -- GoPro hopes at least -- is the Hero3+. As the name suggests, this is more of an incremental revision, rather than the overhaul we saw with the last update. That's not to say there isn't anything to talk about here; there really is. But if you were hoping for 8K (c'mon, really?), or even full frame rate 4K, then sadly no dice. What you will get are better optics, a new "SuperView" mode, an improved battery and a slimmer profile (more on this later) -- all for the same price as last year's model. We jumped at the chance to get outside and see how it fares, so join us below to see the results.
Looxcie HD brings 1080p and WiFi streaming to a helmet near you
Looxcie isn't just a luxurious sounding word (and terrible pun), it's also a maker of life-casting head-mounted cameras. Up until now, it would only let you capture your life in a rather pedestrian 480p, but the new Looxcie HD does away with that, letting you grab that bike ride in full glorious high-definition. Other additions include WiFi (previous iterations relied on Bluetooth) to hook up to your Android or iOS device with, a larger 1,200 mAh battery and improved low light performance. Owners of previous models might spot that with new features comes a new, larger form. The price of evolution it seems. The price for the device, on the other hand, is $279, or $329 if you opt for the "Explore" bundle, which incidentally you can pre-order now. Peep at the source for more.
Canon announces EOS C100 cinema camera, confirms October shipping for the C500
Canon already gave those looking for a full-frame DSLR plenty to think about recently, and now it's stirring up the movie-maker's pot. It's just announced a new member to its EOS digital cinema collection -- the EOS C100 -- and given us a better idea of when we can expect that C500 to land. The C100 essentially offers a new prospect for those with pockets not quite so deep. Unlike its 4K sibling, the C100 offers 1,920 x 1,080 AVCHD via its Super 35mm 16:9 CMOS sensor, has an ISO range of 320 to 20,000 and sports the EF mount system. Other features of interest include a push auto iris function, one-shot auto focus, a multi-angle 3.5-inch LCD and a locking HDMI output. The C500, meanwhile, has now been tipped for an October debut with that princely $30,000 price-tag. But, if the C100 sounds more your jive, then you can scoop one up in November for a slightly less tax-deductible $7,999. Canon also took the opportunity to offer up two new cinema lenses: the CN-E15.5-47mm T2.8 L S/SP wide-angle and the CN-E30-105mm T2.8 L S/SP telephoto. Care to know more? Focus on the PR after the break.
Veho Muvi HD 'NPNG' Edition action camera impressions (video)
Action cameras. We love 'em. Much like buying new sports gear, owning one makes you feel one step closer to the adventurer you know your true self to be. While we're familiar with more than one contender for the "gnarly throne", who said there wasn't room in the rankings for one more? Veho's been making pocket-friendly cameras for some time, even of the action variety, but this latest edition -- in conjunction with No Proof No Glory (an extreme sports video hub) -- sees it making the clearest move yet towards carving its own slice of the high-octane pie. The latest member of the Muvi HD family will do you full HD at 30fps, along with 720p (at both 30 and 60 fps) plus the usual other resolutions -- 960p, WVGA, etc. Of course, it'll also do stills (if you don't mind them all being wide-angle) and it'll even just record audio if you like. So far, so good. What really got us interested, though, was that Veho has squashed two of our most common bug-bears with action cameras by including a viewfinder / screen and a remote control as standard. So, with hope in our hearts and glory to prove, we fastened one on and took it for a ride. Scoot past the break for the impressions.%Gallery-160204%
Zeal Optics iON goggles take full HD to the slopes, let you share the extreme thrills
Ever find yourself shredding the gnar and wishing you could share the breathtaking rush of scenery with others? Well, now you can, courtesy of Zeal Optics. Not content to sit on its GPS-laden laurels, the company's added a new twist to the 'ol polarized ski goggles, embedding the iON with an HD camera for 170-degree wide angle recording. The inbuilt module, centered up top, pulls in video and audio at full 1080p and can be controlled using an array of buttons alongside the mask or via the bundled PC / Mac software. If you're not interested in reliving your downhill trek one swoosh at a time, there's always the 8 megapixel cam for photo-taking. Unfortunately, this high-tech eyewear can't wirelessly transmit your captured media -- at least, not this version -- so you'll have to make do with the included microSD card. Sound like a neat proposition? Good, then be prepared to cough up $399 for this high-def slope accessory. Official presser awaits you after the break.
Sony shoots out CineAlta F65 4K camera and PMW-TD300 3D camcorder at NAB
The current trend in the world of home theater may seem like 3D cinematography is all the hype these days, but Sony's latest imager in its CineAlta family begs to differ. Unveiled at the 2011 NAB Show, this F65 mammoth camera (pictured right) packs one beastly 20.4 megapixel, Super 35mm CMOS sensor -- a huge leap from the F35's 12.4 megapixel 1080p CCD. Aside from the obvious quantitative difference, what's special about this new chip is that unlike the Bayer BG-GR subpixel matrix on conventional 4K sensors, here we have green pixels forming the 4K grid while an RB-BR matrix fills in the space, thus doubling the number of horizontal pixels to 8K for a finer 4K picture (see illustration after the break), as well as allowing better visual effects editing using the extra data. What's more, this sensor is fast -- not only can it capture up to 72fps on 4K, but it can also crank up to a smooth 120fps on 2K. As for those seeking to squeeze out every bit of detail from their clips, don't worry: the F65's got you covered with a 16-bit RAW output (19Gbps) at 4K resolution, or it can be compressed to 5Gbps for the convenience of recording onto the new SR-R4 portable 4K recorder. Looks like Sony's finally found a candidate that'll put a lid on film stock, but then again, at the end of the day it'll depend on the price tag when it comes out in Q3 this year. Of course, Sony isn't going to just ignore the 3D scene here. Also announced at NAB is the PMW-TD300, which will be the first professional 3D camcorder sporting a shoulder mount. Featuring a pair of Exmor 3CMOS sensors, hardcore cameramen will finally be able to go mobile with this new toy while filming 3D in 1080p. Not sure how the videos will turn out, though -- we're not keen on the idea of watching shaky and potentially nauseating 3D captured by someone running along the sideline. Anyhow, this camera will be up for grabs in Autumn this year. [Thanks, Blackjack]
RED Scarlet fixed lens camera shown in public (video)
It may never ship at a price point we peons can stomach, but we're no less thrilled to see RED's fixed lens Scarlet being handled by a mere mortal on video. One Tonaci Tran was fortunate enough to brush into Jarred Land at a 3D workshop, and he just so happened to have a fully functional Scarlet on his person. Tori noted that the unit was a touch lighter than the Epic, and the top-mounted 5-inch touchscreen was obviously rather captivating. We'd bother going on (and on), but chances are you've already clicked through to catch the video. And if not... why? [Thanks to everyone who sent this in]
Sharp busts out world's first 3D HD camera for mobile devices
Oh yeah, things just got real. Sharp has announced an industry first today, with its 720p-recordin' 3D camera module. Intended for mobile devices like smartphones and point-and-shoot digicams, this miniature wonder will be sampling in July and hitting mass production before the end of the year. Not much else is known about it at this point -- we can guess it'll cost a pretty penny when it debuts -- but Sharp has penned an effusive press release, which you may explore just past the break.
Sony develops "world's smallest" HD camera module
The tiny HD hits keep coming today -- first we saw eASIC's $5 integrated H.264 codec chip, and now Sony's crowing about the new MCB1172 HD camera module it claims is the "world's smallest." There's some pretty impressive tech packed into that tiny package: you're looking at an 8.3 megapixel sensor that can shoot 720p/30 video with image stabilization, face detection, high-ISO mode, and 120fps slow motion. Not bad for a piece smaller than a quarter -- hopefully we'll see this thing pop up all over soon.
BBC reveals stunning sample footage shot with TyphoonHD4 camera
The BBC has already proven itself to be quite the source for some impressive HD images, but the network's Natural History Unit looks to have really outdone themselves for their forthcoming South Pacific documentary, which makes use of a modified, $100,000 TyphoonHD4 camera. Of course, those exact modifications appear to be a closely-kept secret, but it has apparently been outfitted with a special underwater housing designed by German high-speed camera expert Rudi Diesel, and the camera itself is able to shoot in high definition at 20 times the speed of a normal HD camera, which results in some pretty amazing super slow motion footage. You can get a taste of that after the break but, trust us, you'll want to head up the read link below to really get a sense of what this thing is capable of.[Via SlashGear]
Kodak Zx1 pocket HD cam and Z980 zoomer hands-on
Kodak came to CES with the new Zx1 rugged pocket HD cam and Z980 24x zoomer, and we spent some quality time with both. The Zx1 is an interesting repackaging of the Zi6 -- it loses the pop-out USB connector in favor of a sealed waterproof casing, but it gains HDMI out and some fabulous colors. The Z980 is pretty large, but it's super-light, almost surprisingly so. The unit we got to play with here is actually a pre-pro model, so that silver ring will be black on the final model, but otherwise it's the same thing. Pics in the gallery! %Gallery-41035%
Toshiba to showcase "world's smallest HDTV camera" at NAB
Granted, Toshiba Imaging's IK-HD1 3CCD HDTV Camera may not matter much to the consumer as-is, but we're all about the progress. Ready to make its grand, er, wee entrance at NAB Show later this month, the aforementioned unit touts the planet's "smallest" HD camera head (1.6-inches; 2.3-ounces), which should give program producers in tight spots one less reason to not capture content in high-def. In that vein, Tosh even notes that its ability to capture at 1,920 x 1,080 at 30fps makes it "highly suitable for reality TV (you getting this, producers?), specialty broadcast, sports, news and commercials." We know, this totally opens the door for an HD version of Punk'd, but hey, you can't win 'em all.[Via Engadget Spanish]
Panasonic Lumix DMC-FX500 features touchscreen, 720p movie mode
If Panasonic's Lumix DMC-FX500 skipped out on PMA in order to get fitted with a touchscreen LCD monitor and HD recording capabilities, we'd say it was certainly a smart move. This well-spec'd shooter sports a pocket-friendly design, a 10.1-megapixel sensor, a 25-millimeter ultra-wide-angle lens, 3-inch touchscreen, 5x optical zoom and a swank movie mode capable of logging clips at 1,280 x 720 at 30fps. For those worried about said feature chewing through their SD / SDHC card (or the 50MB of built-in memory), WVGA (848 x 480) and VGA (640 x 480) video modes are available as well. You'll also find such niceties as optical image stabilization, red-eye correction, face detection and Auto Focus tracking for good measure. Drooling yet? Chew on the choice of black or silver and get your $399.95 ready to drop come May.[Via PCMag]
RED ONE HD camcorder finally gets a street date
So we know a lot of you have been on the edge of your seat concerning the RED ONE modular, high-end, HD HD-clobbering camcorder system. The camera -- announced at NAB way back in the wild, sun-soaked days of 2006 -- rocks 11.4-megapixel, 60fps video, and is designed as a multi-part system, featuring a base unit that can be modded with a variety of add-ons -- allowing for all kinds of crazy configurations (just what the low-budget auteur is after). Now, according to the Reduser forums (and more specifically, Jim Jannard, Oakley founder and Red Digital Cinema company head), the RED ONE shipments will begin on August 31st, with a second batch to follow on September 7th. Sure, the $17,500 base system price-tag may seem prohibitive to some, but as we all know, fear is the mind-killer, and if you're really serious about that film you're making, you're going to need something like this. Time to break open the piggy-bank.[Thanks, Blayne G]
Sony's DSC-H7 / DSC-H9 CyberShots get official, pack 15x optical zoom
If you're here for surprises, you're not apt to leave satisfied, but if you're interested in a few extra deets on Sony's latest duo of megazoom digicams, this is the spot. Set to replace the DSC-H2 and DSC-H5 just about one year after their respective releases, Sony once again did a horrendous job keeping the DSC-H7 and DSC-H9 on the low, but we're not complaining or anything. Anyways, future H7 / H9 owners can look forward to a Carl Zeiss 15x optical zoom lens, 8.1-megapixel sensor, face detection technology, HDTV output, the ability to shoot up to 1/4000 of a second, Bionz processing engine (seen in the Alpha lineup), Super Steady Shot optical image stabilization, up to ISO 3200, and red-eye reduction. The H9 steps it up ever so slightly by adding a three-inch flip-up LCD (compared to the H7's 2.5-inch rendition) and Sony's own NightShot technology, which purportedly allows photographers to snap legible shots even in dark alleys. Notably, neither camera sports any kind of movie mode whatsoever, and those hoping to shoot in RAW will also be sorely disappointed, but if you're fine with those two oversights and the massive zoom tickles your stalking instincts, both cameras will be landing in April for $400 (DSC-H7) / $480 (DSC-H9). %Gallery-1827%
