ImageStabilization
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Ricoh's Theta Z1 shoots 360-degree RAW images for $999
Ricoh has unveiled the Theta Z1, a 360-degree camera that offers near-professional features for a price. It's got a pair of backside-illuminated 1-inch sensors and variable apertures that let you shoot 23-megapixel images at f/2.1, f/3.5 and f/5.6. On top of that you can shoot RAW photos and 360-degree, 4K video. That makes it potentiallly very interesting for professional or semi-pro projects, especially as a "B" or secondary camera.
Oppo promises stable photos from smaller smartphones
Numerous smartphones have image stabilization, but they're usually large, chunky or both, and for good reason: The optical (lens-based) stabilization they typically use chews up a lot of space. Oppo, however, believes it has a better way. Its new SmartSensor brings sensor-shifting stabilization to phones (reportedly for the first time), giving you blur-free shots without the usual bulk. Moreover, it fixes some of the chronic problems with OIS. It's much faster when correcting shots, uses about 50 times less power and accounts for rolling motions and other kinds of shaking that optical stabilizers usually can't correct.
Add-on promises to stabilize video from nearly any camera
It's possible to stabilize your phone videos through Hyperlapse, and dedicated video editors can smooth out other shaky clips with enough time and effort. But what if you want a simple way to eliminate jitters no matter which camera you're using? SteadXP believes it can help. It's crowdfunding a namesake device that brings three-axis video stabilization to virtually any camera, whether it's an action cam, a DSLR or a pro-grade cinema cam. While many of these shooters have some kind of stabilization, SteadXP's device uses motion tracking with after-the-fact software analysis to deliver the kind of graceful, movie-like stabilization that would normally require a gimbal or steadicam.
Casio launches EX-ZR800 compact in Japan with 5-axis image stabilization
With the smartphone hordes banging at their gates, compact camera manufacturers are being forced to up their game. As such, Casio's just launched a 16-megapixel, 18X zoom EX-ZR800 Exilim engine-equipped model with features like continuous shooting, "night shot" ISO 25,600 sensitivity, HDR and five axis stabilization. Unlike with the Olympus SH-50, however, the latter feature works on stills only and not video to correct translational and rotational camera shake. You'll also get 1080p / 30fps H.264 video, a 25-450mm zoom range, f/3.5-7.0 aperture, time-lapse, 5fps burst speed, selective blur and "triple shot" exposure, which saves an image before you even press the shutter. The EX-ZR800 will arrive in Japan in red, white or black on August 23rd for 40,000 yen (about $410). There's no indication of a western arrival, but if we had to guess we'd expect it to trickle over to Europe and the US shortly afterwards. In the meantime, check the (translated) source for more.
Latest Nokia Lumia 928 teaser demonstrates OIS skills (video)
Nokia is continuing its trail of breadcrumbs to the official Lumia 928 launch, with today's drop including this rendering of the phone in white and a video meant to show off its optical image stabilization chops. The phone pulls off some high quality video recording attached to a remote control helicopter flying through the forest, as it attempts to keep blur to a minimum. It also shows off a flash that, to our eyes, looks like the xenon bulb featured in the 808 PureView. There's no comparison to other devices this time around, so you'll just have to imagine what other phones could capture in similar circumstances (or, do the test yourself and send us the video -- whatever works). Check out the demo after the break to see the results yourself, or hit the source link to sign up for more info.
iPhone 5 and Nokia Lumia 920 face off with image stabilization test (hands-on video, updated with Galaxy S III and HTC One X)
Nokia's Lumia 920 packs the industry's best image stabilization -- there's no questioning that -- thanks to a camera module that pairs both sensor and lens-based optical IS. The iPhone 5 also offers a notable improvement over its Apple-made predecessor on the video front, but considering that its stabilization is of the digital variety, we wouldn't expect it to top Nokia's new flagship. We had an opportunity to test both smartphones in a head-to-head demo at Nokia's research and development facility in Tampere, Finland, about two hours north of the company's Espoo headquarters. In fact, we're told that this is the very first such comparison shoot in the world, considering that the iPhone made it to market just last week and the only opportunity to shoot with a Lumia 920 is currently in the European country where the device was born. As expected, the Nokia phone was able to capture far smoother video than what we snapped with the iPhone, with both devices secured side-by-side in a homemade foam holster. Unlike our handheld interview shoot earlier today, we pushed the limits a bit further this time, running through Nokia's parking lot and turning every which way as well. It's important to note that the Lumia 920 we used was a prototype, but its performance was still quite solid. You'll find the side-by-side video just past the break -- the Lumia 920 is on the left, with the iPhone clip on the right.
Nokia Lumia 920 makes PureView appearance at Photokina with anti-shake video demo (video)
Sure, Nokia's recently announced Lumia 920 runs Windows Phone 8, but its banner feature is actually the PureView camera, which in some ways seems more capable than that of its 808 sibling. Company reps were on hand at the Carl Zeiss booth at Photokina demonstrating this latest handset's low-light abilities -- which are quite striking. Just as impressive, however, is the device's heralded stabilization feature, which captures an impressively smooth clip even with exaggerated hand shake. Considering the degree to which the Nokia rep was shaking, users with steadier hands shouldn't have any issue capturing excellent quality video. We were unable to view the clip on a computer, so our impressions are only based on what we saw on the LCD, but the feature was impressive nonetheless. We'll of course need to reserve formal judgement until we can conduct our own tests, but this PureView preview was certainly convincing, and quite encouraging -- especially the side-by-side clip comparing the 920 to a "US-based manufacturer's" smartphone. Catch it in full in the hands-on video after the break.
Insert Coin: Stabil-i case reduces iPhone camera shake, fits in your pocket (video)
In Insert Coin, we look at an exciting new tech project that requires funding before it can hit production. If you'd like to pitch a project, please send us a tip with "Insert Coin" as the subject line. Ah, stability, a commodity valued by videographers who want to produce footage that won't make their viewers throw up. Reducing camera shake can be especially tricky when using a smartphone such as the iPhone, whose form factor and light weight make it easier to have the shakes while shooting. Currently, options for reducing camera vibration in iPhone videos include apps like the Dolly Cam and more hardware-oriented solutions such as the Steadicam Smoothee. Our latest Insert Coin candidate, the Stabil-i, happens to use the latter route, serving up a "video stabilization iPhone case" that's still reasonably affordable. According to its creators, the Stabil-i's design is based on concepts found in larger, more expensive camera stabilization systems used in the film industry -- minus 90 percent of the hardware and the expensive bearing system. The result, they say, is a device that does a good job in reducing camera shake while still being compact enough to fit in one's pockets.
Qualcomm's Snapdragon S4 flexes its imaging muscle (video)
While we already know that Qualcomm's Snapdragon S4 will offer a quad-core variant, incorporate LTE and use a 28nm manufacturing process, the company posted an article to its media blog ahead of Mobile World Congress showcasing the new features provided by the chipset's Image Signal Processor. You're likely familiar with some of the imaging functionality available in Qualcomm's existing Snapdragon processors -- technology like Scalado's Rewind (pictured above) which we've covered before. The new SoC cranks things up a notch with support for up to three cameras (two in the back for 3D plus one front-facing), 20-megapixel sensors and 1080p HD video recording at 30fps. In addition to zero shutter lag, the Snapdragon S4 includes proprietary 3A processing (autofocus, auto exposure and auto white balance) along with improved blink / smile detection, gaze estimation, range finding and image stabilization. Rounding things off are gesture detection / control, augmented reality and computer vision (via Quacomm's FastCV). Want to know more? Check out the source link below, then hit the break for video demos of the S4's image stabilization and gesture-based imaging chops.
Canon unveils new PowerShot A-Series cameras, brings image stabilization to its entry-level
Thought Canon was done with the point-and-shoot updates after refreshing its ELPH lineup last month? Think again, as the company is updating its PowerShot A-Series shooters with six new models in a variety of colors. All the cameras pack a 16-megapixel sensor, 28mm wide angle lens and can take 720p video. First up is the A4000 IS, which brings image stabilization, 8X optical zoom and a 3-inch LCD for $200 later this month. The A3400 IS and A2400 IS make their debuts in March, and bring the same image stabilization as the 4000, but have a lesser 5X optical zoom. Additionally, the 3400 packs a 3-inch touchscreen LCD and costs $180, while the 2400 gets a smaller non-touchscreen 2.7-inch LCD and retails for $150. Meanwhile, the A2300 has the same specs as the 2400, minus the image stabilization, and will cost ten bucks less than its brother when it drops next month. Finally, the PowerShot A1300 and A810 each come with 5X optical zoom and a 2.7-inch LCD when they debut in April, with the A810 priced at $110 and the A1300 available for $120.
Way-Go flashlight uses lasers to light your path, GPS to tell you where to go
We love just about anything involving lasers or robotics here at Engadget, so naturally, we're intrigued by Sriranjan Rasakatla's Way-Go flashlight that combines the two. It's comprised of a laser pico projector, GPS module, altitude and heading reference system (AHRS) to not only light your path but also tell you which way to go. It can be used strictly as a flashlight, but users can also input starting and destination points to have the Way-Go guide them. There's also a wander mode that displays info about your surroundings as you stroll around -- though naturally, such information must be pre-programmed into the device. Because it displays stuff that needs reading, the projector's connected to servos that can keep it locked on a projection point to keep it readable no matter how much you move the Way-Go around. Rasakatla sees the device being useful in search and rescue, backcountry trekking, and campus tour guiding -- odd, 'cause in our day, kids walking around campus at night were trying to find out where the party was at, not learn about the architecture of the academic buildings. Regardless, you can see the Way-Go in action after the break.
YouTube unveils post-production suite, includes Instagram-like effects and shake reduction
Nothing says 'YouTube' like a grainy handheld shot that acts as a catalyst for nausea; sadly, this may all be set to change. The digital home of Home Videos has introduced a suite of new effects that lets you patch up your candid classics, even after you've uploaded them. What's more, the changes you make are non-destructive, so if your grand idea proves dreadful in reality, you can go back and undo all your meddling. The usual family-friendly sepia, cartoonify and vignette type fare -- courtesy of photo editing amigos Picnik -- are joined by some more practical tools such as brightness, rotate and the aforementioned sickness-solving stabilization. However, if your clip has more than 1,000 views you'll need to save it as a new one -- wouldn't want the next Numa Numa vid to get all discolored after going viral, now would you?
DollyCam app lets you stabilize iPhone 4 videos, we go hands-on (video)
Apple's iPhone 4 can serve as a great little camcorder when you're in a bind, but it's never been our go-to cam for video shoots. Not only is its small sensor not best suited for high-quality HD shooting, but the smartphone form factor can be awkward to hold, resulting in shakier than normal footage. A new app called DollyCam, which also supports iPad 2, helps soften the blow of the latter, letting you successfully stabilize videos -- with a few drawbacks. We took our iPhone 4 out to test a watermarked free version of the app in New York City, shooting a scene first with the phone's native app, and then with DollyCam. It won't replace a hardware solution like the Steadicam Smoothee, but it's significantly cheaper and more convenient. The only major issues we noticed were related to softened sound capture of all things (pay close attention in the video past the break), and the fact that the app can't process in real-time, so a minute-long video clip will need about five minutes to process. The app does crop your footage slightly, as can be expected. You'll also need to remain in the app as it's processing, though you can also stabilize videos later, after completing your shoot. Overall, it's an acceptable solution, especially considering the $2.99 price tag. Jump past the break to see original and stabilized clips, and browse through the gallery below for a quick look at the interface.%Gallery-130039% [Thanks, Jon]
Google Talk to use SRI technology for stabilizing video chats, revive Chatroulette
Okay, so maybe it's not the only reason that Chatroulette is due for a revival, but it certainly won't hurt matters. SRI International has just announced that it'll be providing image stabilization software to take the jiggles from your future Google Talk videocalls. 'Course, you'll need an Android 3.0+ device in order to take advantage, but the general consensus here seems fairly positive. SRI's press release (embedded after the break) isn't exactly laced with details, but GigaOM is reporting that this could also improve battery life, but only the heaviest of video chatters are apt to notice the difference. Looks like distracting yourself just got a whole lot less distracting.
Canon 18-55mm lens torn open to expose visuals of Image Stabilization (video)
Hey there, snap-shooter. If you've ever used a Canon DSLR with an 18-55mm lens, you may be horrified to know that the image above is its exposed lens elements. Don't worry, though, it's for science! Recently, Preston Scott from Camera Technica used a laser to show how unsteady your hands are when taking a photograph; now he's back to detail how lenses with Image Stabilization compensate to help in achieving crisper images. IS isn't exactly new technology, but seeing how the glass' internal springs, accelerometers, and gyroscopes react to movement is mesmerizing. Not surprisingly, he also found that photos taken with IS deactivated were usually less sharp. You'll find a steady video of the action past the break, as well a detailed breakdown by hitting the source link below.
Lasers prove you can't hold a camera still (video)
If you think schlepping a tripod along with your DSLR isn't worth it because you're convinced you can get a clean shot if you just concentrate hard enough, we have to ask... how's that working out for ya? To demonstrate the destructive power of shaky hands, Camera Technica attached a laser to the hotshoe of a Canon 7D, with the light reflecting off a wall 20 feet away. The lesson: it's challenging enough to get a crisp shot with a tripod -- let alone without. In the video below, the laser point wobbles erratically when the photographer gingerly presses the shutter with his finger. In the second clip he uses a remote release, which visibly cuts, but doesn't eliminate, the shake. Only when he locks up the mirror and resorts to a remote release does the shaking drop to a minimum. Need some more vivid evidence? We highly suggest heading past the break for a demo that might just make you reconsider that decision not to pack a Gorillapod.
Reserve Power: Steady now
Ross Rubin contributes Reserve Power, a column that presents personal perspectives on personal technology. He also contributes Switched On each week. While image stabilization has come a long way, a good tripod or mount can make all the difference in some photos, particularly shots that demand long exposure. There are scores of options on the market, and tripods models catering to pros can cost thousands of dollars. But for those who are looking for some support, particularly on the go in situations where a traditional tripod or monopod is impractical, there are lots of novel products on the market that can help bridge the gap. Note that several of these products are designed to work only with compact digital cameras and camcorders. With that caveat in mind, here are some of my favorites.
Sony A55 / A33 video recording limited by overheating sensor
So this is why the promo video accompanying Sony's launch of the A55 and A33 was set against a snowy backdrop. It turns out that these oh-so-revolutionary translucent mirror shooters can't keep their cool for any longer than 11 minutes when recording video at a temperature of 20 degrees Celsius with Image Stabilization turned on. The A55 is even quicker to overheat at 9 minutes, though it's worth noting that with IS switched off you can obtain the maximum of nearly half an hour of footage -- provided the weather doesn't heat up. Sony blames this on the APS-C-sized sensor within, and it' true that plenty of DSLRs come with artificial time limits -- our D5000 won't let us get past five minutes however we try to sweet-talk it -- but it's an irksome limitation to consider if you're thinking of buying either of these Alphas for their otherwise awesome video capabilities.
TUAW review: Camera+ for iPhone
Last week, TUAW featured a post about how development house tap tap tap has been able to string together a series of App Store successes. In that post, we used tap tap tap's sales stats for Camera+ to demonstrate the company's success not only in the U.S. App Store, but internationally as well. That post got me intrigued about the Camera+ app, so I purchased it for installation on my iPhone 4. What I found is a US$1.99 app (it's currently on sale at that price, so buy it soon) that is a must-buy for any iPhone owner who likes to dabble in photography. The UI for Camera+ is the first clever detail in an app that's chock-a-block with little wonders. What you see after launching the app is what appears to be the viewfinder on an DSLR camera with a small LCD display below. On that display are two buttons -- Take photos and Lightbox. Take photos does exactly what you would expect -- the screen zooms up from the viewfinder view to a full-screen iPhone image of what your camera is facing. On the iPhone 4, of course, you have the choice of either the front-facing camera for self portraits or the high-resolution (5MP) camera for taking pictures of other people or objects. When you're ready to shoot, you can either just press the traditional shutter button or turn on image stabilization. %Gallery-97828%
Olympus' SP-800UZ 30x superzoom starts taking pre-orders
Thought your decision was made when Nikon's P100 superzoom hit online stores yesterday? You might wanna give Olympus' offering a quick peek as well, as today the SP-800UZ has debuted on Amazon with a similar shipping schedule of three to five weeks. It brings quite the punchy résumé too, with its 30x optical zoom and $349 price both being that little bit better than Nikon's hardware. Additional enticements include a 14 megapixel sensor with dual image stabilization, AF tracking, 720p video recording, face detection and a 3-inch LCD. Just to make sure you're completely comfortable with your purchase, the above price also includes a spare high-capacity battery, mini tripod, lens cleaning kit, and a USB card reader. Man, wish mobile operators treated us like this. [Thanks, Ron]
