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Nikon 1 V2 mirrorless camera hands-on! (video)
If you followed the launch of Nikon's J2 interchangeable-lens compact recently, then waking up to today's announcement of a higher-specced V2 probably won't come as a huge surprise. Nevertheless, whereas the J2 was frustratingly incremental compared to the J1, the V2 will likely represent a more significant upgrade when it lands on shelves at the end of November. For a start, the magnesium alloy camera has been bestowed with a sizable grip, which makes a vast difference to its ergonomics -- it feels much more secure and manageable in the hand, without hurting the small and lightweight appeal of this form factor. Nikon has found room for a pop-up flash too, which is certainly nice to have. The mode dial has moved to the top of the camera and now includes the four main shooting modes (P/S/A/M) -- a change which, in one fell swoop, helps the entire remainder of the control system to become more intuitive and accessible. A new processing engine allows the camera to shoot 15 fps with continuous focus (versus 10 fps with the V1), with Nikon claiming that AF speed has been improved as well. And as for the bad news? It's waiting for you after the break.
Sharif Sakr10.24.2012
Nikon 1 V2 unveiled: 14.2 megapixel ILC shoots 15fps stills for $899.95 in November
It was just over a year ago when Nikon first dipped its toe into mirrorless waters with its first two 1 System cameras, the V1 and J1. Now, the company has released the V1's successor, the aptly named V2. Like its elders, the V2 has a 1200fps slo-mo capture mode, a 3-inch LCD display on the back, a high-res (1.4 million dot) electronic viewfinder, and does 1080/30p and 1080/60i video capture (Alas, 4K recording capability didn't make the cut). Unlike the V1, the V2 comes in only black or white and uses an upgraded 14.2-megapixel CMOS sensor with an ISO range of 160-6,400. It also packs a new Expeed 3A image processor in tandem with Nikon's Advance Hybrid AF to deliver higher speed shooting. That autofocus system is comprised of 73 phase detect sensors and 135 contract detect sensors, which enables the V2 to capture stills at up to 15fps for 45 continuous frames -- and it can shoot 60 frames continuously using fixed focus.%Gallery-169057% The camera itself looks quite a bit different from its brethren, with a magnesium chassis, a bulked up grip and a built-in flash, plus command and shooting mode dials up top. It's a layout not unlike Sony's NEX-7, with one dial enabling easy switching between auto and manual exposure modes and a second providing access to secondary shooting controls like exposure compensation. The camera also has a stereo mic on board along with an external mic jack for recording audio. Would-be V2 owners can grab one with a 10-30mm kit lens for $899.95, and Nikon will add 30-110mm glass to that package for $250 more when it goes on sale in late November. Want to know more? Check out our hands-on with the V2 to see the new shooter in action, and Nikon's full PR awaits after the break.
Michael Gorman10.24.2012
Sony Alpha NEX-6 sample shots and video
Sony's fourth member of the acclaimed NEX family of cameras, the NEX-6, predictably slots in between the 5N and 7 in its mirrorless product lineup. We've seen the 6 hardware a few times, and now we've gotten to take some pictures with the thing. Want to know how its 16.1-megapixel APS-C sensor performed? Check out our gallery below and head on past the break for a video sample and our impressions.
Michael Gorman10.10.2012
Canon EOS M review: was Canon's first mirrorless ILC worth the four-year wait?
More Info Leaked EOS M photo looks like Canon's long-awaited mirrorless camera Canon unveils EOS M mirrorless: 18 MP APS-C, EF compatibility, $800 in October with 22mm lens Canon EOS M mirrorless camera hands-on It's here. Finally. Well, that is, if you happen to live in Japan. Canon's very first mirrorless interchangeable lens camera should be hitting shops the world over just as you begin to make room for that decked-out evergreen conifer, but the EOS M is already making the rounds in Canon's home country. It's available at select Japanese retailers for ¥109,900 (about $1,410, including sales tax). That lofty price will net you the EOS M in black, white or silver (the glossy red model remains elusive), complete with 55mm f/2 and 18-55mm f/3.5-5.6 EF-M optics, a Speedlite 90EX external flash and the EF-M Lens Adapter, enabling full compatibility with any and all of your EF and EF-S lenses. The US variant, which comes bundled with only the black 22mm "pancake" STM lens, should run you $799 when it appears stateside beginning October 15th, though neither country's model carries a particularly competitive price tag, especially considering how diverse (and well-equipped) the mirrorless ILC market has become. You might argue that Canon is borrowing a play out of Nikon's book when it comes to pricing the EOS M -- had the camera offered full DSLR functionality, including an advanced user interface, a $799 sticker might be justified. But the company has crippled its new compact shooter so as to avoid cannibalizing its still-successful full-size APS-C DSLR lineup, which includes models ranging from the Rebel T3 (about $475) to the EOS 7D (about $1,350). Appropriately, the EOS M falls right in the middle in terms of capabilities, with the added benefit of a new, nearly pocketable design that should win over more than its fair share of amateurs. That said, there's a reason larger SLRs remain on the market, and Canon very much wants to retain that solid footing. The EOS M isn't for everyone, and that's by design. But is it the right pick for you? Join us past the break as we try it on for size.
Zach Honig10.03.2012
Aptina unveils 1-inch sensor with 1080p video at 120FPS, we suspect Nikon wants 1
Part suppliers sometimes telegraph their customers' plans months in advance: when you're the only provider for a key piece of technology, it's not hard for others to read the tea leaves. Aptina might have just given us one such peek into the future by unveiling its 1-inch AR1011HS camera sensor this week. As the Nikon 1 series is one of the few current, mainstream camera lines to use Aptina's 1-inch sensors, it's quite possible that we're looking at a template for one or more of Nikon's tiny interchangeable-lens shooters. The 10-megapixel CMOS sensor and low-light sensitivity aren't surprises. We're more interested in the wild levels of video capture support -- the AR1011HS can record 1080p footage at 120 frames per second, oversample movies at that resolution or scale up to quad HD. There's no guarantee any or all of the features will make the cut, especially given a dearth of 4K TVs, but it's not hard to imagine Nikon playing to the 1's high-speed strengths with an even quicker upgrade. Mass production starts in the first quarter of 2013, and while neither Aptina nor Nikon has confirmed any plans, Aptina's emphasis on top-tier companies in the "performance-oriented" mirrorless camera world leaves few other choices for a partnership.
Jon Fingas09.23.2012
Fujifilm X-E1 hands-on (video)
Sure the XF1's nice to look at, but the real star of Fujifilm's 2012 Photokina lineup has to be the X-E1. The X-Pro1's little sibling offers up most of the functionality of its bigger, pricier brother -- save for its inclusion just an electronic viewfinder -- into a body that's roughly a third smaller. That said, this is hardly a compact mirrorless -- the X-E1's still got a bit of girth and weight to it, compared to some of the smaller entries in the field. Still, it feels nice in the hand and isn't likely to weigh down your shooting -- particularly for those accustom to using a larger DSLR. It's also worth pointing out, right off the bat, that the retro-styled interchangeable lens camera is significantly cheaper, running you $700 less than the X-Pro-1. Flip the camera over and you get a 2.8-inch 460k-dot LCD. Just above the display is a devoted button that will pop up the retractable flash directly above. The X-E1 will be hitting stores in November, carrying a $1,000 price tag. Buy a kit with a lens and you'll still come in $300 under the X-Pro1's $1,700 price tag, making for a full-featured and great looking little mirrorless for a lot less money.%Gallery-165702%
Brian Heater09.18.2012
Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on)
We've been very impressed with Olympus' first OM-D camera, the EM-5. That model's 5-axis image stabilization and super-fast autofocus won us over, while the retro design appeased nostalgics as well. Now, it's time for that speedy shooting to make its way to the company's other Micro Four Thirds models -- the E-PL5 and E-PM2. Both models, announced today, offer nearly identical specifications, with notable differences on the form-factor front. The E-PL5 is the premium model of this bunch, coming in at $700 with a 12-42mm f/3.5-5.6 lens or $650 for the body only, while the E-PM2 will run you 100 bucks less for both configurations. Both cameras include 16.1-megapixel Live MOS sensors, top ISO of 25,600, 3-inch 460k-dot touch-enabled LCDs, 1080i video and an 8fps continuous shooting mode. The EM-5's five-axis stabilization is absent here, though a three-axis version should suffice in low light. Each model also includes an external flash and a rebate offer for a free Toshiba FlashAir 802.11b/g/n card, which enables connectivity with the OI Share apps for Android and iOS. We had a chance to check both cameras out just before Photokina, and were quite pleased with the design, along with that OM-D-like focusing performance, which really is as speedy as Olympus claims. The camera focused instantaneously with almost all of the lenses we tried, though it was a bit sluggish, understandably, when paired with the 60mm f/2.8 macro. The displays were equally sharp, though the PL5 packs a nifty articulating version, which can tilt up, down or face forward for self-portraits. We also enjoyed shooting with the super-slim 15mm f/8 body cap lens, which features a tiny front element with a slide-over cover -- while it's limited on the aperture front and includes fixed focus, it's arguably more useful than a traditional cap (Olympus hasn't confirmed pricing for that optic, though it'll likely come in below the $100 mark). That aforementioned dust-and-splash-proof macro will retail for $500 in early October, while a new 12mm f/2 lens will ship during the same time for $1,100. The "Mini" E-PM2 will be available in silver, black, white and red, while the E-PL5 will ship in silver, black and white -- both versions will be available in October. You can take a closer look at each of the offerings in the gallery below, then jump past the break for the full rundown from Olympus.%Gallery-165432%
Zach Honig09.17.2012
Olympus E-PL5 and E-PM2 interchangeable lens cameras leak into view
Secrets have been hard to keep in the camera world lately, and now Olympus has undergone its second leak in as many days, but this time with a couple of higher-profile actors -- the E-PL5 and E-PM2 mirrorless cameras. Both will use the Olympus E-M5 sensor with TruePic VI image engine and touchscreen, and are reported to be priced at €399 ($520) for the E-PM2 with a 14-42mm kit lens (in silver, below the break) and €599 ($780) for the E-PL5 with the same lens, shown above. That follows earlier leaks from Sony, Fujifilm and others, along with two upcoming lenses from Olympus that were also outed ahead of time. Hopefully, there'll still be a couple of surprises left when Photokina rolls around next week. [Image credit: Digicam Info]
Steve Dent09.14.2012
Sony NEX-6 mirrorless cam squeezes in between 5R and 7 with WiFi, EVF and dedicated mode dial (hands-on video)
Does the NEX lineup need another model? Sony reckons it does. Meet the NEX-6. The company's latest mirrorless camera looks nearly identical to last year's top-of-the-line NEX-7, with the exception of a new dedicated mode dial, that lets you switch between aperture- and shutter-priority, manual, or scene modes with a hardware control rather than a need to jump into the menu. It offers the same pop-up flash (with a bit more power), a 3-inch 921k-dot TruBlack tilting LCD, an identical 2,359k-dot OLED electronic viewfinder and a strikingly familiar design. And that's where the similarities screech to a grinding halt. The NEX-6 is a hybrid camera of sorts, merging the best of the NEX-7 and the new 5R into a compact ILC that Sony says is its first to offer "full DSLR functionality." You won't be able to snag full-frame captures, as with Sony's brand new Alpha A99, but the 16.1-megapixel APS-C Exmor CMOS sensor should get you well on your way. There's also low-light shooting through ISO 25,600, 1080/60p video, a 10 frames-per-second continuous shooting mode, the new Fast Hybrid autofocus system first introduced with the NEX-5R and a new Multi Interface Shoe that lets you interface with a bunch of new accessories, including a hot shoe-mounted XLR mic input rig ($800). Join us past the break for our impressions and hands-on video.%Gallery-163053%
Zach Honig09.12.2012
Pentax launches Q10 interchangeable lens camera, K-5 II and K-5 IIs flagship DSLRs
It's not every day that a camera company launches two major models the same day, but Pentax has done just that with the Q10 mirrorless interchangeable and the K-5 II / IIs cameras. The Q10 joins its equally tiny stablemate, the Q, to round out its line of mini-sensored, playing-card-sized cams that still let you change lenses. The new model boasts the same bokeh control and effects dial of the original Q, but adds a new grip and several color options, like the now-ubiquitous red shown above. Other features include a K-mount lens adapter, an included 15-45mm zoom telephoto, improved AF performance, full HD video recording, anti-shake technology, 5 fps continuous shooting capability and a pop-up flash. The new mini-shooter will go on sale in October at around $600 with the kit lens. If you have bigger (and deeper) pockets for something more sporty, Pentax has also announced its top K-5 II and K-5 IIs models to replace the popular K5, which has been around since 2010. The weather- and cold-resistant, dustproof DSLRs retain the same 16.2-megapixel resolution of their predecessor, but Pentax claims the new SAFOX X AF sensor has improved sensitivity in low-light conditions and improved auto-focus. The K-5 IIs eschews the anti-aliasing filter found on its sibling, but is otherwise the same, with a 3-inch, 925k LCD, 7fps burst mode, magnesium alloy / stainless steel body and RAW data retrieve function. These models will also appear in October and dent your wallet to the tune of $1,200 and $1,350 for the K-5 II and IIs, respectively. All that might address some of the AF and light sensitivity beefs we heard before, but we'll have wait for the next round of reviews to find out.
Steve Dent09.11.2012
Fujifilm grows X-series mirrorless lineup with 16.3-megapixel X-E1
Didn't jump at the chance to own a Fujifilm X-Pro1? Considering the camera's relatively massive footprint and $1,700 body-only price tag, we can hardly blame you. Fortunately, things are looking up for the company's high-end X-series of mirrorless cameras --- a new model just stepped into town. The X-E1 features the same 16.3-megapixel APS-C X-Trans CMOS sensor as the much pricier X-Pro1, but in a body that's 30 percent smaller. Better yet, this latest flavor, which will ship in two-tone black and silver or solid black "classic designs," will carry a body-only retail price of $1,000. A cool grand will buy you an interchangeable lens camera with a sensor that, according to Fujifilm, is "capable of delivering resolution that is superior to other APS-C sensors, and equal to even some full frame sensors found in popular DSLR cameras." (Sayonara, Canon EOS-1D X.) Like its larger sibling, the X-E1 ditches the low-pass filter typically found in DSLRs in favor of a color filter array, which serves to minimize moire while yielding more accurate colors. A 2.36-million-dot OLED EVF is included for eye-level framing, or you can use the 2.8-inch 460k-dot LCD. The camera boasts a sensitivity range of ISO 100-25,600, packs a pop-up flash, it can capture 1080/24p video and includes a microphone input so you can add external audio sources. The camera is compatible with M lenses using an optional M Mount Adapter, or you can take advantage of Fujifilm's current selection of three X-mount primes. There will also be two new lenses launching alongside the X-E1 in November, including an XF 18-55mm f/2.8-4 and a 14mm f/2.8 prime, priced at $900 and $700, respectively -- you can save $500 by snagging that first lens in a kit with the camera for $1,400. Head past the break for the full PR.%Gallery-164351%
Zach Honig09.06.2012
Sony announces 16.1MP NEX-5R with Fast Hybrid AF, WiFi and downloadable apps (hands-on video)
Sony's entry-level NEX-C3 was recently updated with the NEX-F3, so it was only a matter of time before the company's mid-range mirrorless model scored a successor of its own. Keeping in line with its familiar naming scheme, the NEX-5R includes a new 16.1-megapixel sensor that's based on the version packaged with the 5N, and boasts low-light sensitivity through ISO 25,600. The new model offers a bevy of new features, however, with many stemming from its new-found ability to connect to the web, as Sony's first mirrorless camera with built-in 802.11 b/g WiFi. Standard remote functionality is included, via the Smart Remote Control app that lets you use an Android or iOS device to snap photos, as is Direct Upload for sending media to the web, and a typical suite of sharing features, including PC and DLNA access. The 5R takes connectivity leaps further with PlayMemories Camera Apps, letting you download applications directly to the device, including tools that assist with retouching and sequential shooting. (Sony hasn't confirmed whether firmware updates will be pushed wirelessly as well, but it's a possibility.) With the 5R, the camera maker is targeting current DSLR users who are ready to upgrade but would consider a switch to mirrorless. Digital SLR-like controls will help ease the transition, including a new dial near the shutter release. There's also a new Fast Hybrid AF, which pairs 99 phase-detect AF points with a 25-area contrast system, resulting in noticeable improvements with any lens. There's also 1080/60p video, along with a 10 frames-per-second continuous shooting mode (with AF tracking!). If you were fond of the front-facing self-portrait LCD mode on the F3, you'll be happy to know it's here as well, complete with the downward-facing option included with previous-gen NEX models, but notably absent from the F3. We took Sony's latest ILC for a quick spin, and noticed improvements immediately, especially when it came to the focusing system -- going side-by-side with the C3, the newer camera was able to focus much more quickly and accurately in low-light, even with the standard (and generally unimpressive) 18-55mm kit lens. Touchscreen functionality was present as well, just as it was on the 5N, though you can navigate all of the menus with dedicated controls, should you wish. We weren't able to test WiFi functionality, but it sounds promising in theory, especially considering the optional apps. We'll be taking a much closer look once Sony releases its NEX-5R in mid-October -- the camera will ship in black, silver or white for $650, or $750 with the standard 18-55mm f/3.5-5.6 kit lens. For now, you can take a closer look in our gallery below, or the hands-on video after the break.%Gallery-163052%
Zach Honig08.29.2012
Sony NEX 5R specs reportedly leaked ahead of tomorrow's launch
Sony Alpha Rumors is claiming to have a big pile of specs for what's presumed to be the NEX-5R, so with a fistful of sodium chloride at the ready, here goes. The site believes the new mirrorless ILC will pack a 16.1-megapixel APS-C sensor, low-light sensitivity up to 25,600 and the same tiltable three-inch screen we saw in the NEX-F3. It's also saying that we can expect to see 99-point phase-detection and 25 contrast autofocus points, with 1920 x 1080 HD video recording at 60p and a battery that'll take 400 pictures on a single charge. If those facts have gotten your purchasing-fingers twitchy, we'll be at Sony's press conference tomorrow to find out all the gory details.
Daniel Cooper08.28.2012
Fujifilm X-E1 leaks into view oozing vintage cool
A Japanese site called Digicam Info has leaked pics of a previously unknown Fujifilm mirrorless interchangeable-lens camera, the X-E1. The natty looking snapper bears a strong family resemblance to the X-Pro1 model, but looks to be flaunting a pop-up flash, and lacks the optical viewfinder of the flagship model. The sneaked pics show black and silver-topped models, as well as a previously announced lens, the 18-55 f/2.8-4.0 OIS zoom that has yet to hit the market. No other details, such as price, are available yet, but the model will likely slot behind the X-Pro1 and ahead of the X100 to fill out the retro-look X-family. %Gallery-163284%
Steve Dent08.24.2012
Panasonic G5 mirrorless camera gets September 13th release date in Japan
We enjoyed our short time with Panasonic's new mirrorless G5 in our hands-on last month, even if it was a little on the porky side. And, if you hail from the Land of the Rising Sun and had your heart set on one of these 16-megapixel shooters, Panny's announced you'll get your chance from September 13th. We're getting dangerously close to missing the stateside launch target of August, but where the US website is showing the G5 as unreleased, availability on Amazon tells a different story. We're reaching out for confirmation on that -- as well as pricing -- and will update should we hear more.
Jamie Rigg08.23.2012
Olympus hangs $57 million loss on austerity, strong yen and declining compact camera market
Olympus is reporting a $56.7 million loss for its first quarter of 2012. While its coveted medical imaging arm remains profitable, its life-science and industrial unit suffered thanks to corporate belt-tightening. Unsurprisingly, its low-end compact camera market is shrinking, but sales of its OM-D E-M5 ILC increased by 50 percent, offsetting some of the losses and reducing operating losses from $89 million last quarter to $19 million in this one. Like many of its Japanese rivals, it's also found a strong yen has stifled its return to productivity, a trend that isn't likely to change soon.
Daniel Cooper08.09.2012
Nikon 1 J2 mirrorless camera: minor control tweaks, $549, ships in September
Not even a year after Nikon ceremoniously entered the mirrorless world, it's issuing the followup to the J1: it's the Nikon 1 J2, and it's -- at most -- a gentle revision to a camera that was near-universally hailed as being one of the more disappointing ILC options. Disappointing, of course, because it's Nikon. A company that quite clearly knows a thing or two about photography (D3S / D4, anyone?), but seemed to miss the mark in terms of price, performance and lens compatibility. With the J2, it sort of feels like a do-over. Outside of a slightly tweaked orange color and a reimagined exterior finish, the J2 is identical in size to the J1. You'll find the same 10.1 megapixel CMOS sensor (1-inch), the same autofocus system and support for the same lens collection. What's new are the additions to the Mode Selector dial, which add a smattering of creative options and access to P/S/A/M exposure modes. The rear LCD has seen its resolution double (to 921,000 dots, same as on the D4), and the camera has been intelligently designed to turn on when extending a 1 Series lens out, and turn off when retracting it into storage. Perhaps most importantly, Nikon's finally on the same playing field in terms of asking price. The J2 will ship in September for $549.95, and that includes the same 10-30mm f/3.5-5.6 kit lens that shipped with the J1. If you'll recall, the J1 kit started at $100 more, yet offered far less punch than Sony's cheaper NEX-C3. It's also worth noting that one other player has joined the ILC movement since the J1: Canon. Arguably, the EOS M still beats the J2 in practically every way; the thing that really needed an overhaul in the J2 was the meager 1-inch sensor, yet it remains. Perhaps the best news out of this ordeal is that the J1 isn't immediately going away. Nikon confirmed that it'd remain on store shelves for an undetermined amount of time, likely at a nice discount. If it's offered low enough, it may be easier to live with the shortcomings. In terms of accessories, Nikon's also introducing an optional 11-27.5mm f/3.5-5.6 lens ($189.95; ships next month) for the 1 Series. Though similar (on paper) to the 10-30mm kit lens, this guy is nearly 30 percent smaller from a physical size and weight standpoint. And on the other extreme, there's the WP-N1 waterproof case. This one's engineered to encase both the J1 and J2 for beneath-the-sea action up to 140 feet deep, but the staggering $749.95 (!) price tag is bound to attract jeers, chuckles and blank stares. Now, underwater cases of merit aren't ever "affordable," but offering an enclosure that's a full $200 more than the hardware it protects? Questionable. That said, we'd certainly relish the chance to test one out, but you best be sure that Nikon's J1 / J2 is going to be your underwater cam of choice for a long while before plunking down that much coin. %Gallery-161985%
Darren Murph08.09.2012
Nikon makes $201 million quarterly profit, nearly 50 percent drop from last year, blames strong yen
Nikon's odd financial calendar means that the camera maker is announcing its first quarter results for 2013. The confusingly-dated documents show that it isn't having the best Spring / Summer, since while it pulled in a net profit of $201 million, that figure is down nearly 50 percent on the $392 million it made in the same period last year. It sold a record number of interchangeable-lens cameras, lenses and a good number of compact cameras, but that was offset against the high cost of the yen. Its other businesses, Precision Equipment and Instruments both suffered thanks to Government spending cuts, a "harsh business climate" and the now age-old problem of the high exchange rate. It's expecting the situation to remain the same in the next three months, with booming camera sales weight against losses in its other businesses -- with a projected profit of $143 million anticipated in Q3.
Daniel Cooper08.08.2012
Canon EOS M mirrorless camera hands-on (video)
There have been plenty of false alarms in recent months, but Canon's first mirrorless interchangeable lens camera (ILC) is finally here -- in fact, we're holding it in our hands. The EOS M is clearly reminiscent of a point-and-shoot, such as the company's high-end PowerShot S100. Sure, Canon could have added some of the dedicated controls that its professional user base would demand, but photojournalists aren't the target here, for a few reasons. Canon's primary motivation, at least from an official perspective, was to create a camera that serves to bridge the gap between pocketable compacts and full-size DSLRs with a simple user interface designed to educate, not intimidate. Also key, however, was avoiding cannibalization of the company's low-end and mid-range Digital SLR models, which clearly still have a place in the lineup one tier above this ILC. Consumers willing to sacrifice hardware controls for a touchscreen-driven UI won't be missing out on much else -- functionally, the EOS M is a near-clone of Rebel T4i with the same 18-megapixel APS-C CMOS sensor, DIGIC 5 processor and 3-inch touchscreen. Even the advanced two-stage focusing system has made its way from the T4i, which utilizes both phase-difference and contrast AF in order to achieve focus more efficiently when capturing video. The housing design and lens mount are unlike any other that Canon has produced, however, combining features from other models without completely eliminating the need for a DSLR, or a compact for that matter. If you can get by without granular controls, you'll do just fine here -- the design really is spectacular. With an $800 price tag, the EOS M falls within the upper tier of the mirrorless category, and it remains to be seen whether it will be an obvious pick when it finally hits stores in October, a month after competitors tease their own products at the massive Photokina expo in Germany. How does it fare today? You'll find our impressions just past the break.%Gallery-160939%
Zach Honig07.23.2012
Canon EOS M video shows off touchscreen UI, accessories, color variants (updated: link to sample images)
Welcome to the land of good complexions, whiny mopeds and surprisingly early Canon hands-on videos. While most English-speaking journos have only been given the briefest glimpse of the new $800 mirrorless EOS M, Italian site PMStudioNews has posted a full hands-on video to YouTube. It shows a red variant of the 18-megapixel, APS-C shooter, in addition to the black and white models we've already seen, plus a beige leather case if you fast-forward around seven minutes. More importantly though, it shows off the touchscreen UI in some detail, including touch-to-shoot and a screen layout that looks quite different to what we've known from the button- and dial-heavy G1 X and its predecessors, and more like that of the Rebel T4i entry-level DSLR. Sure, it offers full manual control, but it also looks kinda fiddly -- something we'll look out for when it comes to review time in the Fall. Update: Canon has produced some sample stills and videos to show what the camera can do. Also, a helpful reader just spotted that DigitalCameraWorld has posted a hands-on video too, and it's in English.
Sharif Sakr07.23.2012