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Canon's new security-focused 'SPAD' camera can capture color video in complete darkness
Canon has just unveiled the MS-500, an unusual model that's one of the most sensitive non-infrared cameras ever developed.
Noise cancellation comes to Google Meet on Android and iOS
Google Meet has introduced noise cancellation for mobile devices on Android and iOS, matching what it can already do on the desktop.
Leaked ad explains why HTC's putting a 'Duo Camera' in its new One
Ever since a leaked image showed off dual cameras on HTC's next One (aka the M8), the rumor mill has been trying to figure out what they're for, exactly. Now, an ad leaked to GSM Arena from Australian carrier Telstra appears to have removed all mystery. First off, the phone is referred to as the "All New HTC One (M8)," likely to distinguish it from the last model. As for the "Duo Camera," it'll bring improved low-light capabilities and let you select the focus of a shot after it's been taken -- as predicted. You'll also be able to highlight significant areas of a shot, soften the background and add 3D effects. Another big reveal is the 5-inch, full HD, scratch-resistant screen (a step up from the last One's 4.7-inch display), along with dual "BoomSound" speakers. Finally, the latest Sense 6.0 version will let you double tap the screen to turn on the phone and swipe to access apps and social info. The ad looks like the real McCoy, but if you're still capable of any skepticism, all will be revealed in exactly two weeks.
Graphene camera sensors said to be 1,000 times more sensitive to light
While we're still scratching around with Ultrapixels and OIS, scientists in Singapore claim they're working on something that could change the entire field of photography. Researchers at the Nanyang Technological University have developed an image sensor made out of graphene that's 1,000 times better at capturing light than traditional CMOS or CCD sensors, all while using 10x less energy. These new sensors may initially be used in surveillance equipment and satellites -- when they do eventually end up in regular cameras, however, they're promised to be five times cheaper than the sensors they're replacing. Combine this with the work being done on graphene batteries, and we're that much closer to the perfect smartphone.
Engadget visits Nokia House wrap-up: Stephen Elop Q&A, Lumia 920 camera tests and more
It's been a whirlwind week of all things Nokia for our Engadget crew here in Helsinki, Finland. With a (nearly) all access pass to the company's glass House in Espoo, we brought you a very candid, very live Q&A with CEO Stephen Elop -- recorded for posterity with the Lumia 920 -- as well as in-depth proofs of that handset's game-changing rear camera module. From side-by-side low light comparison shots with other leading smartphones to optical image stabilization tests and even a peek behind the Finnish outfit's R&D practices, we've got it all. So, if you haven't had time to catch up with this flurry of pre-launch news from behind the blue velvet rope, now's your chance. Just click on past the break for the full recap.
iPhone 5 camera gets tested in Iceland, panorama and low-light comparison with iPhone 4S included
Sure, we tested the iPhone 5's camera in the well-lit streets of New York City, but if you're wondering how Apple's latest functions when used primarily as a shooter, TREK has a pretty remarkable look. Photog Austin Mann and a few of his closest pals took a pair of iPhone 5s to Iceland following launch weekend in a bid to test the unit's durability, capability and image quality next to the 4S. After two days of geyser spray and admitted "drops in mud," the uncovered 5 seemed to be a-okay, and when it comes to output from the sensor, that's worthy of praise as well. The low-light capabilities of the 5 are perhaps the most impressive upgrade compared to the 4S, with much less noise seen in shots from the former. He also gushed over the panorama mode, which admittedly churned out some pretty seamless results of the Icelandic countryside. As for shutter speed? That too has been "significantly" improved over the 4S. He interestingly noted that Snapseed was acting a bit wonky with iOS 6, but one has to wonder how much smoothing will be done by the Nik team now that Google's calling the shots. Hit the source link below for the full rundown, comparisons included, and a video that shows how the iPhone 5 reacts after sunset.
Future Panasonic G camera's 72Mbps movie-making prowess teased through speedy drama (video)
If Panasonic didn't have attention from movie producers before, it just might as of this week. Joining the quickly developing tradition of camera makers producing elaborate short movies as technology demos, the company has let cinematographer Philip Bloom wield (and tease) a "brand new G camera" to record Genesis, a fast-paced mini-drama showing a man's race to meet his love before it's too late. While Bloom can't talk much about the hardware in question until the 17th, he's allowed to confirm that the upcoming Micro Four Thirds body relies on a "superb" 72Mbps All-I codec for video -- letting it capture a sprint through the streets without the compression artifacts of the AVCHD format used by most mirrorless cameras. Panasonic's upcoming shooter also touts "much improved" results in the dark, Bloom says. It all sounds very tempting, especially if it turns out that Panasonic's inadvertent leaks are for the same camera we see in action here. The full movie is available after the break, and Bloom has the behind-the-scenes details at the source link.
Nikon unveils lightweight, full-frame D600 DSLR -- hands-on and low-light samples (video)
We've been watching out for the D600 since images leaked a couple of months ago, and today it's been made official: a full-frame DSLR that's priced ever-so-slightly closer to the reach of mortals (read: "high-end enthusiasts") who perhaps can't claim everything off their tax. At just shy of $2,100 (update: €2,150 in Europe), the 24-megapixel camera's US list price is significantly lower than that of the 36-megapixel D800, and undercuts Canon's rival EOS 5D Mark III and Sony's brand new full-frame Alpha A99. What's more, aside from the resolution, you're getting something pretty close to the D800 -- including a weather- and dust-resistant magnesium alloy build, fast Exspeed III processor, and AF that works down to f/8 -- but here it's all contained in a body that sheds a full 15 percent off the D800's weight. It feels great to hold a full-frame DSLR like this, which is barely any heavier or more conspicuous than an APS-C shooter like the D7000. Nikon is also making a big deal out of the fact that the D600 handles wireless transfers and triggers using the new WU-1b widget, which is identical to the familiar WU-1a we reviewed on the D3200 except that it plugs into the camera's USB port rather than the HDMI port. There's an Android app to allow your mobile device to communicate with the camera, and an iOS app is set to land by the end of September. Read on a few more initial impressions and a quick look at the D600's high-ISO performance.%Gallery-165042%%Gallery-165026%
Nikon D3200 sample pics appear on Flickr, make a slightly noisy entrance
Ahead of getting trigger happy with a fully-working D3200 -- rather than the pre-production unit from our hands-on -- we've been checking out some official 24-megapixel samples on Flickr. To our eyes, the images befit the smaller pixel size, namely sharp and high-res, but with a good dollop of noise on the side. Albeit completely unscientific, a blowup compared to an image from the similarly priced Sony NEX-5N looks grainier at the same 1600 ISO. On the plus side, the JPEGs show almost zero compression artifacts, so budget-minded shooters could easily print poster-sized images -- of course, providing they have enough light for a low ISO shot in the first place.
Ask Engadget: Best HD Camcorder for live shows?
We know you've got questions, and if you're brave enough to ask the world for answers, here's the outlet to do so. This week's Ask Engadget inquiry is from is from Keith, who needs our help to become the next internet comedy sensation. If you're looking to send in an inquiry of your own, drop us a line at ask [at] engadget [dawt] com. "Hey Engadget! I'm a fledgling stand-up, performing at my local open mic, but I'm thinking of branching out. I'd like to record some of my performances on something better than my QuickCam Pro 9000. Anyone know the best HD video camera for live performances? I'm looking for something reasonably priced and audio quality is paramount. Thanks for your help!" The comedy clubs we've been in are rarely well lit, so we'll add that this camera has to have fantastic low light performance, which is going to increase the price by a hefty amount. Still, if you can think of a HD camcorder that can do the job -- and let's be honest, carving things out of stone would be better than a QuickCam Pro 9000 -- and is within the budget of a struggling artist then lob your suggestions into the river of comments below.
Nikon D800 studio samples posted at DPReview (update: 5D Mark III studio sample added)
Nikon faced some backlash following the announcement of its D800 DSLR, due both to the camera's potentially excessive 36.3-megapixel resolution and its relatively limited top sensitivity of ISO 25,600. Then, less than one month later, Canon revealed its own mid-range full-frame cam -- the 5D Mark III -- with a 22.3-megapixel sensor, and an option to shoot at ISO 102,400. Both models appeal to the same market of professional photographers, but with vastly different specs, which is the better pick? Low-light shooters will likely base part of that decision on high-ISO capabilities, and after reviewing samples from both cameras, there appears to be a winner.DPReview spent some time with the D800, and we took the Canon for a spin last week. We scaled the D800 sample down to 22.3 megapixels to match the 5D, then pasted a 300-by-400 1:1 pixel section from each camera side-by-side in the image above. The D800 JPEG (on the left) appears to be the noisier of the two, which seems logical, considering that Nikon opted to boost the camera's resolution instead of its sensitivity. Still, the cam's top-ISO is quite usable, and if you plan to shoot in a studio setting or can live without a six-digit sensitivity, the D800 will likely suit you just fine. Hit up our source link for samples shot at the full ISO range, including full-res downloads, to make that call for yourself.Update: We've replaced the Canon sample with a studio shot from DPReview, which provides a more accurate comparison. You can find images from both cameras at our source links below.
Canon EOS-1D X and Nikon D4 ISO 204,800 shooting hands-on (video)
With mirrorless cameras offering high-resolution APS-C sensors and consecutive shooting speeds of up to 10 frames-per-second, what's left to make a $6,000 full-frame DSLR a compelling purchase, especially for amateur photographers? Low-light performance, for one -- the Canon EOS-1D X and Nikon D4 are both capable of capturing images at up to ISO 204,800, letting you snap sharp photos in even the dimmest of lighting conditions. The benefits of a top sensitivity of ISO 204,800 are significant -- jumping from one ISO to the next doubles your shutter speed. So an exposure of f/2.8 at 1/2 second at ISO 400 becomes 1/4th at ISO 800, 1/15th at ISO 3200, 1/60th at ISO 12,800, 1/250th at ISO 51,200 and a whopping 1/1000th at ISO 204,800 -- fast enough to freeze a speeding car.Both Canon and Nikon have yet to allow us to take away samples shot with the 1D X or D4 -- the companies even taped CF card slots shut to prevent show attendees from slipping their own card in -- but we were still able to get a fairly good idea of high-ISO performance from reviewing images on the built-in LCDs. At the cameras' top sensitivity of ISO 204,800, noise was visible even during a full image preview. Zooming into the image revealed significant noise, as expected. However, within each camera's native range of ISO 100 to 25,600, noise was barely an issue at all. Both cameras are still pre-production samples at this point, so we'll need to wait for production models to make their way out before we can capture our own samples, but based on what we saw when reviewing ISO 204,800 images on the built-in LCDs, that incredible top-ISO setting may actually be usable. Scroll on through the gallery below to preview some top sensitivity shots on the Canon EOS-1D X (camera poster) and the Nikon D4 (Japanese model), and join us past the break for an even closer look in our video hands-on.
Nikon Coolpix P310 hands-on (video)
Of all the new Nikons announced today, the P310 is likely to be one of the most popular. Its 4.2x (24-100mm) focal length may not deliver the big bad zoom of the P510, and it can't do RAW like the P7100, but it compensates with some serious optical features instead. Among them is improved image stabilization, which Nikon says will let you take blur-free handheld shots at four stops below what would otherwise be possible. There's also a "market leading" f/1.8 maximum aperture, which further aid low-light shooting as well shallow depth-of-field shots. Finally, the form factor is really important. This camera is a lot smaller than either the P510 or the P7100 and it feels great in the hand: not quite pocketable, perhaps, but certainly portable, discreet and sturdy. We only had access to a very early pre-production sample, so we couldn't check out the menu system or take shots, but we gave the camera a good looking over in the hands-on video after the break, where you'll find some more initial impressions too.
Canon's 8-inch CMOS sensor can record SPACE at 60fps
For whatever reason, Canon seemed more concerned with showing off its engineering prowess than finding a use for the giant 8-inch CMOS sensor it created last year. Fortunately, the super-powerful snapper has found its way into the 105-centimeter Schmidt Telescope at the University of Tokyo's Kiso Observatory. The sensor's size makes it a perfect fit to record in low-light; capturing the wonders of the universe in 0.3 lux at 60 fps. The University will premiere footage from the experiment, possibly with nibbles, after September 19th -- presumably in a theater with a blanket ban on people muttering the introduction to Star Trek as it plays.
Lytro's light field camera captures 'unprecedented' images, lets you choose focus later
A Silicon Valley start-up called Lytro claims it's working on a consumer camera that uses light field technology to radically change the way we take, edit and experience photographs. Whereas a normal digital camera captures a snapshot of light hitting a sensor, a light field camera first separates rays of light in order to individually record their color, intensity and direction. This extra information opens up a world of possibilities, including the ability to focus on any depth of field within a taken photo, observe a 3D-type effect even without specs, and boost images taken in extremely low light. Although light field cameras have been around for some time, they haven't been commercially viable. Now though, Lytro has secured backing worth $50million to bring a "competitively priced" camera to market "later this year" -- we'll see if they can beat similar plenoptic technology from Adobe to market. Can't wait that long? Check out the interactive photo (click on Elvis to re-focus) after the break, plus a video that also shows off the 3D effect. Both are the definition of mind-blowing.
AIST shows off full-color night vision camera, well lit Bullwinkle figurine (video)
You might know them for seemingly ridiculous innovations like Segway shoes or the HRP-4C pop star robot, but the folks at AIST have put away the gimmicks for their latest invention -- a full-color night vision camera. Produced by Nanolux, an arm of AIST, the camera uses a series of algorithms to read and process wavelengths reflected by objects lit with infrareds, allowing it to successfully reproduce reds, blues, and greens in the darkest of conditions. The company hopes to make the device available by the end of 2011 at a price point lower than conventional night vision cameras, and says they will work with different lenses to improve long-range photography for the device. Such an invention could have serious implications for fields like surveillance and wildlife observation, but fear not, AIST hasn't lost its sense of humor -- the company used a Bullwinkle figurine rotating on a Lazy Susan to demo its latest invention at Printable Electronics 2011. Check out the video after the jump.
Nikon D7000 firmware update released, cools down 'hot pixels'
Hot on the heels of its P7000 firmware update, Nikon has just released one for its D7000 DSLR as well. The update was created for the sole purpose of fixing the hot pixel issue that pops up when taking videos in low light. While this doesn't completely eliminate the problem, the "bright spots" effect has been "reduced" according to Nikon USA. Unfortunately, this means you no longer have an excuse to not record your child's rendition of The Best Christmas Pageant Ever. Hit up the source link for the download.
Canon develops world's largest CMOS sensor, shoots 60fps video in moonlight
Did you ever think that you'd see a CMOS sensor measuring 202 x 205 mm? That's 7.95 x 8.07 inches to our fine imperial friends. Its impressive size -- about 40 times larger than Canon's largest commercial CMOS sensor -- translates to staggering light-gathering capabilities, capturing images in one one-hundredth the amount of light required by a professional DSLR. Better yet, the sensor is matched by new circuitry allowing for video capture at 60fps in just 0.3 lux of illumination (think full moon on a clear night). Unfortunately, the press release is more concerned with promoting Canon's engineering prowess than with product launch. Nevertheless, we're impressed.
Shooting around with the Nikon D3S: the field review
Nikon's D3S didn't exactly emerge out of nowhere, but the DSLR's boosted ISO ceiling of over 100,000 (102,400, if we're being precise) has certainly shaken up the industry. Nikon claims that it's set a new bar for low-light performance and raw speed in the crowded DSLR arena, and we were tickled pink when given the chance to see if this thing was worth its weight in gold. Now, the master photogs over at DP Review have already broken down the nitty-gritty details in an exhaustive 34 page critique, but for those just looking for a little insight -- and perhaps a short answer to "should I buy this?" -- we've got exactly what you're looking for. Head on past the break for two distinct takes on Nikon's most capable shooter yet -- and some thoughts on how Nikon's latest monster professional cam will radically change the consumer camera as well.
Kodak color-filter technology could redefine low-light shooting
We already knew that Kodak was up to something good when it began to phase out low-end digicams and refocus on developing new technologies, and now it seems like we've got one more innovation from its laboratory to look forward to. Reportedly, Kodak has developed a "color-filter technology that at least doubles the sensitivity to light of the image sensor in every digital camera." Bold words, we know, but even Chris McNiffe, general manager of the photography company's image sensor business, went so far as to say that this very invention would enable a "2x-4x improvement in light sensitivity." The company also suggested that a variety of camera manufacturers could expect samples of said technology during the first quarter of next year, and while consumer rollouts weren't detailed, we do know that this magical concoction will hit P&S cameras first with cameraphones to get equipped shortly thereafter.
