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Fujifilm launches the slimmed down, cheaper GFX 100 II medium format camera
Fujifilm has taken the wraps off the GFX100 II medium format that's a successor to the original GFX100, but is more like the GFX100S in terms of size and price.
Hasselblad X2D 100C: Incredible resolution, beautiful imperfections
After releasing two previous models, Hasselblad seems to have finally nailed the compact medium format camera with the X2D 100C.
Fujifilm’s $3,999 GFX 50S II is its most affordable medium format camera yet
Body-only, the new GFX 50S II will debut at $3,999, making it the company’s most affordable medium format to date.
8610086100Fujifilm GFX 100S review: Medium format power in a smaller body
Fujifilm GFX 100S looks and feels like a “normal” mirrorless camera, while costing a bundle less at $6,000.
Fujifilm’s GFX 100S crams a huge 102-megapixel sensor into a compact body
Fujifilm has unveiled the GFX 100S with a huge 102-megapixel medium-format sensor and a surprisingly compact body.
Software update for Fujifilm's GFX100 turns it into a 400MP camera
Fujifilm's latest firmware update for the GFX100 allows the camera to capture 400-megapixel images with the help of a technique called pixel shift multi-shot.
Fujifilm turned its flagship camera into an infrared forensics tool
Fujifilm has unveiled a special infrared version of the 100-megapixel, medium-format GFX100 designed for “forensic, scientific and cultural preservation applications,” the company announced.
Hasselblad's 907X is a love letter to modular medium-format cameras
Last year, Hasselblad showed off its modular 970X 50C medium-format system, and even sold a limited number in a $7,500 limited edition Moon-Landing kit. Now, the company has announced that the camera system will be sold as a standard model.
Hasselblad’s X1D II mirrorless camera is faster and more affordable
Most of the recent updates from Hasselblad have had to do with the cameras popping up on drones or costing $48,000. But the company is still working on the mirrorless medium-format cameras and accompanying lenses that built its reputation. Today, it announced a handful of updates, including an evolved X1D II 50C camera, a new XCD 3,5-4,5/35-75 Zoom Lens, the Phocus Mobile 2 and details on more to come.
Fujifilm's GFX-50R is a smaller 'budget' medium format camera
Two years ago, Fujifilm made a fateful decision to skip over full-frame mirrorless cameras and go bigger with the medium-format GFX-50S. Now, it's doubling down on that with the 51.4-megapixel GFX-50R, a smaller and cheaper version of the original. As the rumor mill had suggested, it looks a lot like its compact X-E3 mirrorless camera, but don't be thinking you'll slide this into your pocket. It's still a 775 gram camera (without a lens) that outweighs Sony's A7R III and at $4,500, costs a lot more, too.
Hasselblad's V1D camera concept is a modular dream
With Project Ara, Google learned how to build a modular smartphone, and then discovered that nobody actually wants one. Cameras are different, though -- photographers love to accessorize with battery grips, handles, DSLR rigs and more. Hasselblad takes that a step farther with its customizable V1D medium-format concept. You start with a "black box" camera (with the form of a classic Hasselblad V) then add an electronic viewfinder, handles and controls wherever they suit you. The idea is just a dream for now, but Hasselblad is soliciting feedback here at Photokina and might actually build it one day. Aaron Souppouris contributed to this report. We're live all week from Cologne, Germany, for Photokina 2016. Click here to catch up on all the news from the show.
Leica reveals S-System medium format digital photography lineup
Leica wasn't about to let everyone else hog the spotlight at Photokina this year. The company took the wraps off more products than you could possible cram into one post (or two, or three...). But among the more intriguing is certainly the new S-System -- an update its pro-series medium format line. The sensor and accompanying board have all been refreshed, with the 30 x 44mm sensor cramming 37.5 megapixels into its expansive CCD surface. The 16-bit color depth is complimented by a wide ISO range of 100 to 1600, which should cover you for almost any imaginable application. A dual shutter design gives photographers the choice between the camera's built in shutter or the integrated one on the CS lens line, which allow for flash sync at shutter speeds as high as 1/1,000 of a second. Leica is touting the improved speed of its medium format internals, but with the ability to capture just 1.5 fps in continuous mode, it might not be the ideal action shooter. Still, the ability to capture 32 consecutive RAW images at full resolution, thanks to the 2GB of buffer memory, is quite impressive. The digital viewfinder is a three-inch LCD, capable of displaying 16 million colors representing the full sRGB color space. Of course, the VGA resolution isn't anything to write home about, but it should get the job done. The integrated two axis leveler, displayed on the viewfinder, should help avoid oddly angled portraits, while the integrated GPS receiver will let you keep track of every remote mountaintop you capture in full resolution majesty. Of course, no new camera product line would be complete without some lenses as well. In total four are launching alongside the new body, including the first zoom (30-90 MM F/3.5-5.6) and tilt/shift (120 MM F/5.6) members of the family. Rounding out the lineup is a 24mm superwide angle lens and a close-up accessory that shortens the focal length of one of the existing mounts by about three and a half feet. For more info, check out the source link.
Hasselblad H5D coming December with new focus system, design, up to 60 megapixels
Medium format camera fans, brace for impact: there's a new Hasselblad coming. The H5D supercedes the ages-old H4D with a True Focus II system that -- we're told -- is both more accurate and immediately confirms its lock. Hasselblad has also reworked the body for a more rough-and-ready feel, giving the H5D bigger controls, an extra-bright viewfinder and better weatherproofing. A new RAW + JPEG capture mode, improved wide-angle-to-macro lens conversion and a fresh 24mm f/4.8 lens have also been added to tempt studio photographers. If all this sounds alluring, H5Ds will be available in 40-, 50- and 60-megapixel versions (plus 50- and 200-megapixel Multi-Shot variants) this December. We likely won't know the effect on our bank accounts until at least a September 18th media event, but we wouldn't assume any kind of populist pricing -- Hasselblad's tendency towards five-digit figures may limit any first-hand exposure to a rental.
Hasselblad cuts H4D prices by up to 23 percent, might let you afford rent
Hasselblad is typically known for everything but price cuts, and sometimes goes in the opposite direction. As such, we're more than a little caught off-guard by a round of price cuts on what's usually considered the definitive medium format camera line. The 'entry' H4D-31 has been cut down by as much as 23 percent; we're not sure we'd call it a steal at $11,995 without a lens, but it's now an option if you think even a Nikon D800's full-frame sensor is puny. Price slashes aren't reserved for the bargain models, either, as even the 200-megapixel, status symbol H4D-200MS shaves enough off the cost (now $35,995) to be a worth look for those sitting on the fence. You can get the full details at the source link, and you won't have to survive on ramen noodles for a year to shoot billboard-sized photos.
Engadget Primed: Why your camera's sensor size matters
Primed goes in-depth on the technobabble you hear on Engadget every day -- we dig deep into each topic's history and how it benefits our lives. You can follow the series here. Looking to suggest a piece of technology for us to break down? Drop us a line at primed *at* engadget *dawt* com. The first thing I look for when purchasing a camera is something most aren't even aware of. It's not the brand name or the quality of the lens, the touch screen technology or the LCD screen size, and not the array of functions it offers or shooting presets available – it's the size of the image sensor. As a 20-year pro photographer who's captured over a million images during my career, I'm the guy who admires the parts of the engine instead of falling in love with the flashy exterior or high-end sound system. The image sensor is where the rubber meets the photosensitive diodes. In writing my first installment for Primed, I'll give a few definitions to clear things up a bit when it comes to a camera's image sensors and size, explain in detail the parts of a sensor, how it alters the photos (or video) you capture, where it came from, and why it's important to consider its size – I'll cover the meat and bones, get to the heart of the matter, the nub, the crux, the nuts and bolts, get down to the brass tacks, all while exhausting our thesaurus. Let's dive in, shall we?
Hasselblad's 200 megapixel H4D-200MS camera now shipping, breaks your bank
Hasselblad's H4D-200MS is yet another upgrade to its H4D camera line that we want badly, but wouldn't have a need -- or a budget -- for. This latest piece of kit is nearly identical to the 50 megapixel H4D-50MS externally, but internally adds an astonishing 150 more megapixels to the mix -- yes, that's an astounding 200 megapixels! Don't feel forgotten just yet if you have the older model, though, as Hasselblad can upgrade your sensor for €7,000 (roughly $10,000) -- a great deal considering the full kit costs €32,000 (about $45,000). With that said, we should note that details are null on the medium-format sensor's native resolution -- similar to the multi-shot feature on the 50MS, the new 200MS combines six shots to create ridiculously detailed 200 megapixel still images, and it handles less intensive photos with a four-shot 50 megapixel still mode. Should you dare to venture outside the studio, there's a 50 megapixel single-shot live mode for quick shots as well. Excuse us while we wrap our heads around the sheer number of pixels; you'll find more info after the break in the meantime.
Is this Samsung's first medium format digital camera?
Look closely at that photo above. Those, friends, are digital cameras from Samsung. That's right, even that boxy one that looks quite a bit like an old-school medium format film shooter. This photo was quietly inserted into a blog post from Sammy about lens design, without so much as a caption to clarify what our curious eyes were seeing. Might this be a future model meant to compete in the highest-ends of the digital camera market? Or is it something cooked up in the lab and abandoned for a more practical and mainstream design? There was a rumor kicking around last summer that Samsung was working on a medium format CMOS sensor and this could be a test rig for just such a slice of silicon. Whatever it is, we're intrigued and we'll be keeping an ear out for more info on what the Korean company has brewing.
Hasselblad H4D-40 Stainless Steel medium format camera: limited to 100 units, priced at €13,990
Wondering just how large a premium that Ferrari badge was adding to Hasselblad's Ferrari-branded H4D? Oh, around €7,500 (if not more). Hot on the heels of the aforesaid announcement, Hasselblad has just revealed yet another variant of the famed H4D-40, with the Stainless Steel edition offering a classy, classic motif and another limited run item for collectors to snatch up. Only 100 of these will be produced, with each one selling for €13,990 ($18,497) sans lens or €14,990 ($19,809) with the HC 2.8/80 mm. If this guy's more "within reach" than the Italian-inspired alternative, hit up your local dealer as soon as humanly possible... or just before your 100 closest friends, anyway.
Hasselblad's Ferrari-branded H4D camera: now available for just €21,499
Now that you've wasted precious moments of your life saving $10 here, $8 there and $6.23 in your local Target, how's about a Black Friday deal that you'll never forget. Hasselblad's Ferrari-branded H4D medium format camera, which we saw unveiled earlier this year at Photokina, is now shipping to the affluent, the zany, and the select few that happen to be both. So far as we can tell, this is just an H4D with a Ferrari-approved design scheme, and neither point helps to make this thing anywhere near affordable. A grand total of 499 are being made available today, with each one to run €21,499 ($28,425) + tax. Who knew you'd be buying something today that's only purchasable via your Centurion card -- puts a whole new spin on Black Friday, huh?
Hasselblad intros Ferrari-branded H4D camera, refuses to talk pricing (hands-on)
The big news out of Hasselblad this morning was the new entry(ish)-level H4D-31 at just under €10,000, with the CFV-50 adding yet another option in the higher-than-high-end category. But what really caught our eye was the flashy red version that popped up just as the press conference was concluding. We were told that Hasselblad had teamed with Ferrari in order to create a limited run of Ferrari-branded H4D medium format cameras, and the model on-hand had just received approval from Ferrari's paint squad yesterday. Yeah, it's like that. As for detailed specs? Fuhgetaboutit. And as for pricing? "You'll have to speak with Ferrari on that" was that line that we were fed. Only 499 of these beauties will ever be produced, and czars you never knew existed are phoning in their orders from the Seychelles right now. But hey, at least we had our camera (a lowly D3S) ready when it was unlocked from its carbon fiber box for a grand total of 30 seconds, right? Indulge yourself below -- but don't go getting too cocky, okay?
