nab 2008
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IDX offers up CAM-WAVE HD wireless transmission camera
Typically, IDX sticks to making battery systems and portable chargers, but recently, it decided to broaden its portfolio with the CAM-WAVE HD. Essentially, this device is meant to piggyback on cameras (think news crews, sporting events, etc.) and can transmit uncompressed HD signals up to 150-feet (line-of-sight) / 100-feet (through walls). What separates this man from the boys is its ability to beam out full-bandwidth uncompressed HD-SDI and SD-SDI images over short distances with practically no latency, as there's no internal compression slowing things down. Also of note, it's designed to operate in the 5.1 - 5.8GHz frequencies (meaning no unique FCC license is required) and it'll even send those high-def transmissions with encryption to keep snoopers at bay. 'Course, such a swank setup demands a stiff premium, and you'll be looking at a $6,000 bill should you pick up the system in Q3.[Via FreshDV, thanks Uncle]
Maxell's iVDR external HDD handles hardcore field operations
Just because Maxell left the disc manufacturing to other rivals doesn't mean that it's bowing out of the external HDD market. Announced this week, the firm has introduced its all new iVDR, which "connects directly through a bi-directional USB or eSATA adapter to a shoulder-mounted camcorder capable of delivering 10-bit, 4:2:2 master-quality video and native full HD video." In layman's terms, this here drive caters to those logging clips in the rough, and its innate ability to resist drops of up to 4-feet makes it the ideal candidate for even the clumsiest shooter. Unfortunately, mum's the word on price, but we are told that a 160GB version (with a 540Mbps transfer rate) is set to land in Q2, while a slightly more capacious 250GB edition is hitting shelves in Q3.[Via BIOS, thanks Christian]
3D@Home Consortium aims to get 3D in the home
If you were still refusing to believe that the 3D push was on, um, it's on. Announced at NAB Show, 22 international firms (including some pretty major players) have launched the 3D@Home Consortium, which aims to "speed the adoption of 3D entertainment in the home." Led by Disney, Philips and Samsung -- and joined by Thomson, IMAX, TDVision, 3DIcon, Corning, Planar Systems, QPC Laser, SeeReal, 3ality, DDD, In-Three, Quantum Data, Sensio, Fraunhofer Institute IMPS, Sim2, Setred, Universal Studios Home Entertainment, Holografika and Volfoni -- the non-profit alliance is focused on "creating and publishing useful technical roadmaps, developing educational materials for consumer and retail channels and facilitating the development of industry standards and their dissemination." From the outside looking in, it seems these folks are sort of jumping the gun, but given that we've already seen a 3D format compatible with legacy 2D systems and a successful live 3D broadcast here in the past 48 hours, maybe being ahead of the curve isn't such a bad thing.
3ality Digital performs live 3D broadcast at NAB
3ality Digital, which played a huge role in the creation of U2 3D, successfully completed a live 3D demonstration today by beaming a performance in real-time from Burbank, California to Las Vegas, Nevada for viewers at NAB Show's Content Theater to see. The 30-minute program was a live feed of Howie Mandel and company showing off a new game show (dubbed Would You Rather?) that could eventually pass the muster and end up on NBC. Notably, the transmission occurred via a single stream using an existing broadcast infrastructure, and folks on the other end were able to see just how swell 3D broadcasts can be -- even when live. The demo was established in order to prove that live 3D airings (for sporting events, game shows, etc.) are indeed viable, but until folks start gathering at cinemas or ditching their current sets for 3D-ready versions, we can't imagine this (incredibly intriguing idea) having mass appeal.[Image courtesy of Yahoo]
TDVCodec stereoscopic 3D format is backwards compatible with 2D systems
Camcorders you can never afford weren't the only things being demonstrated at NAB Show 2008 -- oh no, TDVision dropped in to show off a new format that manages to deliver 3D content yet still play nice on legacy systems without any image degradation. Essentially, video streams encoded in the TDVCodec format can be viewed on all existing 2D set-top-boxes, DVD / Blu-ray players and presented on 2D televisions, but for those with TDVReady devices and PCs with TDVision's Dejaview software, eye-popping visuals are available from the very same stream. Regrettably, there's no word on any major firms picking up the solution and planning to distribute, but if something akin to this takes off, it could give folks one more reason to splurge on a 3D-ready DLP from Samsung or Mitsubishi (or a TDVisor, if that's your bag).
Moto shows off new MPEG encoders featuring AFD
Most of the news that comes out of NAB isn't that interesting to consumers, but these new MPEG encoders from Motorola have a cool new feature that we're excited about as HD fans. As much as we love HD, we accept the fact that most of the world is still living in SD, and sure, for the most part that's there problem. But where is our problem is that many of the programs we watch are produced with SD viewers in mind. The biggest example of this is when sports are framed for the 4x3 aspect ratio of SDTVs. This is really obvious on a football game when we're waiting for the ball to be hiked, and the camera is aimed to ensure there's nothing to see on the sides. While this ensure SDTV fans aren't missing any of the action, those with a wider perspective usually get to see grass in that extra realestate we paid for. Well, these new encoders feature Active Format Description (AFD) which can automatically decide if the content should be letterboxed or cropped. This way the producer can rest easy when directing his camera operators to frame for 16x9, without worrying about all the SD fans at home complaining cause they can't see the action. Of course this means they'll just complain about the black bars, but that's for another discussion.[Via Media Experiences 2 Go]
Panasonic launches 64GB P2 card, AJ-PCD35 ExpressCard adapter
Now that you're already penning a purchase requisition for one of those fancy new P2 HD camcorders, you might as well toss a couple of Panny's new 64GB P2 cards (model AJ-P2C064) and its AJ-PCD35 ExpressCard adapter on there, too. Yep, Panasonic has chosen NAB Show 2008 to double up on its current 32GB P2 card and to introduce a five-slot P2 memory drive with an ExpressCard interface. Put simply, the latter can hold all five cards from a fully-loaded VariCam 2700 / 3700 camcorder (or any other P2 rig) and give users the ability to upload content on the go with their ExpressCard-equipped laptop. Regrettably, the company didn't bother doling out dollar figures just yet, but we'd go ahead and file 'em both under "expensive."[Via I4U News]
RED keeps it coming with the RED RAY disk drive
RED's trifecta of hot new gear announcements at NAB wrapped up with the RED RAY optical disk drive, which promises to play back 4K video from the RED ONE, 3K video from the new Scarlet and the usual assortment of HD formats from RED Disc and RED Express media, as well as native R3D RAW files from CompactFlash. 5K video from the new EPIC isn't supported, though. As with all of RED's announcements today, specs are promised to change, but the clever name of the drive has us thinking that it's based on Blu-ray -- we'll keep digging for details.
Sony's Full HD PMW-EX3 camcorder outed at NAB
As the HD camcorder onslaught continues, Sony is making sure it doesn't get left out by showcasing the PMW-EX3 in Las Vegas. Aside from handling interchangeable lenses, this cam also features a trifecta of 0.5-inch CCDs with Full HD (1,920 x 1,080) resolution, native 24p support, XDCAM HD EX recording on dual SxS cards, HD-SDI output, USB / 4-pin FireWire sockets and an optional 60GB disk recorder that plugs in via a SxS slot. Of course, we seriously hope you're planning to put this on the studio's plastic -- after all, it's not like you want that $13,000 charge hitting your card, right?[Via Broadcast Newsroom]
ViewCast intros Osprey-450e PCI Express capture card
Certainly not your grandmother's capture card, ViewCast's Osprey-450e is aimed directly at the professionals browsing the NAB Show aisles in Las Vegas. The quad-channel capture card takes advantage of the ultra-speedy PCI Express interface and comes "optimized for live streaming video applications with features such as logo bitmap overlay with transparency, positioning controls and the ability to automatically detect and adapt on-the-fly when the input video format changes from movie frame rates to television frame rates." ViewCast even threw in "additional internal video inputs and four additional balanced audio inputs that can be utilized as alternatives to the rear panel connectors." Not a clue what the company plans on charging for this gem (nor any idea what it looks like -- that's the Osprey-440 shown), but we're sure all that will be revealed shortly after the show floor closes down.
Panasonic reveals trio of P2 HD camcorders at NAB
Panasonic's AG-HMC150 HD camcorder is fine and dandy if you're cool with hauling around a couple SDHC cards, but for those with bigger budgets and loftier dreams, the trio of P2 rigs debuting at NAB Show are likely to be entirely more suitable. Starting things up is the VariCam 2700 (model AJ-HPX2700) and VariCam 3700 (model AJ-HPX3700; pictured), which both feature native HD resolutions, five P2 card slots, master-quality 10-bit 4:2:2 AVC-Intra 100 recording, variable frame rates in one-frame increments, HD-SDI outputs and a multi-gamma function including Film-Rec. As for the latter, it steps things up to full 1,920 x 1,080 support while boasting a trio of HD-SDI outs (versus two on the VariCam 2700). Lastly, we've got the 4.2-pound AG-HPX170, which reflects the HMC150 in a variety of ways but utilizes a pair of P2 slots in order to log those high-def captures. Mum's the word on pricing for the Fall-bound family, but do yourself a favor and hit the read link for lots more details on each.[Via Broadcast Newsroom]
Panasonic unveils SDHC-lovin' AG-HMC150 HD camcorder
If you thought the HD camcorder announcements at NAB Show 2008 started and ended with Canon's new duo, you'd be sorely mistaken. Panasonic is launching a new one of its own under the limelight: the Fall-bound AG-HMC150. This handheld rig is the newest member of the AVCCAM family and can capture clips at 1,280 x 720 or 1,440 x 1,080 while utilizing the industry standard MPEG-4 AVC / H.264 compression profile. You'll also find native 16:9 1 / 3-inch 3CCD imagers, a digital signal processor with 14-bit A / D conversion and 19-bit processing, 13x Leica Dicomar zoom lens, optical image stabilization and the ability to store footage on SD / SDHC flash cards. Sure, $4,500 is still a lot of coin, but it's certainly within the realm of reason for many prosumers out there.
DTS-HD MA Suite toolset hits v1.6, brings Dynamic Automation for DTS Express
NAB Show 2008 is in full swing, and just in case you haven't heard, here's something worth taking a listen at. DTS has just revealed v1.6 of its DTS-HD Master Audio Suite toolset for Blu-ray Disc and DVD production, which includes "numerous highly anticipated file management features [along with] the public release of Dynamic Automation for DTS Express." The latter is an interactive secondary audio codec for BD, and according to Brian Towne, Senior Vice President and General Manager, Consumer Division, "the latest feature set empowers content creators with the freedom and flexibility to dynamically vary the primary audio volume, which is essential for picture-in-picture, alternate tracks, director commentaries and other interactive features for Blu-ray Disc." Best of all, DTS Express streams encoded for Blu-ray with MAS v1.6 are playable on Profile 2.0 and Profile 1.1 players, and it's available as a free upgrade (right now) for existing customers.
Sesame Street, Cops, ESPN and more rolling out HD with Sony
Sony's NAB 2008 announcements continue to roll out, hope you didn't think Survivor and OLED were the only items getting a touch of its HD DNA, because Fox Widescreen standby Cops is going real HD for its 21st season courtesy of Sony's XDCAM technology. Just like Survivor, the rugged disc-based system makes it easy for producers to make the HD upgrade. While PBS' sets may not be as rough as the mean streets, we can still appreciate the news that Sesame Street has switched to HD with a whole new studio based on Sony's equipment that will also see use in several other projects on the way. Finally, ESPN has stayed ahead of the curve on high definition, and is putting the company's tech to work in its L.A. Live studio. Big Bird, extreme sports and repeat criminal offenders? Our HDTVs say bring it on.Read - Sesame StreetRead - XDCAM technology, Survivor & CopsRead - ESPN L.A. Live studio
AOptix demos laser wireless links to replace fiber HD connections
Getting HD highlights out of our favorite sports may be getting just a bit easier, now that AOptix has successfully tested a Free Space Optical (FSO) laser communications link to replace traditional fiber runs for an unspecified sports network. With demos from the GM Building in New York and over 3.2Km in San Jose, the company says it can handle up to 10 Gbps,more than enough for uncompressed 1080i or 720p transmissions. Like every other new broadcast tech, it plans for a display at NAB 2008, so just keep in mind the next time the local public access station says they can't broadcast your little snowflake's field hockey game in HD because "there are no HD feeds at the park" they're just not trying hard enough.
Sony rolls out first OLED for professionals
In a sign that its OLED technology is progressing, Sony has announced its first professional application with the technology at NAB 2008, the HDVF-EL100. This viewfinder gives the HD camera operator an 11-inch OLED display (960x540) with wide color gamut, fast response time and, of course, more than 1,000,000:1 contrast ratio to make sure they've lined up the perfect shot. We remember from CES, you can clearly see those displays from a mile away in even the worst lighting conditions, so it should come in handy for production crews to look at without having to get close to the camera. no word on how much this will cost, but we're guessing its a bit outside the range of the enthusiast set, for now.
Toshiba to showcase "world's smallest HDTV camera" at NAB
Granted, Toshiba Imaging's IK-HD1 3CCD HDTV Camera may not matter much to the consumer as-is, but we're all about the progress. Ready to make its grand, er, wee entrance at NAB Show later this month, the aforementioned unit touts the planet's "smallest" HD camera head (1.6-inches; 2.3-ounces), which should give program producers in tight spots one less reason to not capture content in high-def. In that vein, Tosh even notes that its ability to capture at 1,920 x 1,080 at 30fps makes it "highly suitable for reality TV (you getting this, producers?), specialty broadcast, sports, news and commercials." We know, this totally opens the door for an HD version of Punk'd, but hey, you can't win 'em all.[Via Engadget Spanish]
