Namm2011
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Moog Lap Steel adds infinite analog sustain to the top of your thighs: ears-on at NAMM 2011 (video)
Leave it to Moog to give us one more reason to be jealous of lap steel players. As if their twangy, slidey Hawaiian metallics weren't cool enough in the first place, they've now got the semi-magical ability to magnetically sustain or mute each string via the pickup -- kind of along the lines of previously Moog-enhanced stringed instruments. The legendary synth manufacturer has also thrown in ladder filters and a gaggle of other switchable effects into the beautiful instruments. Orders are just being taken now, and each one will be custom-crafted (pink and purple sparkle starburst with a MIDI pickup, anyone?) by a luthier friend of the manufacturer for a little under $3000. We sat down with Cyril Lance from Moog and one of only four models in existence -- catch video of the new acid-bluegrass sounds after the break.
Korg rolls out slimmed down nanoSeries2 USB controllers
Korg's original nanoSeries USB controllers may have garnered some mixed reviews when they were released back in 2008, but the company's now back with some new and improved models that seem to address at least some of those complaints. As before, the lineup includes three different models: the nanoKEY2, nanoPAD2 and nanoKONTROL2, which can either be used on their own or paired up together. In addition to a slimmer design for each, all three are available in your choice of black or white, and it sounds like Korg has moved away from the plasticky, QWERTY keyboard feel that plagued the previous models, with the nanoKEY2 in particular described as having the same "great-feeling 'touch' that Korg has developed for its professional MIDI keyboards." Still no word on pricing or availability, but you can find all the rest of the key details at the link below.
Akai's iPad-docking SynthStation 49 and updated app: eyes-on at NAMM 2011
Remember when everything had an iPhone dock? The coming dock revolution will be just like that, but a lot more massive. Akai is showing off a non-functioning version of its SynthStation 49-key MIDI controller at NAMM this weekend, and it's pretty much the same idea as the smaller iPhone-docking Synthstation25. That said, here you've got nine velocity-sensitive MPC pads, a separate transport section, and 1/4-inch outs. And an adjustable iPad dock, which is a funny thing to see on a keyboard. Software-wise, this younger-bigger bro in the family will also support CoreMIDI -- and an updated version of Akai's SynthStation iOS app for the bigger screen, using the added real estate to allow finer, more direct control over the sound, along with a new recording section and simultaneous drum / synth sequencing. Not a bad piece of kit for the pad-centric musician in your life -- look for it to splash down this June for $199. Check below the break for video of the unit and a runthrough of the new software. %Gallery-114447%
Synth pioneer Roger Linn shows us his new analog drum machine, Tempest (video)
We were wandering around the crowded, noisy halls of this year's NAMM show when a particularly freaked-out drum pattern struck our eardrums. We followed the sound and encountered a gray-haired, bespectacled gentleman tapping and tweaking knobs so professionally that we couldn't help checking out his name tag. Imagine our delight when we saw it was no less than Roger Linn, designer of the Linndrum and Akai's MPC60. If you're not familiar with those terms, no matter: let's just say that Dr. Dre and any other producer who's banged out a synthetic beat on a box owes this guy their entire career. Mr. Linn has partnered with Dave Smith Instruments to create the Tempest, a 16-pad beauty with enough knobs, buttons, and sequencing muscle to keep you inspired for endless hours in the studio. And the sound on this thing! It does include digital samples like a traditional MPC, but where it really shines is in the analog synthesis and effects department. It takes a lot for a drum machine to feel unique and valuable these days -- especially at the $2000 they'll be asking for it in June -- but the Tempest, from our brief time with it, sounds like it'll be well worth the investment for serious producers. Video of Mr. Linn's demo after the break. %Gallery-114437%
Teenage Engineering OP-1 synthesizer now available for pre-order, we tour its shiny new features (video)
In an era of synth-toy overload, the OP-1 is definitely doing its thing to set itself apart from the pack. It wouldn't have surprised us if it never came out, simply vanishing into the ether like most too-good-to-be-true hardware tends to do. But the fine Swedes of Teenage Engineering are in Anaheim for NAMM with a production model on the floor, and now it's really, truly up for pre-order (please allow 8 weeks for manufacturing and processing) for $799 at their site. There are boatloads of updates from the OP-1's we've seen in the past: the little white slab with the colorful LCD now sports a raft of different sequencing modes, new stunningly visualized effects (like the boxer up above for punch...get it?), an accelerometer, and an FM radio, of all things. Video tour of all the shiny new features after the break.
KDJ-One is a gigantic Game Boy with an audio workstation inside
Cyberstep's KDJ-One, a portable digital audio workstation currently in prototype mode, is a noisy little wrinkle in time. While we're fairly certain it will never see the light of day in your local Guitar Center, we really do want to wish it the best. It combines the aesthetics of a few of our very favorite things: the D-pad, button layout, and chunkiness instantly reminded us of the original DMG Game Boy. The keypad on bottom looks a lot like a tweaked version of a Roland TB-303. And the software inside -- pure MeeGo -- reminds us of a Tungsten-era Palm device crossed with a laptop from 1999. (But in a really good way!) A five-inch resistive touchscreen -- complete with stylus -- sits on top of an Atom E640 CPU, 512MB of RAM, a 4GB SSD drive, and a pair of 2000mAh batteries. Oh, and it's got a rumble pack on the backside: Cyberstep assures us the QW Vibration System adds "a whole new element of force feedback to your music production experience." The sampler / looper / sequencer production software itself seems super-basic and pretty fun, although we could probably squeeze a lot more production flexibility out of a $300 netbook. But just look at that dude and tell us you don't want to squeeze its little white cheeks. Yeah, exactly. Video after the jump. %Gallery-114424%
Shure adds SE215 buds, cans for DJs and studios alike
The NAMM trade show -- also known as the musician's candy store -- is kicking off today out in Anaheim, which means that audio-focused press releases are starting to pour in. Headset and mic manufacturer Shure is beefing up its line with the introduction of three new models -- a set of buds plus two cans. On the bud side, the SE 215 slots in predictably beneath the SE315, offering a budget-friendly single driver in your choice of black or fancy translucent casing; it comes in at a retail price of $99, some $100 less than the SE315. Moving to cans, the SRH550DJ (pictured center) is -- as the name implies -- targeted at DJs with a "super-aural design" for full isolation and a 90-degree swiveling headband for flexible wearing positions; this one will set you back $99 on the store shelf. On the upscale side, the SRH940 is billed as a reference set with a premium padded headband, and you'll pay for it: it's $299 at retail. All three models will be available this spring; follow the break for the press releases.
