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Distro Issue 76: Will a duo of phones and a new OS bring BlackBerry back to life?
After delays and a software preview, RIM BlackBerry finally pulled the wraps off of it's new hardware and operating system that we'd been looking for the end of January to bring. In this week's edition of our e-publication, we take a look at all of the wares that the Canadian company unveiled in order to determine if it's enough to reinvent the outfit. We also rundown the history of the unit formally known as Research in Motion to paint a complete picture of the road leading up to this week's proceedings. Of course, there's more than just BlackBerry stuffs to peruse. Hands-On visits NAMM 2013, Weekly Stat tallies up earnings season and we get cozy with the Pebble Smartwatch. There's plenty of time for a bit of weekend reading, so head to your favorite repository to snag the goods. Distro Issue 76 PDF Distro in the iTunes App Store Distro in the Google Play Store Distro in the Windows Store Distro APK (for sideloading) Like Distro on Facebook Follow Distro on Twitter
The Artiphon Instrument 1 uses an iPhone, Engadget tries it out
Artiphon unveiled its Instrument 1 late last year when it released teaser images that hit the internet like wildfire. Now that the multi-instrument device is nearing launch, the company has given Engadget a private tour of the device at NAMM 2013. Designed and made in Nashville, Tenn., the unique instrument combines the beauty of a traditional wooden instrument with the flexibility of a digital music-driven device. The instrument is crafted of African hardwood and powered by an iPhone 5. It includes two integrated speakers and a built-in battery, making the Instrument 1 a truly portable device. It works with any core MIDI-enabled apps and is meant to replicate a wide variety of musical devices including guitar, violin, banjo and more. The Artiphon 1 will soon be available for pre-order from Artiphon's website and will cost under US$1,000. You can watch a quick hands-on in the Engadget video embedded below.
NAMM 2013 wrap-up: Analog synths, DJ gear, loads of MIDI, mobile peripherals and more
We've managed to pull through music's deafening January gathering just outside of Los Angeles with our hearing still somewhat intact. The last few days have held a wealth of DJ gear from controllers and consoles to portable units. Both Moog and Korg trotted out new analog synthesizers that look quite formidable while remaining rather affordable. As expected, a truckload of wares to outfit a mobile device arsenal were on display from Bluetooth foot controllers to dual-input audio interfaces. And as always, a few surprises crept in as well -- like a MIDI guitar and fully portable, handheld DJ solution. Head on down past the break to get caught up on the happenings that you might've missed as we look for a nice quiet room to recover for a few hours.
Artiphon's 'Instrument 1' is an iPhone powered multi-instrument, we go hands-on
Music, MIDI and mobile? Seen that before, right? Well, yeah, but sometimes something comes along that surprises everyone. Artiphon's Instrument 1 is one such thing. And after all, there's more than one way to crack a nut. Artiphon's method involves creating a high-quality muli-instrument device that uses an iPhone or iPod touch as its brain. So, this is no plastic (bear with us) "appcessory." The Instrument 1 is made out of special quality African hardwood, and centers around an intentionally ambiguous design. There is a pair of high-quality custom speakers that give impressive 30W onboard sound. There is, of course, a line out and MIDI in / out too. The prototype we saw today doesn't have a built-in battery, but final production models will, making this a truly portable, complete solution. Dr Mike Butera, the firm's founder, was keen to explain to us that this is intended not to replicate one specific device (though it does a great job of guitar, violin, banjo and more), but rather to enable musicians to be able to work in a way they want to. The Instrument 1 works with any core MIDI enabled app, but there are plans to release a companion app for more detailed / custom mappings in the future. We got a private tour of the device, to tip-toe past the break for more.
Numark NS7 II Serato DJ controller hands-on (video)
Like buttons? Numark at NAMM evidently thinks they are this season's DJ must have. The latest bit of kit to get the manual-input makeover? Its NS7 II Serato DJ controller. The second iteration of its motorized-platter DJ tool lands augmented with 16 "MPC-style" pads. Of course, when you are part of the same corporation that also makes the MPC, swinging these sort of add-ons must be a little easier. Those pads will be assignable to a host of features (cues, loop, roll, sampler, and slicer) in the Serato DJ software (sadly not ready for a demo with the hardware at this time). Of course, the NS7 II is all MIDI compatible, so if your software of choice is something else, then you are free to map and a buse as you wish. That's not all, you might notice in the picture above that the pads have some jazzy colors going on. They are have RGB illumination which can be set and customized to your choice by MIDI data. It's not all about the pads though. Numark has also added touch functionality to a lot of the rotaries. So, if you have one set to control a filter, you can just tap the tip of the control to trigger it on / off. The last of the big news is that with the NS7 II, you can also control four virtual decks. A nice addition for the fast-fingered DJs out there. We ran into the device on the show floor and spent some time with it. Head past the break for more.
IK Multimedia iRig BlueBoard and iRig HD hands-on (video)
Last year at CES, IK Multimedia unveiled its iRig Stomp as a foot switch controller for wrangling the outfit's Amplitube software for iOS. Here at NAMM though, the company has cast off the wired connection for the Bluetooth-sporting iRig BlueBoard MIDI foot pedal. In addition to managing presets sans cables, the device can access four effects / amp modeling combos via backlit selectors without the need to swipe the screen of your iPhone or iPad. The gadget is AAA battery powered and there's no power adapter or in-built power pack. It's a bit of a bummer that the BlueBoard isn't rechargeable, but then again, a lot of guitar pedals and stompboxes are either battery or adapter powered. Two 1/4-inch jacks fare along for the ride in case you need to add on volume or expression pedals to the $99 rig that's set to arrive in Q2. During our visit, we also took a look at the recently announced iRig HD guitar connector. The next-gen version of the original iRig touts higher quality sound (as the moniker suggests) and now connects via 30-pin or Lightning port for use with a mobile device or via USB for laptops and such. There's also a input level adjustment on the side in a form factor that resembles the Apogee Jam -- albeit with different connectors. Even with the help of headphones it was hard to tell just how good the captures were thanks to the painfully noisy show floor. However, in our brief time with the setup it worked like a charm for handling our feeble attempts at a few Taking Back Sunday riffs. Hop down past the break for a quick tour of the duo.
PDJ Portable Disc Jockey is a complete DJ system that fits in your pocket, we go hands-on (video)
We'll forgive the extremely nice folk behind the PDJ when they claim to have the first fully self-contained portable DJ set-up. But that's not to say that there is nothing new here -- in fact there's plenty. The PDJ is a rectangular slab of refreshing creative optimism. On each end is a touchscreen display that shows a virtual turntable, and in the middle is a small mixing and FX section. So, already the PDJ will be familiar in set-up to any DJ who picks it up (something the Pacemaker couldn't claim with its proprietary interface). The mixer section has rotaries for volume, FX and additional functions (more on this later). The most important thing, however, is the onboard audio interface which crucially means you can monitor in headphones before unleashing your mix onto the world. This sets it apart from pretty much every other mobile app out there that, at best, requires you to use an audio splitter (to the detriment of your sound). Of course, you're going to need some music to play, and there's 2GB of internal storage to let you do just that. If that's not enough, or you want to load up your latest jams right away, there's an SD card slot to let you do just that (up to 32GB). Beyond headphones, there's a line out for connecting it to a sound system, and a line in and microphone jack for adding external sound to the set. The brochure claims it offers 12 hours of battery life too -- rechargeable by mini USB. On the software side, the two virtual turntables respond to touch, and button controls (for cue / play / pause). In addition to the virtual turntable, there are also sample player and one-shot screens. We got out paws on the PDJ here at NAMM, so fade past the break for our impressions.
Apogee One for iOS and Mac hands-on
Apogee strolled into NAMM with a trio of audio interfaces newly outfitted for both iOS and Mac. While the Duet and Quartet are certainly formidable pieces of recording kit, the more compact Apogee One caught our eye for its dual capture ability without adding too much heft to the ol' backpack. The unit accepts input from a built-in mic and either a XLR or 1/4-inch analog input -- both of which connect via a two-headed Y-cable. From there, the One connects to a power supply and either your iPad, iPhone, iPod touch or Apple computer of choice for that dual-tracking capture. After seeing the device up close and spending a few minutes handling it, our main gripe remains the lack of a Lightning connection. Sure it's great that we can outfit our iDevices, but we'd love to see an included cable for the latest port to come out of Cupertino rather having to locate an adapter. Without being able to capture a solid vocal track on the bustling show floor here at NAMM, we unfortunately can't speak to the quality of that on-board condenser microphone. However, the One seemed to handle guitar licks quite well when recorded with GarageBand on an iPad mini. As we've mentioned before, the outfit has also outed its Maestro app for low-latency monitoring and a bit more control over how matters progress. Aside from all of that, the gadget sports a similar dial knob to that of the original release for selecting functions and controlling input / output levels with dual LED stacks for a visual indicator of said signals. The One wields the same solid build quality that we've come to expect from Apogee based on a few of the other products we've spent extended time with. For a quick walkthrough, take a look at the video that lies beyond the break.
Visionary Instruments intros the Robocaster MIDI hybrid guitar, we go ears-on (video)
Visionary instruments has been tinkering with the not-so-humble guitar for a long time now. The latest offering is the Robocaster MIDI guitar. As you can see from the picture above (or gallery below) the Robocaster offers some features you might not find on your average axe. Those arcade style buttons, the MPC style pad faders, touch-strips and digital whammy-bar send out MIDI data to the software of your choice. The set-up at NAMM had the Robocaster routing through Ableton Live, meaning that effects such as gating, filters -- or essentially anything -- can be lavished on your playing in real-time. The guitar is customized by hand, and make use of our good friend arduino. As Visionary Instruments has been modding guitars for a while, it's no surprise that the finish and build quality looked and felt excellent. The additional controls sit snug in the body, and are designed to be easily accessible while playing. The Robocaster, despite being hand-made, will be ready for ordering within a week or so with an estimated price somewhere around $2,799. That said, if orders or interest are sufficient, the could be scope for a full production run, coming in at a lower price. Want to make this happen? Check out the firm's website and get your order in. Just want to know how it sounds? Better get on the video after the break.
Roland Cube Lite mini amplifier allows you to control guitar licks, aux input independently (video)
At the start of NAMM 2013, Roland announced two new models in its Cube line and an iOS app to complete the trio. Both the Cube Lite and Cube Lite Monitor are on display in all of their dual-connecting glory, but we're far more interested in the former for its guitar amp wares. The 10W compact unit touts built-in JC Clean, Crunch and Extreme tones alongside Chorus and Reverb controls. We were pleasantly surprised with how well these on-board sounds came across at the strings of a Stratocaster during the booth demos we witnessed. Usually included presets can be really hit or miss, but these are quite serviceable -- especially in a portable unit. As you might expect, all of the usual controls are here including volume, treble, bass and drive and the requisite 1/4-inch input graces the backside. That's all quite nice, but the real story here is the iOS software and aux connectivity. That iOS app, Cube Jam, allows you to record and play along with tunes from your iDevice and connects via the i-Cube Link stereo auxiliary input from the headphone jack of a slate or handset. We were a bit disappointed that the connection didn't come at the hands of a 30-pin jack or Lightning port, but overall the unit worked quite nicely in our limited time with it. The separate volume control for the aux port is quite nice and allows the user to adjust levels of the amp and the accompanying track independently to keep things just so. We'd surmize that you'd be able to connect an Android, BB10 or WP8 device for playback, if you're willing give up the Cube Jam software. Cube Lite also requires a tethered power supply and doesn't support Bluetooth connectivity like we saw on the iLoud from IK Multimedia. If you don't have a need for the guitar functionality, the Cube Lite Monitor wields the same 1/8-inch input, but offers stereo 1/4-inch jacks instead and tosses the in-built tones. Head on past the break for a quick tour and a closer look awaits in the gallery just below.
MIDI spans 30 years at NAMM with Commodore 64 and Animoog (video)
You may have heard that the Musical Instrument Digital Interface protocol (aka MIDI) celebrates its 30th birthday this year. And where better than NAMM would the MIDI Manufacturer Association be able to fully demonstrate (and celebrate) the persevering protocol's coming of age? Part of the MMA's installation was a set-up destined to get geek hearts racing. A 1983 Commodore 64 connected to a Sequential Circuits Model 64 sequencer cartridge (with MIDI interface). From these vintage parts, the regular 5-pin MIDI cable heads out through the decades and into an IK Multimedia iRig MIDI, into an iPad, finally feeding its information into the Animoog app from equally longevous Moog. Watch old meet new in the gallery and video below.
Korg announces MS-20 mini, we go hands and ears-on (video)
Korg has a string of classic sound-making machines that bear its name. One of the most well regarded would be the MS-20 analog synth that first landed in 1978. But that's no good to you right here in 2013 is it? Well, funnily enough, the kind folk at Korg realised this, and decided to relaunch it, updated for the modern musician. The MS-20 mini is, as you might surmise, a smaller version of the classic, measuring in at 86 percent the size of the original. It also looks like as much of the character that made the MS-20 sing to people's hearts has been carried over as possible. The mini was developed by the same engineers, has the same synthesis set up (two oscillators, ring modulation, VCA design etc) complete with manual cable-patching system (which is now 3.5mm rather than 1/4-inch). There is one modern addition, and that is a USB-MIDI jack around the back, letting you plug in to your favorite DAW / sequencing software through the more contemporary connection -- should you prefer that over the good old 5-pin MIDI (which is still an option). As we're right here at NAMM, we took a stroll over to the Korg booth to take a look for ourselves. Head past the break to see / hear more.
Numark iDJ Live II DJ controller hands-on (video)
If there's one company that comprehensively caters to the entry-level and intermediate DJ, there's a good chance it's Numark. While the firm has released a whole bunch of stuff at NAMM this year, perhaps its most mainstream offering is the iDJ Live II. If you remember the original, it was a lightweight controller (both physically, and metaphorically) designed for use with Djay on iOS. This time around the little fella gets a redesign, and a few functionality tweaks. Most notable, is that while the first iteration only gave you the option of iOS connectivity -- via the 30-pin adaptor -- this time you have the choice of Lightning, 30-pin, or straight up USB. Thus, you can now bring the iDJ Live II out to work with your Mac or PC, too. Once again, it's built with Algoriddim's Djay in mind, be it the desktop or iOS version, and we got our hands on it to take it for a spin. Head past the break for the lowdown.
Akai launches MPC headphone series, we go hands-on
Headphones, there's plenty to choose from these days that's for sure. But amongst the celebrity endorsed pairs, and the traditional brands there appears to be a gap in the market. Or, so thinks Akai -- the maker of the legendary MPC line of beat-machines -- as it's extending the brand to include three new sets of its own: the MPC Pro, MPC, and MPC Earbuds. Akai claims the new additions are designed for use with the kit of the same name, but looking at the design, we'd wager it's not shy of taking a slice of the more image-conscious / brand aware market either. The daddy of the bunch is the MPC pro (the lower of the two you see above. These come with 50mm drivers and an over-ear design, aimed at improving isolation. The MPC model (the other pair you see above) sport 40mm drivers and an on-ear design. Both the Pro, and regular MPC editions have a metallic red and silver finish, with foldable ear-cups. The baby of the bunch is the Earbuds edition, and these are designed for "active producers," or dare we say, sporty types too. The ear-hook design is reminiscent of other sports headphone buds to keep them in place. These, however, are Bluetooth enabled too. But, if you're worried about the latency while you're producing on the go, there's a connection for going traditionally 3.5mm-cabled too. Hear more past the break.
Moog Sub Phatty analog synthesizer hands-on (video)
A few days back, Moog teased a new synthesizer that we would come to meet properly as the Sub Phatty. Once we hit the show floor here in California, we made sure to drop by for live look. The analog unit features every bit of the fine craftsmanship that we've come to know Moog for crankin' out of its factory in the mountains of North Carolina despite the affordable $1,100 price tag. Sub Phatty keeps with the classic snyth aesthetic and Moog design trademarks including soft-touch coated side panels -- a staple of the Phatty line -- and knobs that look and feel prime for extreme mileage. Aside from a dapper exterior, the big draw here is the new Multidrive tech that graces the control panel and inner workings of the device. We could give a detailed textual explanation of said feature, but we'll let Amos Gaynes, product development specialist at Moog, do all of the chatting in the video that follows after the break. Speaking of the jump, you'll find an audio sample taken straight off of the Sub Phatty's frontside here at NAMM 2013.
IK Multimedia iLoud and iLoud Mini hands-on (video)
IK Multimedia got a jump start on NAMM with the announcement of its iLoud speaker duo just before the proper start of the show. Today, we swung by the company's booth to take a closer look and spend a few minutes with the Bluetooth-wielding wireless duo. The first thing that we noticed was the build quality. Both the iLoud and iLoud Mini sport a soft-touch rubber-esque coating on the top and bottom that we've seen in other Bluetooth audio units. The pair also has an adequate amount of heft without being overbearing when added to the weight of an already packed rucksack. In terms of the Mini, a single volume control rests on the right side, both USB port (for charging) and aux inputs reside around to the left and the power button is at home up top. For us, the real star of the show here is the regular iLoud. In addition to the same wireless capabilities as the smaller sibling, this unit packs a 1/4-inch input that houses the outfit's iRig circuitry. Essentially, one of IK Mulitmedia's adapters is crammed right into the speaker. Said jack along with controls for power, gain and Bluetooth pairing hit the backside in addition to an auxiliary port for connecting a handset or tablet via cable. The volume knob is around front on this beefier model, encircled in a glowing red light. One of the main selling points is the advertised studio-grade sound quality -- especially in the 40W iLoud -- which we were unfortunately unable to confirm due to the overly noisy show floor here in Anaheim. Jump down through the gallery to take a gander at the pair that is set to arrive in Q2 for $300 and $200 respectively.
Apogee revamps One and Duet audio interfaces for iOS and Mac, updates Quartet to match
Apogee wants bring pro audio interfaces to the mobile realm. To that end, it's coming to NAMM with a trio of options that cover most Apple-bound musicians and podcasters. Its next-generation One interface (seen after the break) can take simultaneous input from both a built-in condenser mic and one device plugged into either an XLR or quarter-inch jack, passing along the resulting tunes to an iOS device or a Mac's USB port. A similarly reworked Duet adds direct iOS connections to the two-input, four-output Duet (above). Full-fledged bands aren't left out of the equation, either -- the existing, four-input Quartet has received iPad support without changing its formula. Lighting-based iOS gear unfortunately requires an adapter, but we'll take consolation in a new Maestro app for iPads that offers control over connections and session monitoring. Producers hoping for more mobility can pick up the Duet or Quartet in February at their respective $595 and $1,295 prices, although they'll have to wait until March to buy the One at $349.
Pioneer Platinum Edition CDJ2000nexus, DJM-900nexus and RMX-1000 eyes-on
What do Magpies and DJs have in common? Well, if Pioneer's latest special edition hardware is anything to go by, it's a love of shiny things. Announced this week, the limited-run of it's flagship CDJ2000nexus, DJM-900nexus and RMX-1000 remix station DJ gear is all about the looks. We managed to get there the minute the show floor opened, and found the lustrous kit getting the final spit and polish before the eager hoards could get their curious hands on it. As anyone who has used Pioneer DJ kit will know, the build quality is generally high, and this is still the case here. The metallic finish really makes them something to look at, and we can see this being the set-up of choice for those who like to show off a little. With that in mind, you might be thinking what we were: what about fingerprints? Well, having got there first, meant that they had yet to endure the proper real-world challenge, but we were kind enough to apply a few firm presses to the gear in the name of science. The result? Well, let's just say that you might want to keep a lint-free cloth close to hand. But then if you're the kind to lay down the suggested $8,499 for the whole set, we imagine you might have thought that far ahead already. Check the gallery below to see the whole set, up close and personal. Billy Steele contributed to this report.
Moog shows off one-of-a-kind Aluminum Voyager and 10th Anniversary Minimoog Voyager at NAMM (eyes-on)
A couple of months back, Moog announced its limited edition 24-karat gold clad Minimoog Voyager to celebrate the 10th anniversary of said analog synth. But here at NAMM 2013, the outfit is showing of the latest bit of unannounced handiwork from its in-house machine shop. Feast your eyes on the Aluminum Voyager: a one-of-a-kind unit that is housed in the rugged silver material and features all blue panel lighting to complete the look -- right down to the rivets. We also took a bit of time to lay our peepers on that golden model, too. Our snaps don't really do it justice, but the combination of the shiny finish with translucent control knobs and accents of Japanese Awabi pearl make for one of the most dapper instruments we've seen. But don't take our word for it, dive in to the gallery below to take a closer look at the pair.
Orange Amps updates its OPC once more: Intel i7, 16GB RAM and a graphics boost
Orange Amps trotted out a few updates to its PC / amplifier hybrid over a year ago, but the music outfit has announced some more quite noteworthy tweaks at NAMM 2013. The orange clad units will now sport third-gen Intel i7 processors, a maximum capacity of 16GB of RAM (doubled from the previous 8GB limit) and users will have their choice of either NVIDIA's GeForce GTX 650 Ti or AMD's HD 7750 to power graphics matters. Of course, the OPC will still feature the same array of inputs for tracking in addition to its built-in speaker for keeping an ear on how things are progressing and an attractive software suite. A fully loaded model will hit the ol' wallet for £1,197 ($1,896), but individual component upgrades are available should you be looking to save a little coin.
