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Panasonic's Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots
It's been nearly half a year since Panasonic's Lumix series of cameras got any new members, but today the company is introducing three more shooters to the family. First up is the DMC-G5, the latest addition to the company's Micro Four Thirds lineup. It's the successor to the G3 and packs a 16-megapixel sensor capable of shooting 1080p videos at 60fps and stills in up to 6fps bursts at a max 12,800 ISO at full resolution. The G5's LVF has a proximity sensor to automatically switch between it and the camera's 920,000-dot capacitive screen depending on which one you're using to frame your shots. When the G5 goes on sale next month, you'll have your choice of black, silver and white models.%Gallery-160553% In addition to the G5, Panasonic's also introducing a new superzoom camera, the DMC-FZ200 and a high-end DMC-LX7 point-and-shoot. The FZ200 replaces the FZ150 and pairs a 12-megapixel sensor with a 25-600mm constant f/2.8 aperture Leica Elmarit lens with nano surface coating to reduce flare and ghosting. It has a 24x optical zoom and shoots 1080p video at up to 60fps along with stills in up to 12fps bursts, though its max ISO is only 6,400. Meanwhile, the LX7 has arrived sporting a 10-megapixel sensor and a 24-90mm, f/1.4-2.3 Leica Summilux lens with the same nano surface coating as the FZ200. Like its Lumix brethren, it shoots 1080p video at 60fps, and shares the same maximum 12,800 ISO as the G5. It'll be available in black and pearl white when it ships in August. We got to spend some time with all three, so join us after the break to learn a bit about what its like snapping pics with this trio of Panasonics.%Gallery-160554%%Gallery-160552%
Panasonic Lumix DMC-G5 and other models arriving soon? (Updated)
A story published and then pulled by The Telegraph has revealed a range of new Panasonic cameras, including the new Lumix DMC-G5. The snapper will reportedly roll up with a 3-inch screen, a 16-megapixel Venus Engine VII sensor and a smoother, more rounded body. It should shoot Full HD video, crank up to ISO of 12,800 and find its way to the market as an entry-level kit costing £599 ($937), topping out at £879 ($1,375). If a flagship ILC isn't your thing, then you may be tempted by a bridge shooter, the DMC-FZ200, which comes with a rather powerful 25-600mm lens capable of maintaining a f/2.8 aperture at any focal length. The company will also be outing the DMC-LX7 compact camera that'll offer full manual control as well as "decent" low-light photography. Details are thin on the ground, but since the company's expected to make an official announcement tomorrow, we shouldn't have too long to wait. Update: We've had an email in from a tipster who has found a picture of the FZ-200 and a snap of an otherwise unmentioned FZ-60, which we've included after the jump if you'd like to take a peek. [Thanks, Alex]
Leica boosts compact portfolio with V-Lux 40 point-and-shoot, APS-C-equipped X2
Leica has built a name for itself in the compact market over the years with a handful of Panasonic rebrands -- these Lumix models come equipped with a matte black housing, Leica lens and that famous red dot, with the inflated price tag to match. With this latest batch of cameras, the company appears to be taking a more respectable approach -- at least with its high-end X2. But first, let's tackle the V-Lux 40. On the Panasonic front, this camera looks strikingly similar to the Lumix DMC-ZS20 we saw emerge after CES. Both cameras include 14.1-megapixel 1/2.3-inch CMOS sensors, a 20x, 24-480mm f/3.3-6.4 optical zoom lens and 1080p video capture. The housing has been modified slightly to include a recessed control panel, Panasonic branding has been removed and the Leica logo added. Such luxuries more than double the camera's price from $269 to $699. Ouch. You can pick up the V-Lux 40 beginning today, or you can grab two virtually identical ZS20s for the same amount, with significant cash to spare. You may remember the Leica X1, but you probably don't. This $2,000 shooter was determined to be overpriced when it launched way back in 2009, and now the APS-C-equipped series has returned for a refresh. Dubbed the X2, this year's flavor ups the ante with a 16.2-megapixel CMOS sensor (boosted from 12.2) while retaining that beloved $2k sticker price. The compact all-in-one includes a fixed 24mm Leica Elmarit f/2.8 ASPH lens, which the company validates as a "classical focal length for photojournalism," and a 2.7-inch 230k-pixel LCD on the rear. There's also an option to add a Viso-Flex 1.4MP viewfinder with a 90-degree swivel function, along with a shoe-mounted mirror finder. The $1,995 camera's price tag may be tough to swallow -- but only until you discover the gratis copy of Adobe Lightroom in the box. Both the ZS20 V-Lux 40 and X2 are available now. Snap past the break for the pitch from Leica.
Panasonic Lumix GF5 looks identical to its predecessor, offers similar specs for $100 more (hands-on)
It's been a bumpy ride for Panasonic's GF line of Micro Four Thirds cameras. The GF1, an excellent mirrorless camera for its time, was soon replaced with a less-capable entry level model, the GF2. Then another, the GF3. And now, it's time to say hello (again) to the GF5. For better or worse, the GF3 won't be going away -- it'll sit tight at its new $500 price point (with a 14-42mm kit lens), ready to confuse consumers looking to purchase its nearly identical, yet $100 pricier, pseudo-replacement. Both cameras come equipped with 12.1-megapixel Live MOS sensors, though the newer model adds a "High Picture Quality" distinction -- it's been dubbed a 12.1-megapixel "High Picture Quality" Live MOS sensor. So, naturally, we're going to expect some pretty incredible images. Panasonic has also added an ISO 12,800 "extended" mode (the GF3 topped out at a native ISO 6400). There has been a jump in the video department, with 1080/30p MP4 recording joining the 720p mix. Burst mode capabilities have seen an increase as well, from 3.8 frames-per-second to... 4. Finally, it's slightly larger, due to a more substantial (and more comfortable) grip, though battery life has dropped from 340 shots to 320, likely due to a new processing technique aimed at further reducing noise in low-light captures. The GF3 and GF5 look so similar that we mistakenly photographed the former for a minute or two, only realizing the error when we flipped on the LCD. The 5 has a much-improved touchscreen, with a 920k-dot resolution (460k dots on the GF3). It looks gorgeous by comparison, but amateurs making the switch from a point-and-shoot may not take notice. The features they'll appreciate most relate entirely to the GUI, and include a highlight window for selection options, 14 filters with a realtime preview option, a background image that appears on the main menu and a filter recommendation while in Intelligent Auto. This feature works by suggesting that you apply the Expressive or Toy Effect if you're taking a macro shot, for example. Other additions include a stereo microphone for video capture, though the left and right mics are positioned oddly near each other -- on either side of the word "MIC" on the top of the camera, with the right mic angled towards the left -- so we can't image that you'll be getting a true stereo effect. Like its predecessor, the GF5 is clearly designed with beginners in mind -- more advanced photogs should consider the GX1 -- but with a $599 sticker price (with 14-42mm lens), it's sure to be a hit.
Panasonic introduces Lumix DMC-ZS20 and ZS15 compact superzoom cameras
We've seen Panasonic's 2012 lineup of ruggedized and entry-level point-and-shoot cameras, but now the Japanese-based manufacturer is unleashing a pair of compact "Traveler Zoom" cams to the 2012 mix. The Lumix DMC-ZS20 and ZS15 include 20x (24-480mm) and 16x (24-384mm) optically stabilized zoom lenses, respectively, 3-inch 460k-pixel LCDs, 1/2.3-inch High Sensitivity MOS sensors and a 10 fps burst shooting mode (5 fps with continuous AF). The higher-end ZS20 features a 14.1 megapixel sensor and 1080/60p video shooting while the ZS15 captures 12.1 megapixel stills and 1080/60i HD clips. Both cameras include 0.1-second "Light Speed Autofocus" and top sensitivity levels of ISO 3200, though you'll need to opt for the ZS20 to take advantage of GPS with map logging and a noise-canceling stereo mic. The pair will ship in March, with a black, red, white or silver ZS20 running you $350, compared with a $280 price tag on the black or silver ZS15. As always, you'll find the full PR after the break.
Panasonic adds Lumix DMC-TS4 and DMC-TS20 to ruggedized camera line
Panasonic has helped lead the market for ruggedized cameras, which have been a hit among adventurous photographers for years, and now the company has two new additions to add to its water/shock/freeze/dustproof cam line. Described as "the optical outdoor companion," the Lumix DMC-TS4 is Panasonic's new ruggedized flagship, replacing the TS3 and packing a 12.1 megapixel CCD sensor, 1080/60i HD video capture, a 4.6x 28-128mm optical zoom lens and 2.7-inch LCD. Naturally, it can withstand just about everything you'll throw its way, considering that it's waterproof to depths of 40 feet, shockproof to 6.6 feet and freezeproof to temps as low as 14 degrees Fahrenheit. The TS4 also includes GPS, compass, altimeter and barometer functionality, logging all this data to supplement your photos with a full weather and location readout. Panasonic has also added full manual control, letting you adjust both aperture and shutter speed when shooting in manual mode.The TS4 may offer a respectable spec list, but it doesn't come cheap. The TS20 is an attractive alliterative, however, with a slim profile, 16.1 megapixel sensor, 720p HD shooting, a 4x 25-100mm optically stabilized zoom lens and a 2.7-inch LCD. It's waterproof to 16 feet, freezeproof to 14 degrees Fahrenheit and can survive drops from up to five feet. There's no manual option on this lower-end model, but it does include Panasonic's Intelligent Auto mode for more accurate shooting. The TS20 will ship in late-February in orange, blue, black and red for $180, while the flagship TS4 will be available in orange, blue, black and silver for $400 when it ships in mid-March. You'll find both press releases after the break.
Panasonic announces pricing for entry-level Lumix CES point-and-shoots
Panasonic's slew of low-end Lumix point-and-shoots may have slid in under your radar during CES, but now the Japanese camera maker is back to refresh your memory -- this time with pricing and availability in tow. We'll outline the models just below, which are all set to ship in March, but feel free to jump past the break for the Panasonic press release. Lumix DMC-S2 - $109.99 Lumix DMC-FH6 - $129.99 Lumix DMC-FH8 - $149.99 Lumix DMC-SZ1 - $179.99 Lumix DMC-SZ7 - $199.99
Panasonic Lumix DMC-GX1 Micro Four Thirds camera review
It's no surprise that the mirrorless interchangeable lens camera category is continuing to grow at a rapid pace. These compact, pro-featured ILCs undoubtedly have a strong future, with mass consumer appeal and a widening assortment of price points. We're particularly taken with the technology's compact footprint -- we're focusing our camera reviews on mirrorless models, and even outfitted our entire CES team with Sony's NEX-C3. But long before the likes of Sony and Fujifilm launched their first cameras, Olympus and Panasonic dominated the then-infant mirrorless category, developing the Micro Four Thirds sensor standard, that, for better or worse, has failed to catch on among other manufacturers. Surprisingly, Panasonic's pioneering days were far stronger than those of recent past, with the company's GF1 melting the hearts of compact-seeking professionals. But following that successful first model, Panasonic opted to take the GF series in a different direction, launching a dumbed-down GF2 (and later GF3) in what was likely an attempt to appeal to the much larger amateur category. This left the GF1 faithful without a worthy successor -- until now. Panasonic's Lumix line gets a lot more crowded Panasonic Lumix GX1 Micro Four Thirds camera surfaces in leaked photos Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-onThe Panasonic Lumix DMC-GX1 looks pretty standard on paper: there's a 16-megapixel Live MOS sensor, a choice of body colors, RAW shooting, HD video and a top sensitivity of ISO 12,800. Just as it did with the GF2 and GF3 body designs, Panasonic took a different direction with its new X-series lenses, swapping the traditional manual zoom for a motorized version, enabling a much more compact footprint. The difference when positioned alongside the NEX-C3's 18-55mm zoom is staggering, but Panasonic didn't arrive at this slick design without compromise, particularly noticeable when it comes time to swallow the $950 kit price. Still, one look at the hardened matte black metal body is all it takes to know that this is no GF4 -- this is it, the long-awaited successor to the GF1 has finally arrived. So, will the GX1 be our new top pick for the mirrorless category? Join us past the break to find out.
Panasonic's Lumix line gets a lot more crowded
Panasonic's Lumix line is celebrating a whole bunch of new entries this week at CES. The FH series is expanding with two new slim additions, the DMC-FH6 and DMC-FH8. Both models do 720p video at 30 fps and rock Leica lenses and 5x optical zoom. The 16.1 megapixel FH8 has a three-inch LCD and shoots HD videos in MP4. The 14.1 megapixel F6 captures HD video in JPEG format and features a 2.7-inch display. Both new entries in the SZ series, meanwhile, feature 10x optical zoom, three-inch LCDs and 25mm ultra-wide angle Leica lenses. The SZ7 does 14.1 megapixel images and 1080p video, while the SZ1 goes 14.1 megapixels and 720p on the video front. Also debuting this week is the LUMIX DMC-S2, a 14.1 megapixel compact shooter with 4x optical zoom and 720p video capabilities. The point-and-shoot also features Panasonic's panoramic mode for stitching together images and auto retouch to adjust contrast and brightness in photos on the fly. As for pricing and availability? Not so much. Panasonic has promised such things a month prior to release -- whenever that might be. Lots of pertinent press info after the break.
Panasonic launches Lumix DMC-GX1 Micro Four Thirds camera, we go hands-on
Remember the Lumix GF1? It was one of Panasonic's first Micro Four Thirds cameras, setting the bar quite high for models to come. But the GF1's successors -- the GF2 and GF3 -- did not live up to expectations, with the company gradually shifting the series towards transitioning point-and-shoot users, and away from early adopters who grew accustomed to the performance and build quality offered by that beloved early mirrorless cam. Now that familiar look and feel is back, in the form of the Lumix DMC-GX1. The 16 megapixel ILC includes a Live MOS sensor and Venus engine, with a maximum ISO of 12,800. Like other Panasonic G-series cameras, the GX1 uses a Micro Four Thirds mount, and is compatible with both Panasonic and Olympus lenses, including the standard 14-42mm zoom that ships with the $800 kit, or the Lumix G X Vario PZ 14-42mm retractable lens that comes packaged for $950. Existing lens owners can pick up just the body for $700. What we really missed was the solid feel of the GF1 -- everything from the housing to the controls felt well-made, while the design of later GF models, was... underwhelming. Picking up the GX1 helped to restore our confidence in the series -- it was a pleasure to hold. There's quite a bit of power under the hood, too. We weren't able to test the GX1, which is expected to hit stores in mid-December, but Panasonic promises autofocus speeds of 0.09 second -- you can focus simply by touching your subject on the 3-inch, 460,000-dot touchscreen. There's also an external EVF option, which attaches to the camera's hot shoe and offers a 1.44 million-dot display with 100-percent field of view. Movie buffs can capture 1080/60i HD video, with either MP4 or AVCHD compression. It goes without saying that the GX1 can shoot in RAW, and offers the complete gamut of advanced shooting modes. Of course the features don't stop there, so jump past the break for the full PR from Panasonic.%Gallery-138523%%Gallery-138519%
Panasonic announces Lumix DMC-3D1: dual lenses, 12 megapixel sensors
Do you shoot 3D photos? Nope, neither do we, but Panasonic certainly seems to hope that'll change -- perhaps even as soon as next month, when its Lumix 3D1 hits store shelves... for $500. And how much camera does half a grand buy you? Well, for starters you get not one, but a pair of 25-100mm optical zoom lenses (30-120mm in 3D mode), pumping images to dual 12.1 megapixel 1/2.3-inch sensors. Two lenses and two sensors make this pocket wonder a natural at stereoscopic 3D video, but it can also pull some pretty clever tricks with still photos. Sure, you can shoot full-res stills and 1080i video simultaneously, but those dual zoom lenses can operate independently as well, letting you snap pics and/or video at multiple focal lengths -- capture a wide-angle shot with one lens and a close-up with the other, for example. Panasonic wasn't able to demo this functionality during our briefing, so we can't speak to the interface, but it certainly sounds like a nifty concept. Beyond that, expect up to 8 fps burst at full resolution, a 3.5-inch touchscreen and "dramatically clear" low-light images, even at high-ISOs (according to Panasonic). Ready to hear more from the camera maker? Jump past the break for the full PR.%Gallery-138520%
Panasonic Lumix FX90 point-and-shoot packs built-in WiFi, Android / iPhone app compatibility
For many photographers, in-camera WiFi may be an attractive feature before you leave the store, but confusing setup and limited functionality reduce its appeal once you actually go and try to use it. Panasonic sets out to better take advantage of wireless connectivity with its Lumix FX90, adding Android and iPhone app support for transferring pictures and video directly to a mobile device, then uploading them to Lumix Club -- a cloud-based photo-sharing service -- and on to Twitter, Facebook, YouTube, etc. You can also share photos directly from the camera -- a dedicated WiFi button launches a menu prompting you to select a sharing service -- but app support brings the added benefit of your phone's data connection. Beyond those new wireless features, the FX90 includes a 12 megapixel CCD sensor, 5x, 24-120mm optical zoom lens, 3-inch touchscreen, and 1080i AVCHD video capture. The FX90 will ship this fall with pricing yet to be announced, but jump past the break for the full rundown from Panasonic in the meantime.%Gallery-131062%
Panasonic Lumix FZ150 builds on FZ47 superzoom, adds CMOS sensor, 1080p video
Last month, Panasonic's Lumix FZ47 made some (rather subtle) waves with its full manual video mode, lettering you control aperture and shutter speed while capturing in 1080i. Now, the company just announced its higher-end FZ150, which replaces last year's FZ100, adding 1080p AVCHD capture, a stereo mic with noise cancellation, and a 12 fps burst mode. Image-related improvements include a 12.1 megapixel CMOS sensor, 25-600mm (24x) f/2.8-5.2 Leica lens with nano surface coating, faster autofocus, a new Venus Engine FHD Pro processor, and sensitivity up to ISO 3200. The FZ150 retains its predecessor's 3-inch LCD and 0.2-inch EVF -- both also present on the FZ47. There's also a new side-lever control, letting you adjust zoom and focus with secondary levers positioned just to the left of the lens. Panasonic's latest superzoom cam will ship in late September with a $500 sticker price. PR after the break.%Gallery-131061%
Panasonic shrinks its Micro Four Thirds lenses, launches X-series with wide-angle, telephoto zooms
Anyone who's used Panasonic's 14-42mm Micro Four Thirds zoom lens has probably noticed its relatively bulky design, especially when compared to Olympus's counterpart. Today, the company announced a new lens that offers the same zoom and f/3.5-5.6 aperture range in a housing less than half the size when closed, and still noticeably smaller when extended. The first of two optics in Panasonic's premium X-series -- the second is a 45-170mm f/4-5.6 zoom -- it's been billed as the world's smallest digital interchangeable power zoom lens, thanks to its internal zoom motor which lets you adjust the focal length using a side-mounted rocker -- the design is similar to the zoom toggle included with the company's new FX150 superzoom. Priced at $399, it also includes a metal lens mount, instead of the plastic mount used with the existing $199 14-42mm lens. That second 45-170mm zoom ($449) can replace Panasonic's 45-200mm lens ($349), and while the size difference isn't as dramatic is its smaller X-series sibling, it's still noticeably smaller and lighter. Both lenses include optical image stabilization and feature nano surface coatings, designed to reduce ghosting and lens flare. The 14-42mm lens will ship in October in black and white (for use with silver bodies), and the 45-170mm zoom will ship in September. They'll only be compatible with the GF-2, GF-3, and G3 at launch after downloading a firmware update -- Panasonic is leaving it up to Olympus to release supporting firmware for its own cameras be compatible with all G-series cameras at launch, without the need for a firmware update. Jump past the break for more details from Panasonic, and check out the gallery below -- complete with side-by-side shots for both lens classes.%Gallery-131060% Update: Panasonic issued a correction saying that both lens will be compatible with all G-series cameras without the need for a firmware update.
Panasonic GF3 reviewed: aging 12 MP sensor, good upgrade for current compact users
When the Lumix GF1 was released less than a year after Micro Four Thirds first made its debut, it made a huge splash for its size, image quality, and versatility. Problem is, Panasonic set the bar very high for future GF-series models, and has sadly come up short with its latest update, positioning the GF3 ($600 with 14-42mm kit lens) as an upgrade for compact camera owners while leaving enthusiasts longing for much more. DPReview took the GF3 to task, publishing a very comprehensive review while finding that while Panasonic's latest ILC is a good fit for some photographers, more advanced users will likely be disappointed -- especially if they're expecting a rangefinder-like successor to the GF1. We spent a few hours with a pre-production GF3 earlier this summer, and weren't blown away by its performance. When testing against the class-leading Sony NEX-C3, we found the Sony camera to offer faster focusing, better high-ISO performance, more accurate white balance, and better image quality overall. So unless you're really gunning to save 50 bucks on an ILC with a kit zoom (or you already have a collection of Micro Four Thirds lenses), the $650 C3 is definitely the better bet.
Panasonic reveals Lumix FZ47 superzoom, lets you shoot 1080i video with full manual control
Sure, these days nearly all digital cameras can shoot video, but only a small handful give you the power to manually select aperture and shutter speed while doing so. The Lumix FZ47 is Panasonic's latest high-end point-and-shoot to sport this functionality, providing full control over both video and still photo capture with its Creative Control mode. The 12.1-megapixel superzoom can shoot 1080i HD at 30 fps, though it's notably lacking in the 1080p department. There's also a 3-inch LCD, 24x Leica zoom lens with a 25mm wide-angle focal length, and an option to shoot 3.5-megapixel stills while recording video. For photographers wiling to settle for a good deal less power, Panasonic also just announced its entry-level Lumix LS5, which includes a 14.1-megapixel sensor, optical image stabilization, and 720p video, all powered by a pair of AA batteries. The $400 FZ47 will ship next month, while the LS5 hits stores in November, with pricing yet to be announced. Jump past the break for the complete rundown from Panasonic.%Gallery-128677%
Panasonic GF3 spied by Micro Four Thirds enthusiasts in YouTube vid?
The folks at 4/3 Rumors believe they've spotted Panasonic's successor to the compact Micro Four Thirds GF2 -- the aptly named GF3. The site's eagle-eyed camera fiends noticed an unfamiliar digicam in a promo video (since removed from YouTube) that sports an interchangeable lens and is smaller than a DSLR. The design of the camera is somewhat similar to the GF2, though it sports a more pronounced hump and a more modern look. Rumors have suggested that the GF3 would lose the hot shoe, which this glossy-white mystery device clearly lacks, and borrow the 16-megapixel image sensor from the G3. While you wait for Panasonic to announce its tiny new hobbyist shooter, which is expected to happen on June 13th, enjoy another pair of pics after the break.
NTT DoCoMo announces 24 new mobile wonders (yes, really) to flood its network
So, Japan... want a new mobile device? How about 24? This grandiose announcement comes straight from NTT DoCoMo, which commonly lays its cards on the table for the delight of consumers. Among the selection you'll find eight new Gingerbread phones, six incredibly high-res shooters (ranging between 12.2 and 16.3 megapixels), eight waterproof handsets, and one embedded with Swarovski crystals. We're particularly thrilled to see the mighty Galaxy S II, 3D-capturing Aquos SH-12C, 700-nit Optimus Bright (contrastingly-named but nearly identical to the Optimus Black), ultra-slim MEDIAS WP N-06C, and mobile payment-enabled Xperia Acro. Oh, and don't forget about the LOOX F-07C -- a multi-talented handset that's running Symbian and Windows 7 Home Premium -- while two LTE-enabled WiFi routers are sneaking into DoCoMo's party, too. That's a lot to absorb, so check out the source for individual release timeframes, which begin now and continue through August -- or just check out the PR after the break.
Panasonic Lumix DMC-G3 ups the interchangeable lens ante with fancy new touchscreen
Right on schedule, Panasonic's gone and made its thinly-veiled Lumix DMC-G3 Micro Four Thirds shooter official. The camera succeeds the G2 with a 16 megapixel sensor, support for 1080p AVCHD video recording with stereo audio, 4fps burst shooting at full resolution, and an articulating, 3-inch touchscreen that supplants some of the dials adorning the last-gen model. In addition to poking around menus, you can touch that display to focus on your subject, and slide your finger to tweak exposure, white balance, and depth of field -- all in all, not unlike how you might interact with a smartphone camera. And, at 11.8 ounces, the aluminum-clad body weighs about ten percent less than its predecessor. Look for it in June for $700 in brown, red, and white -- in addition to your garden-variety black. In the market for something more compact? Panny also trotted out the Lumix-FH7, a 16 megapixel point-and-shoot with 4x optical zoom and 720p movie recording. Oodles of photos below with a press release after the break. %Gallery-123430% %Gallery-123421%
Panasonic Lumix Phone eyes-on (video)
Right on schedule, Panasonic's 13.2 megapixel Lumix Phone made its physical debut buried within NTT DoCoMo's CEATEC booth. And by buried, we mean locked behind plexiglass and out of reach of our own hands. That didn't stop the light-capturing mechanics of our cameras, however. We're not sure where the "folding mechanism" mentioned in the press release comes from, but it looks to be a slider phone that keeps a numpad / text entry box out of view. Color options include black, pink, blue, and gold (though frankly, it looked more silver to us). Alas, that also means no chance to provide sample shots from the devices itself, but we do have a smattering of product photos from which you might derive glee -- and that aforementioned video after the break. %Gallery-104245%
