pointandshoot
Latest
Canon PowerShot SX50 HS hands-on
Sure the SX160 is a bit of a bulky superzoom, but it's got nothing on Canon's beefy PowerShot SX50 HS. As with the similarly named SX500 IS, the SX50's got a big, protruding lens and flash, though the added girth make it look a bit more like a DSLR. Part of its width can no doubt be chalked up to its 2.8-inch vari-angle LCD, which can be swiveled away from the body of the camera to help vary viewing angles. Also, like the SX50, the SX500 has a devoted button for Zoom Framing Assist, which does a quick zoom out to help you reframe subjects on the fly. Above the display you'll find a play button and a cushioned viewfinder. To its right, you've got the Record, Display, Menu and access to settings like Macro and ISO. You'll find the rest to the settings -- plus ON / OFF and access to that big 50x zooming to the right of the flash. The PowerShot SX50 HS will run you $480 when it drops next month.
Canon PowerShot SX160 IS appears at Photokina, we go hands-on (video)
In amongst the deluge of new cameras at Canon's press event here in Cologne, Germany was this looker. It's the PowerShot SX160 IS, a nice-looking, if somewhat beefy mid-range superzoom point-and-shoot. The company was showing off three different colors -- the black, silver and red, and we spent the most time with the latter, the most eye-popping of the bunch. In spite of its large size -- the majority of the front taken up by the lens, plus a bit of a bump up top for the flash -- the camera's pretty light. It also doesn't feel particularly solid in the hand. On top, to the left of the pop-up flash, you'll find a settings wheel, power button and the knob for that 16x optical zoom, all positioned atop a textured black backing. On the back of the SX160 is that three-inch LCD, with buttons for recording, playback, menu, display and settings like macro and flash, to pop up the big bulb on top. The camera's not particularly quick on the snaps -- roughly what we'd expect from a mid-range point-and-shoot. It'll be hitting stores this month for $230, so for more of our impressions, check the video after the break.
Olympus Stylus XZ-2 is a digital compact stuck in a mirrorless camera's body, we go hands-on
Looking to boost your compact capabilities, but don't want to deal with the hassle of swapping lenses? You might take interest with the Stylus XZ-2 -- Olympus' most powerful point-and-shoot model. Admittedly, we're having a bit of difficultly working through the appeal of this latest fixed-lens snapper, given the $600 price tag and a body that's comparable in size to the PEN E-PL5 and even larger than the E-PM2. In the model's defense, it does include an impressive f/1.8-2.5, 28-112mm 4x optical zoom lens, though its 12-megapixel 1/1.7-inch CMOS sensor is smaller than what's included with its interchangeable-lens cousins, and the camera's sensitivity tops out at ISO 12,800. It does, however, offer 1080p shooting and a higher-res swivel 3-inch 920k-dot LCD with Touch AF Shutter control. Still, we would have liked to see these features included with the company's latest Micro Four Thirds cameras, rather than on a model with a smaller sensor and no interchangeable lens. If you're set on the XZ-2, you'll be plenty pleased with the design -- it's quite similar to the E-PL5, and therefore quite capable. There's an option to swap in red, beige and purple grips (the camera body itself is only available in black), and you can add a body jacket and an underwater housing. There's also a built-in flash, which pops up from the top left corner, and you'll find PEN-like controls, to boot. We spent a few minutes with the XZ-2, though the battery was dead during our demo, unfortunately, so we weren't able to shoot. Still, the design felt practical, and the camera seemed solid overall. The hybrid control ring is a "world's first," according to Olympus, and offers the same functionality in both a click mode, which provides feedback, and a smoother silent mode, which won't produce any noise or vibration when shooting videos. The Stylus XZ-2 will ship a bit after the new PEN models, in November, but you can take a peek now in our gallery just below.%Gallery-165433%
Canon adds the G15, S110 and SX50 HS to its PowerShot lineup
Canon already outed a pair of superzoom cameras prior to Photokina 2012, but it turns out the company wasn't done adding to its PowerShot family. First, we have the PowerShot G15, which has a 28 - 140mm wide angle f/1.8 - f/2.8 lens, 12.1 megapixel sensor and Canon's DIGIC 5 image processor. Its sensor has a max 12,800 ISO, shoots RAW stills and records 1080p video, and you can view your subjects using the optical viewfinder or the 3-inch, 922,000 dot LCD on the back. It replaces the G12 in Canon's lineup when it goes on sale for $500 this October. The PowerShot S110 replaces the S100, and like that camera, it's got a 12.1-megapixel sensor, max 12,800 ISO and an f/2.0 lens. Unlike its predecessor, however, its got a 3-inch, 461,000 dot capacitive touchscreen on the back and ditched GPS in favor of WiFi. That wireless capability lets the S110 pull GPS data for geotagging from Android or iOS devices using Canon's CameraWindow app and share photos and videos on the web. It does RAW shooting, has a 10fps burst mode and records 1080p 24fps video as well. It'll come in both black and white versions that run $450 when it goes on sale next month. Lastly, there's the PowerShot SX50 HS superzoom camera. It packs a 24-1200mm, f/3.4 - f/6.5 lens and optical image stabilization to ensure clear shots even when using the camera's full 50x zoom capability. Like the SX40 HS is replaces, it has a hotshoe and a 12.1-megapixel sensor. It has a max 6,400 ISO and like its new PowerShot mates, it has a 10fps burst mode, shoots RAW photos and 1080p video. The SX50 HS can be had in October for $480.
Fujifilm's XF1 digicam is a $500 point-and-shoot with manual controls and a faux leather exterior
Fujifilm has been making some really handsome, retro-styled shooters lately, and the latest is the XF1. It's a compact camera that's 4.2 inches wide, 2.4 inches across and a scant 1.2 inches deep, and comes covered in either black, red or tan faux leather. There's a 2/3 inch 12-megapixel sensor inside with a retractable, manual zoom, 25-100mm f/1.8 - f/4.9 lens that's optically stabilized. You turn the thing on by twisting and pulling out the lens (like its elder brother, the X10), and you can shoot 1080p 30fps video using the 3-inch 460,000 dot LCD on the back. The XF1's ISO range is 100 - 12,800 and it's got a pop-up flash for shooting in poorly lit locales. Additionally, the camera has a jog dial with a full manual setting, six buttons dedicated to primary functions and a separate, programmable key to tailor the UX to your liking. The XF1 goes on sale for $500 next month, though should you be unable to wait that long, head on over to Cologne, Germany and you can see one in person at Photokina later this week.%Gallery-165537%
Unnamed Olympus point and shoot leaks, looks like the XZ-2
Photokina's just around the corner, folks, so it's only natural for a few of the cameras to get leaked before their official debuts in Germany. What you see above is a picture scrounged up by the folks at Digicam info, and it appears to be of the Olympus XZ-2, an update to the company's XZ-1 point and shoot. From the looks of things, the new model largely retains the look of the old, save for a faux leather grip and the addition of a toggle switch of unknown purpose on the front. It also seems that Olympus will be rolling out an underwater case and a molded cowhide cover to go with the camera when it arrives. Folks searching for a closer look at the hardware can find it at the source below, or y'know, wait until we get our hands on it next week.
Sony RX1 camera leaks with full-frame sensor in compact body, laws of physics slightly bent
Here's something you probably didn't expect: a compact Sony camera with a full-frame sensor. While Photoprice.ca was uncovering a treasure trove of leaked press shots that include the Alpha A99 and NEX-6, it also came across images of the RX1, whose body looks borderline pocketable yet stuffs in the same kind of sensor (and likely image quality) you'd normally reserve for pro-grade models. Several extra details reveal themselves right from the start. The RX1 is carrying a 35mm, f/2.0 lens with no apparent button to detach the lens -- the included glass is probably as good as it'll get. However, the RX1 is most definitely tuned for experienced shooters, with a toggle for macro focusing as well as dedicated controls for aperture and exposure compensation. We're also liking that there's a pop-up flash, a standard hot shoe for accessories and three custom settings on the mode dial. The slip doesn't include mention of a release date or a price, but talk during the A99 slip mentioned a September 12th unveiling that wouldn't shock us if it included multiple cameras -- and we would be equally unsurprised if the RX1 carried the same high price commonly associated with other full-frame bodies.
Pentax intros X-5 superzoom camera with 26x lens, tiltable LCD
We'd been worrying that Pentax would be left out of the flurry of new cameras in the run-up to Photokina. With the new X-5, there's reason to relax. The new shooter sits at the higher end of the by-the-numbers superzoom crowd, centering most of its energy on a 26x, 22-580mm equivalent lens as well as a backside-illuminated CMOS sensor that should keep the resulting 16-megapixel photos and 1080p videos relatively clean. Most of the effort to stand out from the pack, however slightly, involves previewing pictures rather than capturing them -- an electronic viewfinder and a tilting, 3-inch LCD will help perfect those macros and overhead concert shots. The X-5 won't shake the foundations of personal photography, especially not when it's using AA batteries for power, but hitting all those right notes at a $280 price could persuade more than a few of us to take the plunge after the September launch. %Gallery-163187%
Olympus introduces Stylus SP-820UZ, SP-720UZ cameras and SZ-14 binocular bundle
Thought Olympus only made one camera named after a writing implement? Meet the Stylus SP-820UZ, announced alongside the less romantically titled SP-720UZ and the SZ-14 DX bundle. The Stylus (the only one we're expecting to see in the US) comes with a 14-megapixel CMOS tied to the same image engine you'll find inside the company's desirable PEN series. It's ideal for crazy cat people, since it comes with a Pet-face detection mode to ensure your hilarious cheezburger submissions are perfectly focused, and it's even got a series of magic filters to jazz 'em up further. The snapper uses AA batteries (a genius or insane move, depending on how cheaply you can pick 'em up at the store) and will arrive in September. Meanwhile, the SP-720UZ includes a 26x optical lens perched in front of a 14-megapixel sensor with HDR backlit correction and high-speed shooting. The company's also outing the "Big Telephoto Set," combining a SZ-14 compact camera with a pair of binoculars for those who want to drag along a spotter. Both sets will be available in August, though Olympus has only confirmed US availability for the 820UZ, which is expected to retail for $330 in silver and black.
Nikon intros flagship Coolpix P7700 for prosumers, diminutive Coolpix S01 for fashionistas
In a bid to give Canon's PowerShot G1 X a run for its money, Nikon is pulling out every stop it knows with the introduction of the Coolpix P7700. It's a decidedly prosumer model, priced at a buck under $500 and equipped with a 1/1.7-inch 12.2 megapixel BSI CMOS sensor, 7.1x zoom lens (with a maximum aperture of f/2), 1080p movie mode, Lens-Shift Vibration Reduction and full manual control for those who abhor automatic captures. On the opposite side of the spectrum, there's the $179 Coolpix S01 -- a bantam P&S camera that's bound to snake its way into stockings this holiday season. Specs-wise, it's packing a 2.5-inch touchpanel, electronic VR, a 10 megapixel CCD sensor, built-in flash and a stainless exterior that measures just 3.1- x 2.1- x 0.7-inches. It'll ship alongside the P7700 this September, but it's on you to pick between the red, silver, white and pink color options. The full releases are embedded after the break. %Gallery-163029% %Gallery-163030%
Nikon Coolpix L610: an AA-powered, 1080p-capable point-and-shoot for $249
A flagship it isn't, but Nikon's newest Coolpix will certainly hit the sweet spot in terms of pricing for many. The Coolpix L610 is an entry-level compact that breaks away from proprietary cells in order to rely on a pair of AAs. World travelers may argue that it's easier to find a pack of those at any corner shop than a power outlet, and while it may only suit a select few, we're glad that the AA notion hasn't been tossed aside completely. Specs-wise, you're looking at a 16 megapixel BSI (backside illuminated) CMOS sensor, a 1080p movie mode, 3-inch rear LCD, optical VR image stabilization, HDMI socket and a 14x wide-angle zoom lens. It's designed to sit between the P510 and P7100 in terms of size, with a newfangled design that looks pretty darn attractive at the $249 asking price. For those interested, it'll be hitting shelves in September donning a red, black or silver motif. %Gallery-161986%
Canon reports higher profits, lower net income in Q2, points finger at pricey yen
Canon's financial results for Q2 2012 reveal an operating profit 18 percent greater than the results from the same quarter last year. However, net income has dropped from 61.5 billion yen to 51.7 billion yen since last quarter. The company saw demand grow for its DSLRs, both professional and entry-level, while sales of point-and-shoots continued to contract. The ever-increasing value of the yen -- and weakened demand in Europe -- has put a dent in its important overseas sales -- and profits. Perhaps the promise of Canon's first mirrorless ILC later this year will be enough get wallets out in the euro zone.
Fujifilm unwraps FinePix F800EXR camera with wireless sharing to Android, iOS
If your company doesn't have a camera with WiFi sharing somewhere in your lineup, many will say you're not even in the photography game. Fujifilm is definitely playing: welcome the FinePix F800EXR, its first camera with wireless sharing as part and parcel of the experience. Its centerpiece is a free Photo Receiver app for Android and iOS devices that will catch as many 30 images at a time from an ad hoc WiFi camera link. The matching (if unceremoniously named) Camera Application can return the gesture by geotagging shots as well as finding existing photos on the map. Fujifilm will even pre-Instagram the photos through six new on-camera filters for those who can't stand posting images online without at least some Lomo or tilt-shift effects thrown in. As for the actual camera part of the camera, Fujifilm is keeping afloat in the competitive waters with a 16-megapixel, CMOS-based EXR sensor that can widen the dynamic range or lower the noise if sheer resolution isn't all that vital. An equally noteworthy 20x (25-500mm equivalent) lens out in front will zoom in a lot closer than any phone camera -- well, most of them. We're otherwise looking at the technology we'd expect in a point-and-shoot of this class, such as full-resolution burst shooting at up to eight frames per second, 1080p video and a RAW mode for image quality sticklers. Stores should have the F800EXR in August for about $350, or about as much as the Galaxy Nexus that just might serve as its companion.
Samsung updates MultiView camera lineup with MV900F point-and-shoot for $350, we go hands-on
When we were first introduced to Samsung's MultiView series with last year's MV800, we were certainly intrigued by the original design -- the LCD flips up to face directly forward, resting just above the main camera module and enabling front-sided operation, for self-portraits and the like. What the camera appeared to offer in ingenuity, however, it lacked in image quality -- shots looked quite mediocre during PC-based reviews, and when viewed on the low-res capacitive touchscreen display. This year's iteration, the MV900F, promises improvements down the 800's list of shortcomings, ranging from an f/2.5-6.3, 25mm 5x optical zoom lens to added WiFi, which brings the model's social feature set in line with other Samsung SMART cameras. There's also a 16.3-megapixel backside-illuminated CMOS sensor on board, along with that 180-degree MultiView display, this time equipped with a 3.3-inch WVGA AMOLED panel. Physically, the camera is similar in appearance, but it's noticeably larger, to accommodate that larger touchscreen (the MV800 included a 3-inch display). We were able to take an early look at the MV900F, and the display improvements were immediately noticeable. We weren't permitted to review sample shots on a computer, but with so much room to grow from its predecessor, it's safe to say that this lens/sensor combo should yield a noticeable image quality boost. The front-facing display is certainly the star of the show, even enabling gesture controls -- you can zoom in and out or capture a shot just by waving your hand (there's a tutorial on-board, but the movements aren't difficult to master). There's also a handful of WiFi options, including Facebook integration, along with instant uploading to sites like Picasa and YouTube, and integration with Samsung's other products, including TVs and Galaxy smartphones. Video capture has also been boosted from 720p to 1080p, letting you take full advantage of HDTV playback, while a variety of photo and movie filters let you get creative in-camera, including a twilight mode that combines three sequential frames in order to snap steady shots in low light. The camera is set to ship in late August for $349.99, and will be available in black and white, so if you were considering the MV800 but opted to hold out while Samsung worked out the kinks, this may be the time to jump. Catch the MV900F in action, including those nifty gesture controls, in our hands-on video after the break.
Panasonic's Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots
It's been nearly half a year since Panasonic's Lumix series of cameras got any new members, but today the company is introducing three more shooters to the family. First up is the DMC-G5, the latest addition to the company's Micro Four Thirds lineup. It's the successor to the G3 and packs a 16-megapixel sensor capable of shooting 1080p videos at 60fps and stills in up to 6fps bursts at a max 12,800 ISO at full resolution. The G5's LVF has a proximity sensor to automatically switch between it and the camera's 920,000-dot capacitive screen depending on which one you're using to frame your shots. When the G5 goes on sale next month, you'll have your choice of black, silver and white models.%Gallery-160553% In addition to the G5, Panasonic's also introducing a new superzoom camera, the DMC-FZ200 and a high-end DMC-LX7 point-and-shoot. The FZ200 replaces the FZ150 and pairs a 12-megapixel sensor with a 25-600mm constant f/2.8 aperture Leica Elmarit lens with nano surface coating to reduce flare and ghosting. It has a 24x optical zoom and shoots 1080p video at up to 60fps along with stills in up to 12fps bursts, though its max ISO is only 6,400. Meanwhile, the LX7 has arrived sporting a 10-megapixel sensor and a 24-90mm, f/1.4-2.3 Leica Summilux lens with the same nano surface coating as the FZ200. Like its Lumix brethren, it shoots 1080p video at 60fps, and shares the same maximum 12,800 ISO as the G5. It'll be available in black and pearl white when it ships in August. We got to spend some time with all three, so join us after the break to learn a bit about what its like snapping pics with this trio of Panasonics.%Gallery-160554%%Gallery-160552%
Samsung reduces EX2F point-and-shoot price to $499 before August arrival
Samsung's EX2F camera isn't even on the market yet, but it has a brand new feature that you're bound to appreciate: a lower price. If you'll recall, we recently went hands-on with Sammy's kit, which features an f/1.4-2.7, 24-79mm lens, a 12.4-megapixel 1/1.7-inch CMOS sensor and a 3-inch AMOLED display. Most recently, Samsung confirmed that consumers can snag this point-and-shoot camera at just $499, which is a full $50 less than we'd previously known. The EX2F is still on track for an August debut, and with the new, lower price, you'll now have a nice excuse to replace your memory card at the same time.
Samsung EX2F point-and-shoot with f/1.4 lens hands-on (video)
We've been generally unimpressed with the latest round of basic point-and-shoots, including those from Samsung's mid-range Smart series, but we do tend to take heed whenever a manufacturer opts to focus on optics rather than bumping up the megapixel count to boost sticker appeal. Compared to sub-$200 shooters, there's a fairly limited market for $549 pocketable models -- a price point that often prompts would-be owners to dig beyond superficial specs in search of full manual control, solid high-ISO performance, fast focusing and a lens that enables both low-light shooting and shallow depth of field. Samsung's EX2F appears to fit the bill, offering a 12.4-megapixel 1/1.7-inch CMOS sensor, a top extended ISO setting of 12,800, a 3-inch VGA-res AMOLED display and -- the crown jewel -- an f/1.4-2.7, 24-79mm lens. That optic delivers an additional one 2/3 stop of sensitivity over the EX2F's predecessor, the two-year-old TL500. Other advantages include a lighter magnesium alloy body, an NX power pin-enabled hot shoe for adding an external mic or flash, and a new micro-USB trigger cable. Though the EX2F was noticeably lighter than the 2010 model during our hands-on, it retains much of the TL500's heft -- at least from a size perspective. The camera's footprint makes it too bulky to slip in a pocket, as we were able to do with the Sony RX100, though the flip-out AMOLED display is certainly a welcome addition. An NX-like smart UI mode enables instant access to key settings, as do the dual control dials, which let you adjust shooting modes (on the right) and capture speed (on the left). There's also a new in-camera HDR mode which merges two back-to-back shots (one underexposed and the other overexposed) in order to retain additional shadow and highlight detail. The camera was quite responsive during a quick shoot earlier today, powering on, focusing and capturing an image quickly. We'll need to spend much more time snapping outside of an office environment before passing any formal judgement, but it's easy to see the appeal of such of device -- and the advantage over less-abled point-and-shoots. For now, you can take a closer look in the gallery below, and in our hands-on demonstration after the break.%Gallery-160014%
Samsung upstages Sony with f/1.4-equipped EX2F point-and-shoot for $549
Samsung's been flaunting its WiFi-equipped Smart cameras throughout the last year, but with a generally significant tradeoff in image quality, we haven't been terribly impressed. The EX2F, however, is a model we're finally eager to get our hands on. This 12.4-megapixel CMOS shooter packs an f/1.4-2.7 lens -- quite a feat for any point-and-shoot -- along with a full-size hot shoe, dual image stabilization, a top ISO setting of 12,800 (extended), a 24-79mm 3.3x lens and a 3-inch swivel VGA-resolution AMOLED display. That's in addition to the full manual shooting mode, RAW option, 1080/30p HD video capture and the standard plethora of WiFi options, including Remote Viewfinder and Auto Backup. Accessory add-ons include an optical viewfinder, external mic and a secondary flash (a smaller pop-up model is built-in, and retracts when not in use). There's no hint of pricing or availability, but with that industry-leading f/1.4 lens, pro-level features and AMOLED display, we're certain that the EX2F won't come cheap. Full PR is after the break. Update: It appears that the EX2F includes a 1/1.7-inch sensor, compared to the significantly larger 1-inch sensor on the Sony RX100. Samsung has also confirmed that the camera will be priced at $549, and is scheduled to hit stores in August.
Ask Engadget: best 'invincible' point-and-shoot camera?
We know you've got questions, and if you're brave enough to ask the world for answers, here's the outlet to do so. This week's Ask Engadget inquiry is from Mark, who's in the market for a heavy-duty camera. If you're looking to send in an inquiry of your own, drop us a line at ask [at] engadget [dawt] com. "Back in 2009, you asked what the best rugged, waterproof point-and-shoot camera was. I'm looking for the same thing now and wondered if the readers had any recommendations. I'm not interested in a normal point-and-shoot with a waterproof case, I want something that's waterproof, sandproof, shockproof, that's idiot-proof, with a reasonable optical zoom and with minimal shutter lag. Hope someone can help! Thanks." Firstly, thank you for doing your homework! It's reasonable that we should swing past this topic again after three years, so what about it dear friends? A point-and-shoot you'd be happy to take dirt biking, snorkeling and won't break when you drop it. Any you've bought yourself that's withstood your lifestyle, have you found any that you'd warn us away from? Let us know in the comments below.
Sony Cyber-shot DSC-RX100 boosts image quality with 1-inch sensor, f/1.8 Carl Zeiss Vario-Sonnar T* lens (hands-on video)
With little room to grow (or shrink) on the housing front, we've begun to see manufacturers take a different approach with point-and-shoot cameras, boosting the size of image sensors to present a clear advantage over smartphone cams, which continue to cannibalize their dedicated counterparts. Sony, for its part, has just announced what's by far the most compelling Cyber-shot to date -- the DSC-RX100. To the amateur's eye, this all-aluminum pocketable camera looks like any old high-end point-and-shoot, with a familiar compact design and a small, permanently attached optical zoom lens. Hiding behind that f/1.8 Carl Zeiss Vario-Sonnar T* 3.6x zoom optic, however, is this model's true gem: a 1-inch (13.2x8.8mm) 20.2-megapixel CMOS sensor, offering four times the area of the 1/1.7-inch imagers found in most comparably sized devices. A larger sensor means sharper details, improved low-light performance and that creamy shallow depth-of-field that's synonymous with large ILCs. Having an f/1.8 lens on-board also doesn't hurt -- the optic offers a maximum aperture range of f/1.8-4.9, but can still manage captures just beyond f/2.8 at the 50mm position, giving it significant versatility. There's also a 3-inch 1,229k-dot LCD with a new technology called WhiteMagic, which adds white pixels to boost outdoor visibility while still delivering VGA resolution. A pair of control dials -- one surrounding the lens and the second on the rear -- enable direct access to frequent settings. There's a full manual mode on-board, giving you complete control over both stills and 1080/60p video, along with RAW capture, a seven-blade circular aperture and a BIONZ imaging processor, with support for ISO 80-25,600. The RX100 is packaged with a new battery, which is capable of 330 shots on a single charge, and packs a MS/SDXC slot, HDMI port and a USB port with charging capability. There's also a 10 frames-per-second continuous mode, 13 Picture Effect options and features that were previously only available on Sony's interchangeable lens models, like Sweep Panorama. The RX100 is designed as an all-in-one unit, so there's no microphone input or hot shoe to be found, but given the camera's incredibly small size, we really don't mind. What's slightly less encouraging, however, is the price tag -- the RX100 will run you $650 when it hits stores in July, while accessories like a jacket case ($85), battery pack ($50) and screen protector ($12) place it further out of reach. Take a closer look in the hands-on video just past the break.%Gallery-156584%
