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Deezer announces ambitious global rollout, ignores US and Japan
Deezer added a few notches to its music streaming belt yesterday, with the announcement of its long awaited rollout to (nearly) every corner of the globe. The launch, confirmed at Le Web in Paris yesterday, has already brought the service to both Ireland and the Netherlands, with plans to expand across Europe by the end of this month. Users in Canada and Latin America can expect to receive the French service by the end of January, Australia and Africa should see it by the end of February, and everyone else by the middle of next year. Conspicuously absent from that list are the US and Japanese markets, both of which have been passed over "due to market saturation and low growth forecasts," as well as the fact that the two countries comprise "only" 25 percent of worldwide music consumption. Le sigh. [Thanks, Paulo]
STHoldings withdraws more than 200 record labels from Spotify, does so with gusto
STHoldings stormed its way out of Spotify this week, leaving only a trail of choice words in its wake. On Wednesday, the distributor boldly withdrew more than 200 of its record labels from Spotify, Rdio, Simfy and Napster, following the release of a study that cast the music subscription industry in a rather unfavorable light. According to the research, carried out by NPD Group and NARM, cloud-based services like Spotify and Rdio deter consumers from purchasing music via other channels. Amid concerns that these companies may "cannibalise the revenues of more traditional digital services," STHoldings decided to withdraw its catalogue of more than 200 labels. In fact, of the 238 labels consulted on the decision, just four expressed a desire to remain with Spotify, et al. "As a distributor we have to do what is best for our labels," STHoldings explained, in a statement. "The majority of which do not want their music on such services because of the poor revenues and the detrimental affect on sales. Add to that the feeling that their music loses its specialness by its exploitation as a low value/free commodity." The distributor went on to quote one of its labels with a line that rhymes with "duck modify." In comparatively subdued response, Spotify said it respects STHoldings' decision, but still hopes that the labels "will change their minds." The Swedish company also contested STHoldings' study-backed arguments against it, claiming that it has "already convinced millions of consumers to pay for music again," and assuring that artists' revenue streams will "continue to grow." Read more about the study, the stats and the spat at the links below.
Google to launch MP3 store in coming weeks?
Details are still scarce here, but the New York Times is reporting that Google is about to launch a new MP3 store, as part of its ongoing foray into the music business. According to sources within the industry, the platform, not surprisingly, would be directly linked to Google Music Beta and may launch within the next few weeks -- perhaps even before Apple unveils iTunes Match, at the end of this month. It remains to be seen, however, whether Big G will be able to finalize negotiations with record labels and publishers before launching the initiative in earnest -- a potentially major hurdle, considering Google's recent track record. As you may recall, previous negotiations over a proposed locker-type storage service ultimately broke down earlier this year, amid concerns over licensing and illegal file-sharing. As one label executive told the Times, the recording industry desperately wants to "make sure the locker doesn't become a bastion of piracy." An MP3 store, of course, isn't exactly a radical proposal, but its future will likely hinge upon Google's ability to mend relations with a sector it recently characterized as "unreasonable and unsustainable."
iTunes Match not coming to the UK until 2012?
Music collectors in the US will be able to subscribe to Apple's iTunes Match service this fall, but it looks like our friends across the pond will have to wait a little longer before lofting their libraries up to the cloud. According to sources within the British recording industry, licensing negotiations between Apple and the country's major labels have only just begun and likely won't be concluded until 2012. A spokesman for the Performing Right Society, an organization that protects the rights of musicians and songwriters, likened the situation to the launch of iTunes, which only spread to international markets some 14 months after launching in the US. Speaking to the Telegraph, Forrester Research vice president Mark Mulligan echoed these predictions, while offering some insight into the industry's approach: "Apple's cloud music service will not launch in the UK until at least quarter one of 2012. These types of negotiations take a long time... For one thing the UK arms of all the major record labels are biding their time and waiting to see how the service affects download sales in the US before they sign up to anything." Neither Apple nor any of the major labels have commented on the negotiations, but if things drag on we'd be willing to share our cloudy iTunes in exchange for a crack at Spotify.
Music artists, labels create enhanced albums for iPad
Launched with iTunes 9, iTunes LP would let record labels include extra content, such as liner notes, expanded artwork and lyrics, in albums sold on iTunes. The feature never took off, but the concept of adding value to an album using interactive digital content has not died. Record labels such as Universal Music Group and EMI are now looking to the iPad as a way to entice customers to purchase a full album with value-added content instead of individual tracks. EMI recently released an iPad version of Until One, a dance album from Swedish House Mafia. Besides audio tracks, the iPad album includes video footage, a photo gallery and commentary from the band. The content is distributed as an iPad app and costs US$9.99. Universal has also jumped on the interactive album bandwagon and has teamed with a video production company, Eagle Rock Entertainment. The duo are working on an interactive iPad versions of classic albums such as Nirvana's Nevermind. This latter project is currently under development. Only time will tell if this latest focus on enhanced album content will succeed. In the past, consumers eschewed bonus content, but the 9.7-inch display of the iPad provides a richer multimedia experience than the iPhone. Given the choice, would you pay more for an enhanced iPad album or would you stick with the less expensive, music-only option? [Via Macstories]
Count The Beats: Interview with a mixing engineer
In the last year I've spent a fair amount of time doing some recordings. In particular, I've been working on some of my own material. Having invested a large amount of time and money into pre production and the actual recording sessions, what started out as a small bedroom demo soon escalated into something much more than that (I'm sure you know what I mean). It soon became apparent that I was going to need someone with a bit more experience and 'know how' when it came to post production, and in particular, mixing. After calling in some "favours," and reaching as far as I could into the "industry," as such, I was introduced to Mr. Stephen Harding. An exceptionally talented musician, producer, and up and coming mixing engineer. To my delight, I discovered that not only is he a pretty nice guy, he is also darn good at mixing, and he's a fan boy of all things Apple too! Amongst all our post production endeavors, Steve and I managed to sit down with a cup of tea and some rich tea biscuits to talk Macs, set-up , plug-ins, outboard gear and the art of approaching a mix backed by the stability of Mac OS X. Read on for some wise words on mixing, but be forewarned though, as is becoming customary in the Count The Beats series, there is some pretty heavy tech talk ahead. However, it does make for some juicy reading. Don't forget, if you don't understand, just nod your head and pretend you do like the rest of us! Enjoy.
iRecord Company rumors resurface again
Rumors have been bouncing around all weekend about Steve Jobs' next big project-- no, it's not the iPhone Nano, or the long awaited iTablet. According to Moli.com (yeah, we've never heard of them either), it's a record company. Supposedly Jay-Z and Beyonce are going to Apple to start a recording division. Just imagine HOVA in this picture wearing blue jeans with his black shirt tucked in.Frankly, farfetched is too nice of a word to describe this rumor, but the idea of an iRecords isn't that new or ludicrous. Obviously, SJ's got issues with the folks standing between him and musicians, and putting musicians under his own wing would allow him to digitally distribute their music DRM-free, and collect all the profits for himself. There's blood in the water around the recording industry, and the time is ripe for someone to jump in and take over.Of course, this is Apple, so there's more to the story than that-- their first battle would be convincing Apple Records to come to some kind of agreement. Then there's the actual music management function of it-- Apple's great at serving consumers, but would they be able to serve the function of a record company in terms of promotion and booking? Digital distribution is super (and it definitely cuts down on costs), but no one's buying your music if no one's heard of it.Then again, SJ managed the content producers at Pixar just fine, and if he has a little help (the Moli report says Apple has hired a publicist from Capitol Records), things might just turn out OK after all. I doubt Jay-Z and Beyonce are really involved, but if His Steveness decides to form a record company, he might just put the last nail in the traditional recording industry's coffin.Thanks, Pat!
