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Hands-on with Freefly's shockingly awesome $15,000 Movi camera gimbal
One of the hottest gadgets at NAB isn't quite what you'd expect. Freefly, the company behind a series of professional-grade cinema hexacopters, is demoing its new Movi three-axis stabilized camera gimbal. We heard some rumblings about such a device last week, but the $15,000 price tag is quite a turnoff -- until you see it in action. We dropped by the company's booth at the Las Vegas Convention Center to check it out with an attached Canon EOS-1D C. Movi weighs in at just 3.5 pounds, jumping to 10 pounds once you mount the Canon camera and lens. It's a very robust system, despite the weight and footprint, letting you pull off shots that otherwise may require hundreds of thousands of dollars in equipment, and a substantial crew. In other words, you can capture incredibly compelling motion scenes with just a single camera operator. Don't take our word for it, though -- join us past the break to see Movi in action, along with a glowing testimonial from director Vincent Laforet, who Freefly tapped to shoot the gimbal's very first sample reel.%Gallery-185161%
Vizualized: Bay Area bids adieu to Space Shuttle Endeavour (update: video)
NASA and the US government may have moved on from the shuttle program, but it's clear that the American people are still in love with our nation's cosmic cargo planes. An estimated 20,000 people showed up at the Ames Research Center/Moffet Air Force Base in Mountain View, California this morning to see Endeavour buzz the tower. With so many folks itchin' to see Endeavour's farewell tour firsthand, the line to get in was lengthy, but we braved the crowds to bring you some shots of the action. Enjoy. [Thanks to Chris Williams for helping with some of the crowd shots] Update: Canon/RED guru and LA-based DP Vincent Laforet caught the shuttle's final approach and landing at LAX. You'll find the slow-motion clip, shot at 5K resolution on a RED Epic at 96 frames-per-second with an 800mm Canon f/5.6 lens, just past the break.
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
RED EPIC scores a Canon EOS mount, Laforet gets some extraordinary footage (video)
We've seen some mind-blowing footage from RED's EPIC, as one might expect from a $39,500 camera with a 5K sensor and up to 120 fps video capture (at 4K). But video shooter and all-around photo wiz Vincent Laforet got to take an exclusive early look at the company's new Canon EOS mount, which pairs the EPIC-M with Canon's enormous collection of top-quality glass, including the 600mm f/4 L lens Laforet used for his shoot at Mono Lake in California. That lens, used with a 2x Canon teleconverter and the RED's multiplication factor, yields a 35mm-equivalent focal length of 3400mm, which as you'll see in the video below, enabled some pretty incredible video captures. RED has yet to officially announce availability for the Canon EOS mount, but has shared that it will cost $2,000 (pennies compared to the EPIC's $58,000 kit price), and will be constructed of titanium -- tasked with the critical responsibility of reducing movement during those extended-lens shoots. Jump past the break for Laforet's sample video, or check out his blog post at the source link for the full rundown.%Gallery-130053%
