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Fujifilm's X100F should be its best fixed-lens camera to date
The X100 has, since its inception, been for many the ultimate compact camera. Originally released in 2010, it was the first entry to Fujifilm's X-series of digital cameras, pairing classic aesthetics with a 23mm (35mm equivalent) prime lens, hybrid optical-electric viewfinder and a APS-C sensor. Fujifilm has since released the X100S, which brought with it the company's X-Trans sensor, and the X100T, with a range of more subtle improvements. Now, the company is trying again, with the X100F. So, what's new? If you're staring down the barrel of its lens, "not much" appears to be the answer. It's still got the classic X100 design, dominated by the 23mm f/2.0 prime lens. But a lot has changed behind the scenes. First, inside is the third-generation X-Trans sensor, as seen in the X-Pro2 and X-T2. It's a 24.3-megapixel unit, and from past experience it's very, very good. The new sensor is joined be an improved 91-point autofocus system.
Fujifilm X100s digital split image display demoed (video)
Just as Fujifilm is getting under way with its CES 2013 press conference, the folks over at FujiRumors found some footage of Fujifilm's new digital split image display from the newly announced X100s. Earlier this week, the company announced this new way of manual focusing on the X100s, in which the user overlays two images to attain proper focus. This feature seems to hit a high note for range finder camera users as it brings a certain familiarity for focusing work flow. Note that the display in the video is the rear LCD of the camera and not the prized hybrid viewfinder. Overall the movement looks smooth and usable, but we'll confirm when we get our hands on the new X100s. Check out the video after the break. Follow all the latest CES 2013 news at our event hub.
Water-damaged Fujifilm X100 torn apart for fun and education (but mostly fun)
James Maher had the unfortunate luck of placing his bag and prized Fujifilm X100 in a "dry" container on a fishing trip that didn't keep its contents very dry. Maher survived his harrowing voyage on the SS Hit 'em Hard, but his camera did not. Thankfully, the photographer didn't let his shooter die in vain. He spent precious time dissecting it and disassembling it, piece by piece. Inside was a densely packed puzzle of 130 screws, 50 pieces of tape and over 152 individual parts. Best of all, Maher documented his adventure inside the X100 and posted it online for all of us to enjoy. It's not the first glimpse under the hood, but it's certainly the most thoroughly documented. So hit up the source link and take a peek at what the inside of a sophisticated digital camera looks like.
FujiFilm's $1,700 X100 Black Edition now shipping, limited to 10K units worldwide
We somehow missed this retro-styled gem at back at CES, but no matter -- Fujifilm's X100 Black Premium Edition is now shipping and available for purchase. This is exactly the same 12.3-megapixel camera that's been pleasing photographers for nearly a year, albeit in a darker, single-tone finish that's limited to a run of 10,000 units worldwide. Priced at $1,700, the black X100 is 500 more bones than the standard-issue variant and features the same 23mm fixed lens, but it comes with a lens hood, leather case, clear lens filter and an adapter ring; all of which are all painted to match. We'd say this blacked-out shooter gives the NEX-7 a run for its money in the dapper looks department, but you can decide for yourself at the source link below. Full press release past the break.
Fujifilm X-Pro1 interchangeable lens camera preview (video)
The interchangeable lens camera market grew by one this week, following Fujifilm's confirmation of its new X-Pro1. The 16 megapixel APS-C ILC may be in fact be a mirrorless model, but company reps prefer that you don't use "the M-word," insisting that the shooter stands alone in its own category as a "premium" interchangeable lens camera. And after spending an hour with the oversized, solidly-built ILC and viewing a variety of comparison samples, it's not difficult to confirm that the assessment may not be far off. The entire hands-on experience was in line with that premium claim -- from the white gloves we were required to use when handling the camera to the Japanese design lead taking care to make sure sample models were clean of markings and positioned just right, it's clear that Fujifilm is taking this launch very seriously, and you should, too. Join us past the break for an early CES look at what may very well be the sharpest mirrorless interchangeable lens camera to date.
Fujifilm confirms X-Pro1 at CES: 16MP APS-C sensor, interchangeable lenses, price TBA
Amazon all but confirmed the camera's existence when it leaked three lens pages yesterday, but Fujifilm just officially unveiled the X-Pro1 at CES, in all its rangefinder-esque goodness. The camera's centerpiece is an APS-C sensor, but unlike the X100 and X10, Fujifilm's new flagship includes an interchangeable lens mount. The camera can capture 16 megapixel stills, and will be compatible with three lenses at launch: an XF 18mm (27mm equivalent) f/2.0, 35mm (53mm equivalent) f/1.4 lens and a larger 60mm (91mm equivalent) f/2.4 macro lens, though the company says it plans to introduce nine more lenses within the next three years. Pricing hasn't been announced for the camera or lenses, though yesterday's Amazon link listed pricing at $500 for the first two lenses, and $600 for the 60mm macro. The camera itself will ship in late February, so you won't need to wait long to get your hands on the first Fujifilm X-series ILC. Jump past the break for the full PR, and keep an eye out for our hands-on later this week.
Fujifilm X-Pro1 lenses get Amazon product pages, prices
Well, that didn't take long. Just yesterday, Wells Fargo Advisors reportedly outed the Fujifilm X-Pro1, a possible successor to the X100 -- today, Amazon's thrown up a trio of product pages for the shooter's leaked lenses. The product descriptions match the previous rumors to a tee, pricing the 18mm (27mm equivalent) f/2.0 and 35mm (53mm equivalent) f/1.4 lens at $500, and the larger 60mm (90mm equivalent) f/2.4 lens priced at $600. Confirmation? Not exactly, but we'll find out soon enough -- Fuijifilm takes the stage on January 9th.
Fujifilm prepping X100 successor, the X-Pro1 for CES?
Between the X-S1 and various superzooms and point-and-shoots, Fujifilm unloaded an ungodly number of devices on us last night, ahead of next week's CES gadget blitz, but that doesn't mean that the company doesn't still have a few tricks up its camera-making sleeves. Take this interchangeable lens shooter, the X-Pro1, which is said to be the successor to its awesome X100. According to information offered up by Wells Fargo Advisors, the compact system camera will bring a 16-megapixel APS-CMOS sensor, a hybrid view-finder and will have three interchangeable lenses available to it, an 18mm (27mm equivalent) f/2.0, 35mm (53mm equivalent) f/1.4 and 60mm (90mm equivalent) f/2. An image of the reported device (see above) has also popped up courtesy of a scan from French magazine, Reponses Photo, which claims that the camera will be seeing a March release. It's hard to say how much of this is spot on, but there seems to be a good chance that, at the very least, the company's got some more surprises planned for the big show -- we'll no doubt find out soon enough.
Fujifilm brings DSLR-like X-S1 camera to the US for $799
Look familiar? That's Fujifilm's latest X-series camera, the X-S1, which launched as the XS-1 in the UK for £699 ($1090) in November. Now the company has moved the dash one character to the left and priced the DSLR-like superzoom at $799.95, with a late-January ship date. We were expecting something slightly different after images of a rumored X cam appeared earlier this week, but this is all we're getting at the high-end -- for now, at least. The X-S1 includes a fixed 26x manual zoom lens with a range of 24-624mm and a variable maximum aperture of f/2.8-5.6, with a 2/3-inch 12 megapixel EXR CMOS sensor behind -- the same size found on the rangefinder-like X10. The lens is quite versatile, allowing you to capture subjects both far away and incredibly close -- it can focus on objects as near as 1 centimeter from the lens in Super Macro Mode. On the rear, you'll find both a 1.4-million-dot, 0.47-inch EVF and a 3-inch 460k-dot tilting LCD -- a heads-up sensor automatically switches to the EVF as you get near.Sports shooters will appreciate the seven-frames-per-second high-speed mode at full resolution, or 10 fps at six megapixels. And as you'll expect with any high-end cam, there's 1080/30p video capture on board with stereo sound and H.264 encoding, along with RAW stills and full manual control, with a dedicated mode dial up top. Unfortunately, due to the camera's smaller image sensor, ISO sensitivity isn't on-par with larger DSLRs -- the native range extends from ISO 100 to 3,200, though you can jump up to ISO 12,800 when shooting "small" resolution JPEGs (which you aren't likely to do). We're holding out hope that Fuji's rumored cam will make a surprise appearance at the company's CES press conference, but for now, this will have to do. Full details are in the PR just past the break.
Fujifilm X10 hands-on (video)
We really like Fujifilm's X100 -- it's a solidly-built camera, with an APS-C sensor, f/2 lens, and a rather unique hybrid optical / electronic viewfinder. But the X100 carries a $1,400 sticker price, and that 23mm lens -- as sharp as it may be -- is permanently fixed to the mount. That's why we were rather exited when Fuji announced its X10 earlier this week. Would this be a much more capable (and affordable) replacement for the X100? Turns out it's not -- well, not exactly -- though this latest model is certainly a better fit for the consumer market. We had a chance to go hands-on with an early prototype on display at the company's IFA booth, and while some features (notably the pop-up flash) weren't yet functional, we're told it's a rather accurate representation of what we'll see when the X10 hits stores in late October, priced within the €499-599 range (about $715-860). The first thing you'll notice with the X10 is that, well, there's nary a power button in sight. Instead, you'll rotate the 28-112mm f/2-2.8 manual zoom lens to fire it up. There's also no aperture ring, unlike its more powerful sibling, and manual focus is handled electronically, instead of directly on the lens. Upon closer inspection, you'll find that the X100's slick hybrid viewfinder has been replaced with a strictly electronic one. And what about image quality? We weren't able to take away any sample pics, but with a much smaller 2/3-inch sensor, we haven't a doubt that images won't look nearly as good as those shot with Fuji's better-equipped model. To compensate for that, the camera's EXR mode can bump the resolution down from 12 megapixels to six, in turn capturing higher quality images in low light. We're looking forward to checking out a production version sometime this fall, but in the meantime, thumb through the images below, or jump past the break for a video overview.%Gallery-132595%
Fujifilm announces X10 camera with 12 megapixel CMOS sensor, optical viewfinder, f/2 lens
Retro designs seem to be the latest thing when it comes to high-end point-and-shoot cameras, and Fujifilm is helping to lead the pack with its rather limited (and pricey) X100. The company's just-announced X10, however, appears to expand upon its well-received cousin with a mighty fast f/2-2.8, 28-112mm manual zoom lens with a proprietary "Electron Beam Coating" that promises excellent image quality, even at the edge of the frame. The camera features a black magnesium alloy housing -- we have to admit, it's a very elegant look. There's also a 12 megapixel EXR CMOS sensor with sensitivity up to ISO 12,800, 1080p video, an optical viewfinder, 10 fps continuous shooting (7 fps at full res), a pop-up flash, and a full-size hot shoe. Advanced photogs will appreciate the shooting mode, focus mode and exposure compensation dials, along with dedicated buttons to adjust a variety of other settings, including activating RAW capture. Fuji is mum on price, but we're certain to get an update before this hits stores in early November. Jump past the break for the full feature rundown.%Gallery-131973%
Fujifilm X100 gets firmware update, 22 tweaks make the best even better
The retro X100 brought out all our kleptomaniacal tendencies when we first went hands-on, and it has since impressed virtually every other lucky soul who's come into contact with its build quality and groundbreaking integration of a big APS-C sensor within a compact body. But, just as you often find in extremely beautiful humans, the camera's brains were slightly haywire: in particular, it tended to forget or confusingly alter crucial ISO, dynamic range, macro and drive settings when shifting between shooting modes. Fortunately though, many of these niggles can now be nuked by downloading firmware update v1.10 at the source link. The update promises a total of 22 fixes and modifications, which are listed in full in the PR after the break. Of course, some annoying issues will remain outstanding with this $1,200 shooter, including slow focus-by-wire MF and strangely buried menu settings. We don't know if they'll ever be fixed, but the next time we get hold of one it'll still be a morality-pounding wrench to give it back.
How would you change Fujifilm's FinePix X100?
Photokina 2010 was the launching pad for a relatively new class of point-and-shoot, and Fujifilm's FinePix X100 was just one of the many high-end, zoomless compacts designed to put DSLR-level image quality into your right (or left, for southpaws) rear pocket. Of course, the compromise is the inability to swap lenses and the omission of an optical zoom, but evidently the market research has shown that there's a market for this thing, yet. The X100 oozes beauty, but it most definitely comes at a cost -- over $1,000 at last check. For those with plenty of disposable income and a hankering for anything new, we're as curious as can be to hear how your experience with this guy has been. Have you been overly impressed with the design? Would you have tweaked the lens at all? Thrown together a less rigid chassis for the sake of weight / cost? Added an option for an interchangeable lens mount? Go on and get creative in comments below -- you've earned it.
Fujifilm resumes production on X100 cameras, new-age vintage is rolling again
Fujifilm has a hit on its hands with the retrotastic X100 camera, selling for a whopping $1,200 but still flying off shelves. That popularity resulted in some shortages, and a stoppage of production due to the disaster in Japan made that situation worse. Now the company is announcing a resumption of production, so the 12.3 megapixel compact with a 23mm fixed lens should be hitting store shelves again in the next week or so. Place your orders now, if you haven't already, and get that sepia filter warmed up so that your pictures can look as vintage as what you're shooting them with.
Fujifilm FinePix X100 reviewed: a stunning shooter through and through
All we really knew about Fujifilm's FinePix X100 was that its looks (and pricetag) could kill, but Photography Blog has discovered that the gorgeous magnesium machine takes fantastic photographs too. You won't actually be able to see any of them at this very moment -- as it seems the website's images are down -- but the publication liberally praised the sharpness and lack of noise afforded by that F2 Fujinon lens, calling the X100 "right up there with the best APS-C sensor cameras on the market" in terms of image quality, and with "the best build quality of any camera that we've ever tested," too. Strong words, to be sure, but the camera's not without its quirks, including an obvious one -- that 23mm lens is fixed to the camera's front. Without a zoom, you'll need to get up close and personal with your subjects to get that perfect shot, and yet it also lacks a mechanical focus ring (it's a focus-by-wire affair here), which can make it difficult to quickly get your bokeh on. The publication remarks that both autofocus and manual focus are fairly slow, there's no manual option at all when recording videos, and focusing macro shots requires switching to a separate mode that switches off the optical viewfinder. Still, if you weren't sold at first sight, you probably are now. Kiss your tax refund goodbye, folks -- it's been spoken for. [Thanks to everyone who sent this in]
Fujifilm announces shortage of X100 camera, targets late March / early April US release
Planning on dropping $1200 for one of those gorgeous Fujifilm FinePix X100 cameras? Unfortunately, you won't be able to get your hands on the 12.3 megapixel fixed-lens beauty as early as anticipated. Turns out Fujifilm sold more on pre-order than expected and despite ramping up production, the retro shooters won't be available to US customers until the end of March or early April -- just a few more weeks, guys. Feel free to watch our hands-on video to occupy yourself whilst you wait.
Fujifilm confirms Finepix X100 ship date, price and accessory line for US market
We've spent quite a bit not nearly enough time with Fujifilm's fixed-lens Finepix X100, and while it felt that March would never actually come during Photokina 2010, it's actually just a few weeks away. The outfit has today confirmed that its 12.3 megapixel shooter will be shipping to America next month, with a wallet-burning $1,199.95 netting you a 23mm F2 prime lens, a standard ISO range of 200 to 6400 (with a boost to 12800), built-in ND filter, Hybrid Viewfinder and a magnesium alloy chassis. Feel free to peek back at our hands-on sessions to get a better idea if this is the retro body you've been yearning for, and hop on past the break if you'd care to see the official verbiage. %Gallery-102872%
Fujifilm FinePix X100 pre-orders begin, retro beauty is yours for $1,200
We've yet to snap a single photograph with Fujifilm's FinePix X100, but we don't let little things like substantive testing get in the way of love -- it's destiny that we and this gorgeous camera be together, no matter the cost. Of course, considering that cost is presently $1,200 at Adorama, where the 12.3 megapixel APS-C shooter just appeared for pre-sales, you may not feel the same way. That's just fine. You'll probably have until March to longingly gaze upon that F2 Fujinon lens, hybrid viewfinder and gorgeous magnesium curves before you make up your troubled mind.
Fujifilm's X100 hybrid viewfinder demoed on video, gets us all sorts of excited
Imagine a retro-styled, Micro Four Thirds-sized compact camera with an optical viewfinder. Now, imagine that same camera having a switch that throws all sorts of useful data into your line of sight. That camera is Fujifilm's Finepix X100, and that viewfinder is real. Back at Photokina, the mockup we ran into didn't have a functioning viewfinder, but with just two months until the $1,000 beaut is released into the wilds of America, it's not too shocking that our brethren over at Engadget Spanish managed to come across a (mostly) functional one at CES last week. Eager to show the world exactly what a hybrid viewfinder looks like when being flipped on and off, they shoved a camera up against the OVF and toggled the new mechanism -- it's downright luscious, and it's waiting for you in the video just past the break.
Fujifilm explains how its X100 hybrid viewfinder works, we nod and pretend to understand
If you just tried to tell us the FinePix X100 was a bog standard digital camera, we'd still probably pay any price for those amazing retro looks, but Fujifilm has more in mind. Specifically, the X100 harbors an all-new viewfinder setup, that can switch between a full-on optical view (something that's currently impossible in similarly sized Micro Four Thirds cameras), and an electronic viewfinder. The optical mode also includes overlaid shooting data, which isn't typical for a straight compact viewfinder (since it's looking through its own lens, not the camera's main lens). You'll have to read Fujifilm's full-on explanation to really know what's going on here -- it gets a little technical -- but basically there's a half mirror prism that lets the mini LCD project info on top of the optical image that's coming through to your eye, but that half mirror prism becomes a straight up mirror when the viewfinder's front lens is blocked, allowing for a full electronic image of the actual image being captured by the lens to bounce to your eye. See? That wasn't so difficult. We don't know what we were so worried about.
