I would like to know what Sanyo considers the " forefront for compatibility with computers" as the footage shot with the HD2000 is nowhere near the forefront for compatibility with Premiere Pro CS4, Imovie nor Final Cut Pro.
Yes, you can easily transfer the footage from the camera to you computer, but that's where the inconvenience ends. If this is Sanyo's or the software vendors fault I don't know. The files needs to be transcoded to be easily edited, which is a major waste of time and disk space in my opinion.
And as far as I'm concerned, the iFrame format is a major step back resolution wise and doesn't deserve the attention of a newspost at engadget.
All this being said, I love my Sanyo HD2000, it shoots beautiful progressive images at 60fps. I'd just wish the footage had better support in editing applications and that Sanyo would stop bragging about forefront compatibility.
The Triumph proved to be one of the better looking and performing pre-paid handsets we'd had the pleasure of holding in our sweaty mitts, but we had one major hangup: the name.
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I would like to know what Sanyo considers the " forefront for compatibility with computers" as the footage shot with the HD2000 is nowhere near the forefront for compatibility with Premiere Pro CS4, Imovie nor Final Cut Pro.
Yes, you can easily transfer the footage from the camera to you computer, but that's where the inconvenience ends. If this is Sanyo's or the software vendors fault I don't know. The files needs to be transcoded to be easily edited, which is a major waste of time and disk space in my opinion.
And as far as I'm concerned, the iFrame format is a major step back resolution wise and doesn't deserve the attention of a newspost at engadget.
All this being said, I love my Sanyo HD2000, it shoots beautiful progressive images at 60fps. I'd just wish the footage had better support in editing applications and that Sanyo would stop bragging about forefront compatibility.