Feel like making your own 3D movie? That 3D camcorder and the bucket of blue paint alone won't be enough -- consider Panasonic's new BT-3DL2550 3D production monitor. This 1920 x 1200 IPS display relies on an Xpol filter for the 3D magic through passive polarizing glasses (like the ones in the 3D cinemas; two pairs included), and sports two HD-SDI ports plus a DVI-D socket -- both are for jacking your beastly video processing rigs, while the former also take direct feed from HD cameras. Little else is known about this professional Panny screen, but given the jaw-dropping $9,900 price we'd expect a pretty impressive stat sheet when it comes out in September.
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PANASONIC ANNOUNCES NEW PROFESSIONAL 25.5-INCH 3D PRODUCTION MONITOR

* Offers Wide Color Gamut, Professional I/Os, and Display of 3D Formats *

SECAUCUS, NJ (February 12, 2010) – In an expansion of its 3D production product offerings, Panasonic introduced the new BT-3DL2550, a 25.5-inch 3D LCD production monitor with full 1920 x 1200 resolution. The BT-3DL2550 provides 3D display with true-to-life color in a durable, production-tough LCD panel package.

"With professional connectivity, including dual HD-SDI and DVI interfaces, exceptional color performance and a ruggedized frame, the BT-3DL2550 provides everything a production team would need for 3D monitoring in the field," said Joe Facchini, Vice President of Sales and Product Management. "It supports older frame compamonitor's DVI-D input. Additional professional level inputs include two HD/SD-SDI inputs, component and RGB, as well as standard RS-232C (9-pin) and GPI (9-pin) remote inputs, headphone jack, green and red tally lamps on the front panel. It also has an embedded audio decoder on board (through its headphone jack), time code display, closed caption (through video input only), audio level meter display of up to eight channels.

The 3D monitor can be connected directly to Panasonic's Full HD 3D camcorder and other 3D cameras via HD-SDI inputs. It can also be connected to high-end NLE systems like Quantel's IQ and Pablo via its two HD-SDI (simultaneous signal) or to a NLE system running Final Cut Pro via DVI-D (line-by-line signal).tible 3D formats and connects easily with common professional interfaces, so it can integrate into any production."

The monitor displays 3D content using an Xpol®* polarizing filter, so content can be viewed with polarizing (passive) 3D eyeglasses. It switches from Left to Right image display, overlay, Left and Right two window display and 3D.

The BT-3DL2550 offers the same exceptional-quality color reproduction as Panasonic's popular BT-LH2550 LCD production monitor. With an In-Plane Switching (IPS) panel and 10-bit processing circuit, the monitor delivers full 1920 x 1200 resolution with exceptionally clear detail and offers six color settings - SMPTE, EBU, ITU-R BT.709, Adobe 2.2, Adobe 1.8 and D-Cinema – for superior color range and a three-dimensional look-up table (LUT) for calibration. It supports 1080i, 1080p and 720p playback, and offers pixel-to-pixel function in 720p mode.

The BT-3DL2550 is equipped with two HD/SD-SDI inputs for simultaneous display of Left image, Right image and 3D signals. 3D signals can also be supported line-by-line or side-by-side using the

Additional features include pre-installed calibration software, Cine-gamma Film-Rec compensation, Standard Markers and Blue-only, H/V delay display, monochrome and Cross Hatch overlay display, split-screen/freeze frame (live input vs. freeze frame),

Five customizable function keys on the front panel can be assigned with various display modes and settings for quick, one-touch adjustments.

The BT-3DL2550 has a durable, lightweight frame and aluminum alloy back panel, and it is VESA-mount compatible. It comes standard with two polarizing 3D glasses, a desk stand and an AC adapter.

The BT-3DL2550 3D production monitor will be available this September at a suggested list price $9,900.