Whereas a painting like a Manet or Pissaro is relatively easy to see at all times, a work of art like a movie in its orginal rendering intent is much more ephemeral, primarily because of commercial distribution constraints. So for instance if you missed Avatar 3D in a true-IMAX screen like Lincoln Square, it's not very likely that you'll be able to catch that level of presentation for a while. On the other hand, the evolving technology might make it a reality for a home user to get closer to that level of performance with a 20 foot screen and I gamble that in such case 1080P might not fulfill one's visual acuity, thus justifying higher resolutions like Super HiVision. Network content delivery is now overcoming the numerical aperture limitations of medium like BR...
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Whereas a painting like a Manet or Pissaro is relatively easy to see at all times, a work of art like a movie in its orginal rendering intent is much more ephemeral, primarily because of commercial distribution constraints. So for instance if you missed Avatar 3D in a true-IMAX screen like Lincoln Square, it's not very likely that you'll be able to catch that level of presentation for a while. On the other hand, the evolving technology might make it a reality for a home user to get closer to that level of performance with a 20 foot screen and I gamble that in such case 1080P might not fulfill one's visual acuity, thus justifying higher resolutions like Super HiVision. Network content delivery is now overcoming the numerical aperture limitations of medium like BR...