Panasonic is looking to reinvent the remote control with its EZ Touch Remote prototype that it is showing off here at CEATEC. Rather than rely on a touch-screen interface that forces one to look down at a remote (and away from the object of one's entertainment), the concept puts the visual feedback where it belongs: on the screen. The remote can sense left- or right-handed users and adjust the interface appropriately, moving important triggers around based on where one's thumb may (or may not) be. Dual touch pads allow for multitouch data entry and zoom manipulation, while gestures allow for quick scrolls, making this one of the most intuitive and drool-worthy remote controls we've seen in a while, or ever. We're so into it that we've provided a full gallery and three videos after the break.

Last we heard from Panasonic, the DMC-G1 super-light was tentatively priced at $799 for US markets. Turns out this is fact, at least if the officials at Panasonic's booth here at CEATEC are to be believed. What's more, they say the G1 will hit stateside shores in November, so if you're in the market for a new camera, start saving now. In related news, we got our hands on the G1 again, this time in red (the camera, not our hands). The digital viewfinder is still a bit disorienting, but the proximity sensor that turns off the big display when you're up close is a nice little trick. Pics and what-not below.

Take this with a pinch of NaCl, but Adorama has it that Panasonic's Yasunori Takase confessed to a US price tag on the newly unveiled Lumix DMC-G1. During a leisurely chat at Photokina, the higher-up noted that the Micro Four Thirds camera would hit US soil for $799, though he didn't bother to mention an expected ship date. If you'll recall, we found that the G1 would start shipping at the tail end of October for ¥80,000 (around $750); considering that, we'd say $799 sounds about right over on this side of the world.

Honda's been trying for months now to convince you that "the van is back in style," and while we're still not entirely sure that line isn't just marketing hoopla (okay, it is), at least the company is working to make the thing more technologically advanced. Starting next month in Japan, the automaker will debut a multi-view camera system for its Odyssey minivan, which will utilize the same 360-degree overhead cam tech that Nissan picked up last year. The system will give drivers the ability to see more as they prepare to back out, and the biggest boon is the ability to view ninjas adhered to parking garage ceilings prior to opening the sunroof and facing The Reaper. Unfortunately, there's no word on when it'll be available in other corners of the globe, but we'd guess 2009 if we had a Katana put to our throat.

[Thanks, JagsLive]

Didn't see anything that particularly suited your fancy at CEDIA? Then feast your eyes on CEATEC. As the Japan-based trade show hastily approaches, out pops a mind-boggling new home theater package from Panasonic. The system will include one of its marvelous 103-inch plasma HDTVs, a Blu-ray player and at least one set of fancy 3D goggles. Hailed as a world's first in some form or fashion, the Full HD 3D package utilizes an undisclosed format "employed by major Hollywood film studios" to "distribute full HD images of 1,920 x 1,080 pixels to each eye via synchronized shutter glasses." Panny is hoping to promote the technology and possibly get a leg up on Samsung (our assumption) by impressing wealthy homeowners and members of the Blu-ray Disc Association. As expected, there's no mention of a price, but rest assured -- you'll be stuck choosing between this and a new BMW.

[Via Impress]

We just barely got our unsteady mitts on the upcoming Lumix G1, yet already Panasonic is teasing with something of a successor, currently dubbed the "G." It uses the G1's same micro four thirds body design, ditching the mirror and optical viewfinder in favor of case slimness, but adds a stereo microphone on top and record button on back for high-def video capture -- rare stuff on a consumer digi-cam with a replaceable lens. No word on price or availability, but given the G1 isn't slated to hit Japan until October we wouldn't expect this one until sometime next year. Meanwhile, if you tend to prefer pictures of the non-moving variety, LetsGoDigital also has some test images taken by a pre-release G1. The 640x480 snaps themselves aren't anything to get too excited about (unless you're a Formula One fan), but do prove that the camera can indeed take pictures.

Read - Panasonic Lumix G
Read - G1 Test Photos

We got to handle Panny's new micro Four Thirds camera, the Lumix DMC-G1, this evening. It's obviously small for a interchangeable lens camera, but it's not stunningly small. The build quality shows that Panasonic isn't kidding around here: the camera is a hefty and solid, with a decent shutter click and no-nonsense manual controls. The 3-inch LCD also doesn't disappoint, though the digital viewfinder is a tad disorienting, and precise focusing could be an issue. Yes, we fully recognize the irony of taking crummy photographs of a camera, but work with us here.

Here you have it, the world's first micro Four Thirds camera, the Lumix DMC-G1. Panasonic calls it the "world's smallest and lightest digital interchangeable lens camera," a fancy of way of saying it's not a traditional DSLR nor is it a regular point and shoot -- it's something in between. Remember, the micro four-thirds format ditches the internal mirror and prism while maintaining a DSLR-sized sensor -- in this case, we're looking at a new flip-out, 3-inch, high resolution (1.44 million pixels!) Live viewfinder and a 12.1 megapixel Live MOS Sensor. That allows this cam to weigh in at 385-grams (0.85-pounds) and just 20-mm thick. Rounding out the specs are optical image stabilization (MEGA OIS), intelligent ISO, AF tracking, face detection, HDMI output, and intelligent scene selector with Venus Engine HD image processing and a Supersonic Wave Filter dust reduction system under the hood. Pricing will be announced in October. The cats over at dpreview have a preview model in house if you want a detailed first-look. Trust us, you should.

Update: In Japan, the G1 will go on sale on October 31st. The body alone is expected to cost ¥80,000 (about $750 tax inclusive) on up to ¥120,000 (about $1,200 tax inclusive) with bundled LUMIX G Vario 45-200mm F4-5.6 MEGA OIS lens.

[Via Digital Camera resource page and 1001noisycameras and Impress]

Read -- Press Release
Read -- Preview

AT&T has freely supported Panasonic's WWAN-enabled Toughbook 19 / 30 on its mobile broadband network for nearly a year now, and for those worried that the two may break things off when Gobi entered the picture can finally breathe a sigh of relief. Qualcomm's hybrid-3G technology (which goes from EV-DO to HSPA with the flip of a software switch), has just been certified for use on the carrier's nationwide network, and sure enough, Panny has decided to offer it on "all" new Toughbook machines. Gobified Toughbooks should be on store shelves this October, though we're not sure just how costly the option will be.

Read - AT&T certifies Gobi technology
Read - Panasonic offers Gobi on Toughbooks

They said they were going to do it, and do it they did. While Samsung's tru2way "demonstration" was barely more than a hack job used to show off what the technology was about, Panasonic demoed the real deal at its CEDIA booth. The 50-inch TH-50PZ80Q plasma contained a real CableCARD (yes, we checked) and was receiving a live signal from Comcast. Denver is just one of a few markets where tru2way is theoretically ready to rock, and according to a Panny rep, the set we saw today is a production unit that will ship sometime "later this year." The idea here is to provide buyers with the ability to insert any CableCARD from any carrier (if you move, for example) into an HDTV, thus eliminating the cable company's stranglehold (best known as a "carrier-issued set-top-box") on you. The demo we saw went over very well -- everything was responsive and image quality was excellent. See for yourself in the gallery at Engadget HD.

Panasonic is using this week's CEDIA show to debut its new AV receiver, the SA-BX500, and even though we doubt the nameplate will get much attention from the audiophile crowd, this unit does have a bit of audio-geekery with its bi-amplification/bi-wiring feature. Other stuff that will appeal to a wider audience includes 7x130-Watt amplification, HDMI connectivity (3 inputs, 1 output) that's ready for your 1080p content, HDMI-CEC in VIERA Link form, support for Dobly TrueHD and DTS-HD MA, and the ability to simulate 7.1-channels of surround in 5.1-channel systems, so you can hear what you're not missing. Available in October for $799, but you can grab a peek at the front and back right now.

It has taken a bit longer than expected, but Panasonic has finally got around to unveiling the 58- and 65-inch flavors of its VIERA CAST plasma lineup. The two new members of the PZ850 family are both internet enabled and can receive web streams (video, in particular) without a separate set-top-box. More specifically, users can see YouTube blown up to ungodly proportions and check out digital photos hosted up on Google's Picasa website. The pair will also boast a 30,000:1 contrast ratio (read: not dynamic), 24p native reproduction, Game Mode, an SD card slot, RS-232C port and four HDMI sockets. The pain? $3,999.95 for the TH-58PZ850, $6,999.95 for the TH-65PZ850 (i.e. the Grand Poobah).

The big Photokina show may be fast approaching but, as is often the case, some camera makers aren't waiting for the doors to open to debut their latest wares, and both Sony and Panasonic look to be carrying on the tradition by introducing new DSLRs next week in advance of the event. Of course, details on either of 'em are pretty light at the moment but, as Macworld notes, Sony had said previously that it was planning on adding a full-frame, 24.6 megapixel camera to is Alpha line, and that would seem to be a likely fit here. For its part, Panasonic will apparently be introducing the follow-up to its Lumix DMC-L10, although its staying tight-lipped on any details beyond that. Look for Sony to get things started at a special event in Tokyo next Wednesday, with Panasonic following-up two days later at a press conference of its own. Both, as you might have guessed, will also have plenty more to say about the cameras at Photokina.