Let the hive mind of Engadget get that for you.
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I love the idea of Foveon and I love the RGB stripe sensor in the Sony F35 and Panavision Genesis video cameras.
For video it can be important to have the same MTF for the different colour channels e.g. for compositing.
However for stills, the reality is that the luminance (i.e. the brightness) information makes up way, way more of the information and image quality of the picture. The colour information really is of secondary importance.
This is fundamentally why Bayer pattern works so well.
The DP-1 has reasonable image quality for a point and shoot camera because it has a large sensor, not because it is Foveon.