You've read about the Holocaust in books and seen it portrayed in films. But it's another experience entirely to walk through the site of a concentration camp in virtual reality, led by a survivor who lost his entire family there. The Last Goodbye, which debuts at the Tribeca Film Festival this week, follows Pinchas Gutter as he makes his final pilgrimage to Majdanek, a former Nazi Germany extermination camp in occupied Poland. It's a trip he's made many times, but this one has a specific purpose: to capture his account of the Holocaust so we never forget that it actually happened.
"I think that you have to confront pain to be able to heal it," Gutter says in the film. "Unless you have somebody that can say, 'I was here, I saw this, this was done to me,' I don't think people would accept it as the gospel truth."
The Last Goodbye, co-created by Gabo Arora and Ari Palitz, is a co-production by the Shoah Foundation, Here Be Dragons, MPC VR and OTOY. The 16-minute-long experience combines 360-degree video and photorealistic interactive environments from Majdanek. Tens of thousands of photos were captured at the site, and the studios spent five months painstakingly reconstructing them virtually. And, in a VR first, they also recorded high-quality stereo video of Gutter on-location, which results in an avatar that can believably make eye contact with you. All of that makes The Last Goodbye a VR journey that's as painful as it is immersive.
David Korins, the set designer for the musical Hamilton, developed the installation for The Last Goodbye. It's the size of a small room, with a mirrored exterior that makes it stand out from the plethora of VR showpieces at Tribeca. Going through the experience involves much more than just donning a VR headset: After walking down a small hallway, I met a guide who directed me to take off my shoes as a sign of respect. I then crossed a threshold of pebbles and stepped into the room, which had bare walls and cool ambient lighting. My guide, in a calm and collected voice, described the basics of the experience to me, helped me set up the headset, and left me alone. I took a deep breath and braced myself for what would likely be an emotionally painful journey.
The Last Goodbye begins in Gutter's hotel room, where he's steeling himself for the upcoming trip. He was first sent there with his family when he was 11, and he describes, in heartbreaking detail, the process of how they were stuffed onto a train car with dozens other families. As I started to explore an interactive model of one of those trains, the horrors of the Nazi's genocidal campaign against the Jewish people came starkly into focus. Someone built this thing just to efficiently ship families to their doom.