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Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K
Blackmagic Design has thrown its Cinema Camera MFT into the Micro Four Thirds arena, but it will only work with lenses that have manual iris and focus capability. The shooter is otherwise identical to the original Cinema Camera, with a 2.5k, sub-MFT sensor; CinemaDNG RAW, ProRes and DNxHD capture formats; built-in SSD; capacitive touchscreen; and an included copy of DaVinci Resolve color correction software. That means cineasts already on board that format will have another mount for their glass, and MFT's mirrorless aspect will also permit other lens formats, like PL or Nikon, to be added with third party adapters. So, if the relatively low price, claimed 13 stop dynamic range, higher-than-HD resolution and new mount is enough to push your "start" button, check the PR for the entire skinny.
Red introduces $42K Epic-M Monochrome cinema cam, on sale October 1st
Red Camera promised to stop hyping products that weren't ready to ship, and true to its word, just announced the Epic-M Monochrome, surprising even its rabid user base. Packing an all-new black and white-only Mysterium-X sensor, the new cinema cam follows in the footsteps of the Leica M Monochrom still shooter, right down to a similar moniker. Red claims the dedicated CMOS sensor means no color debayering, yielding a one-to-one pixel count and 15-20 percent bump in effective resolution compared to its chromatic cousin. It also touted a sensitivity gain as another advantage, asserting that the Monochrome will have a native ISO of 2,000 (while using the retro-sounding "ASA" term), more than double that of the Epic-M or X. The camera will have a new low pass filter to account for the higher resolution, and buyers who plop down $42,000 to get one on October 1st will be upgraded, gratis, to a new Dragon Monochrome Sensor next year. Like the Leica, if you have to ask why you'd pay such a sum for a camera that doesn't speak color, it may not be for you -- but it is for David Fincher, says Red, who's already shooting his next feature on one.
Sony NEX-VG30 camcorder images leak alongside rumor of $1,800 November arrival
The streetwise kids at SonyAlphaRumors say they're in possession of legit, leaked images of a forthcoming Sony NEX-VG30 camcorder, which they received from an unnamed tipster. The images themselves reveal very little about what's new in this model, and even the tipster seems to mainly confirm specs that are already present in the VG20 -- such as the big, 16-megapixel Exmor APS-C sensor (although it may have been upgraded), plus 24p and 60p recording at 1080. However, the top-down picture after break does reveal a new, healthy-sized zoom control on the grip, plus there's the happy possibility of an OLED XGA viewfinder. The official announcement may well reveal other changes under the hood, but in the meantime the tipster reports a November release with a $1,800 price tag -- which could either be a price drop or a hike depending on whether it's body-only.
Blackmagic Design starts shipping Cinema Cameras in limited quantity
Remember that $2,995 Blackmagic Cinema Camera that shoots full-res 21:9 16:9 video? It's now hitting shelves, or maybe we should say "a shelf," because the initial shipment was "rather small," according to the company. The arrival date was pushed back earlier, and now the 2.5k, 12-bit RAW, sub-four-thirds video camera won't roll out in volume until the "parts supply ramps up." Meanwhile, B&H got a handful along with several other dealers, but if you just decided to order one for tomorrow's shoot, you may wanna cool your ardor -- there's quite a back order to get through, first.
NHK developing hybrid renewable energy-powered video camera for use in disaster areas
You can always count on Japan's NHK to come up with new, exciting and innovative ways to bring us video coverage. The latest project? A wind- and solar-powered robot camera designed for situations such as natural disasters. Loaded with a 1,200 Ah battery, even if the elements don't bless it with sun and air, it can keep filming for two to three days. The combination of wind turbine and solar panels obviously allow it to generate more power than either method on its own, with the turbine reportedly generating 1 kW at 11 m/s wind speeds. A special power-saving mode prevent it draining too fast when full functionality -- such as the built-in wireless, cellular and satellite broadcasting systems aren't needed. Currently the prototype is installed on a rooftop while battery and power-generation are fully tested, but it's hoped that this could lead to further developments for disaster area broadcast equipment. Or -- here's hoping -- power-cut-proof sports coverage.
Blackmagic Cinema Camera pushed back a few weeks, new footage shown
Unfortunately, there's a delay for cinéastes anxiously awaiting their 12-bit RAW Blackmagic Cinema Cameras, but the news isn't all bad. The camera is "in the final stages of Thunderbolt certification and internal testing" and manufacturing will follow as soon as that's done -- probably in the second week of August, according to the company. It will still hit the market with the $2,995 price tag, Canon lens mount, 15.6 x 8 mm sensor and built-in SSD recorder intact. In more positive news, the company has identified the cause of aliasing noticed by some viewers and blames it on the workflow used. It's posted a few new videos to back up the claim, which can be viewed at the source link below. Considering the company might soon have similar competition, it's probably best to work out any bugs before shipping a boatload out to finicky cinema clients.
Sony broadcasts three-chip PMW-200 XDCAM with Android or iOS remote control app
If you're the reporter and camera operator for K-STIX, Sony's got good news: they just unveiled the PMW-200 XDCAM, and you can control it with your smartphone. The camcorder features a broadcast-friendly 50Mbps data rate drawing from three half-inch CMOS sensors -- bigger than any other broadcast handheld cam, according to Sony -- though that size is still a far cry from its own super-35 filmmaking cams and others on the market. The Japanese company claims the chips provide "exceptional" low-light powers, and other features include 30fps at 1080P or 60fps at 720P, a 14x zoom lens, 3.5-inch 852 x 480 LCD display and a 15 second pre-record cache. The camera will be available by September, but the aforementioned WiFi adapter for Android or iOS remote control won't fly in until the end of the year. Pricing has yet to be announced, but if you need an easier way to multitask or the approving nod from that rigid broadcaster, check the PR for all the specs.
Cinema rig takes the heat out of your NEX-5N, lets you slide in the accessories
The Sony NEX-5N, with it's goodly APS-C sized sensor and decent video quality, still has a couple of knocks against it as a video cam: its bitty size makes it hard to rig up and it doesn't dissipate heat well. Tinkerer Richard Gale has addressed those tics with his prototype NEX-5N cinema housing, by adding a heat sink and fan to stop the overheating problem and a possible anamorphic adapter and matte box to accommodate filters and gels. The provisional £1,500 price ($2,400) would get you the housing, NEX-5N with kit lens, 5" Sony LCD, and accessories, while the anamorphic kit with the matte box is still just a concept with no price tag. Neither idea will happen unless he gets enough orders, but wearing the boxy black outfit might finally give the petite mirrorless cam a shot of big-boy film cred. %Gallery-160155%
How would you change the GoPro Hero HD 2?
You can strap the GoPro HD Hero 2 to any number of things to document your extreme adventures in high definition. However, for all of the improvements in the second version, we found it to be distractingly heavy, difficult to mount and with audio that left plenty to the imagination. Still, a few days of testing, even with some aerial combat thrown in, can't match constant use over the last six months. So, why not tell us how you've found using this thing on a daily basis and if you could, what would you change about it?
Pivothead live streaming and WiFi Drive hands-on (video)
If you thought live streaming was the obvious next step for the Pivothead video glasses, you're not alone. We, for one, thought it immediately upon donning the HD-recording eyewear and the company's Zach Barbitta couldn't agree more. The proud rep was on hand at tonight's Pepcom event demoing a brand new prototype accessory that will hopefully hit the market in three to five months and enable you to stream video straight from your 8MP sunglasses to the web, anywhere there's a WiFi signal. The device is so early in the development stage that we don't have many details about it. The final package should be roughly the size of a small portable hard drive -- tiny enough to slip into a pocket, provided you're not a skinny jeans fan. You'll have to connect it to the glasses via USB, which could potentially prove unwieldy, but we're sure some creative paths for passing the wire around your torso could easily solve that.
Motrr Galileo nets $700k in Kickstarter pledges, available to pre-order now for $117
Perhaps you were discouraged by the uncertainty that comes along with a Kickstarter pledge, or you simply missed your chance to give Motrr's Galileo an $85 kick before the deadline hit. Whatever the reason, you're still in luck -- the iOS-controlled iPhone platform is now available for a proper pre-order, with a 10-percent discount and free shipping in tow. Galileo, which netted a whopping $702,427 in Kickstarter funding, could soon be on its way to a nursery or conference room near you, for the slightly increased sum of $116.99. That Benjamin and change will buy you one 360-degree rotating platform, complete with a rechargeable battery, USB cable, tripod screw and user manual. There's no word on when this latest round of pre-orders will be filled, but the company did confirm that it plans to ship the first batch this summer. Full deets (and pre-order option) are at the source link after the break.
Insert Coin: The Aviator Travel Jib lets you crane on the go (video)
In Insert Coin, we look at an exciting new tech project that requires funding before it can hit production. If you'd like to pitch a project, please send us a tip with "Insert Coin" as the subject line. The Aviator Travel Jib can give you the smooth camera moves to make your spectacle go from meh to marvel, while still being light enough to schlep around. At less than 3.75 pounds and 24-inches compacted, the device will tote anywhere but support up to six pounds, thanks to its sylphlike but rigid carbon fiber construction. It'll take your cinema cam or DSLR rig out to around six feet, and with its built-in fluid pan base, let you crane, track or truck to your heart's content. Pledge $400 and you'll get the jib, ballast, mounting hardware and a bubble level, while students can get the jib alone for $300. If that sounds like it could hit your mark, move fluidly past the break for the video.
Pivothead review: video recording eyewear for (reasonably) discreet POV clips
We won't mince words -- the Pivothead Durango have a decidedly "sporty" style that probably won't win it too many fans. But, if you're in the market for some POV video action, chances are style isn't particularly high on your list of must-have features. They have the appearance of low-key, but bulky Oakley knockoffs. But again, if you're hurtling yourself down a hill on a snowboard, how cool your specs look is probably secondary to recording high-quality video and absorbing a beating. So, we promise, this is the last you'll hear about how unsightly these things are. (And they are just that -- ugly.) Once you head past the break we'll have video samples, photo samples and field tests, but nary a word about how embarrassing it is to walk around in public with these on. Promise. So, join us below as we put Pivothead's video sunglasses through their paces.
Samsung ships QF20 camcorder with WiFi, toughened-up W300 pocket cam
Samsung's CES blitz included a tease of five new camcorders, but precious little in the way of launch details. Some of the mystery has ended, as two of the camcorders -- the QF20 and W300 -- are at last hitting US stores. The QF20 caters to the Internet crowd and, for $350, will let you upload your 20x-zoomed 1080p videos straight to Facebook, Picasa or YouTube without thrusting a computer into the process. If you're more concerned about your camera surviving a rafting trip than producing viral videos, the W300 will give you dustproofing, 15-foot waterproofing and 6-foot shockproofing in a pocketable form for a more frugal $160. We're still waiting on launches for the camcorders' closely-related F80, Q20 and W350 (pictured) cousins, but for now you can catch full details of the QF20 and W300 after the break.
Sony outs new waterproof HDR-GW77V Handycam, available May 25th in Japan
Despite having launched a full battalion of Handycams back at CES, Sony left the adventurous crowd out by not introducing any ruggedized shooters. With that in mind, the Japanese outfit has taken the wraps off of its first waterproof (and dustproof) Handycam, which packs a mouthwatering 20.4-megapixel Exmor R CMOS sensor capable of 1080p video at 60fps. Staying true to its Handycam roots, the HDR-GW77V sports a 3-inch swivel screen while also offering 16GB of internal storage and a 10x optical zoom. Sony claims the camcorder can handle up to 16 feet of water as well as sustain a five-foot freefall. The HDR-GW77V will be hitting Japanese shelves late next month for 70,000 yen (around $860), and there's no word on when -- or if -- it'll make a trip outside its home turf.
Hauppauge announces StreamEez to broadcast live HD video
Hauppauge, not satisfied with only bringing DVR-like functions to the Broadway this week -- has unleashed a new box called the StreamEez that links your HD video camera to your computer for live broadcasts. HDMI or component video hook it up on the cam side, USB on the computer side. It uses H.264 video compression and is compatible with sites like USTREAM that require the RTMP protocol. The box plus Windows software starts at $299. Everything but the price probably sounds pretty familiar since the incredibly similar Livestream Broadcaster is also just about on the scene, though, it'll run you about $195 more. Take a gander at the PR after the break.
Livestream Broadcaster hands-on
According to CEO Max Haot the logical next step for Livestream -- now well established as a reliable service for bringing live video feeds to the internet -- is just to get more people distributing live video by any means necessary. To that end, the company is jumping into the hardware business with this palm-sized Livestream Broadcaster unit that just went up for preorders a few days ago. With a subsidized price of $495, it connects to video cameras directly over HDMI then reencodes and uploads the video on the fly to the company's servers (unlimited streaming costs $45 per month, each encoder comes with three months free) via Ethernet, WiFi or a 3G / 4G USB dongle. Even on the wireless-internet challenged LVCC floor it was sending several streams and enabling user control via buttons on the unit itself, or remotely from a PC or iPhone / iPad. These boxes are still on target to ship at the end of May and and showed off everything those without the backing of a tech / media conglomerate (cough), like small businesses or independent bloggers, would need to make their productions available for viewing as they happen.
Blackmagic Cinema Camera packs 'feature film' 2.5K quality, touchscreen for $2,995
While Canon, Sony and Red have already stolen the show with new camera announcements here at NAB 2012, Blackmagic Design is trying to carve out a niche for its new Cinema Camera. Priced at $2,995, where the company sees this as differing from the competition is its ability to capture film quality video on its 2.5K sensor and output it to CinemaDNG RAW, ProRes and DNxHD file formats. That camera housing can take Canon or Zeiss lenses on the front, contains a built-in SSD within and has a capacitive touchscreen display for control and metadata entry. Once you've captured the video, the included copy of DaVinci Resolve can take care of all color correction needs, while the video can be pulled from the SSD over a variety of high speed ports including BNC SDI and Thunderbolt. Check out a few in-person pics in our gallery below and more specs in the press release after the break.
Canon Cinema EOS C500 camera hands-on (video)
The familiar EOS-1D C isn't the only Canon camera to make its public debut ahead of NAB. The Cinema EOS series welcomes a third model to the collection this week, with looks that nearly match last year's C300. Unlike that model, which you can already pick up through e-tailers and at specialty shops, the C500 has a long way to go before it gets a shipping nod -- it may not even make it to market in 2012. The $30,000 price tag may pose an even greater barrier to entry than its to-be-announced availability date, however, and may in need of some tweaking before it's ready to compete with already established models, like the much less expensive RED Scarlet. Like the 1D C, the C500 can shoot 4K video -- the most apparent upgrade from the $16,000 C300. To that end, boosting its price tag may be the only way for Canon to avoid cannibalizing that less-abled flavor, since many cinematographers would otherwise pay little attention to the C300, due in part to its 1080p-limited shooting capabilities.It's been a few months since we've last seen Canon's first Cinema EOS model, but the C500 has a look and feel that seems to be only subtly different from the C300. It is noticeably heavier, likely due to the additional cooling gear on board to accommodate 4K shooting. Both flavors include dual CF card slots, which you'll only be able to use for snapping 1080p video -- 4K is fed to an external recorder through the dual 3G-SDI ports, which for obvious reasons you won't find on the C300. There's also a larger grip on board, now a permanent fixture on the C500, which should aid with bare-bones handheld shoots -- but if you're dropping 30 grand on a digital body, some sticks and a dolly shouldn't be far behind. Like its sibling, this year's model ships with either a Canon EOS or industry standard PL mount, so if you have a need for both, you'll need two cameras. Overall, you're looking at the same sleek, albeit slightly unconventional body design, with a price tag that's likely to make amateurs weep and pros run for the rental house. As always, there's a hands-on video waiting just past the break.
Sony NEX-FS700 cinema camera hands-on (video)
Sony's otherwise dull pre-NAB press conference yielded one gem -- the NEX-FS700 cinema camera -- which the company announced earlier this month. The FS700 doesn't include 4K shooting functionality out of the box, but it is 4K capable, with the appropriate software coming later in the form of a firmware update. The camera includes the familiar Sony E-mount, bringing with it compatibility with interchangeable lenses, including the standard 18-200mm lens attached to the demo camera at today's event. There's also a trio of ND filters on board -- 1/64ND, 1/16ND and 1/4ND -- along with some impressive slow-motion capabilities, ranging from 120 to 240 frames-per-second in 1080p, going all the way up to 960fps if you're willing to sacrifice full-HD resolution. Company reps confirmed that the camera is expected to retail for "under $10,000" when it hits the market in June, while that 4K update should hit before the year is out, once Sony's external recorder becomes available. The body itself looks very similar to its predecessor, the NEX-FS100, and is lightweight enough for comfortable handheld shooting. Jump past the break for a closer look live from Las Vegas, with Sony Senior Vice President Alec Shapiro.
