It may look like just a bit of corkwood taped to the front of a pretty expensive shooter, but that's only because it is. If you're already willing to withstand gadget muggles sniggering at your mighty DSLR and its six inch frontal protrusion, surely adding this sort of a ghetto mod isn't going to dent your self-respect too much. Put together using the ultimate in ordinary household objects, this fish-eye lens manages to kick out some pretty useful-looking images and seems a viable alternative for those with more time than money. Check out the read link for the full instructions and a gallery of photos taken with the lens.

We can't quite recall if the last week in April of 2008 was jam packed with camera introductions, but you can go ahead and pencil this little stretch down as quite an important time in the lives of DSLR junkies. Nary 24 hours after we gave you our pair of pennies on Nikon's D5000, Canon's EOS Rebel T1i (its arch enemy, just so you know) has arrived. Based on specifications alone, the T1i looks like a much more serious shooter than the D5000, though its kit package -- which also includes an 18-55mm IS EF-S lens -- runs you $50 more and omits that all-too-intriguing articulating display.


Instead, you get a fixed 3-inch Live View display (like the more expensive D90 over on the Nikon front), a 1080p movie mode (which trumps all Nikon DSLRs at the moment and matches the mighty EOS 5D Mark II), a ISO sensitivity up to 12,800 (the D5000 tops out at 6,400) and a 15.1 megapixel sensor (compared to the 12.3MP sensor in the D90 and D5000). We're going to run out and pit these two against each other in order to bring you a more thorough showdown soon, but for now, hop on past the break to see how the T1i -- which is shipping to the public today as well -- stacks up against the D5000 on paper. Oh, and check out the gallery if you're intrigued by world class knock-down-drag-outs.

Nikon's D5000 is a curious beast. It boasts an unorthodox model name, packs a strikingly unique display and aims at an atypically small niche. In a way, it's a poor man's D90, but stopping there would be selling this gem short. The D5000 kit, which ships with the same 18-55mm f/3.5-5.6G VR lens that comes bundled with the D60 kit, sports an MSRP of $849.99, placing it squarely between the aforementioned D60 kit (currently streeting for $549.95) and the D90 kit (which can be found for around $1,150). 'Course, the D90 kit lands you a nicer 18-105mm f/3.5-5.6G ED AF-S VR lens, a higher resolution rear LCD, a top-mounted display for showing vital statistics, a more rugged body and a few other internal upgrades. We've had some time to toy with Nikon's latest, and we've laid out our impressions just past the break. Join us, won't you?

It's kind of strange that the most anticipated sample media from the latest crop of DSLRs is actually HD video, but that's the way the market's going, and the new Canon EOS Rebel T1i and Nikon D5000 are no exception. Demystifying Digital has footage from both, and while Nikon's newest seems to deliver essentially the same CMOS jelly-motion results from its 12.3 megapixel sensor as the D90, the T1i is a pleasant surprise -- we're not seeing much wiggle at 720p, which might be a result of the higher-res 15 megapixel sensor. We'll wait to see full-res samples and some actual still images before we crown a winner, but we'll tell you right now that neither one of these is going to make us leave a dedicated camcorder behind when it's important -- the lack of autofocus and the windblown internal mics just don't cut it. Videos after the break.

Read - Nikon D5000
Read - Canon T1i

One thing's for sure -- the producers of Life sure know how to weave modern day technology into the storyline. Just a few weeks back we saw a Time Capsule with all sorts of sordid evidence, and this week we witnessed a Nikon D90 + SB-600 combo nearly being an accessory to murder. But look, if this thing is good enough to shoot dead people, it's probably good enough to photograph your cousin's bar mitzvah.

When we asked how you'd change Nikon's 720p-recording D90 DSLR, many of you globe-trotting photogs let out wistful sighs, gazed at the brightest star, and wished with all your might for automatic geotagging of photos. Like some trickster genie, Nikon is granting your wishes, but we're not sure the GP-1 GPS add-on is exactly what you had in mind. It slots into the hot-shoe on most cameras (clipping onto the strap for a few) and uses an unwieldy looking cable to connect to the body of your D200, D3, D700, D90, D300, or D3X. We can't say that we're particularly fond of the device's means of indicating status, either: red blinky light = no satellites; green blinky = three satellites; green solid = four satellites or more. C'mon Nikon, for $240 you couldn't integrate that cable into a hand strap and put more than two LEDs up in there?

[Via Gadget Lab]

While being the first DSLR to shoot HD video sounds mighty excellent on paper, it's not worth much if the execution isn't there, right? The general consensus was that Nikon's D90 was a stellar DSLR, but the 720p movie mode was simply a so-so cherry on top. The gurus over at CamcorderInfo decided to take things one step further and actually write up an in-depth review on the movie mode alone. The long and short of it is this: the D90's movie mode simply can't produce the same results as a dedicated HD camcorder, and while it was "often able to produce impressive results (especially in moderately low light)," the unfortunate "wobble effect" really put a damper on things. In essence, the aforementioned problem causes objects to look like Jell-o when the user pans quickly from left to right, and the only real way to avoid it is to utilize a tripod or slow down your pans -- neither of which are terribly convenient. Critics did find quite a bit to praise, and they certainly appreciated the inclusion in an otherwise amazing camera, but it's still far from being ideal in all scenarios.

We gave the full-frame consumers (read: the lucky ones) the ability to sound off on the D700 a few weeks back, so we only felt it fair to give the same opportunity to those who've snatched up Nikon's recently released D90. For those who've bit on the kit package, how has your photographic life been? Are you satisfied with the low-light performance? Still struggling to get your settings worked out? Digging the Live View LCD? Oh, and how's that 720p movie mode treating you? History would assert that the D90's successor is already in the works, so make sure you give Nikon some good stuff to work with. And... go!

Here she is -- the world's first DSLR to capture 720p HD movie footage. But let's be honest, the high-def action is just a cherry on top of Nikon's D90 ($1,299 kit; $999 body only), as the expansive Live View LCD, high ISO options and heralded image quality are the real draws. You've already heard what the experts in the field had to say, but if you're just lookin' for some old fashioned gadget glamour shots to get your weekend started right, take all the time you need in the gallery below.

You've seen it get official, you've seen it in the wild, and you've seen it sneakily unboxed -- isn't it time you saw a few reviews, too? We've scoured the intarwebz for the freshest looks at this here DSLR, and generally speaking, those lucky enough to secure a review unit have been overwhelmingly pleased. As a mid-range shooter, it was decidedly difficult to find any real knocks. Sure, a heap of noise was seen at 6,400 ISO (but barely any was noticed from 200 to 3,200) and the kit lens wasn't all that, but the excellent low-light shooting and the "superb" image quality was enough to keep critics smiling. One thing that should be noted, however, is the so-so 720p movie mode. It's not that the quality was bad, but Popular Mechanics reported that the "extended exposure to light needed to record video caused the D90's CMOS sensor to heat up dramatically," which limits HD captures to a maximum of five minutes. In other words, don't ditch your pocket HD cam for this, but if you're scouting a new DSLR and wouldn't mind a 720p movie mode on the side, need you really look any further?

Read - Popular Mechanics (" The D90 is first and foremost a still camera. And in this regard, it excelled.")
Read - ThinkCamera ("The D90 is a trophy of a middleweight camera.")
Read - DCBBS Chinese ("Photography enthusiasts now have a new choice.")
Read - CNET's video review ("Very, very nice sub-$1,000 DSLR")

If one thing's clear, this D90 thingy is ready to go. We just got our second set of in-store pictures (thanks, Best Buy!), but these ones include the camera itself, rid of its pesky packaging. Street date is apparently tomorrow, with that $1,299 price standing firm.

No matter where you fall in this crazy DSLR war between Canon folks, Nikon folks, Sony folks and "how do you turn this thing on?" folks, there's no denying the D90 has sparked quite a lot of interest from all the right places. The video feature is just plain exciting, as is Live View and that 3-inch LCD (oh, and we hear it also takes pictures), and Nikon could very well have a hit on its hands when it actually starts shipping the thing. Which is where this box comes in. A tipster says it popped up at his Best Buy, but he's getting the impression from inventory that it won't actually be for sale this week. We hope he's wrong, but we're almost out of week. Anybody manage to nab one of these yet? Another blurrycam pic after the break.

So, Nikon finally fessed up to its new D90 prosumer DSLR, which means all that's left for us is to do is to pick through the spec sheets, drool on the product shots and imagine ourselves taking the film industry by storm with that D90-shot indie flick we're plotting.

INT. SUBURBAN HOME - DAY

BLOGGER sits at his computer typing. He looks inspired, witty, unkempt. The camera's short depth of field captures the writer in his element.

Oh, right, the tech specs:

• New 12.3 megapixel Nikon DX-format CMOS image sensor with Integrated Dust Reduction System.
• Low-noise from ISO 200 to 3200, ISO 6400 available.
• D-Movie mode records in 320 x 216, 640 x 424 or 1,280 x 720 in AVI format.
• Scene Recognition System based on 420 pixel RGB sensor for improved autofocus, autofocus and auto white balance, in addition to Face Detection.
• Multi-CAM 1000 autofocus with 11 AF points.
• 3-inch, VGA Live View LCD.
• 4.5 fps continuous shooting, 0.15 second startup, 65ms shutter release lag.
• SD / SDHC storage.
• HDMI output
• 5.2 x 4.1 x 3.0-inches.
• 1 pound 6 ounces without battery.
• $1,299 kit price.

Read - Nikon D90
Read - D90's "D-Movie" samples
Read - D90 tested out by Chase Jarvis

Sure, the Nikon D90 isn't going to be any huge surprise when it arrives at this point, but it looks like whatever ta-da moment Nikon had planned just got upstaged by USA Today, which is running its piece on the new cam just a little early, complete with quotes from Nikon's senior technical manager. Nothing we don't know about here: 12.1 megapixels, 3-inch Live View screen with HD video recording and a kit price of $1,299. Not bad -- and that HD video mode certainly sounds intriguing. At least detailed specs will still be a tiny surprise, eh?

Update: Nikon press release makes it official. Read it here.