IPEVO's TR-10 speakerphone makes nice with iChat
garageband posts
GarageBand 4.1.1 brings custom tones to iPhone
As the pic says ladies and gents, Apple has decided that if you're clever enough to work in GarageBand -- and really, aren't we all? -- you deserve custom tones. To get this working all you need do is grab at the fresh GarageBand 4.1.1 update released yesterday, select a cycle region in your song -- a cycle region is just an area in the song's timeline you want to repeat -- then "share" and select "send ringtone to iTunes" option. Of course, your iPhone will need to be at version 1.1.2 to accomplish this little feat of magic, but we're sure most of you out there have sorted updates by now. Enjoy the music and feel free to drop us a note with how things go.
[Via TUAW]
Read - Create custom ringtones in iTunes
Read - GarageBand 4.1.1 update
[Via TUAW]
Read - Create custom ringtones in iTunes
Read - GarageBand 4.1.1 update
Music Thing: The USB Lightsnake and other ways to connect your axe
by Marc Perton, posted Apr 28th 2006 at 2:07PM
Each week Tom Whitwell of Music Thing highlights the best of the new
music gear that's coming out, as well as noteworthy vintage equipment:
Connecting a guitar to a USB socket is one of those technical questions that nobody has ever asked, but
lots of people have tried to answer. The latest, and possibly neatest, solution is the SoundTech
Lightsnake, a simple 10-foot guitar cable with a quarter-inch jack on one end and a USB plug on the other. Plug it
into a USB socket and it will glow green (mmm… retro!), and it promises to pump your guitar neatly into
GarageBand or whatever.
There’s a big cultural barrier between the two ends of the cable. Quarter-inch jacks are indestructible, ancient and roadworthy. They were introduced in 1878, for use in telephone exchanges, and they’re still in almost any piece of musical equipment you’d ever want to use, from a Les Paul to a Moog Modular. They never break, and if they do happen to fray, can be mended by anyone who knows which end of a soldering iron to hold. With no tools, a combination of sharp teeth and nimble fingers can make a workable repair.
Meanwhile the new-fangled USB plug, introduced in 1995, has no place in rock’n’roll. It’s invariably plastic, and was literally designed by a committee. Neutrik does produce a nickel-housed USB socket that could almost fit on a guitar amp, but would be unlikely to survive attack from a flying bottle of beer.
In the last year, USB/Guitar hybrids have been everywhere. The GuitarPlug does the same job as the Lightsnake, without the attached cable or the glowing LED. Towards the end of 2005 there was a rash of USB guitars, released by many, bought by few, culminating in the Behringer iAxe, a $149 guitar with a built-in USB socket and a bundle of free software. I’m sure it sounds great.
There’s a big cultural barrier between the two ends of the cable. Quarter-inch jacks are indestructible, ancient and roadworthy. They were introduced in 1878, for use in telephone exchanges, and they’re still in almost any piece of musical equipment you’d ever want to use, from a Les Paul to a Moog Modular. They never break, and if they do happen to fray, can be mended by anyone who knows which end of a soldering iron to hold. With no tools, a combination of sharp teeth and nimble fingers can make a workable repair.
Meanwhile the new-fangled USB plug, introduced in 1995, has no place in rock’n’roll. It’s invariably plastic, and was literally designed by a committee. Neutrik does produce a nickel-housed USB socket that could almost fit on a guitar amp, but would be unlikely to survive attack from a flying bottle of beer.
In the last year, USB/Guitar hybrids have been everywhere. The GuitarPlug does the same job as the Lightsnake, without the attached cable or the glowing LED. Towards the end of 2005 there was a rash of USB guitars, released by many, bought by few, culminating in the Behringer iAxe, a $149 guitar with a built-in USB socket and a bundle of free software. I’m sure it sounds great.
