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Left of the dial: Independent radio in the digital age
"This room is, to a certain extent, a trophy room," Jason Bentley admits, his morning DJ voice rendered even smoother than usual following an in-studio set by local downtempo electro-soul group Rhye. The host of Morning Becomes Eclectic is seated slightly uncomfortably on a stepladder in KCRW's cramped music library, as staff members clear out electric candles from the performance space (the band and station arrived at the alternative lighting in order to maintain Rhye's relative anonymity, while still giving viewers of the video stream something to look at). The space is exactly what you'd want in a radio station library: high, cramped shelving units that are somehow impossibly messy and immaculately organized all at once. Between the CDs and vinyl stacked on shelves and tucked into hidden drawers, there's a vast catalog of music in this room, but it's clear in the five seconds it takes to walk from door to door that this space couldn't possibly house all the songs required to maintain a 24-hour schedule as diverse as KCRW's. "We have moved to digital, mostly," the DJ / music director continues. "But this is really the spiritual center and the heart of the radio station." The setting is in stark contrast to Jersey City's WFMU, where the concept of a music library is still very much a living, breathing thing. In spite of the station's ties to the claustrophobia of the greater New York City metropolitan area, WFMU's set is far more spacious, housing more music than could ever be enjoyed in a single lifetime. At the beloved freeform station, physical media is still a primary tool of the DJ's arsenal, albeit one augmented by a 250,000-song digital music library. But for all the care devoted to its library, WFMU's charm lies within a structure seemingly held together by duct tape and love -- and walls decorated with glittered LP covers created by listeners at its annual record fair.
KCRW launches MALCOLM music service to help indie bands in need
Being a DJ at radio station can be an embarrassment of riches. And really, who's going to listen to you complain about having too much music to listen to? Santa Monica's terrifically wonderful public radio station KCRW is looking to take a little bit of the pain of finding new music for its DJs, with the launch of MALCOLM, a site that lets artists submit their music for consideration -- a nice attempt at continued outreach in a medium so dominated by charts and major label interference. Bands can create profiles with images, bios and social media links, alongside up to three tracks. MALCOLM serves as a bit of a social network for the station's DJs, letting them share tracks and interact with profiles, alerting artists via email when someone has commented on or rated their listing. More information on the service, which borrows its name from KCRW's old internal record filing system, can be found in the press release after the break. Interested bands can submit songs in the source link below.
KCRW app launches music discovery
KCRW is a Los Angeles-based public radio station with a history of introducing new artists to listeners. Keeping with this tradition, the radio station now has an iPad app called Music Mine that'll let you dig deep into their catalog and find new music. Similar to other music apps like Bandito, Music Mine was developed by the Public Radio Exchange and powered by Echo Nest's music intelligence engine. It'll display up to 100 new artists at a time and link them to KCRW's playlists. There's also videos, photos and more from each artist. If you want to just listen to music, you can fire up the app and tune into KCRW directly. The Music Mine app is available for free from the App Store.
