Just because Maxell left the disc manufacturing to other rivals doesn't mean that it's bowing out of the external HDD market. Announced this week, the firm has introduced its all new iVDR, which "connects directly through a bi-directional USB or eSATA adapter to a shoulder-mounted camcorder capable of delivering 10-bit, 4:2:2 master-quality video and native full HD video." In layman's terms, this here drive caters to those logging clips in the rough, and its innate ability to resist drops of up to 4-feet makes it the ideal candidate for even the clumsiest shooter. Unfortunately, mum's the word on price, but we are told that a 160GB version (with a 540Mbps transfer rate) is set to land in Q2, while a slightly more capacious 250GB edition is hitting shelves in Q3.

[Via BIOS, thanks Christian]

Now that you're already penning a purchase requisition for one of those fancy new P2 HD camcorders, you might as well toss a couple of Panny's new 64GB P2 cards (model AJ-P2C064) and its AJ-PCD35 ExpressCard adapter on there, too. Yep, Panasonic has chosen NAB Show 2008 to double up on its current 32GB P2 card and to introduce a five-slot P2 memory drive with an ExpressCard interface. Put simply, the latter can hold all five cards from a fully-loaded VariCam 2700 / 3700 camcorder (or any other P2 rig) and give users the ability to upload content on the go with their ExpressCard-equipped laptop. Regrettably, the company didn't bother doling out dollar figures just yet, but we'd go ahead and file 'em both under "expensive."

[Via I4U News]

RED's trifecta of hot new gear announcements at NAB wrapped up with the RED RAY optical disk drive, which promises to play back 4K video from the RED ONE, 3K video from the new Scarlet and the usual assortment of HD formats from RED Disc and RED Express media, as well as native R3D RAW files from CompactFlash. 5K video from the new EPIC isn't supported, though. As with all of RED's announcements today, specs are promised to change, but the clever name of the drive has us thinking that it's based on Blu-ray -- we'll keep digging for details.

As the HD camcorder onslaught continues, Sony is making sure it doesn't get left out by showcasing the PMW-EX3 in Las Vegas. Aside from handling interchangeable lenses, this cam also features a trifecta of 0.5-inch CCDs with Full HD (1,920 x 1,080) resolution, native 24p support, XDCAM HD EX recording on dual SxS cards, HD-SDI output, USB / 4-pin FireWire sockets and an optional 60GB disk recorder that plugs in via a SxS slot. Of course, we seriously hope you're planning to put this on the studio's plastic -- after all, it's not like you want that $13,000 charge hitting your card, right?

[Via Broadcast Newsroom]

Panasonic's AG-HMC150 HD camcorder is fine and dandy if you're cool with hauling around a couple SDHC cards, but for those with bigger budgets and loftier dreams, the trio of P2 rigs debuting at NAB Show are likely to be entirely more suitable. Starting things up is the VariCam 2700 (model AJ-HPX2700) and VariCam 3700 (model AJ-HPX3700; pictured), which both feature native HD resolutions, five P2 card slots, master-quality 10-bit 4:2:2 AVC-Intra 100 recording, variable frame rates in one-frame increments, HD-SDI outputs and a multi-gamma function including Film-Rec. As for the latter, it steps things up to full 1,920 x 1,080 support while boasting a trio of HD-SDI outs (versus two on the VariCam 2700). Lastly, we've got the 4.2-pound AG-HPX170, which reflects the HMC150 in a variety of ways but utilizes a pair of P2 slots in order to log those high-def captures. Mum's the word on pricing for the Fall-bound family, but do yourself a favor and hit the read link for lots more details on each.

[Via Broadcast Newsroom]

Granted, Toshiba Imaging's IK-HD1 3CCD HDTV Camera may not matter much to the consumer as-is, but we're all about the progress. Ready to make its grand, er, wee entrance at NAB Show later this month, the aforementioned unit touts the planet's "smallest" HD camera head (1.6-inches; 2.3-ounces), which should give program producers in tight spots one less reason to not capture content in high-def. In that vein, Tosh even notes that its ability to capture at 1,920 x 1,080 at 30fps makes it "highly suitable for reality TV (you getting this, producers?), specialty broadcast, sports, news and commercials." We know, this totally opens the door for an HD version of Punk'd, but hey, you can't win 'em all.

[Via Engadget Spanish]