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The Art of God of War III at Gallery Nucleus


The God of War III art team held a panel this past weekend in Alhambra, California, at a place called Gallery Nucleus. In front of an audience packed to capacity, artists (from left to right above) Scott Seeto, Jung Ho Park, Izzy, Andy Park, Cecil Kim, and Andrew Kim spoke and answered questions about how they'd come up with the art designs for Kratos' final story ("as far as I know," Cecil Kim said, "there is no more God of War").

They were first asked about bringing the game into the HD generation, and how that affected their work on the games. Mostly, it just meant more work for them -- they pointed out that even when the camera isn't close-up on Kratos, you can still see the muscles in his back tense as he pulls out his blades. Art designers in HD have to be meticulous about details, and as a result, character development takes about six times longer. The team also said that they were impressed by the PS3 hardware -- on the PS2 versions of the game, the developers knew how far they could push the older console, but on the PS3, "we still don't know what we can do with it."

Gallery: The Art of God of War at Gallery Nucleus | 71 Photos

Each character in the game took about a month and a half to design, with a few exceptions. Poseidon was a big challenge -- making a character out of water took a lot of iterations between the art team and the technical guys. The Titans in the game, however, were a real challenge: Izzy talked about designing even Kronos' skin pores, since they were basically big enough for Kratos to crawl through ("Actually, that's pretty gross if you think about it," he laughed).

The team also talked about how their designs sometimes influenced gameplay. Izzy was given the task of coming up with designs for what became the Nemean Cestus weapon in the game, and the original idea called for two hammer, boxing glove, or brass knuckle-style objects to be used on Kratos' hands. After a little research, he found this weapon called a cestus, and then gave it a Nemean lion design, and he believes that look influenced a lot of the grabbing gameplay now found in the finished game.

Finally, they spoke about how hard it was for the art team to stick to the Greek style -- the developers were very concerned all throughout the process that the game never fell into the fantasy realm, and never strayed away from the starker Greek style of clothing, weapons, and architecture. While some of the artists were God of War veterans, many of them hadn't worked on the series before, and often, they would make a concept only to have it rejected for being too flashy, too fantasy, or even too Roman rather than being specifically Greek. The challenge there, they said, was to stick with the Greek myths, but give them a unique spin. The Satyrs specifically were mentioned as an example of a character that has a long mythology, but that the art team tried to put their own unique touch on.

It was an interesting talk. The art team isn't directly involved in the product we see in our PS3s -- they joked that they get to crunch at the beginning of production, so that by the time the coders are working hard, they get to go home early, because everything's already designed and done -- but they do have a lot of early influence on the look and feel of the final game. Check out the gallery above to see how they tweaked and designed some of God of War III's characters and set pieces.

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