Carter and his two teammates are also outfitted with backpacks that appear to have been cobbled together from toasters, tubes and sci-fi glowy bits. The equipment reflects humanity's frantic efforts to adapt alien technology for their own survival, and enables the fantastic abilities of four classes of soldier in the field. Engineers can set up laser turrets, for example, while the Support class can drop a protective bubble of energy in your vicinity. Carter himself can also levitate enemies for a quick potshot or heal the squad when the battle turns grim.
Unlike the turn-based strategy of XCOM: Enemy Unknown (to which The Bureau serves as a prequel), your maneuvers play out on the ground, under fire and in fluid time. Your overall comprehension of each encounter is limited by Carter's physical position, which must be carefully judged against the availability of cover and the position of his two squadmates. They aren't smart enough to fend for their own, and can die permanently if you don't resuscitate them in time.
Losing teammates is a disaster in the moment, though the impact is felt in utility more than emotion. There's a dehumanizing effect in the game's effortless command menu, which slows time down to 10 percent of its regular speed and sketches the world in stark outlines of aliens hidden in the distance. I became blind to the names of my two partners, only thinking of them as deadly delivery men under my employ – and yet losing one of these deployees
can cripple your options in battle, which is something to be worried about.
The fun of playing The Bureau
– beyond blob lobbing – is in the gradual elimination of stress and discomfort. It's all irritating noise and lasers at first, with not enough options to fight back. And then your agents grow, you unlock more powers, you decipher the situation, and, hey, look at your perfectly placed laser turret herding aliens through a gauntlet of mines.
is also good at disrupting your comfort from time to time, dropping potential catastrophes in your midst – or behind you – and ratcheting up the tension yet again. This might happen when the level layout takes a 90-degree turn, exposing you to attack from a side you thought safe, or when elite-level enemies suddenly steal your attention. The Outsiders have easily readable silhouettes and telltale designs for their standout troops, with their injection onto the battlefield acting as a clear prologue to your next actions. A pair of bulky shoulders emerging from a drop-pod dust cloud indicates a Muton is about to bulldoze your battle lines if you don't back up, or set up strong defenses. You could sink plenty of your own bullets into its resilient armor, but splitting off from your trio of agents to scrounge for ammo (human or alien) is asking for trouble.
The game is open-ended in allowing general strategies across your favorite classes, funneling into that desire for mastery and comfort. This is a good thing, but the tradeoff is that it doesn't launch unique challenges to destabilize your go-to roster. Still, the environments in The Bureau
are often exploited to speed the rhythm of your orders. A chaotic trip through an alien-occupied hydroelectric plant forced my team to snake its way through walkways and offices, simultaneously fighting forward and shielding the rear. Jumping between the stacks of commands for each agent feels natural after a time, though the act of "driving" the command cursor across the floor can be a point of aggravation if it gets caught on a corner.
A major point of pride for the developers at 2K Marin must be the locations themselves, which are almost unnecessarily rich with details from vintage America and the otherworldly influence that threatens to claim the country. The visible preservation date on pickle jars, forgotten in a shed on a rural farm, is the most mundane counterpoint to The Bureau
's grander expeditions, which lead high above the Earth and well below the water.
The influence of BioShock
lurks in the smoky offices of XCOM itself, where Carter can recruit new squad mates, send agents on unsupervised missions, pursue optional objectives, listen to audio diaries and chat to crucial members of the organization. You'll have to endure jittery facial animation and some stilted exchanges, but the non-Carter characters in XCOM are worth getting to know. Angela Weaver has some cold witticisms for those who expect female hysteria from her, and nearly everyone in the building has some choice words about XCOM's paranoid director, Myron Faulke. (It depends on whether or not he's listening in.)
While Carter's backstory feels underutilized, he is instrumental in a perfectly pulpy plot – and in a truly peculiar way that suits The Bureau's themes of suspicion, infiltration and fear of "outsiders."
Paradoxically, The Bureau: XCOM Declassified
feels immediate and inclusive as a strategy game, relying more closely on your rapid-fire commands than the bursts of your rifle. The odd hybrid is far from being fully evolved, but it's well suited to further study. As an XCOM alien expert says after an exciting acquisition, "I can't wait for the autopsy."
This review is based on the PC version of The Bureau: XCOM Declassified, provided by 2K Games. If you're playing with DirectX 11 enabled, we suggest lowering tesselation and anti-aliasting to increase performance.
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