emojiland
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'Emojiland' review: Come for the 💩, stay for the 💗
Warning: This review contains mild spoilers. Spending two hours of my life watching emoji deal with existential crises isn't something I ever expected to do. That almost feels fitting considering that the show's creators, Keith and Laura Harrison, never expected they'd have the chance to stage their emoji musical off-Broadway. Emojiland runs through Sunday as part of the New York Musical Festival, and it endeavors to deal with weightier subjects than you might expect from a show in which a woman dressed as a 💩 brings the house down with a brassy, gospel-inspired number in a bathroom stall. But what is it like to actually sit through? Not bad, actually, as long as you're walking in with an open mind.
‘Emojiland’ blends musical theater and existential angst
The thing about musical theatre is that pleasant surprises are never too hard to find. A rock musical about 19th-century German teenagers exploring their sexuality won a Tony. And right now, a man playing a cartoon sponge from Nickelodeon is charming audiences on Broadway. Is it so strange, then, that someone out there decided a musical about emoji needed to happen? Nah.