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XF105 and XF100: Canon's smallest professional camcorders yet
Be clear on this, Canon's XF105 and XF100 camcorders are for professional videographers. Sure, they're compact enough to temp any new father... just as long as he's interested in recording his princess' first steps to hot-swappable Compact Flash cards in either 1080/60i/30p/24p or 720/60p/30p/24p using Canon's MPEG-2 4:2:2 50Mbps XF codec. Although crowned Canon's smallest professional camcorders, both manage to feature infrared and stereoscopic 3-D shooting capabilities (using OIS Lens Shift to optically align a pair of XF105 or XF100 shooters), a DIGIC DV III Image Processor, and a Full HD CMOS sensor for native 1920 x 1080 HD video. The two models differ only in support for HD-SDI output: the XF105 has it, the XF100 doesn't. Look for them at retail sometime in the first quarter of 2011.
Panasonic launches BT-3DL2550 25.5-inch 3D IPS monitor, breaks your piggy bank
Feel like making your own 3D movie? That 3D camcorder and the bucket of blue paint alone won't be enough -- consider Panasonic's new BT-3DL2550 3D production monitor. This 1920 x 1200 IPS display relies on an Xpol filter for the 3D magic through passive polarizing glasses (like the ones in the 3D cinemas; two pairs included), and sports two HD-SDI ports plus a DVI-D socket -- both are for jacking your beastly video processing rigs, while the former also take direct feed from HD cameras. Little else is known about this professional Panny screen, but given the jaw-dropping $9,900 price we'd expect a pretty impressive stat sheet when it comes out in September.
IDX offers up CAM-WAVE HD wireless transmission camera
Typically, IDX sticks to making battery systems and portable chargers, but recently, it decided to broaden its portfolio with the CAM-WAVE HD. Essentially, this device is meant to piggyback on cameras (think news crews, sporting events, etc.) and can transmit uncompressed HD signals up to 150-feet (line-of-sight) / 100-feet (through walls). What separates this man from the boys is its ability to beam out full-bandwidth uncompressed HD-SDI and SD-SDI images over short distances with practically no latency, as there's no internal compression slowing things down. Also of note, it's designed to operate in the 5.1 - 5.8GHz frequencies (meaning no unique FCC license is required) and it'll even send those high-def transmissions with encryption to keep snoopers at bay. 'Course, such a swank setup demands a stiff premium, and you'll be looking at a $6,000 bill should you pick up the system in Q3.[Via FreshDV, thanks Uncle]
JVC's 24-inch DR-V24L1D: for professional HD production
It's not every day we see a 24-inch LCD demanding a cool ¥555,000 (about $4,677) but JVC's DR-V24L1D is no ordinary monitor. This 24-incher is meant for those working on HD video content and thus features a 1920x1080 resolution with 10-bit advanced image processing, 1000:1 contrast ratio, 178-degree viewing angle, and inputs including HDCP-enabled DVI-D, component, composite and two high end HD/SD auto-switching SDIs (serial digital interfaces). Also announced is the DE-V20L1D which shares the specs of his big bro only with a 20-inch, 1680x1050 panel and 800:1 contrast ratio for a more frugal ¥400,000 (about $3,402). You'll see the 24-incher drop first in December, with the 20-incher set to hit Japan in late January. [Via Impress]
