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Moog Sub Phatty analog synthesizer hands-on (video)
A few days back, Moog teased a new synthesizer that we would come to meet properly as the Sub Phatty. Once we hit the show floor here in California, we made sure to drop by for live look. The analog unit features every bit of the fine craftsmanship that we've come to know Moog for crankin' out of its factory in the mountains of North Carolina despite the affordable $1,100 price tag. Sub Phatty keeps with the classic snyth aesthetic and Moog design trademarks including soft-touch coated side panels -- a staple of the Phatty line -- and knobs that look and feel prime for extreme mileage. Aside from a dapper exterior, the big draw here is the new Multidrive tech that graces the control panel and inner workings of the device. We could give a detailed textual explanation of said feature, but we'll let Amos Gaynes, product development specialist at Moog, do all of the chatting in the video that follows after the break. Speaking of the jump, you'll find an audio sample taken straight off of the Sub Phatty's frontside here at NAMM 2013.
IK Multimedia iLoud and iLoud Mini hands-on (video)
IK Multimedia got a jump start on NAMM with the announcement of its iLoud speaker duo just before the proper start of the show. Today, we swung by the company's booth to take a closer look and spend a few minutes with the Bluetooth-wielding wireless duo. The first thing that we noticed was the build quality. Both the iLoud and iLoud Mini sport a soft-touch rubber-esque coating on the top and bottom that we've seen in other Bluetooth audio units. The pair also has an adequate amount of heft without being overbearing when added to the weight of an already packed rucksack. In terms of the Mini, a single volume control rests on the right side, both USB port (for charging) and aux inputs reside around to the left and the power button is at home up top. For us, the real star of the show here is the regular iLoud. In addition to the same wireless capabilities as the smaller sibling, this unit packs a 1/4-inch input that houses the outfit's iRig circuitry. Essentially, one of IK Mulitmedia's adapters is crammed right into the speaker. Said jack along with controls for power, gain and Bluetooth pairing hit the backside in addition to an auxiliary port for connecting a handset or tablet via cable. The volume knob is around front on this beefier model, encircled in a glowing red light. One of the main selling points is the advertised studio-grade sound quality -- especially in the 40W iLoud -- which we were unfortunately unable to confirm due to the overly noisy show floor here in Anaheim. Jump down through the gallery to take a gander at the pair that is set to arrive in Q2 for $300 and $200 respectively.
Pioneer Platinum Edition CDJ2000nexus, DJM-900nexus and RMX-1000 eyes-on
What do Magpies and DJs have in common? Well, if Pioneer's latest special edition hardware is anything to go by, it's a love of shiny things. Announced this week, the limited-run of it's flagship CDJ2000nexus, DJM-900nexus and RMX-1000 remix station DJ gear is all about the looks. We managed to get there the minute the show floor opened, and found the lustrous kit getting the final spit and polish before the eager hoards could get their curious hands on it. As anyone who has used Pioneer DJ kit will know, the build quality is generally high, and this is still the case here. The metallic finish really makes them something to look at, and we can see this being the set-up of choice for those who like to show off a little. With that in mind, you might be thinking what we were: what about fingerprints? Well, having got there first, meant that they had yet to endure the proper real-world challenge, but we were kind enough to apply a few firm presses to the gear in the name of science. The result? Well, let's just say that you might want to keep a lint-free cloth close to hand. But then if you're the kind to lay down the suggested $8,499 for the whole set, we imagine you might have thought that far ahead already. Check the gallery below to see the whole set, up close and personal. Billy Steele contributed to this report.
Moog shows off one-of-a-kind Aluminum Voyager and 10th Anniversary Minimoog Voyager at NAMM (eyes-on)
A couple of months back, Moog announced its limited edition 24-karat gold clad Minimoog Voyager to celebrate the 10th anniversary of said analog synth. But here at NAMM 2013, the outfit is showing of the latest bit of unannounced handiwork from its in-house machine shop. Feast your eyes on the Aluminum Voyager: a one-of-a-kind unit that is housed in the rugged silver material and features all blue panel lighting to complete the look -- right down to the rivets. We also took a bit of time to lay our peepers on that golden model, too. Our snaps don't really do it justice, but the combination of the shiny finish with translucent control knobs and accents of Japanese Awabi pearl make for one of the most dapper instruments we've seen. But don't take our word for it, dive in to the gallery below to take a closer look at the pair.
Orange Amps updates its OPC once more: Intel i7, 16GB RAM and a graphics boost
Orange Amps trotted out a few updates to its PC / amplifier hybrid over a year ago, but the music outfit has announced some more quite noteworthy tweaks at NAMM 2013. The orange clad units will now sport third-gen Intel i7 processors, a maximum capacity of 16GB of RAM (doubled from the previous 8GB limit) and users will have their choice of either NVIDIA's GeForce GTX 650 Ti or AMD's HD 7750 to power graphics matters. Of course, the OPC will still feature the same array of inputs for tracking in addition to its built-in speaker for keeping an ear on how things are progressing and an attractive software suite. A fully loaded model will hit the ol' wallet for £1,197 ($1,896), but individual component upgrades are available should you be looking to save a little coin.
Stylophone S2 portable analog synthesizer hands-on (video)
The original Stylophone is something of a legend. Made popular by David Bowie (and possibly if you're British, Rolf Harris) in the late sixties / early seventies. Since then the original (shown in our gallery) has been re-released, and spin-off products have come to light. The S2, however, represents a new direction for the vintage synth. This time, makers dubreq wanted to create something that maintained the original's pick-up-and-play appeal, while adding some more high-end features and functionality that open it up to more serious sound-smiths. The first thing you will notice is that, while it still has the iconic metal "keys," the Stylophone S2 is somewhat larger -- no bad thing if you've ever tried penning a melody live on the original. Those keys can be triggered with a wireless stylus, but are touch sensitive also, meaning you can poke out a tune without being limited to the agility of your dominant hand. Skip past the break for more details and a hardware video tour.
We're live from NAMM 2013 in Anaheim, California!
It's been just over a week since we departed chilly Las Vegas, and now we've descended on the much warmer Golden State for the music industry's annual winter gathering. That's right, we're here in Anaheim, California for NAMM 2013 to fondle all the latest musical gadgets and attempt to make it through the week with our eardrums still intact. For keeping up with all of the happenings, be sure to take a gander here for all of the latest newsy bits and hands-ons that we'll encounter over the next few days. Check out our full coverage of NAMM 2013 at our event hub!
IK Multimedia outs iLoud and iLoud Mini speakers, supplies mobile jam sessions
If you've been looking for a wireless speaker that is capable of outfitting your music gear, IK Multimedia is looking to oblige with its latest offerings. The company has announced the iLoud and iLoud Mini Bluetooth speakers ahead of the official start of NAMM 2013. In addition to that wireless connectivity, the duo sports rechargeable batteries for supplying jams on-the-go and a 1/8-inch jack for connecting those trusty peripherals the good ol' fashioned way. Boasting big volume in rather small frames, the larger unit touts 40W RMS of power and the smaller clocks in at 12W RMS. The larger of the two units, the iLoud, tacks on a full-sized 1/4-inch jack complete with iRig circuitry for connecting that axe should you feel the need offer up your best Stevie Ray Vaughan. While both are set to arrive sometime in Q2 of 2013, the iLoud will sport a $299.99 (€239.99) price tag and the iLoud Mini is set to dock wallets for $199.99 (€159.99).
Moog details Sub Phatty ahead of NAMM, accepts $1,099 pre-orders for March (video)
A few days ahead of the music industry's annual soiree in California, Moog Music has outed its latest analog offering. The North Carolina-based outfit has pulled the wraps off of the Sub Phatty: a 25 full-size key, 31 knob synthesizer that wields two variable waveshape oscillators and Moog's new Multidrive circuitry. Multidrive smashes OTA distortion with FET drive to offer a range of sounds from warm depth to growling overdrive. "We set out to design the grittiest Moog synth ever, one that still offers all of the great sound and flexibility that Moog synthesizers are known for, but that also really has teeth," said president Mike Adams. The budget-friendly price tag of $1,100 is sure to tempt those who've been eyeing Moog's wares, but units won't start shipping until March. Consult the source link to part with your funds and jump past the break for a walkthrough with synth pioneer Herb Deutsch.
MOTU sneaks in MicroBook II post-NAMM, ships this Spring for $269
Looking to add some muscle to your mobile recording kit? MOTU waited to pull the curtain back on the MicroBook II until after NAMM, revealing a revamped portable audio interface for those who fancy tracking on-the-go. The studio-quality kit plays nice with both Mac and PC, offering a compact 4-input / 6-output, bus-powered recording option with 96kHz recording and playback support. Sporting inputs for mics (XLR), guitar, keyboard and powered speakers, the MicroBook II connects to your computer of choice via USB 2.0 and boasts on-board volume controls. All four inputs can be recorded simultaneously while internal CueMix tech allows for a unique stereo mix for each output pair. Speaking of outputs, the diminutive box houses six of said channels alongside TRS 1/4-inch, stereo mini, S/PDIF, and 1/4-inch headphone offerings. You'll have to wait until Spring to snag one, but for now hit the PR after the break for a full list of specs.
KDJ-One: the Game Boy of music making is real(ly coming, in a bit) (video)
Cyberstep sent our hearts aflutter-ish at last year's NAMM with its prototype KDJ-One, a Game Boy with gigantism that held a portable digital audio workstation inside. Now, twelve months later, the company's pulled the dust sheets from a version that's ready for prime-time. Inside its roomy bowels you'll find a 1.0GHz Intel Atom processor, 512MB RAM, 4GB SSD and a 5-inch WVGA (800 x 400) touchscreen that'll let you control that piano-roll score editor. There's also 15 chunky rubber LED-lit keys, a Jog dial, D-Pad and a rumble pack so you really know when you've got a poppin' choon going. You'll be able to pre-order the vanilla kit for $800, but for $830 you'll also find WiFi baked inside, in either Game Boy White or Black'n'Red -- but be warned, orders are said to be fulfilled within six months. After the break we've got some new footage of the unit being put through its paces, which at no point shows it being used to play Super Mario Bros, shame.
Alesis brings a pair of new musician-friendly iPad docks to NAMM
If there's been one must have accessory at NAMM this year it's been the iPad. That's right, no mixer, instrument or microphone is stealing the show, it's Apple's 9.7-inch slab of touchability that everyone is after. Alesis is just one of many companies creating compelling musical offerings around the iOS tablet with its latest products, the AmpDock and DM Dock. The DM Dock turns your iPad into the thumping, bumping and crashing heart of an electronic drum system. You can tap out rhythms and build drum sets with the touchscreen, but it's when you start plugging triggers into the 13 1/4-inch inputs that it really comes to life. The AmpDock, as you may have guessed, turns that A5 processor's attention towards your axe. There's a standard 1/4-inch jack as well as a combo XLR / 1/4-inch plug for connecting a second guitar or a mic. The AmpDock also has a separate pedalboard that allows you to control some program parameters while keeping the tablet safe from stray stomps. Check out the gallery below, as well as the video after the break.
Line6 introduces StageScape visual mixer, lets you touch it up to eleven
It might seem like we've gone mixer mad around here, but with a huge music trade-show starting this week, it's no surprise there's a pile of new tech on offer. The StageScape M20d visual mixer from Line 6 being one such example. Of course, we have inputs (12 line / mic, four line-only, and two for USB/SD streaming) and outputs (four XLR monitors, two master) all strummed along by internal 32-bit floating-point processing. What piqued our interest, however, was that seven inch screen you see up there. Rather than fumble over a mash of faders, you thumb the instrument's icon to pull up its parameters. Other features include Kaossilator style X-Y multi-parameter control, and color coded pots -- presumably so you don't kill the guitar solo by mistake. A final flourish is remote control via an iPad, for mid-track sound tweaks -- though you might need one of these. Tap the PR after the break for more info.
Akai releases MPC Fly for iPad, waits 'til you get the pun (video)
We already knew Akai was refreshing its legendary MPC range, but the newest member to the family -- the Fly -- has to be about the cutest. It kinda looks, initially, like a knock-off MPC novelty case, until you realize those pads are real, and that software on screen is legit. The case-and-device approach seems a smart idea, so it feels like one unit -- it even juices your slate when you charge its built-in battery. The trade-off is an extra two pounds of weight, and almost an inch of thickness. Somewhat lighter is the app which rocks effects, a sound library, sampling, supports WIST (Wireless Sync-Start Technology) and works on any iPad -- but you'll need a second-gen tab to use the hardware. Before you bemoan that this is some sort of cash-in, the whole idea is that you can lay down ideas on the (ahem) Fly, and pick them up later back in the studio. If you want to see more, drop some bass over the break for a video.
Behringer outs three iPad-housing USB mixers
When it's not bringing the crazy that is iNuke, Behringer turns out some pretty serious audio gear. The latest offering? Three new mixers that throw an iPad into the EQuation. A dedicated app serves as an interface, while the iPad provides the brains and the power source. They're no dumb terminals though, as you'll also find a dedicated audio interface, mic pre-amps and a new dual-engine KLARK-TEKNIK FX processor, complete with 32 configurable "studio grade" presets (reverb, chorus, flange and so on). The trio comes in three sizes: 16 channels for the iX1642, 24 on the iX2442, and 32 for the big ole iX3242. Behringer's keeping the volume down on pricing and availability right now, but they'll be on display at NAMM this week if you want to have a fiddle. Not going? Then fade-in the press release after the break for more info.
Akai makes intentions clear with MPC Renaissance (video)
While the majority of technology execs are packing their cases for Vegas, for some it's all about Anaheim. Akai is clearly ramping up its NAMM campaign, outing the latest in its legendary MPC series: the Renaissance. While the new boy is no dumb controller -- it packs a full audio interface, USB hub and lots of I/O -- for the first time the MPC gets dedicated external software. Sound familiar? Well yes, it's no doubt a direct response to the popular Maschine hardware / software combo from Native Instruments, but Akai isn't just playing catch-up here. The new hardware includes a "vintage" mode that recreates some of that legendary MPC3000/60 crunch, and the standalone software comes with a massive sound library, instant VST mapping (so you can work with all your third-party synths) as well as the option to run in VST / AU / RTAS mode itself. If you're worried about the possible implications of a "tethered" MPC, take a peek at the promo video over the jump, which should soon allay your fears.
Moog Lap Steel adds infinite analog sustain to the top of your thighs: ears-on at NAMM 2011 (video)
Leave it to Moog to give us one more reason to be jealous of lap steel players. As if their twangy, slidey Hawaiian metallics weren't cool enough in the first place, they've now got the semi-magical ability to magnetically sustain or mute each string via the pickup -- kind of along the lines of previously Moog-enhanced stringed instruments. The legendary synth manufacturer has also thrown in ladder filters and a gaggle of other switchable effects into the beautiful instruments. Orders are just being taken now, and each one will be custom-crafted (pink and purple sparkle starburst with a MIDI pickup, anyone?) by a luthier friend of the manufacturer for a little under $3000. We sat down with Cyril Lance from Moog and one of only four models in existence -- catch video of the new acid-bluegrass sounds after the break.
Korg rolls out slimmed down nanoSeries2 USB controllers
Korg's original nanoSeries USB controllers may have garnered some mixed reviews when they were released back in 2008, but the company's now back with some new and improved models that seem to address at least some of those complaints. As before, the lineup includes three different models: the nanoKEY2, nanoPAD2 and nanoKONTROL2, which can either be used on their own or paired up together. In addition to a slimmer design for each, all three are available in your choice of black or white, and it sounds like Korg has moved away from the plasticky, QWERTY keyboard feel that plagued the previous models, with the nanoKEY2 in particular described as having the same "great-feeling 'touch' that Korg has developed for its professional MIDI keyboards." Still no word on pricing or availability, but you can find all the rest of the key details at the link below.
Akai's iPad-docking SynthStation 49 and updated app: eyes-on at NAMM 2011
Remember when everything had an iPhone dock? The coming dock revolution will be just like that, but a lot more massive. Akai is showing off a non-functioning version of its SynthStation 49-key MIDI controller at NAMM this weekend, and it's pretty much the same idea as the smaller iPhone-docking Synthstation25. That said, here you've got nine velocity-sensitive MPC pads, a separate transport section, and 1/4-inch outs. And an adjustable iPad dock, which is a funny thing to see on a keyboard. Software-wise, this younger-bigger bro in the family will also support CoreMIDI -- and an updated version of Akai's SynthStation iOS app for the bigger screen, using the added real estate to allow finer, more direct control over the sound, along with a new recording section and simultaneous drum / synth sequencing. Not a bad piece of kit for the pad-centric musician in your life -- look for it to splash down this June for $199. Check below the break for video of the unit and a runthrough of the new software. %Gallery-114447%
Synth pioneer Roger Linn shows us his new analog drum machine, Tempest (video)
We were wandering around the crowded, noisy halls of this year's NAMM show when a particularly freaked-out drum pattern struck our eardrums. We followed the sound and encountered a gray-haired, bespectacled gentleman tapping and tweaking knobs so professionally that we couldn't help checking out his name tag. Imagine our delight when we saw it was no less than Roger Linn, designer of the Linndrum and Akai's MPC60. If you're not familiar with those terms, no matter: let's just say that Dr. Dre and any other producer who's banged out a synthetic beat on a box owes this guy their entire career. Mr. Linn has partnered with Dave Smith Instruments to create the Tempest, a 16-pad beauty with enough knobs, buttons, and sequencing muscle to keep you inspired for endless hours in the studio. And the sound on this thing! It does include digital samples like a traditional MPC, but where it really shines is in the analog synthesis and effects department. It takes a lot for a drum machine to feel unique and valuable these days -- especially at the $2000 they'll be asking for it in June -- but the Tempest, from our brief time with it, sounds like it'll be well worth the investment for serious producers. Video of Mr. Linn's demo after the break. %Gallery-114437%
