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Peter Jackson's colorized WWI documentary hits US theaters in December
Peter Jackson's critically acclaimed World War I documentary They Shall Not Grow Old is slated to hit select theaters in the US this December. To give you a peek into what you can expect, Warner Bros. has released a trailer that shows the difference between the original footage Jackson worked with and the final product that made it into the film. They Shall Not Grow Old was met with critical acclaim when it premiered at the BFI London Film Festival, aired on BBC Two and was made available to stream via the network's iPlayer app.
Amazon's 'Lord of the Rings' prequel will need to forge its own identity
When rumors broke that Amazon was hoping to turn J.R.R. Tolkien's The Lord of the Rings into a TV series, many felt that CEO Jeff Bezos had found his own Game of Thrones. We're still many years out from seeing a final product, but the first steps were taken today: Amazon just announced that it is producing a multi-season series based in Tolkien's Middle-earth. But if Bezos really wants to emulate HBO's wildly popular adaptation of George R. R. Martin's A Song of Ice and Fire novels, Amazon's series will likely end up feeling rather foreign to Tolkien devotees.
JJ Abrams, Steven Spielberg back day-and-date movie service
The notion of paying $50 to watch new-in-theaters movies at home may sound wild, but it apparently has the support of the biggest directors and producers in the business. Variety sources claim that the already hyped Screening Room service has the financial support of JJ Abrams, Ron Howard, Peter Jackson and Steven Spielberg, among other Hollywood luminaries. Only some of them are directly investing money, according to the tipsters, but all of them are shareholders.
Explore New Zealand's 'Great Walks' with Google Street View
If you want to take a trip to Middle Earth tonight but don't have a passport, Google's got you covered with a new addition to Street View. The internet juggernaut's partnered with New Zealand's Department of Conservation to use Google Trekker to create some pretty rad 360 degree panoramas of the country's most stunning vistas, the "Great Walks." It isn't the first time Mountain View's gone someplace that inspired a movie before, and hopefully it won't be the last. The real question here is if that's an ent moot off in the distance or just your eyes playing tricks on you.
The Desolation of Smaug shows Peter Jackson still hasn't perfected HFR
Peter Jackson's introduction of high frame-rates (HFR) in Hobbit: An Unexpected Journey caused him an unexpected headache: many filmgoers hated the new tech. Those folks found that the hyper-realistic screenings ruined the magic, while others like myself enjoyed the eyestrain-free 3D experience and felt it should be given a chance, despite some issues. Because of all that, Jackson decided to tone down the too-sharp images for the HFR version of The Desolation of Smaug to make it more filmic and please critics and fans alike. With that in mind, I went to an HFR screening as an unabashed 3D buff, hoping to be absorbed by the story and not distracted by the tech. Unfortunately, it didn't quite happen that way.
Peter Jackson promises improved high frame rate showing for The Hobbit: The Desolation of Smaug
The first Hobbit movie served as a debut for 48fps "high frame rate" movies, and found a cool reception from critics and many fans. This time around, as The Hobbit: The Desolation of Smaug hits theaters, director Peter Jackson is doubling down on the rhetoric, claiming that an improved HFR is the best way to see the movie. Quoted by Variety, Jackson repeated claims that this new process improves the quality of 3D, and says he experimented with a different approach to color grading that takes away from the HD-ish look many disliked the first time around. The second Hobbit movie has HFR screenings at 812 screens, nearly double the last year's number. This time around press and critics saw the film in 24fps, instead of 48fps, but the various premieres did feature HFR showings. By now some of you have either seen the movie or are going to a screening this weekend, let us know if you picked the super-smooth 48fps showing or stuck with old school 24fps projection.
'The Hobbit: An Unexpected Journey' arrives on Netflix UK
Netflix users in the UK needn't look to misty mountains old in order to get their Tolkien fix. Starting today, Peter Jackson's The Hobbit: An Unexpected Journey is available for your viewing pleasure, marking a victory for the site over its competition. Sky Movies has consistently bested Netflix when it comes to acquiring movies before anyone else, but The Hobbit was one battle it lost. The film's sequel, The Hobbit: The Desolation of Smaug, is set for a December release, so this just might be enough to tide you over until then. Just make sure your viewing party is a dragon free zone. We hear they make for terrible houseguests.
Advanced ticket sales for The Hobbit start, 450 theaters are ready for 48 fps 3D
Even if you aren't a Peter Jackson fan, you might still be interesting in seeing what all the fuss is about regarding the latest theater technology, 48 fps. It shouldn't be too hard either, because while the high frame version of The Hobbit: An Unexpected Journey is a limited release, the 450~ locations planned (out of approximately 4000 theaters showing the flick) cover just about every major and mid-sized city in the US. Regal and AMC theaters might be your best bet as they lead the pack in LA, with 19 theaters there ready for the new technology. Advanced ticket sales are already available for the December 14th release, but you'll want to look for 'HFR' or the words High Frame Rate before check out, if you want to see it the way Peter Jackson intended. If things go well, you can expect a much wider release of the 48 fps version of the sequel, which is already set to hit theaters in December 2013. Update: There's an official list of HFR equipped theaters on The Hobbit website, click here or check it out after the break to find one in your neck of the woods.
The Hobbit: An Unexpected Journey to receive the Dolby Atmos treatment
The CinemaCon crowd may not have been keen on 48fps footage of The Hobbit: An Unexpected Journey, but we defy anyone to say they don't want the best sound possible. A select few will get just that, as Dolby and Peter Jackson's own Park Road Post Production have announced the film will be mixed for the speaker-packed Atmos technology. If you're lucky enough to live near one of the select establishments it's installed in, we doubt you'll be grumbling about the immersive audio, even if the frame rate makes those orcs look unsettlingly real. Update: That link of "select establishments" is somewhat out of date and, although the official list of locations you'll be able to see The Hobbit in Atmos has yet to be released, Dolby says there should be between 80 and 100 screens capable of delivering the over-the-top audio experience by the film's debut.
Peter Jackson's 48 fps version of The Hobbit said to be a 'limited release' only
All told, we can't deny Peter Jackson's caused some madness since announcing the scheme to shoot his upcoming Hobbit film at a high frame-rate, rather than sticking with the more common 24 fps, Hollywood-style method. Regardless, rumor now has it Warner Bros. is supposedly planning a "limited release" of the 48 fps version because, according to Variety, the studio "wants to protect the format" by choosing to go the select-viewing route -- that said, WB's allegedly hoping to "expand the HFR release for the second and third installments." Still, nothing's set in stone just yet, so we'd hold off on throwing any temper tantrums (or celebrating, depending on which side you're on) until we hear something official from Warner.
Comic-Con fans go crazy over Hobbit teaser, but not the 48fps version
Two different audiences and two very different screenings. After unfamiliar 48fps Hobbit footage was pretty universally panned back at Cinema-Con, Peter Jackson decided to play it safe and show Comic-Con fans the traditional low frame-rate teaser. Their response? They loved it. Which would, you'd think, give the head hobbit a clear message: his film works better without the wacky frame rate, but that's just not how he sees it. Writing on his Facebook page, he said "I've always been happy to bet on myself" and the 48fps version of Hobbit is "something really special" when you watch the entire movie. In other words, he's sticking to his orc sword, and in the meantime we're left to wonder what would have happened if the Comic-Con crowd -- who are perhaps more his kind of people than Cinema-Con goers -- had been shown the tricked out footage.
Editorial: Despite shaky 48 fps Hobbit preview, high frame rates will take off
Well actually, the Hobbit preview wasn't shaky, it was smooth -- maybe too smooth -- and that's the point. "It does take you a while to get used to," Peter Jackson has admitted, referring to the surprisingly fluid motion of his 48 fps movie footage. But is he right to think audiences will even give it a chance? The launch of high frame-rate (HFR) cinema is surrounded by publicity in the run-up to the Hobbit's debut on December 12th, but it equally has a lot going against it. For starters, the film's 48 fps preview wasn't exactly received warmly. On top of that, the video-style appearance of HFR has a long history of being disliked by movie-goers -- past attempts since the 1970s have all flamed out. 85 years after the first 24 fps movies, the same number of frames are still going stubbornly through the gate (digital or otherwise) each second, so that must be what "filmic" is, right? Or will we look back on 24fps as the bad old days? Read on to see if these new/old-fangled frame speeds might survive, and though a 48 fps Hobbit trailer isn't available, we've provided a couple of clips to help you judge what two-dimensional HFR looks like.
Peter Jackson unfazed by 'Hobbit' footage pushback, but will stick to 24 fps for trailers
Calm down, cinema-goers. It just takes time to "settle in" to the strange new ultra-realistic world of high frame-rates, according to Peter Jackson, who's been responding to audience's rather strong panning of 48fps rough cuts from his upcoming 3D epic, Hobbit. Viewers' main beefs were the surprising appearance of the higher cadence footage, which almost looked like it was shot on video, as well as blemishes on actors and sets which were all-too-visible without the crutch of motion blur. But Jackson insists that the footage lacked special effects and color correction, and that the showing was perhaps too short to judge the frame-rate -- which is why he also says there'll be no 48 fps trailer. He even adds that he's now "very aware of the strobing, the flicker and the artifacts" when he's watching regular 24fps cinema -- so the real struggle for audiences might not be adjusting to the new way, but going back to the old.
Frame rate debate rages on with 48 fps projection of 3D Hobbit footage
With his use of Red cameras, 3ality rigs, and high frame rate 3D technology, no one can accuse Peter Jackson of being stuck in the past. Need more evidence of his anti-luddism? He just gave the first projection of footage from his 3D opus "The Hobbit: An Unexpected Journey" in its full 48 fps glory at the CinemaCon convention in Las Vegas. With the public having endured 80 years of 24 fps film-watching, Jackson appealed to viewers to allow their eyes to adjust to the doubled rate during the ten minute screening. But the reaction showed that public acceptance might take a while. One projectionist compared it to made-for-TV fare, and others referenced Mexican soap-operas and TruMotion. The reply to these criticisms by Jackson (and James Cameron) has always been that 3D is better suited to faster frame rates than 2D -- making it more immersive, reducing headaches and improving stereoscopy. We'll have to wait for the film's release this December to find out whether he's right, or if this attempt at high frame speeds will go the way of Showscan.
Peter Jackson reveals the Red Epic secrets behind The Hobbit (video)
Diet and filmmaking legend Peter Jackson's given us another insight into the making of the Hobbit movies, and this time he's talking about his envious collection of tech. Filming with no less than 48 Red Epic cameras at 48fps in full 5k resolution might sound fantastic, but it hasn't all been a bed of cotton candy. Two 3D cameras need to be mounted at the same "interocular" (the inch-or-so distance between your eyes) which is impossible given the size of the Epic and its lenses. The team had to hire specialist firm 3ality to build a rig where one camera shoots the action and the other is pointed vertically at a mirror. Those who would love to shoot with an Epic should also beware that the cameras naturally desaturate the action to such an extent that the makeup, costume and set design teams have to over-color everything to look natural in post production. For more interesting facts, head down past the break to catch the video in full, and try not to imagine how many years bad luck you'd get if you broke one of those mirrors during a key scene.
'True Grit' cinematographer Roger Deakins makes jump to digital cameras
Sorry film diehards, another ally has bitten the dust -- and this one's a biggie. After years of dismissing digital cameras over quality concerns, Roger Deakins, the cinematographer behind The Shawshank Redemption, Revolutionary Road, and pretty much every Coen Brothers movie, has made the jump to digital. The-nine time Oscar nominee confessed to The Hollywood Reporter that he shot the forthcoming sci-fi thriller Now using an Arri Alexa digital camera and is leaning toward using one for his next film, a Sam Mendes-directed James Bond flick. I'm sure Q would approve -- not to mention James Cameron and Peter Jackson, assuming they can put down their respective RED EPIC cameras for long enough. [Image Credit: Sony]
Peter Jackson shooting The Hobbit at 48FPS, should speed up those long walking scenes
Say goodbye to blurry Orcs, because The Hobbit is going 48 frames per second. King of Kong Peter Jackson announced via Facebook that the two-part Lord of the Rings prequel will be shot at an increased frame rate, double the 24FPS that has been the industry standard for the better part of a century. Halo's non-director preemptively addressed critics of the technology, comparing it to the transition from vinyl to CDs -- which, let's face it, some folks still aren't all that psyched about. The technology, when combined with a 48FPS projector, should cut down on blur and strobe. Jackson and Warner Bros. have their fingers crossed that a sufficient number of theaters will be capable of projecting at that speed when the film opens in December 2012. We're eagerly awaiting James Cameron's reaction -- and George Lucas's inevitable Star Wars re-re-re-re-release at the new speed.
The world's first shipped RED EPIC gets stolen in home break-in (update: $100k reward now offered!)
Remember just earlier this month when OffHollywood studio head Mark Pederson became the first man to own a RED EPIC? Well, now his $58,000 über camera is gone. According to REDUSER forums, the EPIC was heisted last night along with some cash from Pederson's chalet in France while he and his family were sleeping. Pederson shares on the forum that "there was a forced entry through the front door. The thieves actually entered the master bedroom while my in-laws were sleeping, and standing a foot from their bed - emptied wallet and purse. There were 6 children and 8 adults sleeping in the house." That's a scary caper worthy of a Hollywood script for sure, but thankfully no one was hurt. Here's hoping the movie-like storyline continues now with law enforcement gumshoes actually cracking the case. In the meantime, maybe Peter Jackson can lend Pederson one of his 30 RED EPICs until his own baby returns. Update: We just got word that RED honcho Jim Jannard is offering $100,000 to anyone who can provide information leading to the recovery of the device and a conviction of the thieves. In his words (from the RED forums): "We are now offering $100,000 for the safe return of EPIC #00006 and the rest of the system including the media with Mark's files... and the arrest and conviction of those that broke into Mark's chalet in France. We will ONLY pay this amount if there is an arrest and conviction of the parties as we are not interested to be ransomed by thieves." Now that is seriously putting your money where your mouth is! [Thanks, Derek and Cory]
Peter Jackson nabs thirty RED EPIC cameras to film The Hobbit, tempt you to blow your savings
We're still slightly bummed that Peter Jackson never made Halo, but this should patch things up a tad -- the Lord of the Rings director will film The Hobbit in 3D entirely on thirty hand-machined RED EPIC cameras, starting early next year. That's the news straight from RED founder Jim Jannard, but that's not all, as a limited number of pre-production EPIC packages will be available to early adopters as well. $58,000 buys your deep-pocketed budding director a machined EPIC-M body, titanium PL mount, Bomb EVF and 5-inch touchscreen LCD, a REDmote, a four-pack of batteries, a charger and a solid state storage module with a four-pack of 128GB SSDs. Jannard expects to hand-assemble that first batch of 5K imagers in December or January, start the real assembly lines a month after that, and hopefully have widespread availability by NAB in April, though he's not making any promises there. That's how RED rolls. PR after the break. [Thanks, Patrick]
Real life Halo Warthog goes for a test drive
One lucky writer over at OXM got his hands on a working Warthog -- yes, of Halo fame -- and he was good enough to snap some pics for us, even though we suspect that he's actually rubbing 'em in our faces. Because seriously, this is one helluva ride. And seriously, we're like totally jealous. Based on a Nissan Patrol 4x4 truck platform and built for Peter Jackson's abandoned Halo film, this is not a prop -- rather, its a fully working beast. The six-cylinder, diesel, automatic bad boy sports full four-wheel drive, a custom chassis, and for the lucky driver they do have a set or two of United Nations Space Command Marine armor available. This vehicle is currently billeted in New Zealand, so if you're in the area stop in and ask for a ride. What could it hurt? And tell 'em Engadget sent you. More pics after the break.
