postproduction

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  • Two major visual effects studios join forces for VR push

    by 
    Richard Lai
    Richard Lai
    01.25.2016

    Digital Domain, the visual effects studios that brought you feature films like the Transformers series, the X-Men series, Iron Man 3 and Her, has announced that it's acquiring an 85 percent stake in Hong Kong's Post Production Company Limited and its parent company for HK$135 million (about US$17.3 million), in order to make a big push in virtual reality. This is obviously a big deal for both parties: Post Production has been involved in many major Chinese movies, TV ads, music videos and even a cooking show hosted by the company's founder, Nicholas Tse, who also happens to be a local pop artist and actor. Digital Domain CEO Daniel Seah put it best by calling Post Production "the Digital Domain of China," and he added that Tse will stay on to run that part of the business.

  • YouTube unveils post-production suite, includes Instagram-like effects and shake reduction

    by 
    James Trew
    James Trew
    09.15.2011

    Nothing says 'YouTube' like a grainy handheld shot that acts as a catalyst for nausea; sadly, this may all be set to change. The digital home of Home Videos has introduced a suite of new effects that lets you patch up your candid classics, even after you've uploaded them. What's more, the changes you make are non-destructive, so if your grand idea proves dreadful in reality, you can go back and undo all your meddling. The usual family-friendly sepia, cartoonify and vignette type fare -- courtesy of photo editing amigos Picnik -- are joined by some more practical tools such as brightness, rotate and the aforementioned sickness-solving stabilization. However, if your clip has more than 1,000 views you'll need to save it as a new one -- wouldn't want the next Numa Numa vid to get all discolored after going viral, now would you?

  • What do you want to see in the next Final Cut Studio?

    by 
    Chris White
    Chris White
    04.07.2011

    It's no secret that many post-production professionals feel Final Cut Studio has been falling behind over the last two years. While Apple has taken its time developing a new version of its video suite, competitors like Adobe have jumped ahead with significant updates; some have even questioned Apple's commitment to its Pro apps and hoped that Final Cut Studio doesn't go the way of Shake. As we reported yesterday, that is hopefully going change with Apple's announcement at the Final Cut Pro User Group SuperMeet on April 12, coinciding with the National Association of Broadcasters convention.

  • Google buys Green Parrot Pictures, looking to make YouTube vids easier on the eye

    by 
    Vlad Savov
    Vlad Savov
    03.16.2011

    If you can't fix it, buy someone who can. That must be Google's rationale behind this latest acquisition, as the proprietor of YouTube has just bought Green Parrot Pictures, a company concerned solely with enhancing and improving the quality of video content. Through the use of some fancy motion prediction algorithms, the Irish startup has been able to build a name for itself over the past few years, and now it's been snapped up by the biggest fish in the online video ocean. The removal of flicker, noise and blotches from poorly executed recordings sounds nice, but we're most excited by Green Parrot's video stabilization feature. With all the cameraphone video being uploaded nowadays, there's plenty of camera shake populating YouTube's archives, and the addition of such a potent post-production technique seems like a veritable boon to us. Check out video demos of the stabilization algorithm and Green Parrot's other technologies below.

  • Blackmagic intros DeckLink HD Studio: "world's first" HDMI / analog capture card

    by 
    Darren Murph
    Darren Murph
    01.13.2007

    Although Blackmagic already tossed out a budget-friendly way to capture direct from HDMI sources via PCI-Express, now the firm is hittin' the high-end by offering up the DeckLink HD Studio to handle both newfangled HDMI-capable decks as well as component / analog renditions. Thanks to the HDMI input / outputs and the multifaceted breakout D-sub cable, users can connect a variety of inputs new and old into a single card, and it also touts the ability to "instantly switch between high definition and standard definition video connections," giving you one less reason to ditch those analog decks you just can't stand to part with. The card supports HDMI (up to 1080i), component, and 14-bit analog video, and of course, plays nice with both Macs and PCs. Those looking to get serious about capturing, but aren't quite ready to go purely HD just yet, can pick up the DeckLink HD Studio for $995 and juggle both worlds.[Via MacNN]