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Canon EOS-1D X field review
Just before Halloween in 2009, Canon announced its most powerful DSLR to date. The $5,000 professional-grade EOS-1D Mark IV was the company's answer to Nikon's market-leading D3S, which rang in just shy of $5,200. On the basis of price alone, Canon won that round. Then, after two years of silence, the company launched its new flagship, the 1D X. The date was October 18th, 2011 -- roughly 10 (or "X") years after the very first model in the series was announced, way back in 2001. A decade ago, Canon priced that introductory 1D at $5,500 -- a princely sum considering the 4.15-megapixel CCD on board. Now, the 1D X, which is arguably the most powerful sub-five-figure camera available, commands 6,799 of your hard-earned dollars, or $800 more than the D4, Nikon's $6,000 equivalent. All this talk of price may seem to skirt the camera's long list of lust-worthy features, but when the cost of any piece of hardware approaches a year's tuition at a public university, a purchase decision deserves thorough consideration. A camera in this league is absolutely to be used as a professional tool. And while deep-pocketed amateurs may pick one up -- in the way folks with cash to burn may build a collection of overpowered two-seaters -- the vast majority will live in $30,000-plus kits, where they'll reach six-figure shutter counts, and will likely change hands several times before their eventual retirement. Right now, you're probably researching the 1D X as exhaustively as you would a new car -- in fact, you may have even lined up a test drive, through the company's Canon Professional Services group. Many months after it was first announced, we've had an opportunity to take the new eXtreme model for a spin ourselves, and it's every bit as impressive as its price tag suggests. Canon's top model isn't any smaller or lighter than its predecessors, the 1D Mark IV or 1Ds Mark III -- but is all that bulk justified, despite strong contenders like the workhorse 5D? Buckle up and join us in the field (ahem, after the break) to find out.%Gallery-163255%
Panasonic G5 mirrorless camera gets September 13th release date in Japan
We enjoyed our short time with Panasonic's new mirrorless G5 in our hands-on last month, even if it was a little on the porky side. And, if you hail from the Land of the Rising Sun and had your heart set on one of these 16-megapixel shooters, Panny's announced you'll get your chance from September 13th. We're getting dangerously close to missing the stateside launch target of August, but where the US website is showing the G5 as unreleased, availability on Amazon tells a different story. We're reaching out for confirmation on that -- as well as pricing -- and will update should we hear more.
Nikon Coolpix L610: an AA-powered, 1080p-capable point-and-shoot for $249
A flagship it isn't, but Nikon's newest Coolpix will certainly hit the sweet spot in terms of pricing for many. The Coolpix L610 is an entry-level compact that breaks away from proprietary cells in order to rely on a pair of AAs. World travelers may argue that it's easier to find a pack of those at any corner shop than a power outlet, and while it may only suit a select few, we're glad that the AA notion hasn't been tossed aside completely. Specs-wise, you're looking at a 16 megapixel BSI (backside illuminated) CMOS sensor, a 1080p movie mode, 3-inch rear LCD, optical VR image stabilization, HDMI socket and a 14x wide-angle zoom lens. It's designed to sit between the P510 and P7100 in terms of size, with a newfangled design that looks pretty darn attractive at the $249 asking price. For those interested, it'll be hitting shelves in September donning a red, black or silver motif. %Gallery-161986%
Canon EOS M mirrorless camera hands-on (video)
There have been plenty of false alarms in recent months, but Canon's first mirrorless interchangeable lens camera (ILC) is finally here -- in fact, we're holding it in our hands. The EOS M is clearly reminiscent of a point-and-shoot, such as the company's high-end PowerShot S100. Sure, Canon could have added some of the dedicated controls that its professional user base would demand, but photojournalists aren't the target here, for a few reasons. Canon's primary motivation, at least from an official perspective, was to create a camera that serves to bridge the gap between pocketable compacts and full-size DSLRs with a simple user interface designed to educate, not intimidate. Also key, however, was avoiding cannibalization of the company's low-end and mid-range Digital SLR models, which clearly still have a place in the lineup one tier above this ILC. Consumers willing to sacrifice hardware controls for a touchscreen-driven UI won't be missing out on much else -- functionally, the EOS M is a near-clone of Rebel T4i with the same 18-megapixel APS-C CMOS sensor, DIGIC 5 processor and 3-inch touchscreen. Even the advanced two-stage focusing system has made its way from the T4i, which utilizes both phase-difference and contrast AF in order to achieve focus more efficiently when capturing video. The housing design and lens mount are unlike any other that Canon has produced, however, combining features from other models without completely eliminating the need for a DSLR, or a compact for that matter. If you can get by without granular controls, you'll do just fine here -- the design really is spectacular. With an $800 price tag, the EOS M falls within the upper tier of the mirrorless category, and it remains to be seen whether it will be an obvious pick when it finally hits stores in October, a month after competitors tease their own products at the massive Photokina expo in Germany. How does it fare today? You'll find our impressions just past the break.%Gallery-160939%
Canon unveils EOS M mirrorless: 18 MP APS-C, EF compatibility, $800 in October with 22mm lens
Rumors of a Canon mirrorless camera have circled the web since long before Nikon's foray into the compact ILC space. And while that manufacturer's model fell far short of some expectations, it appears that Canon's iteration may in fact have been worth the not-so-insignificant wait. Unlike the Nikon 1 Series, Canon's new EOS M isn't a drastic departure from the company's existing mid-range DSLR lineup. In fact, under the hood it's quite similar to the Rebel T4i, with an 18-megapixel APS-C CMOS sensor, DIGIC 5 processor, 3-inch 1.04MP smudge-resistant touchscreen and the T4i's new hybrid autofocus system, which pairs both contrast and phase-difference AF for speedier, more accurate performance. Externally, however, the EOS M looks more like a cross between the PowerShot G1 X and S100, tipping the scale at 14.2 ounces with the included EF-M 22mm f/2 STM kit lens, compared to 27.4 ounces for the T4i, and 19 for the G1 X. It's physically smaller than the G1 X as well, and only slightly larger than the pocketable S100. The camera offers a sensitivity range in line with the competition, ranging from 100 to 25,600 (extended) in still mode and 12,800 (extended) when shooting video -- captured in 1920 x 1080 format at 24, 25 or 30 progressive frames per second. There's also a continuous shooting mode at 4.3 frames per second with fixed focus and exposure. The EOS M's control layout should be more familiar to Canon point-and-shoot owners than DSLR users -- as one component of the size compromise, dedicated buttons are replaced with touchscreen options and a bit of menu diving. There's also no electronic viewfinder, though a full-size hot shoe is included with full support for Canon's lineup of Speedlite flashes, including the new $150 90EX strobe and ST-E3-RT Transmitter, and the GP-E2 GPS Receiver. Though the camera lacks certain direct controls, it still supports full manual shooting, even in video mode. There's also a built-in stereo mic with manual level adjustment. In addition to that 22mm kit optic, Canon is offering an EF-M 18-55mm f/3.5-5.6 IS STM lens for $300, or you can add the $200 EF-EOS M mount adapter to enable use with existing lenses. The $800 EOS M kit is set to ship in October, and will be available in retail stores in black, though Canon's online store will also stock a white model (which will be paired with the same black lens). You can peek at both configurations, along with the new lenses and accessories in the gallery below. Then shoot past the break for the full PR from Canon. Michael Gorman contributed to this report.
Panasonic's Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots
It's been nearly half a year since Panasonic's Lumix series of cameras got any new members, but today the company is introducing three more shooters to the family. First up is the DMC-G5, the latest addition to the company's Micro Four Thirds lineup. It's the successor to the G3 and packs a 16-megapixel sensor capable of shooting 1080p videos at 60fps and stills in up to 6fps bursts at a max 12,800 ISO at full resolution. The G5's LVF has a proximity sensor to automatically switch between it and the camera's 920,000-dot capacitive screen depending on which one you're using to frame your shots. When the G5 goes on sale next month, you'll have your choice of black, silver and white models.%Gallery-160553% In addition to the G5, Panasonic's also introducing a new superzoom camera, the DMC-FZ200 and a high-end DMC-LX7 point-and-shoot. The FZ200 replaces the FZ150 and pairs a 12-megapixel sensor with a 25-600mm constant f/2.8 aperture Leica Elmarit lens with nano surface coating to reduce flare and ghosting. It has a 24x optical zoom and shoots 1080p video at up to 60fps along with stills in up to 12fps bursts, though its max ISO is only 6,400. Meanwhile, the LX7 has arrived sporting a 10-megapixel sensor and a 24-90mm, f/1.4-2.3 Leica Summilux lens with the same nano surface coating as the FZ200. Like its Lumix brethren, it shoots 1080p video at 60fps, and shares the same maximum 12,800 ISO as the G5. It'll be available in black and pearl white when it ships in August. We got to spend some time with all three, so join us after the break to learn a bit about what its like snapping pics with this trio of Panasonics.%Gallery-160554%%Gallery-160552%
Olympus outs firmware update for OM-D E-M5 camera, sleep mode and AF improvements in tow
As is often the case with nearly every itty-bitty software update, the goal's usually to alleviate any problem regardless of how minor it is, and sometimes even bring a couple of enhancements with it. Well, such is the fact behind Olympus' latest firmware refresh for that sleek E-M5 Micro Four Thirds shooter. That's not to belittle the goods, however, as v1.2 does pack a couple of welcomed changes, including an improved "sleep recovery operation" and the addition of an autofocus tracking point to use while in the camera's Sequential L setting. The firmware bundle is up for download now, which you can get at the source link below along with the full instructions on how to install it on your precious OM-D.
First DSLR 4K video from prototype Canon EOS-1D C reportedly emerges
If you've been wondering what kind of eye candy Canon's EOS-1D C is capable of, you might be in luck. The crew over at EOSHD have apparently snagged some 4K sample footage from an early prototype of the unreleased, professional-grade DSLR. The clip looks slick to us, albeit lacking in the scenery department. Even so, EOSHD comments that while a "massive step up for image quality compared to all previous DSLRs" the video footage isn't as sharp as stills from the 1D X (the 1D C's less-endowed sibling) and "not near what true 4K should look like." (Of course, anyone looking for true 4K is advised to step up to Sony's $70k F65 CineAlta, so we guess you get what you pay for). You can check out the minute-long clip, unfortunately scaled to a Vimeo-friendly 1,920 x 1,080, after the break. If your discerning eye demands the raw footage, however, why not grab the few seconds available at the source link and let us know your thoughts? That's what the comments are for, after all.
Polaroid Z2300 hands-on
Polaroid. The brand is iconic, to put it lightly. In the post film age however, the company has fought to stay relevant without completely sacrificing its identity at the altar of the digital photography gods. The solution has been cramming printers inside the bodies of its shooters (and partnering with questionably talented celebrities), hoping to recreate the experience of instantly coping a glossy copy to hang or hand out, while co-opting the benefits of the megapixel. The Z2300 is the latest in its effort to claim a chunk of the casual photography market. This 10 megapixel printer cam produces 2 x 3-inch prints that are also stickers in about 30-45 seconds. It's not quite as quick as the Polaroids of old, but at least you don't have to shake em. %Gallery-159192%
Nokia to acquire Scalado, build a better Lumia (Updated)
Scalado has more than a few tricks squirreled away in its mobile imaging bag, tricks that have served the likes of HTC and RIM well. Now, Espoo want those tricks all to itself. After working with the Swedish firm for years, Nokia has decided to take its partnership with Scalado to the next level: acquisition. The imaging outfit will be turning over its developers, intellectual property, technology and moniker over to Nokia in the third quarter of 2012 -- although the terms of the deal are confidential. Finland's favorite smartphone manufacturer plans to use Scalado's technology to enhance "imaging experiences for Nokia Lumia devices." Sounds good to us. Check out the official (and brief) press release after the break. Update: Nokia has contacted us to amend its original statement somewhat. While it's acquiring the imaging company's developers, technologies and IP portfolio, it's not buying the company outright. We suspect that this is more a quirk of company law -- since Scalado still has obligations with HTC and RIM, it can't leave them in the lurch. We've included the follow-up statement after the jump.
Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on)
There wasn't much reason to upgrade with last year's T3i, but that's certainly not the case with the Canon EOS Rebel T4i. This new entry-level DSLR packs a redesigned 18-megapixel APS-C CMOS sensor with brand-new focus capabilities, enabling the camera to use both phase- and contrast-detection autofocus when paired with one of two new STM lenses. The center portion of the sensor uses traditional phase-detection technology, while points nearer to the perimeter aid by recognizing contrast in a scene, enabling a more accurate autofocus technique for both stills and video shooting. On the video front, the new lenses -- an EF-S 18-135mm f/3.5-5.6 IS STM for $550 or the EF 40mm f/2.8 STM "pancake" for $200 -- allow for much more silent zoom and focusing during video capture, so you don't need to worry about those sensitive stereo mics picking up mechanical noise. The camera still did a bit of focus hunting while recording video during our hands-on, but autofocus performance was quite impressive while capturing stills, even in low light. On the spec front, there's an articulating 3-inch Clear View smudge-resistant glass LCD, with a 1.04-megapixel resolution and new capacitive multitouch functionality, letting you pinch and zoom pictures and tap your way through menus just the same -- you'll still have the full array of physical controls if you'd prefer to go that route. There's the same bounty of video modes available with the T3i and T2i, including 1080 at 30p, 25p and 24p, 1080/60i and 50i, and VGA at 30 and 25 frames-per-second -- there's also a stereo mic on board, along with a dedicated microphone input jack on the side. In burst mode, the T4i can snap up to 5 consecutive frames per second. The camera also includes the same LP-E8 battery pack as previous Rebels, with a 1120mAh capacity. The Rebel T4i will be available in a body-only configuration for $850, $950 with the 18-55mm kit lens or $1200 with the new 18-135mm STM optic, all of which are set to ship later this month. If you feel that the new features don't justify the price, you'll rest easy knowing that Canon has no plans to pull the T3i from store shelves -- that T2i, however, is destined for retirement.%Gallery-156563%
Olympus creates world's thinnest industrial videoscope, packs HDR (video)
Though its medical brethren are considerably slimmer, at 2.4mm in diameter, Olympus says its iPLEX TX is the most slender industrial videoscope on our big blue marble. Rather than using traditional fiber optics to capture footage reminiscent of comic book print, the iPLEX TX houses a miniature CMOS atop one end of the scope and an HDR image processing technology called WiDER to preserve detail and brighten images. The eagle-eyed scope is also 200 times more resistant to frictional wear than fiberscopes and has over double the slip strength. If you're itching to poke inside impossibly cramped and complex pieces of machinery, jump past the break to catch a glimpse of the video-enabled snake in action from DigInfo.tv.
HD video possible in upcoming Leica compact, bon vivants check trust funds
Full-frame HD video in a brand new compact body, with Leica lenses? It could happen, but if you have to ask why exorbitant Leicas don't already do video then you probably can't afford it. While still calling the feature "theoretical", Leica's chairman Dr. Andreas Kaufmann intimated that the company had solved issues with data rate, battery life and heat for a possible M9 replacement. He also said that HD would be shown soon on "existing and new models", and Leica would stick with Truesense imaging, the former Kodak shop which supplies the M9 CCD, to make the new full-frame sensor. Whether that means video could also be retrofitted to existing M-series rangefinders remains to be seen, but more will be revealed on September 18th. Until then, if you need to make an extravagant splurge, the Hermes M9-P, perhaps?
Fujifilm FinePix XP170 rugged camera pays a visit to the FCC, leaves raincoat behind
It was only a matter of time before Fujifilm's latest ruggedized shooter, the FinePix XP170, made a quick stop by the FCC offices and, well, it's about that time. The filings don't reveal many details we didn't already know, meaning you're still getting those WiFi sharing features to Android / iOS and that 14-megapixel CMOS sensor with 1080p video capabilities to take on your adventures. At this rate it's safe to say that you better have those 280 bucks ready, as this rugged Fuji's next stop is sure to be the retail shelves. We don't think FCC chairman, Julius Genachowski, would mind you peeking at the black and white files, so hit the source link below if you're interested in doing so.
Olympus OM-D E-M5 Micro Four Thirds camera review
More Info Olympus OM-D E-M5 Micro Four Thirds camera preview (video) Cameras, Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video) Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April) Stepping across the great DSLR divide into the land of mirrorless cameras always requires some compromise. Focusing speed, image quality, lens compatibility and battery life are frequent casualties, but for everyone except professional shooters, the size and cost benefits of swapping a full-grown beast for a compact ILC surely help soften the blow. The latest Micro Four Thirds model from Olympus, the OM-D E-M5, adds functionality that expand that list of betterments even further, allowing more versatility than larger DSLRs have to offer. These perks include a water-resistant design, for starters, along with a nifty lens that offers macro shooting and both manual- and powered-zoom in one compact package. One area where the 16-megapixel E-M5 does match the footprint of its full-size brethren is in price: you'll drop a cool grand for the body alone, while the 12-50mm f/3.5-6.3 lens kit will bump that tag up another $300. Make no mistake, the E-M5 is a fantastic camera, but $1,300 is mighty steep for any mirrorless model, especially one with a Micro Four Thirds sensor. This, however, is no ordinary MFT camera. As the first model in Olympus's OM-D line -- taking design cues from the company's popular line of OM film cameras -- the E-M5 is in a class of its own, at least as far as Olympus's portfolio is concerned. Besides physical appearance, perhaps, the most notable selling point is its focus speed: press the shutter release, and your subject comes into clarity with rapid-fire precision, whether you're shooting in bright sunlight or a dark restaurant. But though the E-M5 has already received accolades for its powerful focusing, you might be wondering how the whole package performs. Meet us past the break to find out.
Triggertrap: nine ways to activate your DSLR with an iOS device, choose one
When we first heard about the Kickstarter-funded Triggertrap, it was a nice but nichey lab instrument of a device that could fire your DSLR with diverse stimuli, like lights or ringing phones. It wasn't the first photo-tripping idea we'd seen, but at least it could be had for a fair sum ($75.00) and be used out of the box. But now, by connecting that tech to an app and charging $19.98 for both the software and hardware, Triggertrap might open up remote snapping to a lot more folks. Running off any iPhone, iPad or iPod using iOS 5, the app uses a dongle which can be connected by cable or infrared to most DSLRs or advanced compacts. From there, you'll be able to use all of your iDevice's sensors as triggers, from motion through to facial recognition and even GPS. The app doesn't just fire the shutter, either -- it also gives you control over the focus and flash. And if you don't have a separate camera, the iPhone's built-in cam can be used instead -- which would save you from buying the $9.99 dongle, if you have the necessary accoutrements. So if you've been wondering how to get those hard-to-shoot images, or have more nefarious ideas, check the videos after the break.
Ikea cardboard digital camera: when Instagram isn't authentic enough (video)
Forget TVs. Want something more whimsical and lo-fi than Instagram? This is a digital camera made of cardboard that Ikea included with its press kit at this year's Milan Design Week. It runs on two AA batteries (Ikea-branded, natch) and features a swing-out USB plug, viewfinder cutout, shutter key and paperclip-friendly erase button. While there are no details on the sensor, lens or storage capacity, the camera holds up to 40 pictures. It's expected to land in Ikea stores at some point but exact pricing and availability are still a mystery. No matter -- this camera is sure to impress hipsters everywhere (and yes, that includes us). Awesome demo video after the break.
Panasonic spins off Sanyo DI Solutions, keeps the digital camera OEMs happy
Panasonic and Sanyo have only been life partners for about a year and a half now, but already the relationship has created a bundle of joy -- of a sort. Hot on the heels of some less-than-chipper financial news comes word that Panasonic is spinning off a portion of Sanyo. Sanyo DI Solutions is the name for the new creation, which will represent the company's efforts in producing OEM digital cameras -- cameras that get slapped with other manufacturers' labels before being sold as such. According to AV Watch, Panasonic's ownership had put a strain on Sanyo's fragile manufacturing partnerships, partnerships that can now bear beautiful, rebadged fruit. Sanyo DI Solutions will start with 10 million yen in capital and will go fully independent on July 1st. Hopefully it remembers to call home from time to time.
Fujifilm X-Pro1 high-ISO shots go under the loupe in mirrorless standoff with OM-D E-5 and NEX-7
We'll soon be putting Fujifilm's new interchange able shooter through our own wringer, but in the meantime we found an apt low-light comparison with two of its non-reflex brethren. Although blogging photog Steve Huff admits the tests are "crazy" and depend on the camera's own auto-exposure choices, the results do give some food for thought. How would the pricier rangefinder-bodied X-Pro1 stack up against the Sony NEX-7 and Olympus OM-D E-M5? If we had to guess -- and we really do, given his methodology -- the noise levels on the Fuji at ISO 3200 and 6400 look to be slightly better than the Sony and smaller-sensored Olympus. If you'd like to take a stab at judging for yourself, follow the link below.
Canon unveils EOS-1D C and C500 4K Cinema cameras, two new lenses ahead of NAB (updated)
In a departure from its last introduction as dramatic as the C300's Hollywood launch itself, Canon has quietly announced two additional cameras to sit alongside the company's former lone flagship. You may have caught a glimpse of the EOS-1D C at the C300 launch, but what six months ago was a mere mock-up has actually become a reality, likely to ship sometime this year. More out of left field, however, is the C500 -- a higher-end version of the C300 that adds several shooting modes, dual 3G-SDI ports and a larger, permanent grip. Both cameras can capture 4K video, but in substantially different ways. Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB? Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 cinema camera hands-on (video) The $15,000 1D C, which has the same chassis and still shooting features of its less-abled cousin, the EOS-1D X, pipes 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, however, the C swaps a headphone jack for the X's PC socket, that's usually used for hooking up strobes. The higher-end C500 requires a dedicated external recorder, but offers two full-RAW output options: 4096 x 2960, that will be better suited for motion picture capture, and 3840 x 2160 for 4K TV. Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There's also a half-RAW option, at 4096 x 1080 or 3840 x 1080 resolutions, also 10-bit 4:4:4, but at 120 fps. The C500 also includes dual CF slots, but that recording option is only available for 1080p (which can be captured to CF concurrently). Both cameras support Canon Log Gamma, empowering colorists to correct color in post production with more versatility by capturing additional information and a higher dynamic range. Jump past the break to continue...
