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  • AnandTech takes a long hard look at the MacBook Pro Retina Display

    by 
    James Trew
    James Trew
    06.12.2012

    Not quite fully sated with the latest Apple updates from this year's WWDC? Without doubt, one of the most anticipated goodies to come from the keynote yesterday was the introduction of the MacBook Pro into the Retina Display-fold. We'll, of course, be giving all the new hardware our own thorough shakedown, but in the meantime, AnandTech has given that new display a detailed dissection. In summary: excellent brightness and solid black-levels fend off the glare, apps look amazing, upscaling will cover you in the meantime. For the full nitty-gritty though, number by number, be sure to hit up the source.

  • Could this be the year the Kuro is completely dethroned?

    by 
    Ben Drawbaugh
    Ben Drawbaugh
    03.13.2011

    Every year since that sad day Pioneer announced its exodus from the plasma TV market videophiles have looked to Panasonic to take the baton forward and push picture quality to new heights, but so far it has come up short in the one metric that many consider the most important; black levels. Plenty of TVs have great realistic colors, vivid whites and great contrast, but there is something about staring into the abyss that is a Kuro that warms the heart. So while it is debatable whether a TV with better contrast, but greyer blacks can be better than a Kuro, the debate might be over if Panasonic's engineers are to be believed. At an event in New York City last week they did just that, telling members of the press that Panasonic's new VT30 line will indeed match the black levels of the 2009 Kuros. Apparently the key is the new and improved louver structure of the filter that blocks reflective light, which block ambient light -- and Kuro fans are mocked for saying the Kuro is blacker when its off than other TVs, ha. We'll have to wait to see if the reviewers agree before we get excited, but it is still pretty crazy to think it's taken this long for the industry to catch up with where Pioneer was years ago in at least one category.

  • HD 101: What is local dimming?

    by 
    Ben Drawbaugh
    Ben Drawbaugh
    11.04.2010

    One thing that makes covering LCD TVs so interesting is that the technology is always advancing and one innovation that might be the biggest in LCDs yet, is local dimming. But you're probably wondering, what is it exactly? Well in non-edgelit LED LCDs TV, there's an array of LED lights behind the liquid crystal pixels, and local dimming is when sections of the LED array are turned off or dimmed to help produce the deep blacks -- like Kuro deep. But while this tech can produce very deep blacks and fantastic contrast, there's a catch, it also create an artifact referred to as a halo around bright objects. Example: the two images above are of the opening scene of The Matrix (cops shining a flash light) it's pretty easy to tell which is the plasma and which is the LED LCD with local dimming. Of course we don't exactly watch movies with flash lights or star fields every night, so after the break are more pictures of a normal dark scene that also expose the artifact caused by local dimming (we have to point out that the camera makes it more drastic than it appears in reality). So while we wouldn't buy an LCD without local dimming, there's still a lot to look forward to in the next generation when the dimming is sure to become more local, and thus the artifact will be minimized. At the same time these advancements should help produce more detail in blacks, which is harder to notice at first, but just as annoying once you do. Just getting into HD? Check out these other HD 101 features: Overscan and why all TVs do it What is ATSC, PSIP, QAM, and 8-VSB? How to use Dolby TrueHD and DTS-HD with your PS3 Why there are black bars on HDTVs IR blasters, HDMI-CEC, RS-232 and IP control

  • HDTV tests pit fantasy land specs against real world performance -- guess what happens

    by 
    Richard Lawler
    Richard Lawler
    05.19.2010

    Good luck keeping up with the ever changing specs on the latest HDTVs, but as the numbers get more impressive, are the displays actually improving in any noticeable way? Dr. Raymond Soneira , president of DisplayMate, goes about breaking down many of the more often misused and misleading technical buzzwords in an article on MaximumPC. If you're wondering how manufacturers have advanced contrast ratios from thousands, to millions, to unlimited over the space of just a few years, there's a breakdown of what "dynamic contrast ratio" actually measures and why it's worth ignoring -- unless you watch your TV when it's only displaying one color at a time. When it comes to colors, some of the most scathing words were pointed towards Sharp's Quattron quad-pixel technology, which "can only decrease picture quality and accuracy!" Whether you believe the good Dr., a glistening review or Cmdr. Sulu, the factual heat burned hottest during a test of motion blur compared on LCDs, LED LCDs, plasmas and even a pro CRT. While additional motion processing and upgraded internals on newer HDTVs can help in many other ways, viewers couldn't detect any blur caused by a display even on an old 60Hz set, despite newer and faster 120Hz, 240Hz and 600Hz (plasma) sets claiming their technology helped them eliminate it. You'll need a minute to read through for the full details but it's a good, and unfortunately necessary, reminder to keep your eyes on the display and not just the spec sheet (just make sure you're getting a proper look that represents the way you watch TV at home first).

  • Samsung unveils SyncMasters with the 'world's highest' contrast ratio

    by 
    Vlad Savov
    Vlad Savov
    01.20.2010

    We've harped about manufacturers constantly pushing nearly useless dynamic contrast numbers on us for so long that we half-expected this announcement to be about some phantom billion to one number. Well done Samsung, then, for focusing on the static (or real) contrast ratio of 3,000:1 on its sparkling new F2370H and F2380MX 23-inchers. These are certainly not the first panels to reach that plateau (check the Prad link below showing the Eizo EV2333 achieving 5,000:1 in testing), but let's not argue over PR semantics. They do boast higher contrast than most and both come with 1920 x 1080 resolution and HDMI inputs, while the more professionally oriented 2380 model (see our hands-on here) also boasts height and swivel adjustments along with an extra DVI port. Priced at 397,000 KRW ($350) and 417,000 KRW ($370), the two new SyncMasters are coming to Korea soon and the rest of the world seems an inevitability as well.

  • Panasonic Viera G2 HDTVs boast 5,000,000:1 native contrast ratio, coming soon

    by 
    Vlad Savov
    Vlad Savov
    01.18.2010

    We told you Panny had some crazy low black levels in its 2010 plasmas, didn't we? Well, say hello to the retail products and their first price tags, both predictably found in Japan. The Viera G2 series is arriving within a few short weeks -- February 5 to be precise -- and will be headed by the 50-inch TH-P50G2, which is joined by 46- and 42-inch options. All panels boast Full HD resolution, have three ports each for HDMI and Composite cables, and are expected to cost ¥320,000, ¥260,000, and ¥220,000, respectively. That roughly equates to $3,500 for the whopper and $2,400 for the smallest family members, which when you think about that mercurial five million to one contrast ratio sounds almost like a bargain. If you can tolerate a measly 2,000,000:1 contrast, Panasonic is also announcing some more affordable S2 panels (pictured after the break), which you can have for as little as $2,100 in US money for the 42-inch variety. More machine translation-mangled information can be found in the links below.

  • Panasonic's 2010 plasma line has much better black levels

    by 
    Ben Drawbaugh
    Ben Drawbaugh
    01.11.2010

    While most HDTV manufactures are focused on being thin and 3D, Panasonic still recognizes the importance of having great contrast and deep blacks. Hidden away in the Panasonic booth we pulled back the curtain on a contrast demo and walked away impressed. Now obviously black levels are very hard to compare without being either being very familiar with the content or by having the two TVs next to each other, but one thing is for sure, the 2010 Panasonic plasmas (on the left in the picture above) have better black levels than the previous models (pictured on the right). We snapped a few pictures (second one with a slower shutter after the break) where you can see the difference, and judging by how close the V10 series was to the ultra deep blacks of the Kuro, we wouldn't be one bit surprised if the new Panny sets make us forget about the discontinued Kuro line once and for all -- it might just be wishful thinking.

  • Video: Panasonic's next-gen IPS-Alpha panel is uber quick, dark

    by 
    Darren Murph
    Darren Murph
    10.06.2009

    We've seen some dark, dark panels in our day, but Panasonic's next-generation IPS-Alpha has us all sorts of hot and bothered. Unlike Pioneer's plasmas of yesteryear, the prototype seen here at CEATEC has wide angle viewing down to an art, and the image quality was simply stunning. Fast moving objects slid in with nary a jagged edge in sight, while the production unit on the left produced a noticable and continual blur. When portraying a pitch black background, it's easy to see just how much darker the IPS-Alpha panel was compared to the next best thing. Have a peek at the video below for a more personal peek, and look forward to us prying out some sort of price and release estimate when the company shows this again at CES. You will have that information at CES, right Panny? %Gallery-74744%

  • Panasonic's next-gen IPS-Alpha panel is uber quick, dark (video)

    by 
    Darren Murph
    Darren Murph
    10.06.2009

    We've seen some dark, dark panels in our day, but Panasonic's next-generation IPS-Alpha has us all sorts of hot and bothered. Unlike Pioneer's plasmas of yesteryear, the prototype seen here at CEATEC has wide angle viewing down to an art, and the image quality was simply stunning. Fast moving objects slid in with nary a jagged edge in sight, while the production unit on the left produced a noticable and continual blur. When portraying a pitch black background, it's easy to see just how much darker the IPS-Alpha panel was compared to the next best thing. Have a peek at the video below for a more personal peek, and look forward to us prying out some sort of price and release estimate when the company shows this again at CES. You will have that information at CES, right Panny? %Gallery-74744%

  • Cake havers and eaters unite as Sharp promises better LCD contrast and efficiency

    by 
    Steven Kim
    Steven Kim
    09.22.2009

    Ah, the wonders of technology. Sharp's lab rats have come up with "UV²A" technology that should allow for tighter control of the liquid crystal shutters in LCDs; that's geek speak for "higher contrast and lower energy consumption." We know that simply calibrating your set can net you benefits in the same two areas, but this is the kind of incremental gain that will help push LCDs past plasmas in the long run -- a 60-percent increase in contrast with 20-percent less juice from the wall. We'll be ready to apply some salt to the 5,000:1 contrast ratio figure and leave it to the marketing department to handle the use of "UV radiation" to twist the crystals (a healthy suntan from your Sharp TV?). We're just excited to see some tech that's production ready, as in UV²A could be rolled out next month.

  • Don't let retailer's lights distract you from buying the right HDTV

    by 
    Richard Lawler
    Richard Lawler
    08.10.2009

    In case you hadn't already learned your lesson and started checking behind the displays while HDTV shopping, the HD Guru points out another element of the in-store experience that throws off buyers (and likely contributes to the LCD vs. plasma choices we find so infuriating): lighting. In case you don't recall from your last trek to a big box superstore, the lighting is quite often stuck on blinding making it nearly impossible to discern any difference in picture quality between televisions, specifically in terms of contrast and black levels (the pictures above are of the same value priced display, at left, under normal home lighting, at right, how it looks under some store lighting setups.) Tested with an illuminance meter, all the stores (except Best Buy's Magnolia showrooms) averaged well above home ambient lighting levels, with Wal-Mart and Costco measuring the highest at 411.66 and 742.77 lux. Still, there's tips on how to get a good idea of a TV's black levels even under those circumstances, plus some choice words left over for the incredible (and useless) dynamic contrast ratio numbers every manufacturer trots out these days, so go ahead and get educated.

  • Samsung's XL2370 'highest performance' 1080p monitor goes global in August

    by 
    Thomas Ricker
    Thomas Ricker
    07.06.2009

    We're not at all clear what, if any difference, exists between Samsung's new XL2370 monitor and the $399 P2370L announced back in January. Both are 23-inch LED backlit members from Samsung's "Touch of Color" lineup sporting a 2ms response and 1080p resolution. The XL2370 claims an ambiguous "finger-slim" design sounding very much like the 0.65-inch depth of the P2370L. The only hard difference is the stated increase in dynamic contrast ratio from 2M:1 (P2370L) to 5M:1 -- a pointless distinction most likely rooted in competitive hyperbole rather than any visible distinction you'd see in your home office. Regardless, the XL2370 will carry the title of Samsung's "highest performance monitor" (which is saying something) when it ships to Korea in mid-July on the way to its European and "other parts of the world" debut in August.

  • LG's PG7000 plasma claims infinite contrast, too

    by 
    Darren Murph
    Darren Murph
    05.14.2008

    And here you were thinking Pioneer would stand alone forever as the only outfit with an "infinite contrast" plasma in its arsenal. Not so, as LG has reportedly developed its own technology in order to produce a PDP with "absolute blackness," and if all goes to plan, we could see it surface by the end of July. Aside from that, we don't know much more about the PG7000 just yet, and while we're told the first model will indeed be 1080p, lower-resolution flavors are slated to follow. Get ready folks -- the battle for blackerness is about to get even darker.[Thanks, heikki]

  • Ask Engadget HD: When does contrast ratio fail to matter on an LCD?

    by 
    Darren Murph
    Darren Murph
    04.02.2008

    After taking a look at the realities (or lack thereof) of dynamic contrast, reader caveman posed a question that we found quite intriguing. There's little doubt that higher actual contrast ratios on televisions generally lead to sharper blacks and better overall image quality, but where does a number stop becoming a factor of importance and start becoming an overpriced bragging right? In his own Neanderthalian words: "I'm looking to buy an LCD TV soon and was wondering how much of a difference contrast ratio made? Where does the cutoff occur where a higher ratio just isn't worth the increased cost?" Yeah, we know stipulations around set placement, surroundings, etc. all come into play here, but why not give Mr. caveman a glimpse into your own experiences? Have you moved from a low contrast set to a high and seen a noticeable improvement? Have you watched your buddy's G Platform plasma and walked away unimpressed? What's your take on the matter?Got a burning question that you'd love to toss out for Engadget HD (or its readers) to take a look at? Tired of Google's blank stares when you ask for real-world experiences? Hit us up at ask at engadgethd dawt com and keep an eye on this space -- your inquiry could be next.

  • What's dynamic contrast anyways?

    by 
    Ben Drawbaugh
    Ben Drawbaugh
    02.14.2008

    In the world of video quality there aren't many specification more important than the contrast ratio -- if you enjoy movies or TV shows with dark scenes. Unfortunately, this also happens to be one of the most worthless specifications because every manufacture measures it differently. One of the latest tricks manufactures did was to introduce Dynamic Contrast. So instead of measuring the difference between the whitest white and the blackest black displayed on the screen at the same time, they display white and black on the screen one at a time and then measure the difference. Obviously this is next to useless, because this almost never occurs during normal programming -- of course there are exceptions to this, like alpine skiing or ice hockey. But it is the detail in the shadows and the ultimate appearance of black that is appealing in most programming. In the end the only way to compare apple to apples when looking for a new TV is by going to a trusted reviewer who always measure contrast the same way.

  • 3LCD manufacturers introduce Color Brightness measurement

    by 
    Steven Kim
    Steven Kim
    01.08.2008

    3LCD manufacturers including Epson and Sony are getting behind a new metric for measuring color reproduction among projectors. Since the contrast ratio is based on just pure white and pure black, a high value does not guarantee that the colors produced by a projector are "punchy." This new "Color Brightness" value will measure a brightness value for each of red, green and blue primary colors used in 3LCD projectors. If a projector produces same brightness for red, green, blue and white, then you know it's able to produce saturated colors over the spectrum. No word on when to expect this metric to be adopted, as it still has to be submitted to the requisite standards bodies.[Via AboutProjectors]

  • LG shows off G Platform plasmas with 30000:1 contrast ratio

    by 
    Darren Murph
    Darren Murph
    10.24.2007

    If a 20.8-inch QXGA LCD was just enough to get your HD juices a-flowin', LG's latest bunch should really get you wound up. On display at FPD International 2007 in Japan, these "G Platform" plasmas claim to trump any other PDPs in the contrast department, as every one of them features a 30,000:1 ratio. Additionally, the company noted that color reproduction has been improved by "optimizing the panels' color phosphors and utilizing dielectrics," and there's also the 100Hz refresh rate to eliminate blur / flicker. Reportedly, the displays will be available in Q4 of this year in 32-, 42-, 50- (HD) and 50- / 60-inch (Full HD) models, but your guess is as good as ours when it comes to pricing.[Via FarEastGizmos]

  • Microsoft working feverishly on answer to iPhone?

    by 
    Darren Murph
    Darren Murph
    06.29.2007

    You've already seen bits and pieces of this morning's Today Show, but another segment in the broadcast managed to grab a trip inside Microsoft's Mobile Design Lab where engineers and "audio geeks" look to be hard at work as they try to "redefine cool." Notably, the video fails to show any undercover shots of prototype mobiles that Microsoft may have up its sleeve, and it seemed that this "sneak peek" was intentionally devoid of innovation (secrets we can't know about?). Nevertheless, we do get a chance to see dedicated ringtone makers, and while it's already understood, any future mobiles coming out of Redmond will reportedly attempt to cram "as much of your PC into your cellphone as possible." Best of all, however, is the aptly-dubbed isolation room, which left the interviewer grumbling over how tough it was to peck out an email on the tiny keys of his smartphone. And whether you want to believe it or not, Robbie Bach was seen stating that the iPhone "doesn't change Microsoft's strategy nor its approach."

  • AU Optronics squeezes more real estate onto mobile screens

    by 
    Darren Murph
    Darren Murph
    06.10.2007

    AU Optronics seems to know a thing or two about LCDs, and the engineering minds behind the scenes have apparently developed a few mobile screens that replace those wide borders with more pixels. The firm will be showing off its new 2.2-inch transflective panel with the "world's slimmest border of 0.9-millimeters" and its 2.7-inch panel which touts the "world's highest contrast ratio" (for its size, we presume) of 2,100:1, which just barely edges Sharp's iteration. The near-borderless display is reportedly "a half size smaller" than existing renditions, and the 2.7-incher claims to be uber-bright and offer up an unusually wide viewing angle as well. Unfortunately, it sounds like this technology won't be making its way up the LCD food chain, as one researcher noted that what you see here will be "mobile device-exclusive."[Via FarEastGizmos]

  • Samsung's latest Bordeaux LCD trio touts 15000:1 contrast ratio

    by 
    Darren Murph
    Darren Murph
    03.24.2007

    It wasn't too long ago that we caught wind of Samsung's latest Bordeaux sets, but now the firm is one-upping itself by kicking out a new trio in the lineup with even more impressive specs. Jumping from 10000:1 to 15000:1 in the contrast ratio department, the 40-inch LN40M81BD, 46-inch LN46M81BD, and 52-inch LN52M81BD all tout the True Black Panel technology in order to bring "plasma-like blacks" to the LCD HDTV arena, and you'll also find three HDMI ports, "Full HD" resolution, and the obligatory sexy black frame to really set your living room theater off. Unfortunately, further details on the units are scarce, but we do expect all three sets to hit the Korean market soon for $3,518, $4,690, and $5,863 depending on size.[Via TrustedReviews]