eos-1d

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  • Canon EOS-1D X field review

    by 
    Zach Honig
    Zach Honig
    08.24.2012

    Just before Halloween in 2009, Canon announced its most powerful DSLR to date. The $5,000 professional-grade EOS-1D Mark IV was the company's answer to Nikon's market-leading D3S, which rang in just shy of $5,200. On the basis of price alone, Canon won that round. Then, after two years of silence, the company launched its new flagship, the 1D X. The date was October 18th, 2011 -- roughly 10 (or "X") years after the very first model in the series was announced, way back in 2001. A decade ago, Canon priced that introductory 1D at $5,500 -- a princely sum considering the 4.15-megapixel CCD on board. Now, the 1D X, which is arguably the most powerful sub-five-figure camera available, commands 6,799 of your hard-earned dollars, or $800 more than the D4, Nikon's $6,000 equivalent. All this talk of price may seem to skirt the camera's long list of lust-worthy features, but when the cost of any piece of hardware approaches a year's tuition at a public university, a purchase decision deserves thorough consideration. A camera in this league is absolutely to be used as a professional tool. And while deep-pocketed amateurs may pick one up -- in the way folks with cash to burn may build a collection of overpowered two-seaters -- the vast majority will live in $30,000-plus kits, where they'll reach six-figure shutter counts, and will likely change hands several times before their eventual retirement. Right now, you're probably researching the 1D X as exhaustively as you would a new car -- in fact, you may have even lined up a test drive, through the company's Canon Professional Services group. Many months after it was first announced, we've had an opportunity to take the new eXtreme model for a spin ourselves, and it's every bit as impressive as its price tag suggests. Canon's top model isn't any smaller or lighter than its predecessors, the 1D Mark IV or 1Ds Mark III -- but is all that bulk justified, despite strong contenders like the workhorse 5D? Buckle up and join us in the field (ahem, after the break) to find out.%Gallery-163255%

  • First DSLR 4K video from prototype Canon EOS-1D C reportedly emerges

    by 
    Jamie Rigg
    Jamie Rigg
    07.01.2012

    If you've been wondering what kind of eye candy Canon's EOS-1D C is capable of, you might be in luck. The crew over at EOSHD have apparently snagged some 4K sample footage from an early prototype of the unreleased, professional-grade DSLR. The clip looks slick to us, albeit lacking in the scenery department. Even so, EOSHD comments that while a "massive step up for image quality compared to all previous DSLRs" the video footage isn't as sharp as stills from the 1D X (the 1D C's less-endowed sibling) and "not near what true 4K should look like." (Of course, anyone looking for true 4K is advised to step up to Sony's $70k F65 CineAlta, so we guess you get what you pay for). You can check out the minute-long clip, unfortunately scaled to a Vimeo-friendly 1,920 x 1,080, after the break. If your discerning eye demands the raw footage, however, why not grab the few seconds available at the source link and let us know your thoughts? That's what the comments are for, after all.

  • Canon EOS-1D X first hands-on (video)

    by 
    Zach Honig
    Zach Honig
    10.25.2011

    Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa Nikon D5100 DSLR surfaces with 16.2 megapixel sensor, 1080p video recording Canon's EOS-1D Mark IV gets unboxed, high ISO modes tested Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X -- the latest in a series that dates back to 2001 with the EOS-1D. As you've probably noticed, the company's new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We've been anxiously awaiting an opportunity to check out Canon's new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company's Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.%Gallery-137442%

  • Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag

    by 
    Zach Honig
    Zach Honig
    10.18.2011

    Stick a piece of gaffer tape over the unmistakable X, and Canon's latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon's phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging processors, which also help drive a 61-point high density reticular AF system, a top ISO setting of 204,000 (51,200 native), a 252-zone metering system, a 14 fps JPEG (or 12 fps RAW) burst mode and a built-in wired gigabit LAN connection, for remote shooting and image transfer. The camera's curious single-letter name represents a trio of industry milestones: the X is the 10th generation Canon professional SLR (dating back to the F1 in the 1970s), it's a crossover model, filling in for both the 1D Mark IV and 1Ds Mark III (which has been discontinued), and, well, it sounds to be pretty darn "Xtreme." The 1D X is being marketed to every category of professional photographer, from commercial studio shooters to newspaper photogs. It's familiar, with a similar control layout, yet different, thanks to its completely redesigned system menu -- accessed using the 3.2-inch, 1,040,000-dot LCD. There's also an incredibly sharp intelligent optical viewfinder, with an on-demand grid, AF status indicator, a dual-axis electronic level and a shooting mode readout. Video shooters can choose between 1080p video capture at 24 (23.97), 25 or 30 fps, or 720p at 50 or 60 fps. Canon has also eliminated the 4GB clip limit, though individual clips are limited to 29:59, in order to avoid European tax rates affecting HD cameras that can capture single HD video clips longer than 30 minutes. We're anxiously awaiting a chance to go hands-on with the EOS-1D X, and you'll have to wait until March before adding this $6,800 beauty to your gear collection, but jump past the break for the meaty rundown from Canon, and click through the rather thin product gallery below.%Gallery-136722%

  • How would you change Canon's EOS-1D Mark IV DSLR?

    by 
    Darren Murph
    Darren Murph
    03.26.2010

    We know, you're packing furiously for your next shoot tomorrow, but look -- you need to sit back for 12 seconds, give this article a once-over, chime in below and take one of the biggest sighs of your life. As unprepared as you feel, everything's going to be alright. We promise. Now that we've got you in a proper state of mind, we're curious to know how you'd change Canon EOS-1D Mark IV. The outfit's latest and greatest professional DSLR has come out shining in nearly every review we've seen, and while it's rather massive in stature, it's loaded with features. For nearly five grand, we suspect that you'll be pretty critical on it, and that's exactly how it should be. Is the low-light performance satisfactory? How's the speed and handling? Has it revolutionized your business? Are you a Canon fanboy (or girl) for life now? Spill all down below, cool?

  • Canon EOS-1D Mark IV survives marathon 33 page review

    by 
    Tim Stevens
    Tim Stevens
    02.22.2010

    Canon's EOS-1D Mark IV has been slinking around at retail availability for some time now, and while we brought you plenty of sample imagery from the camera over a month ago, it's taken awhile for the thing to get the full review treatment. Digital Photography Review has finally done the deed, dedicating a whopping 33 pages to Canon's low-light, 1080p wunderkind. It's that last new feature, video, that the review finds fault in, with the same jellyvision we've seen on other HD-shootin' DSLRs (seemingly no worse here than elsewhere), but the review feels that the movie mode here doesn't feel sufficiently integrated with the camera. Meanwhile that low-light, high-ISO shooting performance is impressive, but not quite up to the performance of the Nikon D3S. Everything else, though, seems to be a nice evolution over the older Mark III -- if you have a similarly advanced budget.

  • Canon's EOS-1D Mark IV gets unboxed, high ISO modes tested

    by 
    Tim Stevens
    Tim Stevens
    01.06.2010

    Wondering how Canon's high-ISO response to Nikon performs in the dark? We've got the answer. Photographer John Deeb got his early and was not only kind enough to take a comprehensive set of unboxing pictures with a video, but also captured a series of pictures of model Lauren Howery to show off how the thing performs in extremely low light at increasingly excessive ISO settings. Lots and lots of pictures below. %Gallery-81623%

  • Canon EOS-1D Mark IV lands for a pre-production hands-on

    by 
    Donald Melanson
    Donald Melanson
    10.30.2009

    We've already seen some sample footage from Canon's new professional EOS-1D Mark IV DSLR (and should be seeing plenty more come December), but a pre-production version of the camera has now turned up at the Canon Pro Photo Solutions 09 show in London, and TrustedReviews managed to get an early hands-on with it. As you might expect, the camera definitely seems to impress in person, with the 1.2 kilogram body providing a feeling of "solid reliability and competence," while its ergonomics also apparently represent a more subtle but welcome improvement over previous Canon offerings. Unfortunately, the folks at TrustedReviews weren't able to share any sample shots, but they did get a chance to try out the camera's 45-point autofocus system, which is said to be "extremely fast," and its tracking function reportedly had no trouble focusing even in dark, low contrast situations with a 400mm telephoto lens. Hit up the link below for a few more hands-on shots and impressions.

  • Canon EOS-1D Mark IV announced: 16.1 megapixels, 45-point autofocus, and extreme ISO ranges of its own

    by 
    Ross Miller
    Ross Miller
    10.20.2009

    Looks like Canon isn't skipping the number "four" after all. While initially unveiling what looked to be a half-complete website with two teaser videos, the company has now gone official with the EOS-1D Mark IV. So what's new to the table? For starter's there's a 16.1 megapixel APS-H CMOS sensor, ISO range of100 to 12,800 native, up to 102,400 (hello, Nikon), 45-point area customizable autofocus with 39 high-precision cross-type focusing points, dual Digic 4 processors, 1080p HD video, and an option WFT-E2 IIA wireless file transmitter for connectivity over 802.11a/b/g and ethernet. Launch date is sometime in December, and body-only price is estimated at about $4,999 but subject to change. Press release after the break. Update: Care to see what all the fuss is about, or want a better explanation of the new features? Canon's released a pair of first-look videos, found after the break. %Gallery-75905% [Thanks to everyone who sent this in]

  • Canon's EOS 1D Mark V DSLR defying death, launching tomorrow?

    by 
    Darren Murph
    Darren Murph
    10.19.2009

    As if the consumer electronics world didn't have enough drama to deal with this week, we're now hearing that Canon just might be readying a new pro-level DSLR for a Tuesday launch. The long-awaited successor to the EOS 1D Mark III is reportedly on the way, and considering that the Japanese do everything they possibly can to avoid the number four (it's pronounced the same as the word for death, if you must know), the EOS 1D Mark V is the only plausible candidate. We're hearing whispers that the Nikon D3S rival will boast a 16 megapixel sensor, 1080p movie mode, 19 selectable AF points and an native ISO ceiling of 25,600 (with a boost to 102,400). The pain? Just under five large, though we'd take all of this with a healthy serving of salt until tomorrow ushers itself in.[Via Electronista]Read - Philip BloomRead - Canon Rumors

  • Canon's EOS-1D / EOS-1Ds Mark III leaking oil all over your precious images

    by 
    Joseph L. Flatley
    Joseph L. Flatley
    05.15.2009

    As if the Canon EOS-1D Mark III autofocus issues weren't enough, the company has issued yet another service notice for it and its sibling, the EOS-1Ds Mark III. It looks like the cameras' mirror box has the potential to leak lubricant -- causing the excess oil to end up on the surface of the low pass filter, whereupon your award-winning pictures exhibit large, ring-shaped spots. So there you have it -- it wasn't your lousy photographic skills after all! The company has offered to repair the affected models for free, so make sure you notify customer support to get the ball rolling. Hit that read link for all the details.[Via Adorama]

  • Canon says EOS-1D Mark III AF issues fixed, now leave us alone

    by 
    Thomas Ricker
    Thomas Ricker
    03.06.2008

    Canon just updated the official status on the auto-focus issue plaguing the EOS-1D Mark III. According to Canon USA, "After the AF mirror Adjustment, including the updated firmware version 1.1.3, the EOS-1D Mark III AF function performed better in our tests than all previous EOS camera models." Unfortunately, they made no comment about those other fixes supposedly in the works. Sounds like Canon is washing their hands of the topic at least until they make the jump to the next EOS-1D product iteration. [Via DigitalCameraInfo]

  • Canon brewing yet another autofocus fix for EOS-1D Mark III?

    by 
    Darren Murph
    Darren Murph
    02.04.2008

    Unfortunately, details are extraordinarily scant at the moment, but it appears that Canon is readying one more fix for the EOS-1D Mark III, which has been plagued with an autofocus issue for what seems like ages. Apparently, the forthcoming fix -- which could involve hardware and / or firmware alterations -- will make improvements even over last year's tweak. Reportedly, the firm's AF engineers are confident that they have now realized the "root cause" of the problem, hinting that this solution may in fact be the last. Per usual, there's been no clues handed out as to when users will actually be notified that a fix is available, but we're sure official word will stream out soon enough if there's anything to this.

  • Canon's EOS-1D Mark III autofocus fix makes strides, stops short

    by 
    Darren Murph
    Darren Murph
    12.13.2007

    Remember that autofocus fix that Canon was supposedly working up? Turns out, the company isn't quite ready to start accepting faulty EOS-1D Mark IIIs just yet, but it is shipping out upgraded versions to new buyers. Rob Galbraith managed to wrap his hands around not one, but three of the new DSLRs in order to substantiate his findings, and what he found was noticeable improvement. In summary, the sub-mirror fix was said to boost the performance of the AF, as it enabled the camera to deliver "about the same number of in-focus frames whether it was warm or cold." Unfortunately, it seems that the solution still left a lot to be desired; Mr. Galbraith noted that it still couldn't match the EOS-1D Mark II N, and implied that there was still room for betterment. 'Course, we're really just scratching the surface on his thorough (and we mean thorough) look at the sub-mirror fix and v1.1.3 firmware, so if this issue has been hounding you, do yourself a favor and check out the read link.[Thanks, Anand]

  • Canon's EOS-1D Mark III DSLR gets reviewed

    by 
    Darren Murph
    Darren Murph
    10.15.2007

    Although Canon's powerful EOS-1D Mark III has priced itself right out of consideration for a large sect, the niche that has been waiting in tense anticipation to see a solid review of the unit need wait no more. The folks over at Digital Camera Info were able to put the beastly DSLR through a gauntlet of tests, and while it did end up shining gloriously in the bulk of them, one persistent problem seemed to mar the otherwise flawless camera. As expected, the design, speed, live LCD, color accuracy, noise / low light performance and controls were all highly praised, but the white balance and a nagging autofocus problem did prove troublesome. Granted, the reviewers did state that a firmware fix seemed to solve the issue, but it was apparently so aggravating that patient folks (who?) may want to consider holding off until things get ironed out. Nevertheless, the unit was still regarded as a fantastic DSLR, and if you've got five grand just burning a hole in your pocket, why not take some time out and read the full review before taking the plunge?[Via DigitalPhotographyBlog]

  • Canon's EOS-1D an example of all-controlling IP?

    by 
    Conrad Quilty-Harper
    Conrad Quilty-Harper
    11.18.2006

    There's no doubt that the matter of intellectual property has become more prominent in the age of the internet now that some products -- like music -- have begun to lose their physical properties entirely. This shift has led to an increase in use of licenses designed to protect the IP of certain goods; so when you buy a song from the majority of online music services, that purchase is often accompanied by an agreement between you and the creator of the music. Some argue that manufacturers of electronic products have gone too far with their licenses, an opinion aired over at an article in The New Republic. One particular example of outlandish licensing agreements is that of Canon's EOS-1D which includes a separate agreement related specifically to the software that runs on the camera -- effectively the consumer does not own the software that keeps the camera running; he or she is instead licensed the right to use it. One clause of the disclaimer actually removes Canon's obligation to service or repair the camera if the software fails. These kind of agreements aren't completely watertight: courts can invalidate licenses if the company tries to impose excessive limits, the problem is that often they choose to favor companies over the individuals because it is felt that protection is required for fast moving areas like software design. Ultimately though, the threat of aggressive IP will never overrule the consumer's killer wallet-closing combo move. If consumers are unfairly restricted by certain companies, isn't it logical to assume that people won't buy that company's products anymore?[Via Against Monopoly]