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The iPad rocks this 'It Girl' remix
We've heard some really good music come out of an iPad before, but to me it's all basically sounded like yeah, it came from a tablet. This remix of Jason Derulo's "It Girl," however, which you can watch below, sounds like the real thing to me. Yes, there's a lot of R&B sampling in there, and some of the sythesizers do sound like, well, synths, but on the whole it sounds really amazing. Professional music, made completely with an iPad! Plus, the video, by a group called East Midwest Music, is probably the most well-produced iPad music video ever, clearly documenting not only which apps were used for which instruments, but also how they were recorded and put together. Trust me, as a blogger who often has to go hunting around for screenshots to label apps in music videos, I really appreciate that. Definitely give this one a watch below. [via TechCrunch]
Altec Lansing announces a trio of 'Custom Series' in-ear monitors -- no, seriously
Sure, we've covered in-ear monitors from the likes of Westone and Shure, but Altec Lansing? Believe it. Taking a sidestep from its usual consumer-focused audio wares, the company today announced a partnership with ACS Custom to bring a trio of custom-molded IEMs, packing balanced-armature drivers to market. Each ear-mold is "handcrafted from advanced, medical-grade silicone" and you can expect noise isolation in upwards of 27dB, although, you'll somewhat disappointingly be stuck with Altec's signature smoked-grey and gold color scheme. The IEMs feature kevlar-wrapped cabling -- which notably, isn't removable like similar offerings at this price -- and a right-angle 3.5mm plug for hook-up. The trophy piece of the bunch, dubbed A3 (pictured), is aimed at music professionals and will retail for $1000, featuring a duo of treble and mid-range drivers along with a single woofer. For those leaning toward something less spendy, the $750 A2 variant drops one of the high / mid drivers in favor of a dual-driver setup, while the $500 A1 gets even smaller with a single full-range driver. Better yet, after ordering a set from Altec or an authorized retailer, you'll have a choice of about 300 audiologists -- hopefully within reasonable distance your abode -- to get you ear's impressions taken and sent over for creation. If you're willing to give 'em a shot, the Altec Lansing Custom Series IEMs will be available starting this month, and you'll find the full press release after the break. %Gallery-139366%
Pepsi's 'Sound of Football' project lets visually impaired players see the pitch with their ears (video)
One one side of the field was a team of former pro soccer players. On the other, a squad of visually impaired amateurs. The two sides laced 'em up, stretched out their quads and went head to head in a scrimmage, though the matchup was a lot more even than you might expect. It's all part of something called the "Sound of Football" -- the latest experiment from the Pepsi Refresh Project. The idea was to level the playing field, so to speak, by forcing both teams to play a match using only their ears, and a pretty nifty tracking system. Created by Tracab, this system was comprised of 16 cameras covering the entire pitch (including two stereovision cameras placed at mid-field), and used jersey colors to distinguish the home team from the away team, and to identify the referees. This set up, which was deployed during the last World Cup, essentially tracked the position of each player in real-time. This information was then funneled into an iPhone attached to each player's headset, and converted into a surround-sound landscape, using an app created by a company called Society 46. Unique sounds were assigned to both the ball and the goal; turning your head in the direction of one goal would produce one sound, facing the ball would result in another. This allowed each player to get a better idea of his surroundings and of his spatial positioning, though, as many of the pros found out, it wasn't quite as easy as it looked. The designers of this system are now looking to use their technology in other, non-sports arenas, in the hopes of helping the blind and visually impaired "see" more of the world around them. Check out a pair of videos on the match and the technology behind it, after the break. [Thanks, Martin]
Canon EOS-1D X first hands-on (video)
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa Nikon D5100 DSLR surfaces with 16.2 megapixel sensor, 1080p video recording Canon's EOS-1D Mark IV gets unboxed, high ISO modes tested Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X -- the latest in a series that dates back to 2001 with the EOS-1D. As you've probably noticed, the company's new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We've been anxiously awaiting an opportunity to check out Canon's new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company's Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.%Gallery-137442%
Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag
Stick a piece of gaffer tape over the unmistakable X, and Canon's latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon's phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging processors, which also help drive a 61-point high density reticular AF system, a top ISO setting of 204,000 (51,200 native), a 252-zone metering system, a 14 fps JPEG (or 12 fps RAW) burst mode and a built-in wired gigabit LAN connection, for remote shooting and image transfer. The camera's curious single-letter name represents a trio of industry milestones: the X is the 10th generation Canon professional SLR (dating back to the F1 in the 1970s), it's a crossover model, filling in for both the 1D Mark IV and 1Ds Mark III (which has been discontinued), and, well, it sounds to be pretty darn "Xtreme." The 1D X is being marketed to every category of professional photographer, from commercial studio shooters to newspaper photogs. It's familiar, with a similar control layout, yet different, thanks to its completely redesigned system menu -- accessed using the 3.2-inch, 1,040,000-dot LCD. There's also an incredibly sharp intelligent optical viewfinder, with an on-demand grid, AF status indicator, a dual-axis electronic level and a shooting mode readout. Video shooters can choose between 1080p video capture at 24 (23.97), 25 or 30 fps, or 720p at 50 or 60 fps. Canon has also eliminated the 4GB clip limit, though individual clips are limited to 29:59, in order to avoid European tax rates affecting HD cameras that can capture single HD video clips longer than 30 minutes. We're anxiously awaiting a chance to go hands-on with the EOS-1D X, and you'll have to wait until March before adding this $6,800 beauty to your gear collection, but jump past the break for the meaty rundown from Canon, and click through the rather thin product gallery below.%Gallery-136722%
New RED Scarlet to be announced November 3rd
Well, it looks like Canon won't be the only company making a big camera announcement on November 3rd. RED CEO Jim Jannard has now confirmed that it will also be officially announcing its "new" RED Scarlet camera on the very same day (no coincidence, it seems), at which point it will detail "all the changes" the company has made to it. Unfortunately, that's about all the company is saying right now, although Jannard promises that "when we announce the changes, we will be ready to ship." [Thanks, Lucario]
HP goes display crazy, unveils eight new models, four IPS panels (hands-on)
HP may not have much going on when it comes to cellphones and tablets at the moment, but the company is hardly resting on its laurels. As if to prove it's still got a bit of fire in its corporate belly, it unleashed a total of eight new displays today (nine, if you count the updated HP rp5800 Retail System). The trio of digital signage models, including the 47-inch multitouch LD4720tm, probably aren't of much interest to you, but the four new ZR series Performance Displays and the more budget friendly LE2202x Essential display are worth at least a quick glance. The LE model is an LED backlit, 1,920 x 1,080 monitor with 21.5-inches of real estate and a 5ms response time. The ZR line are all IPS displays, ranging in size from 20 to 27-inches, with a resolution of 1,600 x 900 at the low end and up to 2,560 x 1,440 for the ZR2740w. The 2740 also sports the ability to display over one billion colors, while the three other models make do with just 16.7 million. The ZR2040w, ZR2240w and ZR2440w ZR2740w are available now for $189, $289 and $425 $729 respectively, while the ZR2740w ZR2440w is expected to follow in October for $729 $425. Those with less demanding eyes and occupations will be able to grab the LE2202x on September 19th for $179. Check out the galleries below, as well as the PR after the break. Update: Our apologies, it's the ZR2440w that won't be shipping till october. Dante Cesa contributed to this report. %Gallery-133662% %Gallery-133706%
Wacom Inkling digital sketch pen hands-on (video)
Wacom's new digital pen can't help but stand out from the competition. It's a specialized device that makes no apologies for catering to graphics enthusiasts at the expense of casual note-takers. Moreover, it does something pretty amazing: instead of just turning your sketches into simple bitmaps, it can also export them as vector-based images with multiple layers, which means they can be directly used as the basis for more complex and final art. The Inkling will cost £150 ($230 converted) when it reaches European stores in October, but in the meantime we've got some early hands-on impressions right after the break. %Gallery-133144% %Gallery-133182%
NEC's MultiSync P241W Monitor packs more 'e' than your LCD
We know, it's kind of tough to get excited about yet another 24-inch IPS panel. But, what if we told you that NEC's MultiSync P241W was packing something special... namely, the letter 'e.' No wait, don't go. Look, this 1920 x 1200 e-IPS actually delivers serious, professional-level color reproduction and viewing angles for a price that's not too shabby ($749) given the target audience. In addition to the 8ms response time, ambient light sensor and ECO Mode options, the monitor includes a USB hub with DisplaySync Pro, which allows you to use a single keyboard, mouse and monitor across two PCs. The P241W will start shipping later this month, and check out the gallery below and the PR after the break for more specs. %Gallery-132778%
Sony NEX-FS100 review
We've been uncommonly keen to get our hands on the Sony NEX-FS100 ever since we first heard about it back in March. You see, this is no ordinary camcorder. Its spec sheet reads like a liturgy of filmmakers' prayers: a large Super 35mm Exmor CMOS sensor, interchangeable lenses, XLR inputs and proper, professional controls. Sure, it comes with a $6,600 price tag to match, but it also heralds a trend that should ultimately benefit pros and ordinary gadget denizens alike: the arrival of big, bold DSLR-style optics within dedicated camcorders. How do these optics effect the quality of the NEX-FS100's footage? Plant yourself somewhere comfortable and click past the break to find out. %Gallery-129298%
NVIDIA, Fusion-io and HP drive a dozen 1080p streams on four displays at SIGGRAPH (video)
A dozen uncompressed 1080p video feeds, simultaneously running off a single workstation. Yep, you're looking at it. NVIDIA's showcase piece here at SIGGRAPH was undoubtedly this wall -- a monster that trumps even Intel's CES wall in terms of underlying horsepower. A relatively stock HP Z800 workstation was loaded with the NVIDIA QuadroPlex 7000 Visual Computing System (that's four GPUs, for those counting) in order to push four HD panels. A pair of Fusion-io's ioDrive Duos were pushing a total of three gigabytes per second, enabling all 12 of the feeds to cycle through with nary a hint of lag. We're still a few years out from this being affordable enough for the common Earthling, but who says you need to wait that long to get a taste? Vid's after the break, hombre. %Gallery-130280%
NVIDIA's Project Maximus takes multi-GPU mainstream, 'Virtual Graphics' takes it to the cloud
NVIDIA just wrapped up an intimate press briefing here at SIGGRAPH 2011, where -- amongst other things -- it officially took the wraps off of two major initiatives. Project Maximus and Virtual Graphics are the two main topics of conversation here, and while both are obviously targeting working professionals at the moment, there's no question that a trickle-down effect is already on the company's mind. With Maximus, the outfit plans to stop recommending bigger GPUs to pros, and start recommending "a light Quadro GPU and as large a Tesla as you can get in the system." The overriding goal here is to make multi-GPU technology entirely more accessible; to date, it hasn't exactly been easy to get a finely tuned multi-GPU setup to the masses, but it sounds like a good deal of future flexibility (it'll be "nearly infinitely scalable") aims to change that. Just imagine: dynamic coupling and decoupling of GPUs depending on user load, at a far more detailed level within the application... Update: Regarding that Tesla bit, NVIDIA clarified with this: "What we're saying is for applications that are light on graphics / don't place a heavy demand on graphics, but more so a heavy demand on computational tasks, users will have an option to choose an entry- or mid-level Quadro card for graphics functions, such as the Quadro 600 or Quadro 2000. For certain applications, better performance is achieved by adding a Tesla companion processor, as opposed to scaling up the primary Quadro graphics. Users still require as much graphics as possible." %Gallery-130218%
RED EPIC scores a Canon EOS mount, Laforet gets some extraordinary footage (video)
We've seen some mind-blowing footage from RED's EPIC, as one might expect from a $39,500 camera with a 5K sensor and up to 120 fps video capture (at 4K). But video shooter and all-around photo wiz Vincent Laforet got to take an exclusive early look at the company's new Canon EOS mount, which pairs the EPIC-M with Canon's enormous collection of top-quality glass, including the 600mm f/4 L lens Laforet used for his shoot at Mono Lake in California. That lens, used with a 2x Canon teleconverter and the RED's multiplication factor, yields a 35mm-equivalent focal length of 3400mm, which as you'll see in the video below, enabled some pretty incredible video captures. RED has yet to officially announce availability for the Canon EOS mount, but has shared that it will cost $2,000 (pennies compared to the EPIC's $58,000 kit price), and will be constructed of titanium -- tasked with the critical responsibility of reducing movement during those extended-lens shoots. Jump past the break for Laforet's sample video, or check out his blog post at the source link for the full rundown.%Gallery-130053%
Eizo industrial monitor does 4K resolution at 36-inches, start saving now
Looking for a display that can do justice to all that 4K footage you've been shooting on your Red One or Arri Alexa lately? Okay, perhaps not. But if you were, then the DuraVision FDH3601 from Eizo Nanao could handle it easily with 4096 x 2160 pixels spread over 36.4-inches of LED-backlit real estate. It comes with another big number too: a price tag of ¥2.88 million ($36,000), which gently hints at the fact that this beast is primarily aimed at specialist industrial applications. Eizo claims it's perfect for air traffic control, where staff can make full use of specs like "Digital Uniformity Correction" circuitry to compensate for uneven color or brightness, motion sensors to power the monitor on or off as needed, and a stand that can be minutely adjusted to get the perfect angle. Suddenly, despite the heavy burden of responsibility and the fact that you have to keep your phone switched off all the time, that career choice seems almost worth it.
Lenovo ThinkPad tablet coming in summer with Android, Windows slate later in the year
So we already know Lenovo has designs on bringing the LePad westwards in the form of the IdeaPad K1, but now the company's also revealed plans to deliver a Think-branded Android slate to the market, at some point later this summer. That 10-inch device will strive to serve professionals' needs, coming with a stylus for signature capture, and will be followed by an identically sized Windows tablet by the end of the year. Lenovo COO Rory Reid has changed his tune, having previously said there'd be no Windows 7 slates, but he does seem fully cognizant of the difficulty his company faces in breaking through in this rapidly saturating market. He notes that the experience is being tailored to a high standard and that "we only have one opportunity to make that first good impression." For more info on what this new ThinkPad pad might look like, check out the previous leaks of purported specs and a Lenovo roadmap that identified it before this official confirmation.
DIY iPad music breakout gives pro-grade stage presence, mixes circuitry with art (video)
If you're thinking this iPad audio breakout dock looks remarkably good considering its DIY origins, then you should know it wasn't put together by any old screwball with a soldering iron. Nope, this was made by Qubais "Reed" Ghazala, a very particular old screwball who's been blurring the lines between circuitry, music and art since the Summer of Love (that's 1967 on a normal calendar). His latest invention is all about getting pro-grade sound connections into and out of an iPad 2 -- much like an Alesis dock or Akai SynthStation, but with that special "I made this" charm and minimal price tag. Key ingredients include a Macally aluminium iPad stand and a 30-pin PodBreakout board. Hit the video after the break to get further instructions and hear Ghazala's "bottomless well of chance music" -- both come at your own risk.
Livescribe Connect upgrade lets you share doodles in several ways, just not wirelessly (video)
Pen pushers who took a chance on Livescribe's note-recording smartpen have benefited from some nice apps, hacks and upgrades along the way. Now the company's latest productivity-booster is a software update called Connect, which lets you share your scribbles via Email, Google Docs, Facebook and Evernote, as well as through Livescribe's own Pencast platform. Some of these sharing options were already available but Connect tries to speed things in an interesting way: by letting you set sharing instructions even as you jot down a note. Simply draw a double line and write, say, 'Facebook' or 'Google Docs' somewhere on the page, and the sharing will take place automatically the next time you sync to your Mac or PC. Most of the sharing options are free, but if you own an older Pulse model or the new entry-level $99.95 2GB Echo you'll need to buy a $15 upgrade before you can share via Email or Google Docs. Heck, we'd pay way more than that if only Livescribe would come up with a way to sync and share wirelessly -- docking this thing feels about as cutting edge as a quill. Video and full PR after the break.
Sigma SD1 starts shipping in June for $9,700, has its sights set on medium format lovers
Sigma knows that $9,700 is a lot of money to pay for, well, anything, so it's couching the hefty price tag on its new flagship DSLR, the SD1, in the context of it competing against medium format digital cameras -- whose prices don't generally fall below five figures. Trouble is, as professionally inclined, well designed, and durably built as the SD1 may be, it still only packs a 15.3 megapixel CMOS sensor that spans 24mm x 16mm (or APS-C size). That means it'll have to earn its stripes on the battlefield of image quality, which it'll be ready to march onto in less than a month's time. Sigma promises to start shipping units in early June, so if you have the cash to spare (plus a little extra to fund a suitably awesome lens), you can start building up your anticipation today. Full PR and camera specs can be found after the break.
Lexar dual-slot CF / SD reader packs USB 3.0, downloads cards six times faster (video)
For professional photographers, every second counts when downloading images on a deadline -- especially when you throw enormous HD video files into the mix. With the $50 Lexar Professional USB 3.0 Dual-Slot Reader, photogs now have a fast transfer option to compliment their pricey high-capacity CF and UHS-I SDXC cards, theoretically enabling downloads at up to 500MB per second (though current cards max out at one-fifth of that). You'll need to have a USB 3.0 port and high-speed flash to take advantage of faster transfers, though the reader is backwards-compatible with USB 2.0 and older cards -- you'll even be able to use that 32MB CF that came bundled with your DSLR. And what about appearance? Lexar Director of Marketing Jeff Cable sums it up: "It looks similar to our older card reader, the USB 2.0 reader, except that it says USB 3.0 right here on the front." Bam!
FCC gives the RED EPIC-M its teardown treatment, so you don't have to
Ever wondered what it feels like to tear down a $58,000 professional video camera? Well, unless you're as minted as Peter Jackson or James Cameron, chances are you'll never get close to a RED EPIC-M (without breaking the law) to find out. That said, you may get some insight from this fresh batch of disassembly shots, courtesy of the FCC. Sure, there aren't any jewels or unicorns hidden inside this powerful 5K imager, but you'll get plenty of close-up shots of its delicate circuitry -- it's actually pretty impressive how much the hand-machined chassis holds. Head over to Wireless Goodness to admire the full glory, but make sure you don't dribble over your keyboard.
