RED fans have been getting quite an eyeful this week in the company's forums, as Jim Jannard and crew have been posting all kinds of sneak peeks at the company's latest gear -- including a few configurations of the modular DSMC EPIC and Scarlet systems in action. The company is also working on super-high-end prime lenses for their cameras that supposedly outperform every other test lens the company has in its possession -- Jannard says "it isn't close." As usual, RED doesn't say when any of this is coming out, but it's definitely enough to make a camera geek's hair stand on end -- check it all out in the gallery.

[Thanks, Jun-Dai]


Read - Prototypes configurations thread
Read - Prime lenses thread

Oh noes, here we go again. At the risk of becoming RED's marketing pawn, we'd be remiss to the gadget community by ignoring Jim Jannard's latest attention begging tease. Titled simply, "Big Change...," Jannard writes, "New announcement on Dec. 3rd. Everything has changed... just as we promised." This comes after revealing "several nice breakthroughs" related to Scarlet and EPIC in the REDUSER forums. JJ then amps up the hype by calling the November 13th announcement of RED's Digital Still and Motion Camera (DSMC) system "insignificant" by comparison. Ok Jim, we'll be at your beck and call. But you'd better show up on the 3rd with something priced more competitively to Canon's EOS 5D Mark II if you expect us to consider your modular SLR / HD video camera anything other than a novelty for the consumer or prosumer markets. In other words: please, with sugar?

[Thanks, Ben H.]

While the announcement isn't scheduled for another 7 hours and change, RED's Jim Jannard is whipping his fanbase into a frenzy with a steady stream of fragmented pictures. The one above looking every bit the 5D Mark II-killer we've been expecting. Jim's even dropping facts about Scarlet and EPIC being "completely modular and upgradeable in every way." What's more, he's offering hope to RED ONE owners who might feel cheated by today's introduction of Scarlet and EPIC. After all, he did promise to make "Obsolescence Obsolete" with his modular approach to camera building. So in addition to a TBD upgrade price for RED ONE owners to make the jump to a Mysterium-X sensor, owners will also have the option of trading in their cams for a $17,500 value towards the purchase of "any EPIC" (there's more than one?) or keep the RED ONE and receive a 12% credit on a Scarlet system. Nice... expensive, but nice. Check the gallery for all the images including one that looks like a telephoto lens for a RED DSLR.

P.S. Jim confirmed that, "Scarlet and RED EPIC are part of the same DSMC system." While you may not know what DSMC stands for, we're pretty sure that Canon and Nikon are well aware that DSMC means Digital Still & Motion Camera.

Update: Three-pound Scarlet and four-pound EPIC Mysterium-based "brains" capable of shooting 3K and 5K video, respectively, pictured after the break -- choose the brain then build a system around it. What look to be final (and complete!) product shots added to the gallery.

This is just mean. With 10 days to go before Red goes official with its Scarlet and Epic announcement, we get this image: a teaser for those of us already teased. Sure, it doesn't look like much now (don't bother looking at the EXIF: nothing), but it's enough to prompt RED Digital Cinema's CEO, Jim Jannard to write that "the most aggressive speculation will not come close to what we will announce Nov. 13th." Careful Jim, our expectations are already pretty high.

Red CEO, Jim Jannard, is stirring up trouble in the RED User forums, J. Wong-style. His latest volley discusses the new Mysterium "Monstro" sensor program, the next evolution (and future free upgrade) to the Mysterium X sensor slated for RED's 5k Epic. The most interesting revelation though is this little nugget: in addition to Epic, RED plans to place Monstro into, "another camera aimed squarely at the DSLR market." He later adds, "Future cameras will shoot ultra-high resolution stills and motion..." Now, considering that the second generation, full-frame, ~25 megapixel Mysterium X is already a serious challenge to 35mm film, we can only imagine what this DSLR with a third generation RED sensor might offer. Hear that Nikon? Your D90 is just the beginning of this story. Let's just hope that televisions and monitors, already struggling to reach 4k, Quad HD can keep pace.

[Thanks, Jundai]

You wouldn't think that anyone in the market for a $3,000 handheld camera capable of shooting 3K HD at 100MB/s would somehow get confused enough to end up with a mediocre LG plasma TV, but it seems like the folks at RED are worried -- the company's lawyers are preparing an opposition to LG's filing for the "Scarlet" trademark, and they've filed for their own mark. It looks like RED is getting pretty serious about protecting its marks -- president Jim Jannard is politely asking RED fans to include a trademark disclaimer when they post about the company's products, and he says that the proceedings against LG are "just the tip of the iceberg." Honestly, we think RED's going to have a tough time selling a judge on the likelihood of confusion between a consumer-oriented HDTV and a decidedly pro-grade camera, but we've been surprised in the past -- we'll see how this one plays out.

Read - Jim Jannard forum post
Read - Request for extension of time to file opposition

Details are totally sketchy, but it looks like there's about to be another Red HD camera to lust after: a posting from CEO Jim Jannard on the Red user forums confirms that Red will be launching a "pocket professional" camera named "Scarlet" sometime this year, with prototypes to be shown off at NAB in April. Jannard says the camera won't be a competitor or replacement for the Red One, but that's all we've got for now -- but you know we'll be all over this thing as info comes in.

[Thanks, MonsterDog]

So we know a lot of you have been on the edge of your seat concerning the RED ONE modular, high-end, HD HD-clobbering camcorder system. The camera -- announced at NAB way back in the wild, sun-soaked days of 2006 -- rocks 11.4-megapixel, 60fps video, and is designed as a multi-part system, featuring a base unit that can be modded with a variety of add-ons -- allowing for all kinds of crazy configurations (just what the low-budget auteur is after). Now, according to the Reduser forums (and more specifically, Jim Jannard, Oakley founder and Red Digital Cinema company head), the RED ONE shipments will begin on August 31st, with a second batch to follow on September 7th. Sure, the $17,500 base system price-tag may seem prohibitive to some, but as we all know, fear is the mind-killer, and if you're really serious about that film you're making, you're going to need something like this. Time to break open the piggy-bank.

[Thanks, Blayne G]

Good news for fans of ultra high definition imaging: RED Digital Cinema (and Oakley) founder Jim Jannard is reporting that almost all of the equipment stolen a few weeks back -- including the aluminum prototype, a lens, and several computers -- has been successfully recovered by a team of private investigators. As you probably know by now, RED was founded with the intention of bringing professional-quality camcorders into the hands of the common man (well, the common man who has $17,000 to spare), and its first 4K footage became available for public consumption shortly before the break-in. Jannard writes that the stolen gear was broken up into two parts, and while the camera and related hardware are back in safe hands, computers with potentially valuable development info are still missing. He goes on to caution us against speculating about "the motives of the thieves or any connection with the industry," and doesn't delve any further into the specifics of the recovery efforts; however, with information about the project and the Mysterium sensor still in the wild, we can't help but speculate (sorry, Jim) that the IP was the most valuable aspect of this crime to whomever perpetrated it. We'll keep you updated on this case as it progresses, but if you happen to see anyone selling the plans for an 11.4 megapixel camcorder out of the back of a truck, please do the right thing and give Team RED a heads up.

[Via CrunchGear]

We first heard about RED Digital Cinema at the NAB conference last April, where the company was showing off a $17,500 behemoth of a camcorder that shoots 11.4 megapixels at up to 60 fps and comes packed in a futuristic magnesium-alloy case. Earlier today we received word that the southern California-based startup experienced a break-in on Saturday night local time, wherein documents relating to the upcoming Red Digital Camera and possibly even some hardware were stolen. Founder Jim Jannard has posted on DVXUser.com a reward of $100,000 for information that leads to the arrest and conviction of the perpetrators, although if this is in fact a case of corporate espionage, the damage may have already been done.

[Thanks, Curt & Glenn]