The X-T30 has a much smaller (borderline nonexistent) grip than the A6400. While that means it might slip out of your hands more easily, the narrower width makes it easier to slip into a pocket. The smaller grip also works better if you're holding the camera low and "shooting from the hip" for street photography.

The X-T30 is a well-designed camera -- except for the bottom part. The tripod socket is placed off the lens axis and too close to the battery compartment, so you have to take it off before you can remove the battery or memory card. Once you do, it's hard to pop out the card, as the slot is too close to the compartment's lid.

Apart from that, the ergonomics are outstanding. It has front and rear control dials to adjust settings like ISO and aperture, and top dials for exposure compensation, shutter speed and shooting settings. You also get the aperture dial that's present on most Fujifilm X-series lenses. All of those controls make the X-T30 a very tactile, fun-to-use camera.

It now has a joystick rather than a D-pad like its predecessor, the X-T20. I guess you don't need one when you've got the other, but it seems like there's room for both. Fujifilm also moved the Q button, which lets you easily access the most-used functions, so it's now in an awkward, easy-to-bump spot.

I found the OLED EVF to be middling, with 2.36 million dots of resolution and 100 fps maximum refresh rate. To be fair, though, it's the same as the one on Sony's A7 III, which costs $1,100 more. On the plus side, it has blackout-free performance during continuous burst shooting, beating Canon's more expensive full-frame EOS RP.

The rear display is now a touchscreen, letting you select the focus point and control Q settings. You can't control the main menu functions like on new models from Canon, Nikon and Blackmagic Design, however. You can tilt up or down the rear display, but not flip it around. That makes it good for street shooting, but not vlogging, unfortunately.

The menu system on Fujifilm cameras is logical, and it's pretty easy to find important settings. The Q menu is your best bet for ease of use and lets you program a lot of different settings. One minor complaint: I don't like Fujifilm's individual max auto ISO settings (A6400, A3200 etc.) as they're too easy to mix up with the main ISO settings (yes, I did this, and, yes, it resulted in a lot of blurry shots). I'd rather just have a single auto ISO setting, with the ability to select the maximum ISO in another setting.

Moving to the ports, Fujifilm has done something interesting. While there's no headphone jack, the USB Type-C port works with USB headphones (bundled with many smartphones nowadays) or a USB to 3.5mm adapter. That's a pretty clever solution on a compact camera and made the X-T30 a lot more useful when I shot video. It also has a microphone port (2.5mm, so you'll need an adapter) and micro-HDMI port. The latter is more useful than video shooters might expect, as you'll soon learn.

The smallish 8.7 Wh battery delivers 380 shots on a charge, and I found I was able to shoot for nearly a day. However, recording video drains the battery fast, so you'll need at least a couple of spares if you're doing that. The single card slot (slower SD UHS-I only, unfortunately) is in the battery compartment. Two UHS II slots would be nice, but then that's why you pay $1,500 for the X-T3. Sony's A6400 has the same card-slot system and battery life that's slightly worse.

Performance

As mentioned, another nice surprise is you can MacGyver a headphone output using the X-T30's USB Type C port. That makes it a viable option for shooting interviews, vaulting it ahead of any other mid-range mirrorless APS-C camera, Sony's A6400/A6500 included. To get that option on another model, you'd have to spend $1,300 on Canon's full-frame EOS RP, or around $1,000 on the Sony A7 II, which can't shoot 4K.

Video autofocus is solid. Thanks to the hybrid phase-detect system, it locks on with less of the hunting I got with Panasonic's GH5s, for instance. Face and eye detection works well, too, though it's not as fast and accurate as the canny system on Sony's A6400. And unfortunately, unlike the latter model, subject tracking only works with faces, so you can't track animals, cars or distant humans.

Another limitation is the continuous recording time, just 10 minutes compared to unlimited for the A6400. However, rolling shutter is far better controlled on the X-T3 compared to the bad jello effect on Sony or Canon APS-C models. Overall, I would recommend the X-T30 above any midrange model -- APS-C or full-frame -- for price-conscious video shooters.

Image quality

As for photo image quality, the X-T30 packs the same 26.1-megapixel X-Trans sensor as the X-T3, so I found that it delivered the same sharp, color-accurate images. With backside illumination, you get usable shots at up to about ISO 12,800, with well-controlled noise levels and little loss of saturation. While it doesn't have the same low-light performance as Sony's full-frame A7 III camera, it matches what the A6400 can do.

When shooting JPEGs, the X-T30 delivered accurate colors, especially in the skin tones. RAW dynamic range is also at a high level, on par with the A6400. That gives you a lot of room to bring up shadow detail and recover highlights on under- and overexposed shots, with well-controlled noise levels at up to ISO 3200.

When I wanted to get more artsy, the X-T30 gave me a full range of film-simulation modes, including Velvia, Eterna and Monochrome. These draw on Fujifilm's film experience (Velvia is a well-known 35mm film brand), so they're very effective and not gimmicky, like on other cameras.

Wrap-up

If anything, I'm even more impressed with the X-T30 than I was with the X-T3, particularly in light of the price. While it's missing some features, it delivers the same outstanding image quality and actually has superior autofocus performance, at least until the X-T3 gets a firmware update. Video, in particular, is a huge bonus, with features like full-sensor DCI 4K video and 10-bit external output not found on cameras that cost triple the price.

At $900, the X-T30's closest rival is the Sony A6400. The latter has superior face- and eye-tracking and features like subject-tracking and animal eye-tracking that beat the X-T30. However, Fujifilm is catching up to Sony in this area, and I think the X-T30 wins in terms of 4K video, handling and looks.

Another option in this price range is Panasonic's new G95. It offers in-body stabilization, a better EVF and a flip screen for vlogging. However, the X-T30 has superior autofocus, video options and handling, and costs $999 with a kit lens, compared to $1,199 for the G95.

The X-T30 is another great offering from Fujifilm, which is really on its game right now. Despite new models from Nikon, Canon and, now, Panasonic, Sony is still far and away the leader in full-frame camera sales. When it comes to APS-C, however, I think we have a new champion.