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Sony unveils NEX-EA50EH pro camcorder with nary a dog or pony (video)
Sony is continuing to build out its NXCAM video camera line with the new interchangeable lens NEX-EA50EH, a surprise entrant that's aimed firmly at the run and gun professional crowd. It sports the same APS-C Exmor CMOS sensor as other cameras in the NEX line, and has notably added a rocker-style zoom lever for its brand new SEL18-200PZ 11x E-mount Servo Zoom Lens. That item is one of the first large sensor servo zooms we've seen, and packs continuous variable isis, auto focus and "Optical Steady Shot" active image stabilization. Another eyebrow-raiser is the model's still photo flair, with the ability to shoot 16MP RAW stills, a mechanical shutter with its own release button and a flash hot-shoe all squeezed in. Video is recorded up to 60fps at 1080P in AVCHD 2.0, presumably at 28 or 17 Mbps, to SD/SDHC/SDXC cards, Sony Memory Sticks or Sony's dedicated external SSD unit, which attaches to the camera. All that is topped off by an onboard shotgun microphone, a shoulder mount form factor and $4,500 price point (which has already changed twice on B&H). That means a lot of event or ENG pros who want large sensor results -- without all the DSLR foibles -- may be sorely tempted. See the PR and video after the break for all the details.
Canon EOS M mirrorless camera hands-on (video)
There have been plenty of false alarms in recent months, but Canon's first mirrorless interchangeable lens camera (ILC) is finally here -- in fact, we're holding it in our hands. The EOS M is clearly reminiscent of a point-and-shoot, such as the company's high-end PowerShot S100. Sure, Canon could have added some of the dedicated controls that its professional user base would demand, but photojournalists aren't the target here, for a few reasons. Canon's primary motivation, at least from an official perspective, was to create a camera that serves to bridge the gap between pocketable compacts and full-size DSLRs with a simple user interface designed to educate, not intimidate. Also key, however, was avoiding cannibalization of the company's low-end and mid-range Digital SLR models, which clearly still have a place in the lineup one tier above this ILC. Consumers willing to sacrifice hardware controls for a touchscreen-driven UI won't be missing out on much else -- functionally, the EOS M is a near-clone of Rebel T4i with the same 18-megapixel APS-C CMOS sensor, DIGIC 5 processor and 3-inch touchscreen. Even the advanced two-stage focusing system has made its way from the T4i, which utilizes both phase-difference and contrast AF in order to achieve focus more efficiently when capturing video. The housing design and lens mount are unlike any other that Canon has produced, however, combining features from other models without completely eliminating the need for a DSLR, or a compact for that matter. If you can get by without granular controls, you'll do just fine here -- the design really is spectacular. With an $800 price tag, the EOS M falls within the upper tier of the mirrorless category, and it remains to be seen whether it will be an obvious pick when it finally hits stores in October, a month after competitors tease their own products at the massive Photokina expo in Germany. How does it fare today? You'll find our impressions just past the break.%Gallery-160939%
Canon EOS M video shows off touchscreen UI, accessories, color variants (updated: link to sample images)
Welcome to the land of good complexions, whiny mopeds and surprisingly early Canon hands-on videos. While most English-speaking journos have only been given the briefest glimpse of the new $800 mirrorless EOS M, Italian site PMStudioNews has posted a full hands-on video to YouTube. It shows a red variant of the 18-megapixel, APS-C shooter, in addition to the black and white models we've already seen, plus a beige leather case if you fast-forward around seven minutes. More importantly though, it shows off the touchscreen UI in some detail, including touch-to-shoot and a screen layout that looks quite different to what we've known from the button- and dial-heavy G1 X and its predecessors, and more like that of the Rebel T4i entry-level DSLR. Sure, it offers full manual control, but it also looks kinda fiddly -- something we'll look out for when it comes to review time in the Fall. Update: Canon has produced some sample stills and videos to show what the camera can do. Also, a helpful reader just spotted that DigitalCameraWorld has posted a hands-on video too, and it's in English.
Canon unveils EOS M mirrorless: 18 MP APS-C, EF compatibility, $800 in October with 22mm lens
Rumors of a Canon mirrorless camera have circled the web since long before Nikon's foray into the compact ILC space. And while that manufacturer's model fell far short of some expectations, it appears that Canon's iteration may in fact have been worth the not-so-insignificant wait. Unlike the Nikon 1 Series, Canon's new EOS M isn't a drastic departure from the company's existing mid-range DSLR lineup. In fact, under the hood it's quite similar to the Rebel T4i, with an 18-megapixel APS-C CMOS sensor, DIGIC 5 processor, 3-inch 1.04MP smudge-resistant touchscreen and the T4i's new hybrid autofocus system, which pairs both contrast and phase-difference AF for speedier, more accurate performance. Externally, however, the EOS M looks more like a cross between the PowerShot G1 X and S100, tipping the scale at 14.2 ounces with the included EF-M 22mm f/2 STM kit lens, compared to 27.4 ounces for the T4i, and 19 for the G1 X. It's physically smaller than the G1 X as well, and only slightly larger than the pocketable S100. The camera offers a sensitivity range in line with the competition, ranging from 100 to 25,600 (extended) in still mode and 12,800 (extended) when shooting video -- captured in 1920 x 1080 format at 24, 25 or 30 progressive frames per second. There's also a continuous shooting mode at 4.3 frames per second with fixed focus and exposure. The EOS M's control layout should be more familiar to Canon point-and-shoot owners than DSLR users -- as one component of the size compromise, dedicated buttons are replaced with touchscreen options and a bit of menu diving. There's also no electronic viewfinder, though a full-size hot shoe is included with full support for Canon's lineup of Speedlite flashes, including the new $150 90EX strobe and ST-E3-RT Transmitter, and the GP-E2 GPS Receiver. Though the camera lacks certain direct controls, it still supports full manual shooting, even in video mode. There's also a built-in stereo mic with manual level adjustment. In addition to that 22mm kit optic, Canon is offering an EF-M 18-55mm f/3.5-5.6 IS STM lens for $300, or you can add the $200 EF-EOS M mount adapter to enable use with existing lenses. The $800 EOS M kit is set to ship in October, and will be available in retail stores in black, though Canon's online store will also stock a white model (which will be paired with the same black lens). You can peek at both configurations, along with the new lenses and accessories in the gallery below. Then shoot past the break for the full PR from Canon. Michael Gorman contributed to this report.
Sony NEX-F3 and A37 cameras hands-on and sample shots
Sony's newest NEX and DSLR have already graced these pages -- albeit in decidedly unofficial fashion -- but the time has come for this duo of shooters to be revealed to the world with the blessing of their maker. In case you didn't catch the earlier leaks, the NEX-F3 is the replacement for the much-beloved NEX-C3 as the entry-level ILC from Sony, while the A37 slots in the same place in the company's Alpha DSLR lineup. Sony's also rolling out fresh glass for each this July, in the form of an E-mount 18-200mm, F3.5-6.3 zoom lens for $850, and an 18-135mm F3.5-5.6 A-mount telephoto unit that'll set you back $500. Both the NEX-F3 and A37 will come with kit 18-55mm lenses and cost $600 when they go on sale in June, which makes them quite competitively priced as compared to their competition. An enviable pricing position, to be sure, but can they deliver the imaging goods? Well, we spent time with each on a tour of San Francisco recently, so join us after the break for our impressions and some sample photos.%Gallery-155474%
Sony's Alpha A37 and NEX-F3 pose for the camera, reveal more angles, details
Well, well, talk about déjà vu! It was just yesterday that a corner of Sony's 16.1 megapixel NEX-F3 leaked onto the interwebs and now more photos have surfaced, along with a previously unannounced shooter, the Alpha A37 SLT. The pictures come courtesy of Yang Canggih, which says it had a chance to demo the two devices yesterday at Sony's Partner's Conference in Jakarta (curiously, the NEX-F3 post isn't live as of this writing, but Sony Alpha Rumors has the images up). Starting with the F3, the mirrorless camera has lost a smidgen of the curves found on its older sibling, the C3, adopting a slight bit of the angular edges that once made the NEX-7 the badass standout in the lineup. You'll notice that the shutter button and grip have an uncanny resemblance to the 7's, not to mention that it's clearly gained a pop-up flash -- a first for the lower-end NEXs. Past that, the rumored -- and self-portrait friendly -- 180 degree tilt-screen is also present, which'll likely give the C3 an edge over its siblings when it comes to composing shots. Also worth note, some of the buttons on back have been slightly repositioned. Moving along, those hoping for a successor to the A35 will apparently have their wish granted with the 16.1 megapixel A37. According to Yang Canggih, it features the articulating display from the last generation of NEX cams, Auto Portrait Framing (first introduced with the A57), four more effect modes than the A35 (up from 11) and an ergonomic grip in the vein of the A77. Sadly, that's about all that's currently known, so hopefully we'll get an official introduction to the cameras soon. Head past the break for a shot of the A37 and then check out the links below for even more of both.
Fujifilm X-Pro1 mirrorless camera review
More Info Fujifilm confirms X-Pro1 at CES Fujifilm X-Pro1 interchangeable lens camera preview Sony Alpha NEX-7 mirrorless camera review Hear any mention of retro-styled cameras with exorbitant price tags and it's hard not to get suspicious. That kind of talk brings to mind Leica's incessant re-branding of Panasonic Lumix models, or those unicorn limited editions out of Japan that just leave us baffled. But it's okay, you can relax with the Fujifilm X-Pro1. At $1,700 for the body only it's crazily expensive, sure, but not when you compare to an $8,000 Leica M9-P. Besides, it's a legitimate heir to a strong line of Fuji shooters that includes the much-loved X100 and the more accessible X10. That's a strong pedigree, and no matter how deeply you peer into its mirrorless aperture, the X-Pro1 should offer up enough technology to stop you being cynical. Like what, you ask? Well, a genuinely surprising bespoke 16-megapixel APS-C sensor, for starters, plus a hybrid viewfinder designed to keep everyone happy all of the time, and a Fuji X lens mount that already has a Leica M9 adapter available (plus others, like Nikon, if you scan eBay). It all adds up to something special, but before you go tweeting this article to whimsical rich uncles, there are also some complicating factors you ought to be aware of. Even in a utopian paradise where everyone could afford this sip of photographic luxury, it's far from certain whether everyone would choose it over other interchangeable lens cameras. Read on past the break and we'll explain why.
Fujifilm X-Pro1 high-ISO shots go under the loupe in mirrorless standoff with OM-D E-5 and NEX-7
We'll soon be putting Fujifilm's new interchange able shooter through our own wringer, but in the meantime we found an apt low-light comparison with two of its non-reflex brethren. Although blogging photog Steve Huff admits the tests are "crazy" and depend on the camera's own auto-exposure choices, the results do give some food for thought. How would the pricier rangefinder-bodied X-Pro1 stack up against the Sony NEX-7 and Olympus OM-D E-M5? If we had to guess -- and we really do, given his methodology -- the noise levels on the Fuji at ISO 3200 and 6400 look to be slightly better than the Sony and smaller-sensored Olympus. If you'd like to take a stab at judging for yourself, follow the link below.
Samsung's WiFi-equipped NX20 camera gets FCC mugshot
Pretty, isn't it? You're looking at a regulatory block diagram of the NX20, which is still unannounced but is probably the successor to Sammy's NX11 mirrorless camera. We're not totally sure how it'll fit into the manufacturer's line-up, but an earlier leak pointed to an APS-C sensor akin to the NX200's, plus a 20.3-megapixel resolution, 12,800 ISO, and built-in WiFi -- that last spec being about the only thing we're able to confirm from the FCC test report.
Fujifilm X-Pro1 interchangeable lens camera preview (video)
The interchangeable lens camera market grew by one this week, following Fujifilm's confirmation of its new X-Pro1. The 16 megapixel APS-C ILC may be in fact be a mirrorless model, but company reps prefer that you don't use "the M-word," insisting that the shooter stands alone in its own category as a "premium" interchangeable lens camera. And after spending an hour with the oversized, solidly-built ILC and viewing a variety of comparison samples, it's not difficult to confirm that the assessment may not be far off. The entire hands-on experience was in line with that premium claim -- from the white gloves we were required to use when handling the camera to the Japanese design lead taking care to make sure sample models were clean of markings and positioned just right, it's clear that Fujifilm is taking this launch very seriously, and you should, too. Join us past the break for an early CES look at what may very well be the sharpest mirrorless interchangeable lens camera to date.
Ricoh GXR Leica M-mount module gets a September ship date, lets you swap lenses with one sensor
Sure, you've seen cameras with interchangeable lenses -- you might even own one or two -- but a cam that lets you swap out the sensor with the lens? Now that's pretty unique. Ricoh's GXR has been around since 2009 and does exactly that, with four lens / sensor combos, including two zooms and a pair of fixed lenses. Now, the company has confirmed that its new Leica M-mount module will ship on September 9th, letting you use your existing Leica lenses with the GXR. The module includes a 12.3 megapixel APS-C sensor and has a 27.8mm Leica M bayonet mount, with support for RAW image capture and 720p video. It also has an "open" price, which means it's still anyone's guess as to how much you'll be shelling over. But if you own a collection of Leica glass and are interested in experimenting with such a unique sensor-swapping camera system, you're probably somewhat open to open pricing.
Fujifilm X100 gets firmware update, 22 tweaks make the best even better
The retro X100 brought out all our kleptomaniacal tendencies when we first went hands-on, and it has since impressed virtually every other lucky soul who's come into contact with its build quality and groundbreaking integration of a big APS-C sensor within a compact body. But, just as you often find in extremely beautiful humans, the camera's brains were slightly haywire: in particular, it tended to forget or confusingly alter crucial ISO, dynamic range, macro and drive settings when shifting between shooting modes. Fortunately though, many of these niggles can now be nuked by downloading firmware update v1.10 at the source link. The update promises a total of 22 fixes and modifications, which are listed in full in the PR after the break. Of course, some annoying issues will remain outstanding with this $1,200 shooter, including slow focus-by-wire MF and strangely buried menu settings. We don't know if they'll ever be fixed, but the next time we get hold of one it'll still be a morality-pounding wrench to give it back.
Sigma SD1 starts shipping in June for $9,700, has its sights set on medium format lovers
Sigma knows that $9,700 is a lot of money to pay for, well, anything, so it's couching the hefty price tag on its new flagship DSLR, the SD1, in the context of it competing against medium format digital cameras -- whose prices don't generally fall below five figures. Trouble is, as professionally inclined, well designed, and durably built as the SD1 may be, it still only packs a 15.3 megapixel CMOS sensor that spans 24mm x 16mm (or APS-C size). That means it'll have to earn its stripes on the battlefield of image quality, which it'll be ready to march onto in less than a month's time. Sigma promises to start shipping units in early June, so if you have the cash to spare (plus a little extra to fund a suitably awesome lens), you can start building up your anticipation today. Full PR and camera specs can be found after the break.
Images leak out of Pentax NC mirrorless camera system, makes us long for summertime
At this point, we're guessing that it's just a matter of time before the likes of Pentax and Nikon toss their hat into the ever-expanding mirrorless camera ring, and at least for the former, it looks as if that could come sooner rather than later. If the (predictably grainy) image above is to be believed, the NC-1 is dangerously close to being ready for primetime, and according to leaked materials, it'll be the world's smallest mirrorless camera when it gets official in May / June. Purportedly, we'll find a 14 megapixel sensor and a pair of lenses to choose from -- an 8.5mm f/1.9 prime lens as well as a 5-15mm f/2.8-4.5 standard zoom. Crazier still, the NC system could be followed by a larger system in the summer, with that fellow sporting an APS-C sized sensor and compatibility with K-mount lenses. 'Course, we'd invite you to chase all of this with a dash of salt for now, but you can bet we'll be scrounging for more. [Thanks, Andrea]
Fujifilm announces shortage of X100 camera, targets late March / early April US release
Planning on dropping $1200 for one of those gorgeous Fujifilm FinePix X100 cameras? Unfortunately, you won't be able to get your hands on the 12.3 megapixel fixed-lens beauty as early as anticipated. Turns out Fujifilm sold more on pre-order than expected and despite ramping up production, the retro shooters won't be available to US customers until the end of March or early April -- just a few more weeks, guys. Feel free to watch our hands-on video to occupy yourself whilst you wait.
Sigma launches DP2x compact digital camera, complete with Foveon X3 sensor
We had a feeling that a new segment of cameras was being introduced back at Photokina, and it sure looks as if Sigma's in for the ride. Following Fujifilm's fixed-zoom Finepix X100 and Olympus' Zuiko-equipped compact prototype, Sigma is introducing a high-end compact of its own in the DP2x. This handheld shooter has a gargantuan sensor within -- in fact, the 14 megapixel Foveon X3 is similar to those found in the company's (entirely more massive) SD15 and SD1 DSLRs. Sigma claims the sensor here is around 12x larger than what's generally found in a camera of this size, enabling it to capture far richer colors and oodles of light. The fixed 24.2mm F2.8 lens won't be doing any zooming, but those who love to tinker can take advantage of the built-in manual mode and its ability to capture photos in JPEG or RAW. It's pretty clear that the movie mode was an afterthought -- it'll log clips at 320 x 240, which is just enough to make you weep when thinking of what could've been. There's no image stabilization to speak of, a nine-point autofocus system and an ISO range of 100 to 3200, with 1600 and 3200 only available when shooting in RAW. You'll need to provide your own SD / SDHC / SDXC card, and your guess is as good as ours when it comes to price / release.
Fujifilm confirms Finepix X100 ship date, price and accessory line for US market
We've spent quite a bit not nearly enough time with Fujifilm's fixed-lens Finepix X100, and while it felt that March would never actually come during Photokina 2010, it's actually just a few weeks away. The outfit has today confirmed that its 12.3 megapixel shooter will be shipping to America next month, with a wallet-burning $1,199.95 netting you a 23mm F2 prime lens, a standard ISO range of 200 to 6400 (with a boost to 12800), built-in ND filter, Hybrid Viewfinder and a magnesium alloy chassis. Feel free to peek back at our hands-on sessions to get a better idea if this is the retro body you've been yearning for, and hop on past the break if you'd care to see the official verbiage. %Gallery-102872%
Ricoh GXR will swap out lenses with Leica M mount, make Micro Four Thirds mildly jealous
Ricoh's sensor-swapping GXR camera is getting more interchangeable than ever before -- this fall, the company plans to introduce a APS-C sized 12.9 megapixel CMOS module that lets you pop out lenses too. Rather than building a new set of macros and zooms, though, the new unit will serve as an adapter for the vast hoard of Leica M glass you've been stockpiling for a rainy day, and sport a new focal plane shutter too. No word on price, but considering Leica M adapters for Micro Four Thirds can be had for a reasonable $200 and an APS-C GXR package runs about $700 on the street, you can probably do the math.
Fujifilm FinePix X100 pre-orders begin, retro beauty is yours for $1,200
We've yet to snap a single photograph with Fujifilm's FinePix X100, but we don't let little things like substantive testing get in the way of love -- it's destiny that we and this gorgeous camera be together, no matter the cost. Of course, considering that cost is presently $1,200 at Adorama, where the 12.3 megapixel APS-C shooter just appeared for pre-sales, you may not feel the same way. That's just fine. You'll probably have until March to longingly gaze upon that F2 Fujinon lens, hybrid viewfinder and gorgeous magnesium curves before you make up your troubled mind.
Fujifilm's X100 hybrid viewfinder demoed on video, gets us all sorts of excited
Imagine a retro-styled, Micro Four Thirds-sized compact camera with an optical viewfinder. Now, imagine that same camera having a switch that throws all sorts of useful data into your line of sight. That camera is Fujifilm's Finepix X100, and that viewfinder is real. Back at Photokina, the mockup we ran into didn't have a functioning viewfinder, but with just two months until the $1,000 beaut is released into the wilds of America, it's not too shocking that our brethren over at Engadget Spanish managed to come across a (mostly) functional one at CES last week. Eager to show the world exactly what a hybrid viewfinder looks like when being flipped on and off, they shoved a camera up against the OVF and toggled the new mechanism -- it's downright luscious, and it's waiting for you in the video just past the break.
