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Londoners mourn as teletext goes dark, a victim of the DTV transition
Despite the many advantages of digital broadcast television, the transition is separating Europeans from a reliable source of information known as teletext. Citizens of London are the latest to experience the loss, as analog signals in the region were switched off just yesterday. Ceefax, a service of the BBC, has provided millions of Britons with news, sports, weather, television listings, subtitles and games for the past 38 years, and is now accessible only in Kent, Sussex, north-east England and Northern Ireland. Soon, it may cease to exist altogether. Seen as a precursor to the internet, teletext is a free service that's heavily rooted in analog PAL signals, where small packets of data are sent in the vertical blanking interval, which is otherwise unnoticed by viewers. Because the information is broadcast, users were never subject to network congestion, and only needed to wait a brief moment for their desired page to be transmitted -- more advanced televisions even cached this information locally. As part of the airwaves, the service is naturally free, and in that sense, it lacks a suitable replacement. As with all progress, however, there are casualties, and teletext was an unfortunate bystander. Those who cherished the service can take a moment to relive the memories in the links below.
JVC demos GY-HM600, launches HM650 Mobile News Camera with WiFi and FTP at NAB
Sure, you can always roll up with a full-blown sat truck or a camera tethered to a ViaSat SurfBeam 2 Pro Portable, or you can pick up the JVC GY-HM650, which lets you beam those video bytes back to base with any ole hotspot. The company's Mobile News Camera packs a trio of 1/3-inch 1080p 12-bit sensors, a 29-667mm lens, 3.5-inch LCD, SDXC compatibility and HD-SDI outputs, but it also includes WiFi connectivity with FTP server support, letting you record then automatically transmit footage back to a newsroom for editing and broadcast. The camera itself is very compact, considering that it's primarily suited for professional news applications, and also includes all the standard audio hook-ups, like dual XLR jacks, a shotgun mic holder, headphone jack and a separate connector for a wireless mic receiver, along with GPS and Android/iOS app control. JVC also launched another model, the GY-HM600, which offers similar features, save for those wireless connectivity bits. Both cameras look nearly identical, though the company only had the less-abled 600 on display at NAB. That camera will retail for $4,695 when it hits in the fall, while the 650 will cost you $1,000 more, with a winter 2012 shipping estimate. We weren't able to peek at the WiFi model at the show, but you'll be able to get a fairly good idea of how that camera will look in the glass-enclosed HM600 shots below.
We're live from NAB 2012 in Las Vegas!
Three months ago to the day, we were packing up our CES trailer and making a run for the airport, expecting another year to pass before our return to Sin City. But now, as the National Association of Broadcasters' annual trade show has begun overlapping with the consumer electronics market -- from a gear perspective, at least -- we've decided to make our way back to the desert, calling this oasis home for another week in 2012. If you're a high-end camera buff, this is the show for you, with Canon, Sony and RED introducing products that are sadly priced out of reach of photo enthusiasts, but carry mass appeal among professionals with million-dollar equipment budgets, and a need to shoot with the latest and greatest digital devices. It's yet unclear what else we may see at this year's NAB, but rest assured that we'll be scouring the halls of the LVCC, bringing you updates from the floor throughout the week. Protip: Use the 'NAB 2012' for the latest show news and hands-ons.
Canon unveils EOS-1D C and C500 4K Cinema cameras, two new lenses ahead of NAB (updated)
In a departure from its last introduction as dramatic as the C300's Hollywood launch itself, Canon has quietly announced two additional cameras to sit alongside the company's former lone flagship. You may have caught a glimpse of the EOS-1D C at the C300 launch, but what six months ago was a mere mock-up has actually become a reality, likely to ship sometime this year. More out of left field, however, is the C500 -- a higher-end version of the C300 that adds several shooting modes, dual 3G-SDI ports and a larger, permanent grip. Both cameras can capture 4K video, but in substantially different ways. Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB? Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 cinema camera hands-on (video) The $15,000 1D C, which has the same chassis and still shooting features of its less-abled cousin, the EOS-1D X, pipes 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, however, the C swaps a headphone jack for the X's PC socket, that's usually used for hooking up strobes. The higher-end C500 requires a dedicated external recorder, but offers two full-RAW output options: 4096 x 2960, that will be better suited for motion picture capture, and 3840 x 2160 for 4K TV. Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There's also a half-RAW option, at 4096 x 1080 or 3840 x 1080 resolutions, also 10-bit 4:4:4, but at 120 fps. The C500 also includes dual CF slots, but that recording option is only available for 1080p (which can be captured to CF concurrently). Both cameras support Canon Log Gamma, empowering colorists to correct color in post production with more versatility by capturing additional information and a higher dynamic range. Jump past the break to continue...
Sony PMW-100 camcorder brings 50Mbps bitrate in an itty-bitty package
When is full 1920 x 1080 footage not really HD? When a broadcaster rejects it for not meeting its 50Mbps bitrate criteria. There's only a few handheld cameras that can capture video with such gentle compression, and a lot of those require a third-party add-on recorder to achieve it -- but not Sony's new XDCAM shooter, the PMW-100. It has a 1/2.9-inch Exmor sensor sitting behind a 40-400mm (35mm equivalent) zoom lens and outputs 1080p, 1080i, and 720p at up to 50Mbps using MPEG HD422 compression. SxS cards are the primary media, but there's HD/SD-SDI output too should you still need it. Sound recording is equally data-heavy, letting you hear interviewees dodge questions in four channels of glorious 24-bit uncompressed 48kHz audio -- unless of course your diminutive kit fools them into thinking you're harmless. The PMW-100 should start shipping in May for an as yet undisclosed price, but in the meantime you'll find more specs in the PR after the break.
Aereo puts TV antennas in the cloud, streams OTA broadcasts on the internet
We've all heard about SlingBox, that nifty bit of kit that lets you stream your cable or satellite television to the mobile device of your choice, and now a new company called Aereo aims to provide a similar service for OTA broadcast television. The service costs $12 dollars a month and will launch March 14th, but is only available to folks in New York City through Aereo's HTML5-powered website. It'll stream all the major networks, and also offers a cloud-based DVR service on the internet-connected device of your choosing, whether it's a media streamer, phone, tablet or TV. Aereo's powered by large devices containing tons of tiny, dime-sized TV antennas connected to the cloud, with individual antennas corresponding to individual users -- giving each the ability to tune into one channel at a time. Intrigued as much as we are? Learn all about Aereo's new service at the source link below.
SnapStream TV monitoring now lets OS X users keep tabs on amusing video-blunders
The Daily Show and Colbert Report famously rely upon SnapStream's high-power Windows DVR software to monitor the insanity at the fringes of America's cable spectrum. The media-monitoring software is also used by news services, educators and shadowy government agencies to keep tabs on the subjects discussed on TV. The latest edition (version five) opens the platform up to OS X users, enabling them to run it in Firefox without messy virtualization. The OS X web player comes with a plugin to watch MPEG-2 streams that'll happily sit on top of Snow Leopard or Lion and will even let you set up customized alerts for whenever inappropriate euphemisms emerge from Oprah's mouth.
Cerevo Live Shell with Contour+ hands-on (video)
Contour and Cerevo are teaming up this week at CES to release the Cerevo Live Shell accessory for HD camcorders enabling high-quality automatic upload and streaming to UStream from any HD video source -- in this case, the Contour+. The Live Shell is simplistic in design, featuring a small LCD screen with icons for useful indicators, an HDMI input, line-in port, microphone input, composite video input as well as a choice of Ethernet port or built-in WiFi for connectivity. It can run off three AA batteries, giving up to three hours of usage or can be used with the accompanied AC adapter for all-day use. The Cerevo Live Shell also comes with its own dedicated web-based control screen called the "Dashboard," which allows you to customize the settings on the device (volume, video quality, etc.) via personal computer or smartphone. The overall package is portable enough to tag along with the Contour+ and other HD action cams, however, we can't really see much use considering that WiFi (and certainly Ethernet connectivity) can be pretty scarce while carving some narly pow on a mountain or biking through some trails. The duo is well presented here at CES, putting the Live Shell in its natural environment -- indoors, in front of a computer monitor, with the comfort of crashing WiFi waves instead of real ones. However, there's no doubt that the Live Shell finds a niche in the hearts of all the adventurous and outdoorsy people, wanting to share each jump, grind and stunt with others. For $299, we think we'll hold out for a version with mobile 3G / 4G capabilities built-in though, but it's a step in the right direction to show off some helmet-cam moves. Check out the gallery below to see the getup all put together.
Samsung N Service unveiled at CES: Time Warner Cable, DirecTV, Comcast and Verizon onboard
Well, what have we here? Looks as if Samsung's cooking up quite the content partnership here at CES 2012, with Verizon, DirecTV, Time Warner Cable and Comcast (at least) onboard. From a content creation standpoint, NBC Universal is evidently signed on to crack open its coffers and let the material pour fourth, and we're guessing we'll hear of quite a few more once the announcement gets official. As of now, the so-called N Service looks to be one that'll enable select pay-TV subscribers to stream content onto Samsung devices -- hopefully whilst far, far away from home. At least for FiOS TV users, those who take advantage of N Service will be able to "access live streaming FiOS TV channels, as well as Flex View commercial movies and TV shows from one's Samsung Smart TV or Blu-ray player." It'll obviously work with multi-room households, too. Have a peek at the detail shots below, and keep it locked right here as we learn more.
China to get its first 3D TV channel within weeks
Half a billion TV set owners could soon have the perfect excuse for an upgrade: a new 3D channel that has already started broadcasting on a trial basis and is due to launch officially over the Chinese New Year. Operated by China Central TV and a handful of local stations, it'll transmit 4.5 hours of free-to-air fuzzy red and green content each day, which can be picked up by anyone with a hi-def set-top box and a 3D TV. They won't have to watch it on a 71-inch 21:9 panel, but it'll certainly help.
NFL to stream the Super Bowl to iPhone, iPad apps (Updated)
Update: As commenters have pointed out, this is for iPhone users on Verizon ONLY. Pity. I'm excited about this one, both for what it is, and for the potential of what it could be. The NFL has decided, in a (rare?) move of generosity, to stream the Super Bowl broadcast out to its mobile device apps, including the official NFL app on the iPhone and iPad. The stream on the app will actually have more information, including more camera angles and live stats on it, than the official television broadcast, and of course it'll be available in places that people without a normal television setup might not reach. The NFL has already provided some games for streaming, but this February's Super Bowl (and also the Pro Bowl) will likely be one of the largest potential audiences the apps could yet reach. I think this is awesome -- I don't have an HD cable set up any more (instead, I use Netflix and Hulu for my television content), and so, at the bare minimum, this gives me a way to watch the game officially. But even more than that, I'll probably be at a friend's house to watch the proceedings anyway, and this means that we'll have second screen access through my iPad to more information, stats, and live updates as the game goes on. That means more engagement for the NFL, not to mention more places to sell more ads, and create more revenue on what's already one of the most profitable broadcasts around. In short, this is a great move, not only for us the NFL's consumers, but for the network itself. I'll bet that we'll see some very surprising stats after the game in February on just how many people tuned in this way. Given how popular "second screen" content is getting, I think this will do very well.
Final Fantasy XIV bringing you another producer's letter all the way live
Between the release of patch 1.19 and the announcements regarding the game's future, Final Fantasy XIV has been drumming up quite a bit of excitement from its fans. And what better way to capitalize on that excitement than to have another installment of the producer's letter live for everyone to enjoy? On November 3rd, Naoki Yoshida will once again be taking to the broadcast waves to answer player questions about the most recent patch and future updates. The official announcement notes that the particulars of the broadcast are not yet determined, but as with the previous live event, players can submit questions in advance or via Twitter on the day itself. While Yoshida will strive to answer as many questions as possible, there will be time constraints, and of course the audio will be in Japanese with a translation to come further down the road. Still, it's a chance to get more questions about the game answered by the man with the plan himself, and that's something many players will no doubt be excited by.
Apple's iPhone 4S, iOS 5 and iPod roundup: details, specs and release dates
Phew, what a day! Apple's done its fair share of introducing today, and now it's on us to distill everything down into something understandable by folks who don't have the time to pore over every single morsel of iPhone and iOS 5-related news oozing from Cupertino. You can relive our liveblog right here -- for everything else, get schooled below. iPhone 4S iPhone 4S officially announed, lands October 14th in sizes up to 64GB Sprint iPhone announced, getting both iPhone 4 and 4S Meet the new iPhone 4S AirPlay Mirroring coming to iPhone 4S iPhone 4S hands-on iPhone 4S vs. the smartphone elite iPhone 4S vs. iPhone 4 Post-event live broadcast iPhone 4S event video posted online iPhone 4S makes its way through the FCC Upgrade to AT&T iPhone 4S: there's an app for that iOS 5 iOS 5 will be available October 12th, iCloud launches the same day Cards app for iPhone introduced Find My Friends announced iTunes Match hits US 'end of October' for $24.99 Apple brings Siri voice recognition iPod / Mac / other news Six million copies of Lion downloaded since launch Macbook Pro and iMac are the best selling notebook and desktop in the US 16 billion iTunes songs downloaded, 300 million iPods sold 250 million iOS devices sold, 18 billion apps downloaded iPod Touch available October 12th in black and white, maxes at 64GB / $399 iPod nano now $149 for 16GB and $129 for 8GB iPhone 3GS 8GB is free, iPhone 4 8GB $99 AppleCare+ debuts for $99, covers accidental damage for a fee
Apple's 'Let's Talk iPhone' post-event live broadcast!
Well, that was fun. If you wanted to read along with the liveblog, but couldn't hang with all of those words, or if you just need some help processing all of the Cupertino-based iPhone 4S-related excitement, stay-tuned. Tim Stevens, Darren Murph and a number of guest Fraggles (schedules pending) are live on the scene to help you wade through the deluge of news from today's Apple event.Update: And we're done! Check out video of the broadcast after the break!
Engadget, broadcasting live from Apple's 'Let's Talk iPhone' event in Cupertino!
We did it at WWDC, and we're doing it from 1 Infinite Loop in Cupertino, California. Apple's holding its hotly-anticipated iPhone 5 (and iPhone 4s?) launch event here this morning, and we're on-hand to bring you a bit of pre- and post-show banter. Join Tim Stevens, Darren Murph and a plethora of Sesame Street characters* as we break down what's likely to go down during today's "Let's Talk iPhone" event. And once we're ushered inside (you know, where live video streams aren't allowed), follow our liveblog right here. Check out the video after the break. *Pending a response from Cookie Monster's publicist. %Gallery-135701% Update: And we're done! Stay tuned for the liveblog and more throughout the day!
Engadget will be broadcasting live outside of Apple's 'Let's Talk iPhone' event!
It's all going down tomorrow, and you can bet your bottom dollar (or last prepaid SIM, whichever you prefer) that we'll be liveblogging it all on these pages right here. But prior to Apple's "Let's Talk iPhone" event, we'll be set up outside of the company's Cupertino headquarters in order to bring live pre-show analysis, including the very latest rumblings from the Apple mecca and any top-secret tips on ditching work in order to follow along. Just so we're clear, Apple doesn't allow live video streaming during the keynote, but our usual liveblog can be followed October 4th starting at 1:00PM ET (10:00am local time) right here. It might get a wee bit insane.
Get an eyeful of Salem with an hour-long tour
Ever since we heard about Salem, the crazy mash-up of sandbox tools, crafting, colonial setting, and permadeath, we've been understandably curious about just how the game will pan out. While it's still in the pre-alpha stage, Paradox Interactive hosted a Twitch.tv broadcast yesterday, during which a trio of devs showed off the game while talking about its features. If you missed it, you're still in luck: The broadcast was recorded and saved for posterity. In it, Creative Director Bjorn Johannessen, "Code Gnome" Frank Tolf, and Senior Producer Gordon Van Dyke want to give viewers a feel for how the game functions and feels. It's important to note that the demonstration doesn't begin for real until the 14-minute mark, so unless you really like elevator music and waiting, you might want to skip ahead to there. You can watch the full video after the jump.
Engadget will be broadcasting live from WWDC!
Yes, of course we'll be bringing you the full liveblog action from WWDC, and as ever you'll be able to read along as the biggest Apple news of the summer is unveiled. But this year we're bringing you more: two live broadcasts to give you some extra analysis. At around 10:30am ET (that's 7:30am on the best coast), before Apple kicks off the show, Tim and Darren will go over the expected big announcements for the day, talking iCloud, iOS 5, and Mac OS X Lion. Then, once the dust settles, join us again for a second live broadcast to dive deep into the day's announcements and any other surprises Mr. Jobs has in store for us. Hopefully we'll all survive. Where can you watch them? Set your bookmarks right here.
NHK's automated, animated sign language translator adds gestures to subtitles (video)
We've seen quite a few devices designed to help hearing impaired users communicate via phone or computer, but Japan's NHK Science & Technology Research Laboratories has just announced a new animated translation system to help get important news to deaf viewers . While televised subtitles may work for those who understand the language, people who were born deaf and learned sign language from an early age can have significantly more difficulty. NHK's system, unveiled at Technology Open House 2011, bypasses this problem by automatically comparing Japanese text to sign language, converting equivalent words into animated onscreen gestures, and replacing differing words with appropriate synonyms. There are, however, a few kinks to work out. While comprehensible, the translations aren't exactly fluent and researchers have been forced to manually adjust some awkward transitions between words. The ultimate goal is to create a system that could be used during emergencies or natural disasters, allowing deaf citizens to receive urgent broadcasts as instantly as their hearing compatriots. You can see it in action, after the break.
NHK demos Hybridcast streaming, teams up internet and cable TV for superior 3D delivery
With all the hubbub surrounding competing 3DTV technology, it's easy to forget the all important delivery process: how is your TV getting its content, and what does it mean for the viewer? It may seem trivial, but the answer is all-too important to the folks at NHK, who are hoping to facilitate Full HD delivery for 3D content using a new hybrid broadcast system. Think you already have Full HD 3D? Think again: most broadcast 3D content is delivered via side by side transmission, forcing two images (one for each eye) into a single 1080p frame. This allows 3D content to pipe through existing HD channels, but when the separate images are reconstituted and upscaled, resolution and picture quality suffer. NHK hopes to resolve this by fusing broadcast transmission with broadband streaming, what it calls Hybridcast. In a recent dual-stream demo, NHK sent the image for one eye over standard HD TV broadcast pipes, and the other through those wondrous internet tubes, eventually reassembling the two streams into a single, Full HD image, ready for your hungry eyeballs. This prototype delivery system is little more than a demo right now, but with any luck, it'll be giving us a whole new reason to freak out about broadband bandwidth caps in the near future.
