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Canon C300 cinema camera hands-on (video)
Man, is this thing ugly. But when it comes to cinema cameras, looks are the last thing on a cinematographer's mind -- performance is where it counts, and with the Canon C300, its compact size is an asset as well. We haven't had a chance to shoot with Canon's new flagship cinema cam, but we've heard from plenty of folks who have, including director Vincent Laforet. The C300's incredibly compact size allows cinematographers to work in environments that aren't typically accessible to big rigs -- you can shoot with this camera just as easily as you can with a DSLR, hand-holding it for quick shots, with a waist-mounted Steadicam system for walk-around shoots or even mounting it on a small remote-controlled helicopter, as Laforet did during his three-day Mobius shoot. The C300 will be more familiar to cinematographers -- photojournalists may have access to the cam, thanks to its $20,000 price tag (that's a relative bargain, believe it or not), but you can't pick this up and fire away without taking some time to learn the interface. It has quite the solid feel, as you'd expect from a camera in this price range, though it's not as heavy as it looks -- you won't want to hold it in your hand for a full day of filming, but quick shots probably won't be an issue. The system is modular, so you can add and remove components as you wish -- industry standard connectors let you hook up cinema gear, which is something you could never do with the 5D Mark II. The small form factor and price tag to match should help Canon gain some ground in Hollywood, but we'll wait for a chance to shoot some footage before drawing any firm conclusions. In the meantime, we'll have to take Laforet at his word -- which you'll find just past the break.%Gallery-138415%
Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor
Canon has more on the way from its newly launched EOS Movies lineup than just the C300, as shown by this new prototype DSLR. Promised to be "ideally suited for cinematographic and other digital high-resolution production applications" this camera packs a 35mm full frame image sensor capable of shooting Motion-JPEG encoded 4K video at 24fps. The press pics show it fitted with both EF 50 and new Cine 24 lenses, as Canon looks to blend the success of the 5D MK II with RED-rivaling video capabilities. The director of House shot an episode on that camera already and called it the future, which appears to be arriving sooner rather than later. Check out the press release after the break for the spec breakdown, just don't expect to hear anything about a name, price, or release date. %Gallery-138404%
Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video)
A New York Times photojournalist turned Hollywood director, Vincent Laforet has become synonymous with DSLR video, after his short film Reverie helped catapult Canon's 5D Mark II into the world of digital filmmaking. And after playing such a significant role in launching that camera, we certainly weren't surprised to see Laforet make an appearance at today's Canon Cinema event, with his short film Mobius getting some time on the big screen. The film follows a photojournalist who stumbles upon a Cartel execution, but it also tells the story of Canon's tightly-veiled C300 cinema camera, which the company launched just moments ago. Laforet used a pre-production C300 (note the green tape button labels) to shoot Mobius in the Mojave Desert under a variety of harsh conditions, including powerful sunlight and near-darkness, in both extremely hot and chilly temperatures -- the camera appears to have performed extremely well, given both the remote shooting environment and tight production schedule. Canon has yet to reveal the C300's price tag, which we expect to far undercut the $120,000 Arri Alexa kit, but its sheer portability makes it a more appealing option for filmmakers -- especially those with limited time and other resources. Laforet was able to shoot his film with a very small crew, since the C300 can be operated by just one photographer. The director used the camera mounted on a tripod, tethered to a variety of helicopters, sitting on the road and even hand-held, like a camcorder or DSLR. Laforet shot with Canon's new FK30-300 telephoto cine zoom PL-mount lens, along with a variety of EOS mount lenses, and notes that the camera's form factor makes it even easier to shoot with than a DSLR like the 5D Mark II. Its cost -- somewhere in the range of $20,000 -- should also put it within reach of not only Hollywood cinematographers, but also television directors and even documentary filmmakers and news photojournalists. We won't see the C300 hit the market until late January 2012, so jump past the break for a sneak peak at Mobius to see Canon's new cinema flagship, along with a rather comprehensive behind-the-scenes video.%Gallery-138348%
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa
Well, we have to hand it to Canon -- this was one tight-lipped product launch. The imaging company just unveiled its C300 cinema camera at Hollywood's Paramount Studios, in front of a crowd of hundreds of journalists and film industry elite, including Martin Scorsese. Canon is no stranger to the professional photography community, but it has yet to make a name for itself in Hollywood, where cameras such as the Arri Alexa and RED EPIC dominate the digital filmmaking world. The C300 may not appear to be overwhelmingly powerful on paper -- stock features include an EF or PL mount (not both), 1080p capture, a pair of CF card slots, timecode and HD-SDI output -- but judging by the sample films we saw today, its incredibly powerful sensor and versatile form factor are likely to play a more significant role in making this camera a success. Canon has a new 'EOS Movies' DSLR on the way too: 4K video, 35mm full frame sensor Canon C300 makes an appearance in Vincent Laforet's Mobius, find the short and behind the scenes right here (video) Canon C300 cinema camera hands-on (video)Fujio Mitarai is saying that the camera is especially well-suited to accurate color reproduction, particularly skin tones. We're also receiving word that the C300 will cost somewhere in the range of $20,000 -- how's that for affordable? It contains a Super 35mm CMOS sensor and delivers up to 4K resolution with the outfit's new "top-end" EF zoom lenses, which come in four flavors: two 14.5-60mm lenses and two 30-300mm. And the lenses keep on coming, with three EF prime lenses in 24mm, 50mm, and 85mm variations. That CMOS sensor offers 1920 x 1080 pixels for the reds and blues and 1920 x 2160 for greens. Like we said before, list price for the C300 will be $20,000 when it hits stores in late January 2012. And that appears to be it for this very long announcement, but we'll have our first impressions soon. Full PR awaits you after the break.%Gallery-138391%%Gallery-138405%Christopher Trout contributed to this post
The Canon Hollywood event liveblog!
Lights, check! Camera? Well, it soon might be a Canon. We're live from the red carpet at Canon's Hollywood launch event, where we're expecting the company to reveal its first cinema camera. We'll be watching the action live as it hits the silver screen in SoCal, but you can catch it all from home right here! Things get started at 3PM local time, translated into times for your locales below. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th) Photos by Zach Honig.
The Canon Hollywood event is tomorrow -- get your liveblog here at 6PM ET!
Canon has been incredibly tight-lipped about its upcoming announcement, with only a few vague details leaking out since the event was announced in September. What we do know is that the imaging company plans to unveil a product that represents a "commitment to play a larger role in the film and television community," and that Martin Scorsese will be on hand -- and we assume he's not there to announce that Sinatra will be shot exclusively with the 5D Mark II. Curiously, Red has scheduled an event for tomorrow evening as well, just a few blocks away from the Canon venue. We'll be coming to you live from Hollywood tomorrow evening, and if the hype is any indication, legacy cinema camera manufacturers have but a few hours left of industry domination. The curtain comes up at 3PM local time, and we've included a handy list of round-the-world start times below. Bookmark this page right here and find out as it happens. Psst... and toss your own time zone / day in comments below! 12:00PM - Hawaii (November 3rd) 03:00PM - Pacific (November 3rd) 04:00PM - Mountain (November 3rd) 05:00PM - Central (November 3rd) 06:00PM - Eastern (November 3rd) 10:00PM - London (November 3rd) 11:00PM - Paris (November 3rd) 02:00AM - Moscow (November 4th) 07:00AM - Tokyo (November 4th)
Canon EOS-1D X first hands-on (video)
Canon launches C300 cinema camera, prepares to take on Red Scarlet and Arri Alexa Nikon D5100 DSLR surfaces with 16.2 megapixel sensor, 1080p video recording Canon's EOS-1D Mark IV gets unboxed, high ISO modes tested Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X -- the latest in a series that dates back to 2001 with the EOS-1D. As you've probably noticed, the company's new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We've been anxiously awaiting an opportunity to check out Canon's new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company's Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.%Gallery-137442%
Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag
Stick a piece of gaffer tape over the unmistakable X, and Canon's latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon's phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging processors, which also help drive a 61-point high density reticular AF system, a top ISO setting of 204,000 (51,200 native), a 252-zone metering system, a 14 fps JPEG (or 12 fps RAW) burst mode and a built-in wired gigabit LAN connection, for remote shooting and image transfer. The camera's curious single-letter name represents a trio of industry milestones: the X is the 10th generation Canon professional SLR (dating back to the F1 in the 1970s), it's a crossover model, filling in for both the 1D Mark IV and 1Ds Mark III (which has been discontinued), and, well, it sounds to be pretty darn "Xtreme." The 1D X is being marketed to every category of professional photographer, from commercial studio shooters to newspaper photogs. It's familiar, with a similar control layout, yet different, thanks to its completely redesigned system menu -- accessed using the 3.2-inch, 1,040,000-dot LCD. There's also an incredibly sharp intelligent optical viewfinder, with an on-demand grid, AF status indicator, a dual-axis electronic level and a shooting mode readout. Video shooters can choose between 1080p video capture at 24 (23.97), 25 or 30 fps, or 720p at 50 or 60 fps. Canon has also eliminated the 4GB clip limit, though individual clips are limited to 29:59, in order to avoid European tax rates affecting HD cameras that can capture single HD video clips longer than 30 minutes. We're anxiously awaiting a chance to go hands-on with the EOS-1D X, and you'll have to wait until March before adding this $6,800 beauty to your gear collection, but jump past the break for the meaty rundown from Canon, and click through the rather thin product gallery below.%Gallery-136722%
Canon plans Hollywood event, ready to roll out the red carpet on November 3rd
Oh, what's this, Canon? You want your turn in the spotlight as well? Well, we suppose a hint of an announcement is better than a non-announcement, so bring it on! The imaging company just sent us word of a presumably star-studded SoCal event on November 3rd, giving its cameras a chance to walk the red carpet in a rather surprising Hollywood role reversal. We're not sure exactly what Canon plans to unveil that night -- a new mirrorless camera, or perhaps some fancy pants camcorder, destined for Hollywood's elite? But assuming the company isn't crying wolf, we'll be there with a live report from the red carpet.
RED EPIC scores a Canon EOS mount, Laforet gets some extraordinary footage (video)
We've seen some mind-blowing footage from RED's EPIC, as one might expect from a $39,500 camera with a 5K sensor and up to 120 fps video capture (at 4K). But video shooter and all-around photo wiz Vincent Laforet got to take an exclusive early look at the company's new Canon EOS mount, which pairs the EPIC-M with Canon's enormous collection of top-quality glass, including the 600mm f/4 L lens Laforet used for his shoot at Mono Lake in California. That lens, used with a 2x Canon teleconverter and the RED's multiplication factor, yields a 35mm-equivalent focal length of 3400mm, which as you'll see in the video below, enabled some pretty incredible video captures. RED has yet to officially announce availability for the Canon EOS mount, but has shared that it will cost $2,000 (pennies compared to the EPIC's $58,000 kit price), and will be constructed of titanium -- tasked with the critical responsibility of reducing movement during those extended-lens shoots. Jump past the break for Laforet's sample video, or check out his blog post at the source link for the full rundown.%Gallery-130053%
Canon EOS 7D joins fleet in receiving firmware update to fix manual exposure movie bug
"Fixes a phenomenon in which the set aperture moves when shooting movies in manual exposure mode using some Canon lenses (such as macro lenses)." If you've got a 5D Mark II, 1D Mark IV, or Rebel T2i handy and have been keeping its firmware fresh, that phrase should be all too familiar; all three of those shooters have received updates in the past two months to fix such an issue, and now it's time for the EOS 7D to get a fix all its own. Our darling budding filmmakers' tool is also getting a few tweaks with AF point display and selection, and the multilingual copy editors of this world can breathe a deep sigh of relief as typos in the Spanish and Thai menus have been corrected. Well, what are you waiting for? Focus your lens on Canon's website and download away.
Canon EOS 7D firmware kills the magenta phenomenon
We thought the vast majority of our EOS 7D's image problems were over, fixed in November's firmware, but just to nip any final nuances in the bud, Canon's released another update for the DSLR that fixes, among other things, "a phenomenon in which vertical magenta-colored banding appears in still images taken in movie-shooting mode." And here you thought your MGMT concert footage was just naturally that stylish. Download via the source link. [Thanks, Daniel]
Canon EOS 7D firmware update cures 'residual image' phenomenon
Say what you will, but Canon's customer service / engineering department definitely looks out for consumers willing to spend just under two large on a new body. Merely days after the outfit made public that a "residual image phenomenon" was negatively impacting EOS 7D images under certain conditions, it has now published a firmware update to wipe all of those woes away. Firmware v1.1.0 specifically "corrects a phenomenon that in images captured by continuous shooting, and under certain conditions, barely noticeable traces of the immediately preceding frame may be visible." Hit the read link if you're looking to put said phenomenon to bed. Or don't. We don't care.
Canon's EOS 7D experiencing 'residual image' phenomenon, fix is on the way
Canon's $1,900 EOS 7D DSLR just started shipping a month ago to pros and those who'd like to be, and already the thing is causing all sorts of fits when shooting continuously. In a service notice posted today on the outfit's website, we're told that images "captured by continuous shooting and under certain conditions [can exhibit] barely noticeable traces of the immediately preceding frame." The phenomenon isn't apt to be noticeable with optimal exposure, but apparently a number of Photoshoppers have been irked by the additional (and unwelcome) elements added to their shots. Canon assures us that a firmware fix is on the way, and you can bet we'll point you to a download link as soon as it hits. [Via DPReview]
