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Panasonic's new LUMIX consumer lineup: the high-powered FZ35, fashionable FP8 and thin-lensed ZR1
Panasonic is going at it from all angles today, with three new 12.1 megapixel LUMIX cameras with surprisingly distinct aims: LUMIX FZ35 (pictured) - The requisite "superzoom" of every lineup, the FZ35 doesn't disappoint on features, but the $400 pricepoint certainly pushes the limits of "consumer" camera. Features include 18x zoom and HD video recording, including a Creative Movie Mode with shutter speed and aperture settings for video. It also expands on typical facial recognition functionality with a "Baby mode" for... finding babies. LUMIX FP8 - While it can handle HD video, the FP8 is more about looks. Still, the 12.1 megapixel sensor and 4.6x zoom aren't bad for the form factor -- though the $300 pricetag isn't nothing. LUMIX ZR1 - Featuring the "world's first 0.3mm thin aspherical lens," the ZR1 manages a full 8x optical zoom while keeping its girlish figure when extended. There's also room for a 12.1 megapixel sensor. The cam goes for $280. All the cameras pack optical image stabilization and facial recognition, and the ZR1 and FZ35 have a "High Dynamic Mode" which presumably emulates HDR photography to some extent. All three will be out in September. Full PR is after the break.
Panasonic Lumix DMC-GH1 gets reviewed, recommended
If all those recently unveiled sample shots from Panasonic's Lumix DMC-GH1 have left you wanting more, you're in luck. The kids at Digital Photography Review have got their hands on the thing and have been kind enough to give us an extensive review. Rocking a Four Thirds imaging sensor, HD-video mode (with stereo sound recording), a multi-aspect sensor, and a video-optimized lens, the camera is essentially the G1 with HD-video, according to the review. Not that that's a bad thing, especially when noting that it has "the best implementation of video on a 'non-compact camera' that we've seen so far." Among the camera's strong points are its resolution, size and weight, build quality, image stabilization, and shutter-speed simulation. Still the reviewer didn't look kindly upon the camera's relatively small amount of RAW headroom, fairly low powered flash, poor battery life, and a loud shutter sound for a non-SLR camera. But overall? If you need a camera that performs admirably with video, and are willing to pay the $1500 premium, the GH1 comes highly recommended.
Panasonic's Lumix DMC-GH1 produces sample shots and videos galore
Panasonic's Lumix DMC-GH1 has already shown off its visual prowess a time or two before, but the eagle-eyed photogs over at DPReview have finally hosted up a cornucopia of sample shots and videos for those still unsure if a Micro Four Thirds camera is right for them. And hey, even those cats obviously understand a little tongue-in-cheek humor, wouldn't you say? Tap the read link for the full array of goods.
Panasonic's waterproof LUMIX DMC-TS1 unboxing
Looking for a digi cam that can stand up to your adventure vacations (you know, like, the beach) while also capturing HD-quality video? Panasonic's LUMIX DMC-TS1 may be your salvation, and we're happy to have one in the house for a bit of testing. It's only just arrived and we're still getting a feel for it, but so far we're impressed with the build quality of this semi-rugged 12 megapixel compact shooter, which is taking some solid pictures and videos through its 4.6x stabilized zoom. Full impressions will come soon, but for now enjoy a few unboxing shots.
Panasonic Lumix DMC-GH1 gets officially detailed, priced for US market
It's been a long, winding road to get to this point, but we've finally got Panasonic coming clean and telling us a little of what we already knew and lots of stuff we didn't regarding its Lumix DMC-GH1. The hotly anticipated Micro Four Thirds shooter is indeed getting priced at $1,499.95 when it lands in the US in "early June," and that MSRP will include the LUMIX G VARIO 14-140mm/F4.0-5.8 ASPH/MEGA O.I.S. lens. Speaking of the lens, it'll boast a silent motor and continuous auto focusing (AF) capability for HD video, a feature that's sorely (sorely!) lacking from video-capable DSLRs. The cam will ship only in black and will capture video in AVCHD 1080p/24p (or 720p/60p) form, and Panny also tells us that users can adjust shutter speed and control aperture during motion recording. Can you say: "want?"
Panasonic Lumix DMC-GH1 goes up for pre-order, for $1,499
Panasonic's Lumix DMC-GH1 certainly has a lot going for it. It's smaller than a DSLR, boasts some interchangeable lenses, and it's apparently more than up to the task when it comes to shooting video. Unfortunately, all of that doesn't come cheap, with the camera now up for pre-order from J&R for the not so low price of $1,499.99, which puts it well above a number of more-than-capable DSLRs. Of course, that price does include a 14-140mm lens, and it could come down slightly once some other retailers get in on the discounting action, but it's pretty clear that anyone simply looking for a low-cost alternative to a DSLR (or a low-cost DSLR, for that matter) will want to look elsewhere.[Via Crave]
Panasonic Lumix GH1 shoots some sample footage, gets examined
We've already gotten a pretty good look at Panasonic's new Lumix DMC-GH1, and even seen a few sample shots, but filmmaker and blogger Philip Bloom has now come through with yet another hands-on with the camera, and he's thankfully also gone the extra mile and included some sample video footage. As with some other lucky folks that have gotten their hands on the not-quite-a-DSLR, Bloom seems to be mightily impressed with it, saying that the image out of the camera is "utterly terrific," and that it's "a dream to use operational wise." He also found that the built-in mic was "way better" than the ones found on comparable, or even higher-end, Nikons or Canons (like the 5D Mark II pictured alongside the GH1 above), although it's obviously made even better by the optional top mic. Of course, it's the sample footage really tells the story, and you can find somewhat compressed version after the break, and an even higher quality sample at the link below.
Voigtländer adapter expands lens pool for Micro Four Thirds cameras
Granted, this was totally expected, but we can't possibly be more excited to see such a peripheral emerge before the Micro Four Thirds segment even has a chance to blossom. Cosina, parent company of Voigtländer, has just introduced a new adapter which aims to make Micro Four Thirds cameras (you know, like Panasonic's Lumix DMC-G1) compatible with a slew of existing Voigtländer, Leica and Carl Zeiss lenses. Unfortunately, we're told that the device is mechanical only, which could cause issues with some of the more advanced features that require tight knit camera-lens communication. Head on past the break for a full list of suitable lenses, and feel free to ping your favorite Japanese importer with a mailing address and at least ¥19,800 ($205).[Via Wired]
Panasonic expands Lumix FS line: DMC-FS12, DMC-FS62 and DMC-FS42
We tell ya, that Panasonic FS line sure knows how to expand. Just months after we saw a few more added to the mix, the point-and-shoot Lumix family is growing yet again with three new members. Kicking things off is the 12.1 megapixel DMC-FS12, which boasts a 4x optical zoom, optical image stabilization, 2.7-inch LCD, a WVGA (848 x 480) movie mode and digital red-eye correction. The 10.1 megapixel DMC-FS62 packs most of the same features, though it does step down to a 2.5-inch LCD. Finishing up the trio is the DMC-FS42, a 10.1 megapixel shooter that does most everything the FS62 does save for the omission of optical image stabilization and a few other minor exclusions. The whole lot is expected to arrive soon in a variety of hues, though precise pricing and availability details are still missing.
Panasonic DMC-GH1 handled on video, coming to North America in May
Panasonic's HD Micro Four Thirds shooter honestly can't arrive soon enough, with its continual autofocus while shooting, on-the-fly aperture switching and all around loveliness. Thus, it's with a heavy heart that we present to you the following tidbit: according to Doug Borbath, a senior project manager at Panasonic Canada, the DMC-GH1 won't ship to North America until "late May," though the pricing remains pretty much in line with what we've been hearing. It'll sticker at $1,899CDN, which equates to just over $1,500 here in the United States. That price does include the pretty astounding 14-140mm (28-280mm in Four Thirds terminology) stock lens, though it doesn't include the optional external microphone ($200; available "around the same time") nor the super wide angle Lumix G Vario 7-14mm/f4.0 ASPH (price unknown; available at GH1 launch). Check the read link for some seriously enviable footage.[Thanks, Jive]
Panasonic's DMC-TZ7 reviewed, offers great quality stills and vids
This is a great time to be shopping for a high-end pocketable digital camera -- assuming you're the sort who doesn't get overwhelmed when faced with plenty of options. With recent offerings like Fuji's F200EXR, Ricoh's CX1, and Casio's EC-FX100, it's a busy market, and now the arrival of Panasonic's DMC-TZ7 makes it even more so. Reviewed by Photography Blog, the 10 megapixel cam was found to offer great image quality at both ends of its 12x, 25 - 300mm Leica lens, functional image stabilization, and minimal noise up to ISO 400 (though it does go all the way to 1600). Even the 720p video recording impressed, which you can see for yourself in the sample vid embedded below. At the end it nabs a perfect rating, which might make it perfect for your pocket -- if you don't mind that $400 MSRP.
Panasonic's HD wonder Lumix DMC-GH1 gets previewed
We're still picking up our jaws (and eyeballs) off the floor at Panasonic's announcement of the many wonders the new Lumix DMC-GH1 has in store for us, but some lucky folks out there on the internet have actually handled the new camera and have a few impressions up for us poor GH1-less souls. The camera has an easy-access video button, to let people record right away without the voodoo associated with recording like on the D90. Panasonic samples the stereo mic at 46Khz for audio recording and along with the Wind Cut function the GH1 gathers what Lets Go Digital calls "impressive" results. Panasonic's iA functionality for automatic scene detection and face recognition is much improved in this camera, and the new VENUS Engine HD processor (one of two processors in the camera) apparently improves noise on ISO 1600 shots. The camera also has a new sensor which allows it to shoot in multiple aspect ratios, with a total of 14 megapixels to play with, though the camera is still rated at 12.1 megapixels. We're looking forward to a review, but things already sound very promising! Read - DMC-GH1 at Lets Go Digital Read - DMC-GH1 at Digital Photography Review
Panasonic's new Lumix DMC-GH1 does 1080p video in a Micro Four Thirds form factor
Not even a year after its Lumix DMC-G1 got all the glory as the first Micro Four Thirds camera on the market, Panasonic is back with a slightly tweaked version in the DMC-GH1. We say slightly tweaked since the exterior is more or less the same, but under the hood the camera has 1080p recording at 24 frames per second, or 720p recording at 60 fps, which the camera stores to AVCHD format. Panasonic has also included continuos auto focus, something lacking from most DSLRs with video capability. Users can set the shutter speed and aperture manually, and record stereo audio -- with an optional external mic if they so choose. The camera shoots 12.1 megapixel stills just like the G1, and now offers iPhoto-style Face Recognition in addition to Face Detection to make sure particular people are well exposed and in focus. No word yet on price or availability.[Thanks to everyone who sent this in]
Panasonic reveals new LUMIX bounty prior to PMA
Ah, the sweet smell of PMA. While the camera-filled trade show is still over a month away, Panasonic's not wasting any time in outing its new LUMIX lineup -- which we already saw with Euro model names earlier today. Up first is the ZS-series, which contains the 10.1 megapixel DMC-ZS3 ($399.95) and DMC-ZS1 ($299.95), both of which boast a 25mm ultra-wide angle lens and a 12x optical zoom. The ZS3 is marked as the planet's first digicam to feature HD video recording in AVCHD Lite (a subset of AVCHD restricted to 720p, yuck), and the twin CPU Venus Engine HD provides the power to handle it. Next is the DMC-FX580 ($399.95), a compact 12.1 megapixel shooter with a 5x optical zoom and a swank touchscreen on the rear. For the argonauts in attendance, there's the DMC-TS1 ($399.95), a rough and rugged 12.1 megapixeler with AVCHD Lite capturing abilities (guess it's numero dos?), a 4.6x optical zoom and a waterproof / shockproof chassis. Every last one will be available in April, and you can fill your mind with more knowledge on each in the read links below.Read - ZS-Series (DMC-ZS3 and DMC-ZS1)Read - DMC-FX580Read - DMC-TS1
Panasonic's DMC-FT1, TZ7, TZ6, FX550, and FX40 cameras outed by French authority
We're not sure what's going in France at the moment but a bevy of new 12 megapixel Panasonic Lumix cameras have broken loose with or without corporate approval. Let's start with the rugged €399 DMC-FT1 (pictured). It features a 12 megapixel (1/2.33-inches) with a 28-128mm optically stabilized 4.6x zoom Leica lens and a 2.7-inch LCD. It'll survive drops of up to 1.5 meters, water to a depth of 3 meters, while surviving storage in the dustiest of apartments. It'll even shoot 720p video in "AVCHD Lite" format... whatever that is. Next up are the €429 DMC-TZ7 and its £329 DMC-TZ6 little buddy. The TZ7 couples a 12x optically stabilized zoom (25-300mm) with the ability to shoot 720p HD video in that same AVCHD Lite format and reviewable on a biggie (but relatively common) 3-inch LCD. Also outed is the €299 FX550 with 5x zoom, 720p video capture, and a 3-inch touchscreen buzzing along with haptic feedback. It'll even handle aperture and shutter priority modes in addition to manual exposure for those who wish to push their amateur credentials to the edge. The €299 DMC-FX40 dials things back with a skinnier chassis and smaller 2.5-inch LCD while ditching the manual stuff. Check 'em all in the gallery. %Gallery-43234% [Via 1001 Noisy Cameras] Read -- FT1 Read -- TZ7 Read -- TZ6 Read -- DMC-FX550Read -- DMC-FX40
Panasonic's Lumix DMC-FX150 reviewed, perfect for higher-end casual photographers
If you've been waiting for SLR quality pics out of a camera you can slip into your pocket (and we're not talking cargo pants here), Panasonic's 14 megapixel Lumix DMC-FX150 is sadly not your product. However, if you've been looking for something that can take shots approaching the quality of something like a Canon G10 but do so in a more slender form factor, keep reading. PhotographyBLOG's review of this higher-end of the point 'n shoot range finds it to be quite good, capturing great images in bright light with very few chromatic aberrations. However, darker shots (bane of the pocket cam market) are still somewhat problematic, as the built-in optical IS fails to keep images sharp and noise appears at ISO 800 and above. Despite those annoyances the $399 camera (yours for about $100 less if you don't mind bargain hunting) scored overall high marks, becoming one of the best quality shooters you can buy and have a hope of fitting in your skinny jeans.
Panasonic kicks 29mm wide-angle LUMIX DMC-FS15 and DMC-FS7 out the door
Panasonic is beefing up its Lumix FS-series today with the introduction of two new shooters. The 12.1 megapixel DMC-FS15 with 29mm wide-angle 5x zoom lens with Mega OIS (optical image stabilization), intelligent ISO and exposure, face detection, and AF tracking to lock onto moving subjects. A dedicated iA button on the top of the camera allows for quick access to the Intelligent Auto Mode (iA) without getting lost in the menu. The 10.1 megapixel DMC-FS7 dials the zoom back to 4x and loses the auto exposure and AF tracking. Both cameras feature the Venus Engine IV image processor, auto-adjusting LCD, and the ability to record WVGA (848 x 480) video at 30fps in a 16:9 aspect ratio. Expect both models to land in March -- the $200 FS15 in silver, black and blue or the $160 FS7 in the additional colors of pink and green.Update: While Panny doesn't include them on its site, dpreview lists a new DMC-FS6 (like the FS7 only with 8.1 megapixel sensor) and budget-minded 8.1 megapixel DMC-LS85 with Mega OIS and AA battery power source.
MIT's portable 'seeing machine' for the blind enters testing
Many who are legally blind have functional retinas locked behind lenses so clouded they can't see a thing. Doctors can detect this type of ocular defect using a scanning laser opthalmoscope (or SLO), and can even focus an image onto those hidden retinas to allow the blind to see -- temporarily, since a cost of $100,000 and a rather non-portable design means SLO's are only suited for medical offices. We reported back in 2006 on the efforts of MIT's Elizabeth Goldring and colleagues to create a cheaper, portable version, and now a prototype is entering testing. It's comprised of a digital camera (looks like possibly a Lumix DMC-TZ50) mounted to an LED-backlit LCD that is able to focus to a point, penetrating lenses damaged by glaucoma or macular degeneration. No word on when this sort of thing might be generally available, but testing will take place at the Beetham Eye Institute in Boston, so head on over if you want to get some eyes-on time with one of these.[Via tgdaily]
Panasonic's Micro Four Thirds Lumix DMC-G1 reviewed: only knock is the price
The question has been on your mind since we first got wind of this so-called "Micro Four Thirds" concept back in August: how will it stack up? Now that Panasonic's Lumix DMC-G1 is filtering out to the world, we're able to kick back and digest a mammoth review of this here camera thanks to the fine folks at Digital Camera Resource. Without going into dissertation-level detail in this space, we'll tell you that the biggest issue critics had with the G1 was its price. Not the image quality. Not the size. Just the price. In other words, Panny has delivered a superb camera that offers up "very good quality photos, an unmatched live view shooting experience and a nice collection of both automatic and manual controls." Deemed the first to "truly offer a point-and-shoot experience on an interchangeable lens camera," the DMC-G1 looks to be a real winner if you've got $800 to blow.[Via 1001 Noisy Cameras]
Panasonic's Lumix DMC-G1 ninja-ships to consumers
Panasonic had us fooled with that press release dating its micro Four Thirds camera, the Lumix DMC-G1, for mid-November. We're not sure what Panny was trying to pull, but when we took a gander at its online store today we discovered that the G1 has already started shipping. The price is $799.95 as expected, so your time has come if you've been dying to try this slim and sexy micro Four Thirds thing out -- though we might wait for a few reviews to drop to confirm that the performance matches the price.
