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Samsung shuns point-and-shoot cameras, switches factory to pricier mirrorless types
Samsung's main camera plant in China is being converted to produce high-end mirrorless cameras instead of cheaper compacts. That's a steel-and-concrete sign that the manufacturer is trying to boost digital imaging profits by focusing on cameras with higher margins, and it implies a level adaptability that other companies can only dream of. To drive the point home, Samsung's imaging chief Han Myoung-sup told the WSJ that "low-end compact camera offerings will gradually be reduced" to make way for the "mirrorless segment." A wise move? Well, Sammy's latest NX range of interchangeable-lens (ILC) mirrorless models start at around $700, which is at least twice the going rate for a decent point-and-shoot. While that higher price point may seem off-putting, demand for mirrorless cameras is actually expected to explode by 60 percent this year, according to IDC projections -- while sales of compacts are retreating in the face of ever more powerful smartphone snappers. Ultimately, Samsung's business plan could be good news for us end-users too, if a newly expanded NX range brings the entry point for ILCs down by $200 or so -- although that could just be wishful thinking on our part.
Olympus OM-D E-M5 Micro Four Thirds camera review
More Info Olympus OM-D E-M5 Micro Four Thirds camera preview (video) Cameras, Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video) Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April) Stepping across the great DSLR divide into the land of mirrorless cameras always requires some compromise. Focusing speed, image quality, lens compatibility and battery life are frequent casualties, but for everyone except professional shooters, the size and cost benefits of swapping a full-grown beast for a compact ILC surely help soften the blow. The latest Micro Four Thirds model from Olympus, the OM-D E-M5, adds functionality that expand that list of betterments even further, allowing more versatility than larger DSLRs have to offer. These perks include a water-resistant design, for starters, along with a nifty lens that offers macro shooting and both manual- and powered-zoom in one compact package. One area where the 16-megapixel E-M5 does match the footprint of its full-size brethren is in price: you'll drop a cool grand for the body alone, while the 12-50mm f/3.5-6.3 lens kit will bump that tag up another $300. Make no mistake, the E-M5 is a fantastic camera, but $1,300 is mighty steep for any mirrorless model, especially one with a Micro Four Thirds sensor. This, however, is no ordinary MFT camera. As the first model in Olympus's OM-D line -- taking design cues from the company's popular line of OM film cameras -- the E-M5 is in a class of its own, at least as far as Olympus's portfolio is concerned. Besides physical appearance, perhaps, the most notable selling point is its focus speed: press the shutter release, and your subject comes into clarity with rapid-fire precision, whether you're shooting in bright sunlight or a dark restaurant. But though the E-M5 has already received accolades for its powerful focusing, you might be wondering how the whole package performs. Meet us past the break to find out.
Fujifilm X-Pro1 mirrorless camera review
More Info Fujifilm confirms X-Pro1 at CES Fujifilm X-Pro1 interchangeable lens camera preview Sony Alpha NEX-7 mirrorless camera review Hear any mention of retro-styled cameras with exorbitant price tags and it's hard not to get suspicious. That kind of talk brings to mind Leica's incessant re-branding of Panasonic Lumix models, or those unicorn limited editions out of Japan that just leave us baffled. But it's okay, you can relax with the Fujifilm X-Pro1. At $1,700 for the body only it's crazily expensive, sure, but not when you compare to an $8,000 Leica M9-P. Besides, it's a legitimate heir to a strong line of Fuji shooters that includes the much-loved X100 and the more accessible X10. That's a strong pedigree, and no matter how deeply you peer into its mirrorless aperture, the X-Pro1 should offer up enough technology to stop you being cynical. Like what, you ask? Well, a genuinely surprising bespoke 16-megapixel APS-C sensor, for starters, plus a hybrid viewfinder designed to keep everyone happy all of the time, and a Fuji X lens mount that already has a Leica M9 adapter available (plus others, like Nikon, if you scan eBay). It all adds up to something special, but before you go tweeting this article to whimsical rich uncles, there are also some complicating factors you ought to be aware of. Even in a utopian paradise where everyone could afford this sip of photographic luxury, it's far from certain whether everyone would choose it over other interchangeable lens cameras. Read on past the break and we'll explain why.
First image of Sony NEX-F3 leaked, outs 16.1 MP sensor
Leave it to photography buffs to leak product shots that are decidedly unblurry, if poorly framed. Dpreview forum goer Bibogue outed a sneak peek at the Sony NEX-F3, a mirrorless shooter that seems to be poised to replace the NEX-C3. The leaked picture appears to reveal a 16.1 megapixel sensor, a built in flash and a 180-degree tilting screen, and Bibogue says the unit sports a new peaking level feature to help fine-tune manually focused shots. The new unit seems to retain its predecessor's proprietary accessory connector as well, so prospective buyers should choose their peripherals wisely. [Thanks, Sjoer]
Fujifilm X-Pro1 high-ISO shots go under the loupe in mirrorless standoff with OM-D E-5 and NEX-7
We'll soon be putting Fujifilm's new interchange able shooter through our own wringer, but in the meantime we found an apt low-light comparison with two of its non-reflex brethren. Although blogging photog Steve Huff admits the tests are "crazy" and depend on the camera's own auto-exposure choices, the results do give some food for thought. How would the pricier rangefinder-bodied X-Pro1 stack up against the Sony NEX-7 and Olympus OM-D E-M5? If we had to guess -- and we really do, given his methodology -- the noise levels on the Fuji at ISO 3200 and 6400 look to be slightly better than the Sony and smaller-sensored Olympus. If you'd like to take a stab at judging for yourself, follow the link below.
Samsung's NX20, NX210 and NX1000 mirrorless camera trio hands-on (video)
We already chewed the cud on these 20.3-megapixel shooters in the early hours of this morning, but Samsung knows we have multiple stomachs for this kind of thing so it invited us in for a little hands-on time. Now, it's worth reiterating that these cameras are far from cheap: the DSLR-rivalling NX20 costs $1,100 with the kit lens, the compact NX210 costs $900 and the wee NX1000 has yet to be priced but could likely come in at around $700. Even so, now that we've had the pleasure of meeting each one individually, there are a few key selling points that make them stand out, and which could potentially turn Samsung into more of a challenger in this game. What selling points, exactly? Oh, only things like big APS-C sensors, AMOLED displays and built-in WiFi across the board. If any of that appeals, read on for more.
Samsung adds 20.3-megapixel NX20, NX210 and NX1000 to mirrorless cam lineup (update: now with video)
You probably know Samsung best as the mobile tech giant that it's exploded to become. The Korean company has also unleashed a blockbuster television or two in the past few years, along with some of the most gorgeous tablets to come out of the Far East. One area where Samsung has yet to dominate is the digital camera market, however -- the company pumps out some pretty innovative imagers, that for one reason or another haven't caught on like their Japanese counterparts, including those from the likes of Canon, Nikon, Olympus, Panasonic and Sony. Sure, Samsung's point-and-shoots could be labeled as gimmicky under-performers, despite their success in Asia, but its mirrorless cameras have been established as viable competitors in the fast-growing ILC market -- from a performance perspective, at least. What the firm really needs to gain share is a killer model with an incredibly competitive price -- an entry-level cam that comes in at, say, $499 with a decent kit lens. Sadly, there's no sub-$500 ILC in this latest bunch, with the NX20 priced at $1,100 and the NX210 set to retail for $900. The NX1000 has yet to get a price tag, though based on those first two flavors, we wouldn't be surprised to see it hit stores with a $700 sticker. There's more to these cameras than price -- well, there is and there isn't, depending on your needs -- but in a market with offerings as solid as the $600 Sony NEX-C3 and $1,100 Olympus E-M5, what Samsung really needs is a product that drops jaws not because of its high megapixel rating, but rather its very low price tag. The company has built a solid portfolio for 2012 -- all three NX cameras include the same 20.3-megapixel Samsung-manufactured APS-C CMOS sensor with an ISO range up to 12,800, 1080/30p video, an 8fps full-res burst mode, integrated WiFi and a 3-inch display, though body size, user interface and other features will differ. Join us past the break for a closer look at each camera. (Update: Courtesy of our sister site Engadget Chinese, we've added some hands-on videos.)
Samsung's WiFi-equipped NX20 camera gets FCC mugshot
Pretty, isn't it? You're looking at a regulatory block diagram of the NX20, which is still unannounced but is probably the successor to Sammy's NX11 mirrorless camera. We're not totally sure how it'll fit into the manufacturer's line-up, but an earlier leak pointed to an APS-C sensor akin to the NX200's, plus a 20.3-megapixel resolution, 12,800 ISO, and built-in WiFi -- that last spec being about the only thing we're able to confirm from the FCC test report.
Panasonic Lumix GF5 looks identical to its predecessor, offers similar specs for $100 more (hands-on)
It's been a bumpy ride for Panasonic's GF line of Micro Four Thirds cameras. The GF1, an excellent mirrorless camera for its time, was soon replaced with a less-capable entry level model, the GF2. Then another, the GF3. And now, it's time to say hello (again) to the GF5. For better or worse, the GF3 won't be going away -- it'll sit tight at its new $500 price point (with a 14-42mm kit lens), ready to confuse consumers looking to purchase its nearly identical, yet $100 pricier, pseudo-replacement. Both cameras come equipped with 12.1-megapixel Live MOS sensors, though the newer model adds a "High Picture Quality" distinction -- it's been dubbed a 12.1-megapixel "High Picture Quality" Live MOS sensor. So, naturally, we're going to expect some pretty incredible images. Panasonic has also added an ISO 12,800 "extended" mode (the GF3 topped out at a native ISO 6400). There has been a jump in the video department, with 1080/30p MP4 recording joining the 720p mix. Burst mode capabilities have seen an increase as well, from 3.8 frames-per-second to... 4. Finally, it's slightly larger, due to a more substantial (and more comfortable) grip, though battery life has dropped from 340 shots to 320, likely due to a new processing technique aimed at further reducing noise in low-light captures. The GF3 and GF5 look so similar that we mistakenly photographed the former for a minute or two, only realizing the error when we flipped on the LCD. The 5 has a much-improved touchscreen, with a 920k-dot resolution (460k dots on the GF3). It looks gorgeous by comparison, but amateurs making the switch from a point-and-shoot may not take notice. The features they'll appreciate most relate entirely to the GUI, and include a highlight window for selection options, 14 filters with a realtime preview option, a background image that appears on the main menu and a filter recommendation while in Intelligent Auto. This feature works by suggesting that you apply the Expressive or Toy Effect if you're taking a macro shot, for example. Other additions include a stereo microphone for video capture, though the left and right mics are positioned oddly near each other -- on either side of the word "MIC" on the top of the camera, with the right mic angled towards the left -- so we can't image that you'll be getting a true stereo effect. Like its predecessor, the GF5 is clearly designed with beginners in mind -- more advanced photogs should consider the GX1 -- but with a $599 sticker price (with 14-42mm lens), it's sure to be a hit.
Lensbaby Composer Pro gets Samsung, Sony, Micro Four Thirds mirrorless mounts
Lensbaby faithfuls awaiting a mirrorless-compatible Composer Pro lens need not hold out any longer. The company's high-end creative optic is now shipping for mirrorless mounts of the Samsung NX, Sony NEX and Micro Four Thirds variety -- including the Panasonic Lumix G and Olympus PEN. These latest additions join Canon, Nikon, Sony Alpha, Pentax K and Four Thirds versions, which are all available for 300 bucks at the source link below.
Samsung NX20 WiFi gets unofficial reveal
Dutch site Focus Media got its hand on Samsung's new mirrorless camera. While it's labeled up as pre-production model, that didn't stop it getting the once-over. A larger frame than the existing NX11 apparently makes space for a new 20.3-megapixel APS-C sensor now capable of 1080p video. Other specification bump-ups include a new max ISO of 12800, a minimum shutter speed now reaching 1/6000 of a second and WiFi connectivity to boot. Pricing and release information remain non-existent, but once it gets acknowledgment from Samsung's higher powers, we'll get you the full technical rundown. Until then, a full gallery is waiting at the source.
Pentax K-01 and Optio WG-2 cameras now available
Pentax has been teasing us with its trio of cameras for what seems like an eternity. It's been long enough that we've actually had playtime with the new mirrorless flagship, the K-01. That chunky retro body will turn some heads in the street, so any fashionistas can now pick it up. It'll be winging its way to stores at the same time as its extreme-living WG-2 and WG-2 GPS, which are perfect for recording your Bear Grylls routine. The former will set you back $750 for the body, or $900 with a 40mm kit lens, whilst the Optio WG-2 is $350 or $400 if you want one with built-in GPS.
Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April)
If a ship date pops up on Amazon for a date in the not-so-distant future, we're typically inclined to listen up -- after all, the world's largest e-tailer probably has a fairly good idea of when its products will first leave the warehouse. This time, it's the Olympus OM-D E-M5, which just appeared on the distributor's Japanese site with an estimated release date of March 31st. There's no mention of a date on the company's U.S. site, however, so it's still unclear whether or not the Micro Four Thirds cam will hit North American shores on the 31st as well. Still, unless a trip to Japan is in the cards for the end of Q1, your best bet for getting early access to the highly-anticipated mirrorless cam would probably be to get your pre-order on at our coverage link below.Update: We're now seeing US retailers listing the device with an April 10th release date. Check the More Coverage links below.
Canon lens patent suggests mirrorless camera plans, can't let Nikon have all the fun
It looks like Canon's finally decided to get involved in that nebulous area we call mirrorless cameras. A patent application spotted on Japanese site Egami outlines the type of lens we may see on Canon's first effort. Admittedly, the leaked details aren't particularly thrilling; it looks like a typical kit lens, with an 18-45mm focal length and aperture settings from f/3.5 to f/5.6, but if Canon is getting into the game, the world of ILC is about to get a little more interesting.
Olympus black E-M5 Micro Four Thirds camera and internals eyes-on
By now we're quite familiar with the Olympus E-M5's attractive external appearance, but what does it look like on the inside? The company carefully disassembled its new flagship model, and displayed the components in ten layers for us to examine at CP+ in Yokohama, Japan. The image sensor module is perhaps the most impressive component, due in part to its five-axis sensor-shift image stabilization. We can also spot the magnesium alloy shell, main system board and top plate. Another display encased a compete E-M5 kit, with a lens, split right down the middle. You'll find a variety of views in the gallery below, along with a special treat: the all-black version of the E-M5, in all its smooth metal glory.
Pentax K-01 mirrorless camera doesn't feel as cheap as it looks, we go hands-on (video)
After Pentax boasted about the performance of its incredibly small Q mirrorless cam, we're certainly justified in approaching the company's latest ILC with a bit of skepticism -- especially given its blatant toy-like appearance. But after spending a few minutes with the K-01 at Pentax's CP+ booth, we can confirm that the compact camera doesn't feel nearly as cheap as its looks may imply. The camera includes a brand new 16.28-megapixel APS-C CMOS sensor -- a far cry from the 12-megapixel 1/2.3-inch imager included with the petite Pentax Q. There's also a bright 920k-dot 3-inch LCD, a sensitivity range of ISO 100-25,600 (!) and 1080/30p video capture. It's also, believe it or not, compatible with Pentax's range of K-mount DSLR lenses.The K-01 is a bit hefty for a mirrorless camera -- it dwarfs the near-pocketable Pentax Q -- and has a weight to match its rather large footprint. The cam actually feels quite durable, though we're definitely not sold on its "fun" Michael-Graves-meets-Fisher-Price design (think smooth corners and bright colors). There's a built-in pop-up flash, along with a hot shoe positioned just over the lens. There's also -- much to our surprise -- a microphone input. We can't imagine pairing this thing with a pricey external mic rig, but if you're not too embarrassed using this for professional applications, the included audio input may come in handy. Jump past the break for a quick video walkthrough from Japan, and keep an eye out for the camera closer to home -- the $750 (body only) K-01 is expected to hit stores next month.
Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video)
Olympus's inaugural OM-D mirrorless interchangeable lens camera, the E-M5, boasts the world's fastest autofocus and a pretty fantastic design, but it's also the first camera to implement a new five-axis sensor-shift image stabilization technology, that allows the lens to compensate for camera shake. The company was on hand at CP+ 2012 to demo the new sensor, which really does shift every which way to keep your photos and video still. We'll of course need to spend some time shooting photos and video with the E-M5 before labeling the five-axis sensor a success, but from the demo we saw today, it looks pretty darn promising. Jump past the break for a video hands-on, and scroll through the photos below for an up-close view of Olympus's latest Micro Four Thirds masterpiece.
Olympus OM-D E-M5 Micro Four Thirds camera preview (video)
Olympus has embraced the camera designs of yesteryear for several generations, from its first Micro Four Thirds models to last year's E-P3. But now the Japanese camera maker is stepping up its retro game, announcing a brand new line of Micro Four Thirds cams. Meet the OM-D. A dramatic departure from the more modern-looking PEN cameras, this new line of mirrorless models, specifically the E-M5, in many ways duplicates the design elements of the 1970s-era OM System. The first consumer camera in that SLR lineup, the OM-10, served as clear inspiration for the slightly boxy, black or silver and black magnesium alloy digital model we have today. We were able to spend some time with the Olympus E-M5 before tonight's announcement, and were very impressed with what we saw. Jump past the break for our impressions and an Olympus-guided video walkthrough, and thumb through the gallery below for a detailed look at the company's answer to the Fujifilm X-Pro1.
Sony Alpha NEX-7 mirrorless camera review
Remember the NEX-7? Ever since a days-long shooting session back in September, Sony's prized mirrorless cam has eluded us -- and the rest of the world. As you may recall, the flagship Alpha ILC was hit by the Thailand floods, resulting in delay after delay, eventually missing the holiday shopping season entirely before resurfacing late last month. Another week later and our beloved Sony Alpha NEX-7 has finally arrived, ready to take on the streets of New York City. So what exactly is the NEX-7, and why does it cost as much as a mid-range DSLR? First off, the 24.3-megapixel APS-C ILC captures, well, 24.3-megapixel images, offering the highest resolution of any mirrorless model on the market. Its APS-C sensor is identical to the one found in Sony's A77 DSLR, measuring larger than Micro Four Thirds and on par with most full-size digital SLRs.If having the ability to capture mural-size images ranks fairly low on your digicam wish list, you may take comfort in some of the NEX-7's other features, such as its gorgeous and durable magnesium alloy body, built-in XGA OLED electronic viewfinder, 3-inch, 921k-dot articulating LCD and unique tri-navi control interface that enables direct access to key settings adjustments, including both aperture and shutter speed in manual mode. There's also 1080/60p HD movie capture with full manual control and microphone input support, a 10 frames-per-second continuous shooting mode (with exposure and focus locked) and a BIONZ image processor that's capable of delivering low-noise images all the way through ISO 16,000. These features combine to make the NEX-7 one of the most powerful mirrorless cameras to date, but are they enough to justify the $1,200 body-only price tag? Join us past the break to find out.
Pentax confirms the rumors, mirrorless K-01 coming March 2012 (video)
We heard it was coming, and confirmation arrives today of Pentax's latest model, the K-01. The manufacturer is cheer-leading the fact that it uses the world's thinnest interchangeable lens for lens-interchangeable cameras, which really rolls off the tongue. The body is compatible with the rest of your K-series lens, although they're presumably going to look awkwardly thick in comparison. The 40mm lens can cope with aperture settings down to f/1.8 f/2.8, while the camera packs a new 16.28 megapixel CMOS sensor, with an ISO range of 100 to 25,600. Video chops have also been improved; a new recording button for instant start and a stereo mic differentiate it from the K-5. Video capture can be done at 1080p with 30, 25 or 24fps settings available. The aluminum-bodied camera will arrive in yellow, black and white next month, priced at $750 for the high-design body or $900 with the DA 40mm lens included. The lens will also be available, priced at $250. You can see designer Marc Newson emote about his latest creation in the video right after the break.
