pointandshoot

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  • Samsung's CES 2011 camera lineup: DualView ST700, PL170 and PL120 / WB210 and PL210

    by 
    Darren Murph
    Darren Murph
    01.05.2011

    Samsung, taking it easy at CES? Not a chance. Hot on the heels of a smorgasbord of new HD gear comes a five-pack of new cameras. Three of 'em are situated in the company's growing DualView line, which places a display on the front that makes self-portraits entirely easier to snap. The ST700 point-and-shoot includes a 16.1 megapixel sensor, 5x optical zoom, dual image stabilization, a 3-inch touchscreen on the rear, a 1.8-inch screen on the front, 720p movie mode, an ISO range that tops out at 3200 and a $279.99 retail price. The PL170 ($199.99) is also equipped with a 16.1 megapixel sensor and a 5x optical zoom, but the screen on the front is stepped down to 1.5-inches and the feature set is scaled back. The PL120 is the lowest-end of the new DualViews, with a downsized 2.7-inch rear LCD and a $149.99 price point. In related news, the WB210 (shown above) and PL210 are also debuting today, with the former touting a 12x zoom lens, a 22.4mm thick body and a 14 megapixel sensor. The PL210 goes with a 10x optical zoom, 27mm wide-angle lens, a 3-inch rear LCD and a 14 megapixel sensor. These are slated to go on sale next month for $279.99 and $199.99 in order of mention, and the full releases are waiting for your eyes just after the break. %Gallery-112774%

  • Fujifilm's CES 2011 point-and-shoot lineup: Finepix Z90, AV200, AX300, JV200, JX and T series

    by 
    Darren Murph
    Darren Murph
    01.05.2011

    Fujifilm's rugged Finepix XP30 just a bit too rough around the edges for you? If so, we'd recommend grabbing a cup of joe and diving into the outfit's CES 2011 line of point-and-shoot cameras. The company's holding nothing back with this year's barrage of new shooters, so let's get to it, shall we? The Finepix Z90 (shown above) is a sleek, svelte new compact with a three-inch resistive touchpanel, 14 megapixel CCD sensor, Fujinon 5x wide-angle optical zoom lens and automatic upload to both YouTube and Facebook. There's also a new 'Dual Direction GUI' (which splits the rear screen in various ways to view multiple images at once) digital image stabilization, face detection / red-eye removal, a 720p movie mode and a chassis that's just 17.5mm thick. It'll go on sale in around a fortnight for $169.95. The Finepix AV200, AX300 and JV200 are aimed at the bargain consumer, with all three boasting a 720p movie mode, face detection and a relatively understated design. The AV200 and JV200 are outfitted witha 14 megapixel CCD sensor and a 3x optical zoom lens, while the AX300 steps up to a 5x optical zoomer. The trio packs a 2.7-inch rear LCD, digital image stabilization and automatic red-eye removal. The AV200 and AX300 get powered by a pair of AA batteries, whereas the JV200 is equipped with a rechargeable Li-ion. The whole lot will go on sale in the US next month, with pricing set at $89.95, $99.95 and $109.95 in order of mention. For those looking to step up a bit, there's the new JX series. The JX300 and JX350 include 5x optical zoomers and a 720p movie mode, not to mention a 2.7-inch rear LCD, metal body and Li-ion rechargeable battery. The JX300 is blessed with a 14 megapicel CCD sensor , while the JX350 packs a 16 megapixel CCD sensor. Fuji plans to hawk the 300 in silver, whereas the 350 will be available in brushed metal or black. Other features include an easy YouTube / Facebook upload, smile / face detection and red-eye removal. The JX300 will go on sale next month for $129.95, with the JX350 coming in April for $159.95. Wrapping things up, we've got the T200 and T300, both of which are equipped with 10x Fujinon optical zoom lenses (28mm to 280mm) and a 720p movie mode. These check in at just 18.5mm thick and include sensor shift image stabilization and a 14 megapixel CCD sensor. The T300 ups the ante with a 3-inch high-res display, while the T200 gets saddled with a 3.7-inch display. We're told that the T300 will be available in black, while the T200 gets wrapped in a gunmetal finish. The T300 will ship in April for $199.95, and the T200 will go on sale this March for $20 less. %Gallery-112519%

  • Fujifilm brings 30x optical zoom to Finepix HS20EXR, 15x to F500EXR and F550EXR

    by 
    Darren Murph
    Darren Murph
    01.05.2011

    Is 2011 the year of the superzoom? It's doubtful, but darn if Fujifilm isn't trying hard to make it so. Following up on the outfit's CES 2011 unveiling of the Finepix XP30, XP20 and a slew of low-to-mid-range point and shoots comes this stash: a pocketful 'tater sack full of nicely specced megazooms. Let's break 'em down, cool? The Finepix HS20EXR (which leaked just a few hours ago) is easily the crown jewel of this bunch, boasting a 16 megapixel EXR-CMOS sensor, a 30x Fujinon manual optical zoom lens (24mm to 720mm equivilent), a tilting 3.0-inch LCD, a 'heads-up' sensor that automatically changes from LCD to EVF, 8fps continuous shooting, 1080p movie recording, the ability to shoot in RAW (or RAW + JPEG), an optional remote release cable and support for two Fujifilm external flashes. This bad boy will ship in late March for $499.95. Looking for megazoom range in a compact's body? You've found it. The Finepix F500EXR and F550EXR both offer relatively sleek bodies, a new 16 megapixel EXR-CMOS sensor, a 15x Fujinon wide-angle zoom lens and a 3-inch LCD on the rear. You'll also get high-speed shooting capabilities as well as a 1080p movie mode, with the 550EXR stepping up and adding both GPS geotagging and the ability to capture files in RAW. Both cameras measure 22.9mm thick, offer image stabilization and have an ISO range of up to 1600. Both of these shooters will hit in mid-March, with the 500EXR going for $329.95 and the 550EXR seeming like a pure-tee bargain at just $20 more. Bringing up the rear, it's the new S series. The SLR-styled Finepix S2950, S3200 and S4000 superzooms boast a 14 megapixel sensor, with 18x, 24x and 30x Fujinon optical zoomers available in order of mention. You'll also get dual image stabilization, a 3-inch LCD around back, an electronic viewfinder, 720p movie mode and the ability to power these with a pair of AA batteries. The S2950 will go on sale this month for $229.95, while the S3200 hits next month for $249.95 and the S4000 lands in March for $279.95. %Gallery-112520%

  • Kodak intros Easyshare Touch, Mini and Sport cameras, Playfull and Playsport camcorders

    by 
    Darren Murph
    Darren Murph
    01.04.2011

    Things are just getting underway here at CES in Las Vegas, and Kodak's on-hand in order to serve up its latest smorgasbord of optical treasures. Without further ado, allow us to present to you the Easyshare Touch -- a $149.95 offering with a three-inch capacitive touchpanel, a dedicated video record button, a 14 megapixel sensor, 5x Schneider-Kreuznach lens and an HDMI output. Next up is the $99.95 Easyshare Mini, described as Kodak's smallest camera yet. It's "around the size of a credit card," offering a 3x wide-angle optical zoom lens, a built-in front mirror (you know, for those glorious self-portrait sessions), a ten megapixel sensor and a 2.5-inch rear LCD. Moving right along, there's the $79.95 Easyshare Sport, which is the outfit's first waterproof camera that can go up to ten feet underwater without any significant consequences. It'll also shrug off dirt and dust while snapping 12 megapixel shots and previewing them on the 2.4-inch LCD. Sashaying over to the video realm, there's the $149.95 Playfull camcorder, which touts an ultraslim design (it'll "fit in the pocket of your skinny jeans," according to Special K), a 1080p capture mode and an unmistakable 'Share' button to get your footage onto YouTube or a social network without any wasted time. The company's also using CES as an opportunity to launch the next generation of its Playsport video camera, with this $179.95 model being waterproof up to ten feet, shockproof, dustproof and capable of logging clips at 1080p. You can also snap stills at five megapixels, and that previously mentioned 'Share' button is predictably tacked on here as well. Speaking of revisions, the Pulse digital photo frame is also seeing a gentle refresh, with this one available in 7-inch ($129.95) and 10-inch ($199.95) sizes. The newcomers add the ability to comment on the pictures you receive from friends and family, with our favorite predetermined response being "Such a KODAK MOMENT!" Seriously. Oh, and these also have an ingrained activity sensor that turns the frame off when you walk away, and brings it back to life when you re-approach. Finally, the ESP C310 all-in-one printer will be selling for $99.99, but so far as we can tell, Kodak would rather extol the virtues of its ink-saving abilities than drum up interest in its cutting-edge feature set. Further details can be spotted in the full release after the break. %Gallery-112240% %Gallery-112328%

  • Samsung unveils i-Functional NX11 mirrorless camera, WB700 with 24x zoom (update: pictures)

    by 
    Ross Miller
    Ross Miller
    12.28.2010

    Just when you thought it'd be a week devoid of notable announcements -- what, with CES less than a week away -- along comes Samsung with two new cameras. The first one is an upgrade to the mirrorless NX10, naturally called the NX11, that boasts a change in grip design and compatibility with the i-Function lens found on the NX100. The other nitty-gritty details for the 14.6 megapixel shooter: a 3-inch AMOLED LCD screen, VGA viewfinder, 720p 30fps HD recording, and an APS-C sensor. Price and date? $649 with a bundled 18-55mm zoom lens, available in February. In smaller news -- volumetrically, at least -- the 16 megapixel Samsung WB700 sports a 24x zoom (that's 18x optical and 1.3x smart zoom), a 24mm ultra-wide Schneider Kreuznach lens, CCD sensor, and 1080p 720p HD video. You're gonna have to wait a little bit longer for that one -- April, to be more specific -- for a penny under $300. Press releases are after the break, and we'll get you the pictures as soon as Sammy sends 'em. Update: We found the pictures! Update 2: Samsung just informed us of an error in the WB700 press release. It records 720p, not 1080p as first written. Also, it doesn't shoot RAW. First the words giveth, then they taketh away. %Gallery-112146%

  • Rollei goes 3D with Power Flex 3D point-and-shoot, Designline 3D photo frame

    by 
    Donald Melanson
    Donald Melanson
    12.23.2010

    There may still be some camera makers resisting the 3D trend, but that's getting to be an increasingly dwindling lot -- the latest to jump into the game is Rollei, the 90-year old German manufacturer, which has just announced its new Power Flex 3D point-and-shoot and accompanying Designline 3D photo frame. As you can see above, the camera looks fairly unremarkable expect for that second lens, and the specs are also pretty much in line with some similar 3D point-and-shoots, including 720p video recording, 5 megapixel still images, and a 2.8-inch LCD 'round back that promises to let you see your images in something resembling 3D without the need for 3D glasses. The photo frame also apparently uses the same sort of no-glasses 3D, but thankfully packs a larger 7-inch screen -- check it out after the break. Still no word on a release over here, but both the camera and photo frame will be available in Europe next month for €300 (or just under $400) apiece.

  • Samsung Ucim digicam concept saves shots to three USB sticks

    by 
    Darren Murph
    Darren Murph
    12.19.2010

    So, let's say you're out with a bud. Two buds. Just you three, hanging out, talking up memories of the days when you all kept in touch via the Kin Spot. And then, a monument. Any monument will do. You bust out a point and shoot, scrunch together, and snap a picture. Fast forward to next week, and your buds are still wondering when you're ever going to offload those images and shoot 'em over via email. You've not only let down the two most important people in your life, but you've failed yourself. Enter Samsung's Ucim camera, which sports a full trio of USB ports meant to house three USB memory nubs. When the shutter snaps, it logs images to all three nubs, and when the party's over, you and your two buds grab your respective nubs and part ways. Too bad it's just a concept for now, but here's hoping it becomes much more than that in the near future. Your buds hope so, too.

  • Canon SD4500 IS reviewed: gets recommended despite some glaring faults

    by 
    Ben Bowers
    Ben Bowers
    12.10.2010

    Canon's latest midrange SD4500 point and shoot -- known as the IXUS 1000 HS in Europe -- has scored a "Recommended" review by the folks at Photography Blog thanks largely to its excellent image quality (particularly with night shots) and the presence of a big 10x zoom lens packed inside its Elph body. The testers were concerned, though, with the camera's poor 150-shot battery life, 36mm not-so-wide-angle setting and minimal physical controls -- which may drive experienced users loco from excessive button mashing. Its $299 price tag is also precariously close to the beloved Canon S95, which offers significantly better performance for only $70 more. Still, if your budget is rigid and size is key, the SD4500 should suit you and your pockets nicely. To read the full review by the folks at Photography Blog, thanks.

  • BenQ's 14 megapixel S1420 camera touts mega O.I.S., 720p movie mode

    by 
    Darren Murph
    Darren Murph
    12.09.2010

    Jonesing for a new point and shoot before the holiday break? Don't go lookin' for BenQ's newest unless you're camped in Asia, as this orange delight won't hit other nations until the first of 2011. Sporting a 14 megapixel sensor, a metallic casing and a seemingly robust implementation of optical image stabilization technology, the S1420 also touts a 26mm wide-angle lens, a 5x optical zoomer and ingrained HDR II technology that tosses a little pizazz on top of your otherwise ho hum photograph. There's also a smattering of "creative shooting modes" that you may or may not ever touch, though the 720p movie mode and ISO range that reaches to 6,400 should both prove quite useful. There's nary a word spoken on pricing, but something tells us it'll be situated halfway between dirt cheap and perfectly affordable.

  • Pentax Optio RZ10 reviewed: image quality issues rear their ugly heads

    by 
    Darren Murph
    Darren Murph
    11.08.2010

    Pentax's Optio RZ10 looked fairly impressive on paper, and even when we handled it at Photokina, we reckoned it would be quite the standout in the bargain-bin point-and-shoot arena. Turns out that's not exactly the case. The fine folks over at PhotographyBLOG have put this pup through its paces, and while the handling, build quality and price all felt right, the image quality... well, didn't. And as you well know, there's hardly a silver lining to find when a camera's images aren't up to snuff. Even at ISO 200, critics spotted startling amounts of noise, "smearing of fine detail and loss of color saturation, with all three problems getting progressively worse as you work your way up the range to the true top speed of ISO 1600." At right around $200, it's still a well-priced compact, but with cameraphones getting progressively more adept, do you really need yet another ho hum gadget to push through airport security? Hit the source link for the fully skinny.

  • LG L-03C has 3x optical zoom, 12 megapixel CCD sensor, Xenon flash -- and it can make phone calls!

    by 
    Vlad Savov
    Vlad Savov
    11.08.2010

    Dear Nokia and Samsung, please come to reception to collect your old and busted 12 megapixel cameraphones. The new king of the phonecamera heap, in appearance at least, has arrived in the shape of LG's L-03C. It comes with a retractable 3x optical zoom lens from Pentax, a 12 megapixel CCD sensor, a Xenon flash, and a 720p movie recording mode. The L-03C is also intentionally styled to remind users of the more timeless compact camera designs of the past (and present) and it's only by entering the NTT DoCoMo OS and hitting up the dialer that you discover that it's also a cellular phone to boot. In spite of its 3-inch display and 800 x 480 resolution, this is still strictly just a featurephone, but it's sure put in a lot of work to make sure one of those features stands out. Look out for it in Japan from this January.

  • Nikon Coolpix S80 gets reviewed: loads of style, short on substance

    by 
    Darren Murph
    Darren Murph
    10.23.2010

    Nikon's Coolpix S80 sure seemed like a worthy successor to the S70 on paper, but Photography Blog's latest review sheds light on a couple of underlying issues that hinder it from being a runaway hit. The critics pretty much adored the sexy styling, but they noted that the all-touchscreen operations were a love-it-or-hate-it affair. Furthermore, the large OLED on the rear tended to inaccurately show how images were turning out, making it exceedingly difficult to know whether a shot was truly under or overexposed. The extra megapixels didn't really help either, with reviewers calling the image quality "so-so" and pointing out that low-light shooting was far from being in this unit's wheelhouse. That said, the camera was still recommended with a laundry list of caveats, so we'd give the source link a peek before aimlessly pulling the trigger.

  • Nikon Coolpix P7000 reviewed: a serious contender, but sluggish RAW performance

    by 
    Darren Murph
    Darren Murph
    10.05.2010

    In case you weren't aware, competition's getting some kind of fierce down in that $400 to $800 not-quite-a-DSLR realm. We've got interchangeable lens options galore, a new breed of high performance compacts and the Canon G12. Nikon's got its aim planted firmly on the latter with the Coolpix P7000, a decidedly prosumer camera with the body of a point-and-shoot and the controls of a pro rig. The good folks over at Photography Blog recently put the P7000 through its paces, and while they adored the optical viewfinder, the build quality and the zoom range, they couldn't quite get over the notably sluggish RAW performance. Worse still, Nikon has yet again changed up its RAW formula, with the newfangled NRW+ only being understandable by the company's own software for the moment. They found "no unwanted noise" from ISO 100 to 400, with only mild amounts at 800 and 1600; the extra pro-like features were also lauded (neutral density filter, zoom step feature, virtual horizon and tonal range histogram), and with an exception for that sluggish RAW mode, they found it tough to not recommend. Particularly for those of you who'd prefer to stick with JPEG anyway, this here shooter looks to be a solid option if you've got the cash ($499.99 MSRP), but we'd recommend poring over the source link before making a final call.

  • Sony outsourcing some image sensor production to Fujitsu

    by 
    Darren Murph
    Darren Murph
    10.01.2010

    Whoa. Sony sure didn't mention anything about this at its Photokina press conference last week, but then again, it's not the most glamorous announcement to make. According to Reuters, Sony is aiming to "outsource some production of image sensors used in digital cameras and mobile phones to Fujitsu," and as you'd expect, it's being done in a bid to shave costs and "cope with tough global competition." According to a Sony spokesperson, the company has been mulling this decision for awhile, but it's unclear if this will have any further impact in Sony's employment numbers. It's also unclear why "some" sensor production will remain internal -- we're guessing that newfangled Translucent Mirror technology may have convinced the firm to keep the DSLR lines a bit closer to the chest. It's bruited that Sony will begin subcontracting output to Fujitsu later in the year, and it could shift even more output if things go swimmingly. Funny enough, an eerily similar scenario hit Sony's LCD department back in early 2008. What's next? Subcontracting Walkman production to Apple?

  • Samsung AQ100 reviewed and found partially-worthy of Flipper glamour shots

    by 
    Ben Bowers
    Ben Bowers
    09.30.2010

    PhotographyBlog has indulged us with a thorough review of Samsung's 12.2 megapixel WP10 waterproof compact -- known as the AQ100 stateside -- and their takeaways are mixed. One major concern is that the screen misleadingly makes photos appear overexposed. Its slow 5x zoom, run of the mill feature set and measly battery life good for approximately 150 shots per charge doesn't improve the situation; nor does the lack of separate charger for juicing dead spares while using the camera. That said, an included HDMI port, a clever SmartAuto shooting mode, and relatively quick two second start up time does help balance the equation. Throw in the fact that it's waterproof up to 3 meters, takes decent imagery, and has an MSRP of $199 with street prices dipping even lower and they concede it's not a terrible proposition as a laid-back compact. Whether it's a better deal than a slew of other Cousteau-worthy options released this year such as the Finepix XP10, Sony TX5, or Pentax Optio w90 is still something we'll leave you to mull over. Can you really quantify the value of your camera color matching the water you're shooting in though? For more details, read the full review at the source link below.

  • GE stuffs DLP projector into 14MP PJ1 point-and-shoot camera, we go hands-on

    by 
    Darren Murph
    Darren Murph
    09.23.2010

    It ain't the first point-and-shoot to emerge with a beamer within, but it's the first from GE's General Imaging branch. Boasting a 14 megapixel sensor, a vanilla enclosure and a DLP projector, the PJ1 was seen making its debut here at Photokina in Germany. The highlight of the device is obviously the 854 x 480 resolution projector that's somehow stuffed within the casing, while the most impressive part to us was just how thin it remained with such a unit inside. In other words, the projector itself was certainly lacking, and with just 15 lumens, we felt that the darker-than-dark test room (shown in the video just past the break) still wasn't dark enough. On the capture side, there's a 7x optical zoom, SD / SDHC card slot and support for 720p movies; thankfully, GE's not planning to include too hefty a premium for the projector, as we were told to expect it for "around €250 ($334)" when it lands in Europe next February. %Gallery-103085%

  • Ricoh's rugged G700SE point-and-shoot does Bluetooth, WiFi, GPS and more (eyes-on)

    by 
    Darren Murph
    Darren Murph
    09.23.2010

    And you thought Ricoh's G700 was fully featured. Premiering at Photokina this week, the souped-up G700SE is a modified version of the G700 that appeared last month, with this guy able to accept add-on modules that can boost functionality by a good bit. The prototype unit here in Germany was showcased alongside of the GP-1 GPS dongle and a BR-1 bar code scanning module, with the latter meant more for governments and enterprises. It's still encased in a dust- and water-resistant shell, and it packs integrated 802.11b/g WiFi and Bluetooth 2.1+EDR to boot. All of the other specs remain the same from the original G700 (which you can peek here), and if you're looking to buy one, you'll have to wait until the earlier half of 2011 for it to splash down at around €799 ($1,070) -- according to booth representatives, anyway. Oh, and for fans of the GXR series, we stumbled upon an A12 28mm f/2.5 lens module that'll slot right into the company's interchangeable camera starting in Q4. So long as you have €649 ($869) to spare. %Gallery-103092% %Gallery-103094%

  • Sanyo debuts E1500TP point-and-shoot alongside Xacti CG21, PD1 and GH3 camcorders

    by 
    Darren Murph
    Darren Murph
    09.22.2010

    If there's a Photokina around, you can bet your bottom dollar that Sanyo will be there. Boasting a booth chock full of camcorders and pocketable cameras, we waded through to find three new Xacti camcorders (VPC-CG21, VPC-PD1 and VPC-GH3) on display alongside a simplistic new shooter, the VPC-E1500TP. Starting with the latter, this one brings just the basics in a fairly vanilla enclosure: a 14 megapixel CMOS sensor, 720p video, a 4x optical zoom, 3-inch rear touchpanel, 32MB of internal storage space, an SD / SDHC expansion slot, ISO range from 100 to 3200 and USB connectivity. Pricing and availability wasn't offered for this fellow, but we're betting it's below $150 and in stores tomorrowish. Moving on to the camcorders, the CG21 ($149) is a typical pistol-grip machine with a 10 megapixel sensor, the ability to capture 1080i, a 10x optical zoomer and an SDXC card slot. The $199 GH3 looks more like your mother's Handycam of old, offering a similar 10 megapixel sensor, SDHC card slot, 10x optical zoom and 1080i video capture. The starlet was the $199 PD1, a Flip Video-styled camcorder with dual microphones, 10 megapixel sensor, 3x optical zoom, SDXC card slot, 1080/30p recording, an integrated USB arm and a rather impressive rear LCD. The whole lot is making its way out to dealers now, so feel free to start poking and prodding if you must. Galleries are below, per usual. %Gallery-103042% %Gallery-103044% %Gallery-103043%

  • Casio reveals Exilim EX-Z2300 and EX-ZR10 point-and-shoots, sells HDR hard

    by 
    Darren Murph
    Darren Murph
    09.20.2010

    Casio's Exilim EX-H20G and EX-Z16 certainly stole the spotlight in the company's press conference here at Photokina, but a couple of other point-and-shoots managed to sneak out simultaneously over in Tokyo. Unfortunately, neither the Exilim EX-Z2300 nor the EX-ZR10 will be making a stateside debut, but those situated in continents not named North America may certainly be interested. The former of the two utilizes a 14.1 megapixel sensor, a 3-inch rear LCD (960 x 480 resolution) and a 5x optical zoomer, with other specifications including an SD / SDHC card slot, 34.9MB of inbuilt memory, 720p video recording, an ISO range from 50 to 3200, CCD-shift image stabilization and a rechargeable battery good for around 580 shots. Moving on to the ZR10 (not to be confused with Pentax's similarly named RZ10), this one is Casio's HDR baby. During the company's presser, executives went on (and on) about how wunderbar the camera's inbuilt HDR ART function was, and honestly, the images that were being displayed were indeed pretty fanciful. The point-and-shoot relies on a back-illuminated 12.1 megapixel sensor, the Exilim Engine HS, 28mm 7x zoom lens, an automatic panorama option and a newfangled burst mode that enables up to 30 shots of 10 megapixel images to be taken, with high-speed burst shooting at a maximum speed of 40 shots per second. Better still, the company has upped the video resolution here to 1080p, while also throwing in an SD / SDHC / SDXC card slot, ISO range of 100 to 3200 and a rechargeable battery. No one's talking pricing, release dates nor release regions just yet (aside from shunning America, of course), but we'll be sure to update just as soon as those facts and figures hit our desk. Oh, and we did manage to score a few precious seconds with this guy here in Köln, and it's exceedingly slim given the feature set. We can't speak for the image and video quality first-hand, but based on what was shown and the aesthetic that we witnessed, we'd say the ZR10 has a bright future ahead of it. %Gallery-102764% %Gallery-102765%

  • Pentax Optio RZ10 point-and-shoot offers 10x optical zoom, plenty of color options

    by 
    Darren Murph
    Darren Murph
    09.20.2010

    This one slipped by us when it was introduced alongside the RS1000, but Pentax is once again highlighting the Optio RZ10 point and shoot here at Photokina. This cutesy compact touts a 14 megapixel sensor, a 10x optical zoomer, an upgraded Auto Picture mode (you know, for the newbies), a CCD-shift-type shake reduction mechanism, 720p HD movie mode, face detection, a pet mode for snagging better pictures of Fido and a 2.7-inch rear LCD. There's also nine-point auto focus, an ISO range of 80 to 6400, inbuilt flash, 82.7MB of integrated storage, an SD / SDHC expansion slot and a rechargeable battery good for around 260 shots on a full charge. Pentax still isn't talking dollars and cents, only noting that you'll need to contact a dealer for more. At least you don't need a liaison to decide on a favorite color below, right? %Gallery-102738%