pointandshoot

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  • Olympus launches SP-810UZ, packs 36x wide-angle zoom in a compact camera

    by 
    Zach Honig
    Zach Honig
    07.27.2011

    Travelers often must choose between carrying a pair of powerful zoom lenses and tackling the weight of a full DSLR kit, or bringing along a point-and-shoot, in turn sacrificing image quality and versatility. The Olympus SP-810UZ sets out to eradicate that latter obstacle, pairing a 14-megapixel image sensor with a massive 24-864mm, f/2.9-5.7 optical zoom lens. The result is a 36x superzoom point-and-shoot camera, with 720p HD video, 3D image capture and a 3-inch LCD. Olympus hasn't hinted at a release date for the $330 cam, but you hit up the gallery below for a trio of glamour shots.%Gallery-129288%

  • Sony Cyber-shot TX55 packs 16.2-megapixel sensor, promises 'extremely low' noise in dim light

    by 
    Zach Honig
    Zach Honig
    07.25.2011

    With point and shoot cameras apparently now up against a megapixel wall, manufacturers are focusing on adding quirky new features to keep you hooked on the upgrade cycle. Sony's new Cyber-shot TX55 includes several such additions, such as 'amazing' 3D image capture, 'extremely low' noise, and a new digital zoom technology called By Pixel Super Resolution, which promises to double the camera's 5x optical zoom range while still capturing 16.2-megapixel images at full quality. We're a bit skeptical about that last one, but if the $350 camera really can deliver on its promise, then we may just have a winner. Sony says there's also high-speed autofocus that can lock onto subjects in 0.1 seconds, optical image stabilization, a 3.3-inch OLED touch-screen, and 1080i AVCHD video. It also includes some features found on the higher-end NEX-C3, such as Picture Effects, and a 42.9-megapixel Sweep Panorama mode. Sony has yet to completely nix the Memory Stick slot, including one with the TX55, though there's also MicroSD support for those who prefer to take advantage of that more affordable memory card standard. We're not yet convinced that all of the point-and-shoot cam's new features perform as well as Sony suggests, but if they do, the TX55 may even be worth its $350 price tag when it hits stores in September.%Gallery-128983%

  • Samsung camera patent application adds simulated depth-of-field to point-and-clicks

    by 
    Joseph Volpe
    Joseph Volpe
    07.19.2011

    High-end DSLRs are pricey and a tad complicated for the everyday user, but that doesn't stop most folks from wanting to take professional-looking shots of their own. Enter Samsung with a patent application that could add simulated depth-of-field discernment to your average point-and-click and smartphone camera. According to the filing, a dual-lens setup -- similar to the 3D cameras we've seen hit the market -- delegates full-resolution image capture to a primary lens, while its secondary partner calculates object distances. The data is then merged with the initial image "to create a depth map" with simulated blur, saving you from tedious Photoshop drudgery. No word on whether this neat trick will make its way to consumers' hands -- but with 3D still the reigning buzz, we'd upgrade that possibility to a very likely.

  • Sony Cyber-shot DSC-HX9V reviewed, scores top rating on Photography Blog

    by 
    Zach Honig
    Zach Honig
    06.15.2011

    With PSN issues abound, April and May were certainly not banner months for Sony. Things are looking up for the electronics maker in June, however, with well-received PlayStation Vita and NEX-C3 camera announcements last week, and now a top rating for its highly-capable Cyber-shot DSC-HX9V point-and-shoot over at Photography Blog. The 16.2 megapixel camera includes a 16x wide-angle zoom lens and a 921K-dot 3-inch LCD, and the reviews site highlighted the cam's excellent image quality and 1080p video capture, going so far as to say that the "Sony CyberShot DSC-HX9V is the best travel-zoom camera that we've reviewed to date." Hot damn! We expect a lot of camera for $350, and it looks like this superzoom delivers for advanced shooters as well, with a 10 fps full-res burst mode, full manual control, and an f/3.3 wide-angle aperture. We're sold. If you don't want to step up to the slightly larger and pricier NEX series, this über-versatile digicam seems to be the next best thing.

  • Casio Tryx (EX-TR100) review

    by 
    Darren Murph
    Darren Murph
    05.04.2011

    Given the sheer quantity of marketing muscle that Casio put behind the Tryx, you'd think the company was gearing up to rival Nikon and Canon in the DSLR space. Instead, out popped the outre device you see above. Without qualification, this is one of the strangest, most bizarrely designed cameras we've ever seen, featuring a pop-out display and a grand total of two buttons for operation. At 4.8- x 2.3- x 0.6-inches, it's certainly one of the slimmest, easy-to-carry point-and-shoots on the market, but is the absence of an optical zoom and a removable battery enough to tank an otherwise radical idea? Head on past the break for our two pennies. %Gallery-122773%

  • Switched On: A legacy from the Flip side

    by 
    Ross Rubin
    Ross Rubin
    04.24.2011

    Each week Ross Rubin contributes Switched On, a column about consumer technology. Last week's Switched On discussed some of the challenges the Flip camcorder faced trying to grow in the marketplace, an effort abruptly scuttled by an indifferent Cisco. But while Kodak, Sony and others are now poised to fill the Flip void, no competitor exactly matched Flip's combination of simplicity and sharing. With point and shoot cameras, camcorders, traditional MP3 players and standalone GPS units in decline, the jury remains out on how long portable electronics can fight the smartphone, but Flip's success taught the industry some valuable lessons that may have relevance going forward.

  • Ask Engadget: quickest booting / firing point-and-shoot camera?

    by 
    Darren Murph
    Darren Murph
    04.22.2011

    We know you've got questions, and if you're brave enough to ask the world for answers, here's the outlet to do so. This week's Ask Engadget question is coming to us from Dan, who is totally over missing life's best moments due to sluggish startup speeds found on most point-and-shoot cameras. If you're looking to send in an inquiry of your own, drop us a line at ask [at] engadget [dawt] com. "We need a digital camera that can be switched on and fire off that first shot fast. It's not a commonly tracked statistic on any review site, and nobody seems to have this information for every camera. We were hoping other readers could inform us as to what small digital cameras can fire off their first pics in under a second (ideally under half a second). It needs to be small, but mostly, just really quick in operation. Thanks!" Fast? Camera? Got it. Got any recommendations? Shout 'em below... with haste!

  • Sony working on a Cyber-shot camera with 3G cellular connectivity?

    by 
    Sean Hollister
    Sean Hollister
    03.10.2011

    If the warm, soothing waves of IEEE 802.11 are beaming down on your location, there are certainly several ways to send pictures directly from your camera to the cloud, but Sony's reportedly prototyping a camera that won't need a single bar of WiFi to get your upload on. Our friends at gdgt cite anonymous sources that say Sony's got a camera with a built-in 3G modem in the works, and we're not talking about a cameraphone. While Sony's cellphone CMOS sensors may have improved, gdgt says the prototype unit will probably be a dedicated point-and-shoot, though the publication says their moles aren't sure it's actually coming to market. If it does, though, here's hoping it comes with some Whispernet so we don't have to foot a monthly or (perish the thought) per-picture bill!

  • Nikon crams 36x zoom in P500, full manual controls in P300, refreshes Coolpix range with tons of color

    by 
    Vlad Savov
    Vlad Savov
    02.08.2011

    Is it spring already? Nikon has just assaulted us with no less than nine new Coolpix models, freshening up its consumer offering with a litany of hot new shades, touchscreens and hardware updates. We'll let you dig into the press releases after the break for the full details, but the two new Performance range cameras, the P500 and P300, are worth discussing in more detail. The P500 improves on Nikon's P100 by a few orders of magnification, touting a voyeur-friendly 36x optical zoom, while also offering a 12.1 megapixel CMOS sensor, 1080 / 30p video plus stereo sound recording, max ISO of 3200, and an 1100mAh battery. The back is also adorned with a tiltable display, sized at 3 inches diagonally and fitting 920k dots. Yours on March 3rd for $400, €464 or £400, depending on your local currency. %Gallery-115978% The P300 is cheaper at $330 / €348 / £300, however it might well be the more appealing option for image quality obsessives as it boasts a lens with an aggressive F1.8 aperture and 4.2x optical zoom. It shares the same backside-illuminated sensor as you'll find in the P500, but benevolently permits its user full manual control to let him or her capture that perfect shot. Rapid-fire shooting at 8fps for up to seven frames is available, but we're loving the fact it can also do 1080 / 30p with continuous autofocus and the ability to both capture images and use its optical zoom while recording. If Nikon is to be believed, the P300 is basically the P7000 that came out last year, but shrunken down to the size of a compact. It really is a very diminutive and attractive -- it has that intentionally understated matte black finish that huskily whispers the word "prosumer" in your ear -- compact camera. It lands on March 17th. %Gallery-115979% %Gallery-115976%

  • Nikon Coolpix S9100 extends an 18x zoom from a compact body capable of 1080p video

    by 
    Vlad Savov
    Vlad Savov
    02.08.2011

    Last we heard from Nikon on the topic of high-end point-and-shoot cameras, it was touting Full HD video and a backside-illuminated 12.1 megapixel CMOS sensor on its S8100. Well, here comes the S9100, still possessing those goodies, but now it's attaching them to a lens capable of 18x optical zoom -- a feature you'd usually expect to find on shooters far bulkier than this pocket-friendly portable. ISO sensitivity can stretch up to 3200 (only 800 in automatic mode), there's a 1050mAh battery helping power the 3-inch, 920k-dot rear-mounted display, and you'll also probably want to know that the 1080p movie mode records sound in stereo and ticks along at a healthy 30fps. Our brief time with the S9100 revealed it to be a typically well built little shooter, although we did notice zooming it backwards and forwards is a fairly slow affair -- which can grow into something of a nuisance when you've got such a massive zoom range -- while the tripod mount is way off to the left of center. We're sure Nikon has thought that decision through and balanced the camera's weight appropriately, however. Sales around the world begin on March 17th, with local pricing set at $330, €348 and £300 in the major markets. %Gallery-115974% %Gallery-115973%

  • Pentax reveals Optio WG-1 and WG-1 GPS rugged cameras, limited edition K-5 DSLR

    by 
    Darren Murph
    Darren Murph
    02.07.2011

    Who woulda thunk it? Half a year ago, finding a conventional point-and-shoot with integrated GPS was a chore, but these days, it's growing tougher and tougher to find one without it. Pentax is joining the geotagging frenzy this evening with its Optio WG-1 GPS, a rugged 14 megapixel shooter that's waterproof up to 33 feet, shockproof in nature and engineered with a "crushproof" body that can withstand weight force of up to 220 pounds (but not another Black Eyed Peas halftime show). You'll also get integrated face detection technology, the ability to snap in sub-freezing temperatures, a 5x optical zoom lens and a 2.7-inch rear LCD. There's also a 720p movie mode, HDMI output, IR control compatibility and support for Eye-Fi's wireless SD card. It'll ship this April in black or yellow-green for $399.95, and if you're uncomfortable remembering where you took each and every photograph, the GPS-less Optio WG-1 will also be available (in black or purple) for $50 less. In related news, the company is taking this opportunity to issue a limited edition K-5 DSLR, with this one touting a silver body, a uniquely shaped grip and shock-resistant, scratchproof glass surrounding the LCD. Outside of that, everything else about the 16.3 megapixel shooter will remain the same as it ever was, and the $1,699.95 (body only) price point is most certainly no easier to swallow. For those still sold on the idea, Pentax will also be offering a trifecta of silver prime lenses: the 21m f/3.2 AL, 40mm f/2.8 and the 70mm f/2.4. Check out Sir Silver (and the full press releases) just after the break.

  • Samsung announces PL20 and ES80, brings 2011 pocket camera lineup to 12 total

    by 
    Ross Miller
    Ross Miller
    02.07.2011

    Brace yourself, Samsung has new point-and-shoots to fill in what little pockets of consumerism weren't intrigued by any of the company's five CES shooters... or even the five more announced just weeks later. First up is the PL20 (pictured left). A 14 megapixel CCD sensor, 27mm wide angle lens, 5x zoom, digital image stabilization, 720p 24fps HD video with Smart Filters. That one comes out in March for a penny under $120, with a choice of silver, pink, black, and tomato red (Sammy's description). For the ES80, subtract two megapixels from the sensor, nix the HD recording, keep the color options, bump the release date one month, and subtract $20. You get the idea. Full details and press release after the break. %Gallery-115840%

  • Ricoh CX5 reviewed: only marginally better than the CX4

    by 
    Darren Murph
    Darren Murph
    02.04.2011

    Well, isn't this just cute? If you'll recall, Ricoh's CX4 was found to only be "slightly superior" the CX3 that came before it (and the same with the CX2 / CX3 before that). Fast forward a few months, and it's the same song and dance all over again... but with different model numbers, of course. The fine folks over at Photography Blog recently put the similarly styled CX5 through its paces, and autofocus aside, it's essentially the same camera as the CX4. The lone standout feature on the new guy is the Hybrid AF feature, which most certainly improves autofocus times, but critics were quick to point out that the focus time on the CX4 was never really an issue to begin with. In fact, the following line just about sums it up: "The CX5 is virtually indistinguishable from the slightly older CX4 in terms of its design, image quality and feature set, with only the faster AF system to get truly excited about." Furthermore, the rest of the point-and-shoot world has evolved quite a bit during all of this time, making the CX5 an even less compelling option than the CX4 was during its own launch window. Feel free to hit the source link for the whole shebang, but don't expect to leave feeling any warmer about that impulse buy you just made.

  • Sony, Fujifilm patents are half-camera, half-origami

    by 
    Sean Hollister
    Sean Hollister
    02.02.2011

    Point and shoot cameras are tricky to hold still, but the powers that be thought up a crazy fix -- build bending, sliding, transforming grips right into the body of the camera. Sony's patented the idea you see immediately above, which turns the sliding lens cover into a handle using tiny hinges (or perhaps electrorheological fluid, we're not sure). Amazingly enough, the basic concept actually isn't new: Sony itself references a Fujifilm patent whose cover-turned-grip protects the rear LCD instead. Neither look terribly comfortable, but which would you rather choose: a pocketable camera that snaps stable single-handed shots, or one that monopolizes your fingertips? Take a gander at one of Fujifilm's proposed designs after the break.

  • Olympus XZ-1 reviewed: $499 for sweet simplicity

    by 
    Sean Hollister
    Sean Hollister
    01.30.2011

    We had a feeling the Olympus XZ-1 would be a winner, and Digital Photography Review seems to think so, too -- it called the 10 megapixel, full-manual point and shoot "the best photographers' compact currently available" at the end of a thorough review. Most of the praise was heaped on that F1.8-2.5 Zuiko lens, providing an "unbeaten combination of range and brightness" whose potent, detailed low-light performance was practically enough to cancel out the publication's worries about the lack of a adjustable noise reduction setting. Though the publication admitted that the camera lacked the customization of certain Micro Four Thirds cousins, it didn't miss most of the advanced controls, preferring the streamlined menus and manual dials for easy access to common adjustments. (Battery charging over USB and a dedicated movie button were also deemed nice touches.) In fact, the only major ding DPReview had for Olympus was the complete omission of auto exposure and autofocus locks for focus-and-recompose shooting, but if you're willing to snap shots using Olympus's 11 AF points and aren't looking to tote a set of expensive interchangeable lenses around, this might be the one. Dive into our source link to find out for sure.

  • Ricoh unveils CX5 with hybrid AF, continues tradition of subtle improvements

    by 
    Christopher Trout
    Christopher Trout
    01.27.2011

    The folks at Ricoh have dependable predictability down pat, and the CX5's specs are, for the most part, nothing new. We've talked up the CX line of compact superzooms since the release of the CX1 almost two years ago, and we've watched the company fine-tune the already impressive camera with each new edition. Every incarnation of the CX series is just a tad better than the last: you might recall the CX4 didn't make any big changes, either. The CX5 offers few marked signs of improvement (at least on paper) over its predecessor, but it does sport a hybrid AF that combines a distance sensor with contrast detection to bring focus rates down to two-tenths of a second: twice as fast as the CX4. Other than that -- you guessed it -- the CX5 sports the same specs as its predecessor (unless you count the addition of a "continuous golf swing" mode). So, if you're looking for a big step up from your CX4, you might want to wait for the next generation. Then again, we can't guarantee Ricoh will break with tradition.

  • Panasonic unleashes Lumix ZS10, ZS8, FX78, and TS3 point-and-shoot cameras

    by 
    Joanna Stern
    Joanna Stern
    01.25.2011

    Thought Panasonic was done unleashing Lumix point-and-shoots for a bit? Us too, but apparently the compact cam fun isn't over yet. Yep, in addition to the eight it released earlier this month at CES, the company has four new ones for your eyes only tonight. Naturally, we've got all the important details and few glossy shots below. Oh, and if that's not enough for ya, you can always hit the break for the full press releases. Up first are two new powerful shooters joining the ZS family: the DMC-ZS10 and DMC-ZS8. Like the previous ZS cams, the 14.1 megapixel ZS10 has a 24mm ultra-wide-angle and 16x optical zoom Leica lens, records 1080p video, and sports a three-inch touch LCD. The specs certainly impress, but Panny's also hoping you take its 3D Photo mode seriously -- the setting can produce a "realistic 3D photo" by taking 20 consecutive shots and overlaying the best two. Naturally, the images can be viewed on any of the Viera 3DTVs. The ZS8 sports most of the same specs, but cuts it down to just 720p recording. No word on the pricing on these two, but they should be hitting shelves in March. Like its FX75 brother, the DMC-FX78 is all about Full HD. Packing a Leica 24mm wide-angle lens, the 12.1 megapixel FX78 can record full 1920 x 1080-resolution video in AVCHD. But beyond the recording specs, Panasonic has improved its 3.5-inch Smart Touchscreen, which basically allows you to control all the cam's functions -- autofocus, zooming, playback, etc. -- with, well you know, just a touch. Like the ZS cams, the FX includes the 3D Photo mode. As you may have guessed, no pricing yet on this bad boy, but it will come in black, gold, and white in March. Last but not least is the rugged TS3. Like the DMC-TS1, the 12.1 megapixel shooter is completely waterproof, not to mention shockproof, freezeproof, and dustproof. Yep, it's as proofed as they come, and throw in the fact that it packs a compass, altimeter, and barometer and you pretty much can swap this thing out for a ton of other gear. As an actual camera, the TS3 doesn't sound too shabby either -- it can record 1080p video, packs a 3D mode, and boasts a 28mm wide-angle Leica lens. Nope, no pricing, but it'll join the others in March. %Gallery-115010% %Gallery-115009%

  • Samsung rolls out five new ST series point-and-shoot cameras

    by 
    Donald Melanson
    Donald Melanson
    01.19.2011

    Samsung just introduced a slew of new cameras at CES earlier this month, but it's now already back with another batch, which consists of five low to mid-range point-and-shoots in its ST series. Those begin with the $100 ST30 model, and move on up to the ST65, ST90 and touchscreen-equipped ST95, before topping out with the $230 ST6500 (pictured above), which packs a 16 megapixel sensor, a 5x optical zoom, 720p video recording, and the same touchscreen interface as the ST95. As for the rest of the lot, you can expect to get between 10 and 16 megapixels, either a 3x or 5x optical zoom, and 720p video recording on all but the ST30. Head on past the break for the press releases with the complete specs, and look for all five cameras to be available in February or March. %Gallery-114702%

  • Sony DSC-TX100V and the rest of the Cyber-shot posse hands-on

    by 
    Ben Bowers
    Ben Bowers
    01.08.2011

    Sony announced a heap of new Cyber-shot cameras earlier this week, and after spying the entire line posing Miss America-style at Sony's CES booth, we decided to go hands on. The DSC-TX100V's OLED screen, which is a Cyber-shot first, was definitely impressive in terms of clarity, brightness and color reproduction -- despite only viewing a fellow convention goer obstructing the booth. The DSC-TX10 is also one the classiest looking ruggedized camera we've ever seen and thankfully lacks accents such as excessive rubber detailing. Sony wasn't really down with us testinghow much grief it could actually take though. Similarly, we had hoped to check out the DSC-WX10's 1920 x 1080 60fps video capture mode -- since it's the only digital compact to support it -- but that idea got shut down the moment a few Sony VIPs arrived. Still, we did manage to take a few shots of each in the wilds of the convention center which you can check out in the gallery below. %Gallery-113428%

  • Panasonic intros Lumix DMC-S3, DMC-S1, DMC-FH25 and DMC-FH27 compact cameras

    by 
    Darren Murph
    Darren Murph
    01.05.2011

    More Lumix goodness? You betcha. Hot on the heels of Panasonic's CES unveiling of the FP5, FP7, FH5 and FH2 ultraslim compact camera comes this: even more Lumix compacts. Per usual, we'll tell you exactly what you need to know below, and those hungry for more can peek the full releases after the break. Up first we have two new folks joining the S series: the DMC-S3 and DMC-S1. Both of these are designed for up-and-comers looking for ease of use, with the S3 having a 14.1 megapixel sensor and the S1 dipping to a 12.1 megapixel sensor. Both of 'em tout a 720p movie mode, refreshed designs and a 4x optical zoom lens. Panny admits that they're both "entry-level," though you'll still find optical image stabilization, face detection, an intelligent scene selector and the Venus Engine VI image processor. There's a 2.7-inch LCD on the rear of each unit, and while the S3 will ship in blue, red, black and violet, the S1 will arrive in black, gold, blue, pink and silver. Mum's the word on a price and release date, sadly. The DMC-FH27 and DMC-FH25 point-and-shoots are both aimed at the fashionistas in the crowd, with the pair touting a 16.1 megapixel sensor, 8x optical zoom lens and a 720p movie mode. There's also an advanced Intelligent Auto mode for those who detest fiddling with settings, and the Venus Engine VI image processor promises to speed up just about everything dealing with operation. Face detection, optical image stabilization and an intelligent scene selector are all present, though the FH27's 3-inch rear LCD one-ups the 2.7-inch panel that's on the FH25. Per usual, Panny's keeping its trap shut when it comes to a price and release date. %Gallery-112601% %Gallery-112598%