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'Kraftwerk Who?' Pioneering '50s Synthesizer unearthed in French Barn
So there Dr. Mick Grierson was, wandering around a French barn, minding his own business when all of a sudden he happened upon an antique: one of the earliest modern synthesizers. Grierson, a professor at Goldsmiths University in London did what any expert in the field of electronic music would do, and whisked it back to the motherland for restoration. The Oram "Oramics" Synthesiser (sic) was built by Daphne Oram in 1957, a year before she co-founded the BBC Radiophonic Workshop to research and develop electronic music. Political wrangling within the corporation forced her to leave in 1959, and she retreated to a farm in nearby Kent to tinker with her invention. After her departure, the Workshop shot to fame for creating the original electronic theme to Doctor Who. In order to create music on the Oram, a composer painted waveforms directly onto 35mm film strips which were fed into the machine. Inside, photo-electronic cells read the light pattern and interpreted it as sound. Check out the video to see the arrival of the machinery back into England where it'll be on display all the way through December 2012. If you're really interested you can tap Dr Grierson's homebrewed Oramics iPhone app (linked below for your downloading pleasure) to create your own futuristic theme songs, '57-style.
MIDI Mobilizer II stores your musical stylings, plays nice with CoreMIDI apps
Much music making progress has been made since we first saw Line 6's MIDI Mobilizer -- namely, Apple put MIDI APIs in iOS and iPads started slinging super funky synthesized songs on the regular. In order to embrace the Cupertino-curated CoreMIDI standard, Line 6 has unveiled the MIDI Mobilizer II dongle. It looks like the original and uses the same MIDI Memo Recorder app to store and dispense your sonic musings, but this $70 piece of kit only works with the 3rd and 4th gen iPod touch, the iPhone 3GS and iPhone 4, and the iPad and iPad 2. Most importantly, the MIDI Mobilizer is compatible with GarageBand and all the latest CoreMIDI apps the kids are crazy about. Still not sold on the device's ability to help you make a dope digital ditty? Peep the PR and video after the break to learn more.
iPads were everywhere at Musikmesse 2011
If there's any one area of life that the iPad has had a huge impact on, it's the creation of music. Writing for The Mac Observer, blogger Jochen Wolters noted that iPads were everywhere at the world's largest trade show for musical instruments and audio recording technology -- Musikmesse 2011. This year's show was held April 6 - 9 in Frankfurt, Germany. Wolters noted that almost every developer of audio software and manufacturer of keyboards and mixers was demonstrating some way of using an iPad to perform or produce music. While I won't go into all of the many items that Wolters covered in his detailed article, there were a few products that deserve special mention here. The US$99 Apogee JAM is a deceptively simple-looking audio interface for connecting a bass or guitar to an iPad (it also works with the Mac, iPhone and iPod touch). It only works with GarageBand for iPad at this point, but Apogee is apparently working on supporting other iPad music apps. Our very own Brett Terpstra did a great writeup of the JAM back in March. Along the lines of the JAM is the Alesis iO Dock, a soon-to-be-released pro audio dock for iPad with XLR and 1/4-inch inputs, MIDI jacks, an assignable 1/4-inch footswitch input, and audio and video outputs. Synth software was everywhere at Musikmesse 2011 as well, with iPad apps from Reactable, Way Out Ware, Korg, and Spectrasonics catching Wolters' eye. MixVibes demoed an app that is used to remotely control its CROSS line of DJ software, while Akai had a four-octave keyboard with an iPad dock. An image of the SynthStation49 can be seen at the top of this post. You can get more details from Wolters' original post. Next year's Musikmesse is already scheduled for March 21-24, 2012. If your business is music and you want to make or produce it with the help of an iPad, you might want to make plans to attend the 2012 event.
Rock the electronic with SynthTronica for iPad
SynthTronica is a new synthesizer app for iPad that provides some seriously cool audio modeling features. If you're a musician looking for some new sounds or even a live-performance instrument, this is worth a look. Even for the hobbyist, this US$4.99 app is a great way to explore some musical possibilities. SynthTronica provides a full set of tools, including multiple keyboard layouts, a unique multi-touch filter, built-in recording, sound editing and more. The presets are a great place to start (all 92 of them), but you can build an almost limitless library of your own sculpted sounds. With "Formant Distortion Synthesis" and the ability to apply any audio clip as "grooves," you can even take the same synth presets and make them into entirely different synth progressions. The multi-touch filter makes dynamic sweeps and live modulation a breeze, whether for recording or live performance. The keyboard remains visible while you work the filter, letting you play while doing multiple, simultaneous sweeps and band passes for some very cool effects. If you want to handcraft some highly original, custom sounds, have a look at SynthTronica on the App Store (US$4.99 introductory price). Also take a look at the videos on the SynthTronica home page for a demo, and check out a brief performance by Jordan Rudess on YouTube.
Airpiano on sale now, conduct a symphony of soft synths with the wave of a hand (video)
When last we saw the Airpiano way back in 2008 (ah, the halcyon days when people still cared about Spore) it was just a proof of concept, hacked together by interface design student Omer Yosha. Now you can finally order your own online for €1,099 (about $1,607) if you're in Europe, or €1,149 (about $1,680) if you dwell anywhere else on this little, blue marble we call Earth. The theremin-like Airpiano doesn't actually produce any sounds itself, instead it uses proximity sensors to feed MIDI and OSC (open sound control) signals to a computer over USB, allowing musicians and non-musicians alike to command soft synths with only the majestic wave of a hand. It may land you some confused stares from people who still play instruments with strings and keys (you know, Luddites), but it's certainly more dignified than planting yourself in front of a Beamz laser harp. A trio of videos awaits after the break.
Korg Monotribe has 1978 sound, modern mobility (video)
Meet the latest in Korg's analog revival, dubbed the Monotribe -- a portable, battery-powered groovebox with an old heart. This eight step sequencer expands on last year's Monotron, using the same classic Korg M-10 plus M-20 analog filters and ribbon keyboard as its older, pocket-sized brother. The new unit kicks it up a notch with expanded VCO, VCA, VCF, and LFO controls, as well as three-part analog drums. It's also said to last up to 14 hours on six AA batteries, so you can take your beats to the beach or simply drive your neighbors batty; it's nice to have options. Check out the demo video above, or the hit press release after the break for details.
Korg Wavedrum Mini makes music from your nervous tics (video)
Can't stop banging out Rebecca Black's oh-so-infectious jams on your knickerbockers? Korg's Wavedrum Mini won't make Friday any less awful, but it could make your inexcusable actions a wee bit less annoying. The Q3-bound Mini crams the company's digital drum pad tech into a portable package with a built in speaker, and its myriad buttons let you choose from 100 different sounds including strings, synth tones, and a gaggle of percussion instruments. You'll also get 100 preset rhythms for those who prefer their instruments play themselves, but surely that's not you... right? Heck, there's even a loop function so you can build layer upon layer (upon layer!) of cacophonous noise. The best part, however, is the included sensor, which can be clipped to almost anything, turning your ceaseless toe tapping into bass hits. If you can't wait to see it in action, take a gander at the exceedingly long demo video after the break.
Visualized: 37 years of Roland synths in one awesome animated GIF
You know how much we love our vintage MIDI gear, and apparently our friend Ronny from Das Kraftfuttermischwerk is every bit as big a fan as we are. To that end, he's taken Music Radar's recent guide to all-things Roland and turned it into an awesome (and headache-inducing) animated GIF. Apparently the collection lacks the TR and TB series instruments, otherwise everything the company has produced between 1973 and 2010 should be there. What are you waiting for? Check it out after the break.
Kinect Hacks: Doodle Synthesizer
Clearly tired of waiting for Lionhead to put its Milo wizardry to good use, Kinect hacker "roboczar" created an application that turns a plain ol' piece of printer paper into a synthesizer by recognizing shapes drawn on the page as sound buttons. The Kinect sensor scans the object (paper, in this case) and virtualizes it into a musical instrument. What happens next, however, is where things get really magical. Roboczar uses the application -- one he wrote at MIT, applied in tandem with other open-source code -- to play a dedication to our favorite L.A. cop, Axel Foley. Bravo, sir! Head past the break and get your boogie on.
Akai SynthStation49 full-size iPad dock/keyboard combo
While it's not the kind of iPhone or iPad dock you would bring with you on your next cross-country plane ride, the Akai SynthStation49 dock offers up something a standard iPad dock doesn't -- a 49-key, velocity-sensitive keyboard controller complete with drum pads and manual pitch control. As reported by Engadget, the SynthStation iPad dock/keyboard combo is a far cry from the original SynthStation, which was much smaller and designed for the iPhone. What this new, bigger version lacks in portability it makes up for in features, with direct in-app MIDI recording, 1/4″ output jacks, full transport buttons and the ability to be used as a traditional USB MIDI controller if you happen to find yourself without your iPad. It's also iOS CoreMIDI compatible, meaning it can be used with a bunch of music apps that are already available in Apple's App Store. The Akai SynthStation49 isn't available for purchase yet as it is still pending certification from Apple, so we don't even know what its price point will be. While we have seen a ton of different synthesizer software for iOS devices, this one throws in the keyboard and dock MIDI controller as well, making it a kind of "all-in-one" package for musicians everywhere, if not entirely mobile. [via Engadget and Create Digital Music]
Misa Digital Kitara hands-on preview (video)
Ambidextrous, capacitive, programmable, open source, five simultaneous touch inputs. The Misa Digital Kitara has quite the laundry list of goodies to boast about, but we couldn't let it slide through CES without getting our fingers on it and exploring for ourselves. The first thing that strikes you about this guitar-shaped synthesizer is its weight distribution -- it's no heavier than a good electric guitar, but a lot more of that weight is contained within its neck -- and the second will inevitably be its lightning-quick response to touch. Misa tells us latency is less than 5 milliseconds and it felt like it. There are two main modes of operation: a string mode, as seen above, and a ball mode allowing for even more adjustability. Both modes can then be further tweaked by choosing between the red and blue setting, with the former allowing for the performance of hammer-ons. Sliding your finger around the 8-inch touchscreen can do all sorts of wonderful things as well, such as altering pitch, tempo and volume, while those fearful of having no tactile feedback in string mode can apply a clear sheet over the screen that has tiny little ridges where the strings would usually reside. We say "usually," because you'll be able to configure the distance between the imaginary strings for yourself. The Kitara runs an open source Linux OS, which will be updatable via USB and is already compatible with Mac, PC and, naturally, Linux machines. It also has more than a hundred sound presets and we've been promised the option to customize them and create new ones by playing around with the algorithms in the future. The black Kitara is made out of good old plastic (but it's made very well) and costs $849 whereas the silver one you see in the gallery below is constructed out of a single block of aluminum and will set buyers back $2,899. Pre-orders are going on now through Misa Digital's online store and shipping is set to start on April 3. Video follows below. %Gallery-113409%
Misa Digital's stringless Kitara goes up for pre-order: $849 for a truly unique musical instrument
Remember the Misa Digital Guitar? Well, it's called the Kitara now, it's taken on a fresh lick of paint, and it's ready to be pre-ordered now for an April delivery. The Kitara discards old fashioned strings and has you strumming along on a multitouch display instead, populating the fretboard with a litany of buttons that modify the aural output from your digital input. It has an onboard synthesizer, but the real magic will happen once you plug it into your own audio equipment and start experimenting. Basically, it's like the Kinect of electronic music -- just needs a few inventive souls to harness its potential properly. They'll need fat wallets too, mind you, as turning this invention into a viable product has meant a lofty $849 starting price in the US. See a video demo and the full Kitara press release after the break. %Gallery-110587%
O-Bow repurposes a mouse sensor for artificial bow tracking
Here at the Engadget HQ we're very serious about articulating the noise and action of a bow when it comes to our synthesized string instruments, and the O-Bow looks like it could be the low cost solution we were dreaming of. (No, Smule Magic Fiddle doesn't count, it's a devil "instrument" and it lies). Hacker / musician Dylan Menzies has devised a method using the optical sensor from a mouse for tracking anything with a grained surface, like a wooden stick, and using it to make a single sample synthesizer "sing" like a real bowed instrument. Unfortunately, that single sample sounds pretty terrible right now, but Dylan is working on a more sophisticated method of modeling the instrument. Until then, we'll just have to resort to giving Smule dirty looks and messing around with our Korg joystick. There's a video after the break, but don't say we didn't warn you about that sample.
SuONOIO synth takes soundgeeks from zero to tweaking in fewer than 60 cycles (video)
We'll admit that sometimes it doesn't take much to get our engines running here at Engadget HQ. If you can throw a couple of knobs, exposed circuitry, a 9v battery, and a sense of adventure into a semi-coherent package, we'll be pleased as punch. The SuONIO synthesizer, therefore, makes us very happy indeed. SuONOIO is the band of former Nine Inch Nails keyboardist Alessandro Cortini, and SuONOIO is a pint-sized slab of silicon that comes bundled with a digital copy of the band's latest album. Delivered bubble-wrapped in a hand-stamped cardboard box -- if you've ever had the pleasure of unboxing an Arduino kit, you'll know the feeling -- it's pre-loaded with two banks of samples that were used to create the album. Although it's a sample-based instrument, it's the user's job to create new noise using an array of jumper-activated effects and mixing techniques. It's not quite as expansive as an MPC, but as any good experimentalist knows, there's a lot to be gleaned from limitations and new interface paradigms. Read on for our impressions of the noisebox and a tour of its inner workings! %Gallery-107941%
ThinkGeek's synth shirt brings a new wave to your wardrobe
Looking for a new wearable instrument now that you've finally worn out your bongo drum t-shirt? Then you might want to consider ThinkGeeks' new synthesizer shirt, which packs five different sampled instruments, full polyphonic sound, and a handsome "wearable" amp. Head on past the break to get an idea of what the shirt's capable of, and look for it to start shipping on November 29th for $29.99 to $32.98 depending on the size.
Synth fans rejoice: ReBirth for iPad now available
I've got to admit that I have a fascination with synthesizers. When I was in engineering school 35 years ago, I soldered together two synth kits and became familiar with the early sequencers and waveform generators. I listened to the early synth music of Larry Fast (Synergy), Yes, Kraftwerk, Tomita, ELP, and Wendy Carlos religiously. That love of synth stayed with me through the years. So when we received a tip from reader Dioxide about ReBirth for iPad (US$14.99), and I realized that he was talking about an iPad version of the incredible ReBirth RB-338 software synthesizer, I immediately jumped on the story. ReBirth was an application initially created for Mac back in late 1996, and emulated two Roland TB-303 synthesizers, a Roland TR-808 drum machine, and a Roland TR-909 Rhythm Composer simultaneously. These devices were all created in the early 1980s, and their sound has been replicated extensively in hip-hop, house, techno, and other music genres. ReBirth received a "rebirth" of sorts this year when Propellerhead Software, the Swedish company that published ReBirth through 2005, revived the classic software with a ReBirth iPhone app ($6.99). Now it's available on iPad, and it looks amazing.You can share songs with friends through social networking, use multi-touch to control more knobs than you'd be able to on the actual TB-303, save as MP3 and more. There's a video of ReBirth for iPad in action following the break. We'll have a full review of the app soon.
Moog Filtatron app makes your iOS band seem almost plausible
Lot of people these days use their iOS devices to add a little spice to their music-making, just as almost every company out there seems to be modeling their various synths and effects for handset use. Will the Moog Filtatron -- with its Ladder filter, various effects and ability to tweak both samples and real-time audio -- go the distance when compared to its hardware brethren? We don't really know, but we can tell you that this does look like it'd be a lot of fun on a long car ride. And the demo video is certainly awesome. Available now for $5. Video after the break.
Pianist Pro 1.5 for the iPad adds MIDI Mobilizer support from Line 6
From MooCowMusic comes the latest iteration of their renowned iPad app, Pianist Pro 1.5 (£5.99). Most notably, Pianist Pro now incorporates the MIDI Mobilizer technology from Line 6, enabling Pianist Pro on your iPad, with the Line 6 MIDI Mobilizer adapter (£45) or wirelessly over Wi-Fi, to be used as a MIDI controller as well as connecting with your existing MIDI devices and your DAW. Pianist Pro has been extended further to work seamlessly with MIDI. Two of Its best features, the programmable arpeggiator and the Scale Piano (allowing for scales to be soloed with the swipe of a finger), are both now MIDI compatible, making the functionality of these features applicable to other MIDI devices. Pianist Pro becomes more than just a passive keyboard. The built-in sampled sounds can also be used with an external MIDI hardware device or DAW, allowing Pianist Pro to become a sound source in itself (taking full advantage of its 88 key professionally-sampled virtual piano as well as the sampled organ, synth sounds and guitars). And let's not forget the drum machine, too. Another of Pianist Pro's features is recording and overdubbing. Now, being MIDI compatible, you can do some composing / performing on the road, save it, and when you're ready, export it in a Standard Midi File (SMF) for use with other compatible MIDI devices or your favorite DAW. And don't worry, Piano Pro 1.5 imports SMFs, too. MooCowMusic describes Piano Pro as a "a musical scratchpad or live performance tool." Now with built-in MIDI support, thanks to Line 6's MIDI Mobilizer adapter, it's that, but to a whole new level! Check out the demo video after the break.
Apples In Stereo man controls his Moog... with his mind! (and you can too)
We thought that our homemade Theremin was difficult to control, but this one is in a different league altogether! The, ahem, brainchild of Apples In Stereo's Robert Schneider, the Teletron takes a Mattel Mindflex game and uses it as a control voltage source for... well, any piece of musical equipment that has a CV input. In the video below, the musician / producer plugs it into a Moog analog synth and increases / decreases the pitch solely with his mind. At least the thing doesn't give you an electric shock when you hit the wrong note! But enough jabberjaw out of us -- see / hear it in action (and get some instructions, if you'd like to build your own) after the break.
Count The Beats: Akai brings the analog synth to your iPhone, and more
If you have a secret love affair with shoulder padded t-shirts (that you wear around the house when no one's looking), and you instinctively roll up your sleeves when you put on your favourite blazer jacket (and don't get why people look at you funny), then here's an app for you. Back in June Akai Professional released SynthStation for the iPhone / iPod touch, and we got excited. Very excited. Why? Because we love synths, especially when they are the old school type (cue Terminator soundtrack). And it just so happens to be that Akai has got a rather large name for itself when it comes to synths, especially the old school type. So we decided to take a closer look. You know, any opportunity to lay down some ominous beats over a sea of warm pulsating analog synth. SynthStation is an all-in-one mobile music creation setup. It comprises of three virtual analog synths sonically tailored for melodies, chords and bass lines respectively. To go with your texture, there's a comprehensive and customizable drum kit, too. Add some awesome sounding synth effects, a sequencer, on the fly input and tweaking, a mixer to pull it all together and you've got yourself a package that Thom Yorke may even appreciate for his next solo project.
