Camcorders

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  • Sony

    Sony's pro 4K camcorder has 4K RAW and 'Instant HDR'

    by 
    Steve Dent
    Steve Dent
    04.09.2018

    HDR has become just as important as 4K for streaming and Blu-Ray users who care about seeing films and series the way the creators intended. Manufacturers therefore have to cater to producers who want it, as we're seeing with Sony's new $4,750 FS5 II camcorder launched at NAB 2018. It supports RAW 4K (via an external recorder) like RED, Arri and other rivals, but includes a twist with Instant HDR. That makes it possible to both output HDR live for broadcast or previews on set, while retaining detail for finessing in post-production.

  • Canon introduces upgraded PowerShot and Vixia cameras

    by 
    Edgar Alvarez
    Edgar Alvarez
    01.05.2016

    As has been the case in years past, Canon's taken to CES to reveal an upgraded line of PowerShot and Vixia cameras and camcorders. For point-and-shoots, the main model being introduced is the SX540 HS (pictured above), a superzoom model with a 24.3-megapixel, 50x optical zoom lens and Digic 6 processor. It's now capable of 1080p at 60 fps as well, compared to 30 fps on its predecessor, the SX530 HS. The company is also introducing the ELPH 360HS, which features a 22-megapixel CMOS sensor, Digic 4+ processor and a 12x optical zoom (25-300mm equivalent).

  • Samsung kills its camera and camcorder business in the UK

    by 
    Nick Summers
    Nick Summers
    12.02.2015

    First it was laptops and Chromebooks, now it's cameras and camcorders. In a statement to TechRadar, Samsung has confirmed that it's quietly abandoning both product categories in the UK. Why? "Sustained decline in demand," according to the company. That means you'll no longer see its DSLR-inspired NX1 or its sleek, mirrorless NX500 on store shelves.

  • Sony announces seven HD Handycam camcorders at CES, priced from $230 to $1,500

    by 
    Zach Honig
    Zach Honig
    01.06.2014

    Bear with us here; Sony's announcing quite a few new Handycam models at this year's CES. At the pricier end of the spectrum, the HDR-CX900 sports a 1-inch CMOS sensor, 50 Mbps XAVC S recording, and a boatload of other high-end features. In fact, it's identical to the $2,000 AX100, though the CX900 excludes 4K-capture capabilities. That omission will save you 500 bucks, with this model shipping in late February for $1,500. Next up, the projector-equipped PJ810 will run you $1,100, and includes WiFi with NFC, 24.5-megapixel stills capture, a 26.8mm wide-angle G lens with hood, a 3-inch 921k-dot LCD and a 50-lumen projector. Meanwhile, for $700, you can pick up the PJ540, which sports a 5.1-channel mic, a 3-inch 460k-dot LCD, 32GB flash storage, WiFi, NFC, a 25-lumen projector and our favorite feature, Balanced Optical SteadyShot. At the lower end, you can pick up the PJ340, which includes a 26.8mm wide-angle G lens with optical SteadyShot, 16GB flash storage, WiFi, NFC and a 13-lumen projector for $480. Next up is the cheapest projector-equipped model, the PJ275. This $400 shooter features a 29.8mm Zeiss lens, 8GB flash storage, WiFi, NFC and a 13-lumen projector. Meanwhile, videographers on a budget may want to check out the $330 CX330, which ships with WiFi, NFC and a 26.8mm G lens with optical SteadyShot. The $230 CX240, however, does not include WiFi. It does feature a 9.2-megapixel CMOS sensor, a 29.8mm lens with digital stabilization, full HD (60p) capture and a 2.7-inch LCD. All seven models ship next month alongside several new accessories, including a $100 shotgun mic, ECM-W1M and ECM-AW4 $230 wireless microphones and a $30 lens filter for the PJ540.

  • Sony's compact FDR-AX100 4K Handycam ships in March for $2,000 (hands-on)

    by 
    Zach Honig
    Zach Honig
    01.06.2014

    Television manufacturers have been peddling 4K TVs for several years now, but just as we experienced during the early years of HD, limited content deters educated early adopters when it comes time to make a purchase. One solution for marketers, while an arguably weak selling point, is that consumers can capture their own 4K footage to play back for family and friends on a compatible high-res set. And while we're not yet ready to hop in line to make a pricey Ultra HD purchase, Sony's counting on at least a few deep-pocketed videographers to pull the trigger. If you're in the market for an affordable 4K camcorder, you probably won't do much better than Sony's FDR-AX100 Handycam. The AX100 is a reasonable alternative to Sony's recently announced AX1. This compact CES model is considerably more portable, with a 74 percent reduction in size and a 66 percent drop in weight. There's a 14.2-megapixel 1-inch Exmor R CMOS sensor and a BIONZ X processor, enabling full-resolution 4K shooting at 24p and 30p with XAVC S encoding. There's an optically stabilized Zeiss Vario-Sonnar T* lens with 12x optical zoom and a seven-bladed aperture, which Sony claims should offer some significant bokeh. A new My Voice Canceling feature reduces vocals from behind the camera, serving to minimize capturing the videographer's own voice. There's a 3.5-inch (921k-dot) LCD and an OLED viewfinder for framing; 1/4, 1/16 and 1/64 ND filters; WiFi with smartphone control; and output to a 4K TV via a single HDMI cable. Sony's Handycam AX100 4K camcorder is set to ship in March for $2,000.

  • Canon's targeting new parents with VIXIA R52, R50, R500 camcorders

    by 
    Zach Honig
    Zach Honig
    01.06.2014

    Your smartphone can shoot video; your tablet can shoot video; and, if you even still own one, your point-and-shoot can shoot video too. So why, then, might you pick up a mid-range camcorder? Fortunately for manufacturers, there are still a few perks to owning a dedicated video camera. If top-notch image stabilization is what you're after, you'll probably turn to Sony, but if you're a new parent looking to document your young child's early years, Canon wants your business. The company's latest VIXIA camcorders sport a variety of family-friendly features, from livestreaming to your smartphone with the R52 and R50 (think expensive baby monitor), to an "Advanced Baby Mode," which can register up to three babies and track their height, weight and age over months and years of shooting. Internally, all three cams are quite similar. They include 3.3-megapixel CMOS sensors, 32x optical zoom lenses with optical stabilization and 1080/60p video capture. The $450 R52 and $400 R50 also include internal storage -- 32GB on the pricier model and 16GB on the other -- letting you capture footage simultaneously to the embedded storage and a standard SD card, with archival-quality AVCHD recorded on one and upload-ready MP4 on the other, if you'd like. The $300 R500 excludes built-in storage, so you'll need to add an SD card to store captures there. The pricer pair also packs WiFi, with support for livestreaming and recording directly on a connected smartphone or tablet. Finally, you can also use the R52 and R50 with Canon's new Pan Table accessory, adding to their practicality as a home-security appliance. Expect all three VIXIA camcorders in stores this March.

  • Panasonic's new Lumix and camcorder lineup arrives at CES

    by 
    Daniel Cooper
    Daniel Cooper
    01.07.2013

    Panasonic may not have dedicated much time to its 2013 Lumix and WiFi camcorder lineup in its CES 2013 press conference, but we're going to break it down for you. The HC-X920, HC-V720 and HC-V520 comes with built-in Wifi, a level shot function and real-time broadcasting, letting you relay the images straight to a smartphone. The HC-V210 and V210M have 72x optical zoom, optical image stabilization and a F/1.8 lens. On the Lumix side, it's announcing the Lumix DMC-TS5, a ruggedized model with a 16.1 megapixel sensor that can dive to depths of 43 feet and is shockproof from a height of 6.6 feet. The LZ30 bridge camera has a 35x optical zoom and a 35mm lens The XS1 has a 14mm thick body and a 14.-4 megapixel sensor. The ZS30 has an 18.1-megapixel sensor, 20x optical Zoom and integrated WiFi and NFC. The company is also shuttling out a GoPro rival in the form of the HX-A100 wearable HD camcorder, which we'll try to get our greasy mitts upon to show you more. Follow all the latest CES 2013 news at our event hub.

  • Toshiba intros Camileo BW20 waterproof camcorder, available now for $130

    by 
    Edgar Alvarez
    Edgar Alvarez
    09.19.2012

    Toshiba might have missed the summer vacationers by just a bit, but with the beautiful fall season just around the corner in the US, it's that period to introduce a new Camileo to the group. This time out it's the follow-up to the company's rather colorful BW10 from last year. Enter the adequately named BW20. Aside from nabbing a numerical bump on its moniker, the BW20 brings the same 1080p video recording found on its predecessor, plus improved waterproof capabilities that now allow the camcorder to handle up to 16 feet below water. Perhaps, the most interesting fact here is the BW20's new price tag, which is now $130 -- 20 bucks less than the BW10. You can snag one for yourself now at the source link below; in the meantime, there's an appealing press shot gallery for your viewing pleasure down below.

  • Sony announces NEX-VG30 and full-frame NEX-VG900 Handycams, we go hands-on

    by 
    Zach Honig
    Zach Honig
    09.12.2012

    A full-frame camcorder for roughly 3 grand? Meet the Sony NEX-VG900 Handycam -- the company's first 35mm HD video camera. Taking cues from its Alpha A99, which was just announced today, Sony brought that camera's 24.3-megapixel full-frame sensor to a camcorder form factor, delivering shallow depth-of-field and much improved low-light sensitivity in a more practical package. The VG900 is compatible with E-mount lenses, and it's a fine stills shooter (like the A99, it's capable of 14-bit RAW captures), but it's best suited for high-end video production, where it offers 1080p recording at 24 or 60 frames-per-second through a sensor that features 45 times the area of a conventional camcorder. This model even adds some of Sony's picture effects from the stills line, such as soft focus and miniature mode, while certain filters, like partial color and high-contrast monochrome can even be added to video. Also on order for today is the NEX-VG30 -- the successor to the VG20 -- which offers many of the same features, but with a 16.1-megapixel APS-C CMOS sensor instead. If you're looking for a capable Handycam and don't want to spring for full-frame, this is your match. Both models include 270-degree swivel 921k-dot touch-enabled TruBlack LCDs and XGA OLED eye-level electronic viewfinders, along with Sony's new Multi Interface Shoe, which enables XLR microphone inputs through an optional accessory. The Handycams offer a new zoom seesaw level with multiple speeds for smooth, silent lens adjustments. There's also digital zoom functionality, which is likely to be more appropriate for the VG900, since that model's full-frame sensor has the pixels to spare. That flavor is quite costly, coming in at $3,299 without a lens, though an LA-EA3 mount adapter is included so you can attach full-frame-capable A-mount lenses. The VG30, for its part, will retail for $1,800 body only, or $2,700 when paired with Sony's new 18-200mm f/3.5-5.6 OSS power zoom lens -- a $300 savings, considering that optic's $1,200 standalone price tag. The VG900 is slated to ship beginning in late October, while the VG30 will hit stores in November, but you can take a closer look right now in our hands-on gallery below.%Gallery-163055%

  • Sony Handycam HDR-GW77V has pocket camcorder form-factor and waterproof design, we go hands-on

    by 
    Zach Honig
    Zach Honig
    06.06.2012

    Waterproof camcorders have traditionally been popular in the pool but less compelling on land, given the somewhat-cumbersome designs, so-so image quality and form-factors that aren't necessarily more comfortable than a similarly equipped smartphone. This may describe nearly every pocket cam you've considered, but not Sony's new Handycam -- instead, think of the HDR-GW77V as a high-end camcorder you'll want to use everywhere, that happens to be just as rugged as it is practical. The camera packs the standard ruggedized punch, with a waterproof rating to 16 feet, the ability to survive a five-foot drop and a dustproof housing (though that's typically a given for tightly-sealed cams). You wouldn't think to take still photos with your camcorder, but Sony wants you to just that -- to the tune of 20.4 megapixels. The Handycam's 10x optical zoom lens can capture static frames just as easily as motion, with features like optical SteadyShot and Sweep Panorama, though the 1/3.91-inch CMOS sensor means you shouldn't expect point-and-shoot-level image quality. The GW77V can shoot 1080/60p video and features a wide-angle 29.8mm G lens, along with a 3-inch 921k-dot ExtraFine touch-enabled LCD. There's a dual Memory Stick M2/microSD slot, 16GB of internal memory and a GPS module with built-in NAVTEQ maps to boot (accounting for roughly 2.7 gigs of that internal storage). We spent a few minutes shooting with the GW77V and were quite pleased with its performance -- the Handycam was very responsive, with very fast focusing and an Optical SteadyShot feature that resulted in smooth footage, even while holding the camera by hand with the lens zoomed in completely. This certainly isn't your run-of-the-mill waterproof model, but considering the $700 price tag, you wouldn't expect it to be. The Handycam HDR-GW77V is slated to hit stores in silver, blue and black later this month.%Gallery-156601%

  • New OmniVision 16-megapixel camera sensors could record 4K, 60 fps video on your smartphone

    by 
    Jon Fingas
    Jon Fingas
    05.22.2012

    Nokia has reportedly been dreaming of PureView phones with 4K video; as of today, OmniVision is walking the walk quite a bit earlier. The 16-megapixel resolution of the OV16820 and OV16825 is something we've seen before, but it now has a massive amount of headroom for video. If your smartphone or camcorder has the processing grunt to handle it, either of the sensors can record 4K (3840 x 2160, to be exact) video at a super-smooth 60 fps, or at the camera's full 4608 x 3456 if you're willing to putt along at 30 fps. The pair of backside-illuminated CMOS sensors can burst-shoot still photos at the bigger size, too, and can handle up to 12-bit RAW. Impressive stuff, but if you were hoping for OmniVision to name devices, you'll be disappointed: it's typically quiet about the customer list, and mass production isn't due for either version until the fall. On the upside, it could be next year that we're feeding our 4K projectors with Mr. Blurrycam smartphone videos.

  • Samsung ships QF20 camcorder with WiFi, toughened-up W300 pocket cam

    by 
    Jon Fingas
    Jon Fingas
    05.16.2012

    Samsung's CES blitz included a tease of five new camcorders, but precious little in the way of launch details. Some of the mystery has ended, as two of the camcorders -- the QF20 and W300 -- are at last hitting US stores. The QF20 caters to the Internet crowd and, for $350, will let you upload your 20x-zoomed 1080p videos straight to Facebook, Picasa or YouTube without thrusting a computer into the process. If you're more concerned about your camera surviving a rafting trip than producing viral videos, the W300 will give you dustproofing, 15-foot waterproofing and 6-foot shockproofing in a pocketable form for a more frugal $160. We're still waiting on launches for the camcorders' closely-related F80, Q20 and W350 (pictured) cousins, but for now you can catch full details of the QF20 and W300 after the break.

  • JVC demos GY-HM600, launches HM650 Mobile News Camera with WiFi and FTP at NAB

    by 
    Zach Honig
    Zach Honig
    04.17.2012

    Sure, you can always roll up with a full-blown sat truck or a camera tethered to a ViaSat SurfBeam 2 Pro Portable, or you can pick up the JVC GY-HM650, which lets you beam those video bytes back to base with any ole hotspot. The company's Mobile News Camera packs a trio of 1/3-inch 1080p 12-bit sensors, a 29-667mm lens, 3.5-inch LCD, SDXC compatibility and HD-SDI outputs, but it also includes WiFi connectivity with FTP server support, letting you record then automatically transmit footage back to a newsroom for editing and broadcast. The camera itself is very compact, considering that it's primarily suited for professional news applications, and also includes all the standard audio hook-ups, like dual XLR jacks, a shotgun mic holder, headphone jack and a separate connector for a wireless mic receiver, along with GPS and Android/iOS app control. JVC also launched another model, the GY-HM600, which offers similar features, save for those wireless connectivity bits. Both cameras look nearly identical, though the company only had the less-abled 600 on display at NAB. That camera will retail for $4,695 when it hits in the fall, while the 650 will cost you $1,000 more, with a winter 2012 shipping estimate. We weren't able to peek at the WiFi model at the show, but you'll be able to get a fairly good idea of how that camera will look in the glass-enclosed HM600 shots below.

  • Contour+ vs. GoPro HD Hero 2: through the desert and into the skies

    by 
    Brian Heater
    Brian Heater
    04.09.2012

    Engadget Show segments come about in any number of ways. Sometimes it's a no brainer, with some awesome new gadget just aching for some air time. Other times it's a matter of our wanting to do something cool, like, say, flying a plane. The GoPro / Contour segment from the last Engadget Show was a little bit of both. The ultra-rugged camcorders were a perfect fit for our desire to take on some extreme activities in the Nevada desert. We started out by taking Polaris RZR for a spin on some sand dunes around the Las Vegas Motor Speedway. And while we didn't really anticipate that it would be windy enough that day to ground planes at nearby McCarren Airport, the 50MPH sandstorms certainly did their part in testing the mettle of the devices -- and our camera crew, for that matter. We strapped both to the roll bar of the all-terrain vehicle and took off into the desert. Things were thankfully a bit calmer when we took to the sky the following day with help from the folks at Sky Combat Ace. The camcorders joined us in our respective cockpits, proving that they could take the punishment of a several G ride -- even if we didn't hold up so well. So, which of the two camcorders fared better? Tim and Brian hash it out after the break.

  • New Sony Bloggie Mobile HD Snap camera gets bowed design, FCC inspection

    by 
    Mat Smith
    Mat Smith
    11.07.2011

    Sony has already delivered its Bloggie cameras with 3D video and even dual screens, and now we've got the first hint at what's next. The MHS-TS55, going through its FCC testing as the Mobile HD Snap camera, carries its own 802.11n connection. We don't know exactly what Sony has in store for this curved mystery cam, but with WiFi on board, wireless sharing or even live video streams wouldn't be out of the question. Sony typically unveils its latest offerings at CES, and this filing chimes well with the chance of us getting the full skinny at January's annual tech binge -- that leaves just eight short weeks for the FCC to spill the beans on the rest of the Bloggie fam.

  • Panasonic shows off twin-lens 3D camera prototype, announces HDC-Z10000 3D camcorder

    by 
    Dana Wollman
    Dana Wollman
    08.31.2011

    We're here in Berlin, covering IFA 2011, and Panasonic's getting things started by showing off a concept camera, its first with a twin-lens capable of shooting 3D stills and video. Alas, the company's press release is light on technical info, though it does reveal the system's built on dual 4x lenses with "thin, folded" optics. Hopefully, we'll see this thing in person while we're in town and learn a bit more. In similar news, the company also announced the HDC-Z10000 (pictured), its first 2D / 3D camcorder with an integrated twin-lens. The camcorder records 1080p / 1080i AVCHD 3D video, has dual CMOS sensors with a combined resolution of 13.1MP and a glasses-less 3.5-inch LCD. It's also capable of 3D macros as close as 17.8 inches -- a record for twin-lens 3D camcorders, according to Panasonic. As the company's been known to do, though, it's holding off on revealing any details about pricing or availability, so it looks like we'll have to save that for a rainy day. Full PR after the break.

  • AMP camera records 1080p HDR video, you probably can't have one

    by 
    Dana Wollman
    Dana Wollman
    06.25.2011

    We've already seen cameras that let you pretend you live in a radioactive apocalypse shoot HDR video, combining overexposed and underexposed images into one surreal composite. But so far, that kind of dystopian trippiness has been relegated to experiments and rigs using two lenses. But here we have AMP, a portable-enough five-pound camera that splits the light into three sensors, giving it a range of 17.5 stops to "reveal reality" in our drab, incomplete lives. The single-lens camera shoots 1080p video at 24fps or 30fps, records raw, uncompressed data to an SSD, and works with Nikon F-Mount-compatible lenses. To give you some perspective on the amount of sheer storage required, AMP promises a 256GB SSD can hold 30-plus minutes of footage, with 24fps video consuming less space than the 30 fps variety. It'll be available later this summer for some unknown sum, but not as a mass-produced product. Rather, it'll end up in the hands of a select few prosumers who add themselves to a waiting list. Assuming you won't be one of the chosen, you can get your fill of reality in a pair of demo videos after the break.

  • Cisco phasing out FlipShare: 30 days to save your videos

    by 
    Terrence O'Brien
    Terrence O'Brien
    05.13.2011

    Many Flip fans are already sporting black arm bands with little red spots in honor of the dying brand, and the New York Times reports there's more bad news coming. Starting May 12th, all videos uploaded to FlipShare will expire 30 days after they've been posted. This applies to videos you've already uploaded as well --- so you've got till June 11th to follow the lead of Google Video users and back up your collection of clips before they disappear into the digital ether. The FlipShare service will continue to live on for another two and a half years, if you don't mind the one month limit, but clearly Cisco wants users to move on with their video-sharing lives. Check out the more coverage link for instructions on how to export your videos, and let's have one more moment of silence for the tiny camcorder that could... at least until it couldn't.

  • Olympus' LS-20M boasts dual mics and 1080p recording, split personality

    by 
    Dana Wollman
    Dana Wollman
    05.03.2011

    Cisco may have washed its hands of pocket camcorders, but Olympus is ready to dive into the market with gusto. The company, best known for its cameras and voice recorders, just brought those two worlds together by announcing the LS-20M, a handheld whose relatively high-end audio specs should help it go toe-to-toe with Zoom. In addition to 1080p video, the LS-20M records 24 bit / 96 hHz Linear PCM audio using a pair of condenser mics. Alas, at $300 it has a small 2-inch screen and no optical zoom, but at least Olympus borrowed four of the visual effects that make its PEN cameras so fun to use. Look for it in June, and in the meantime, hit the PR for more details.

  • Switched On: A legacy from the Flip side

    by 
    Ross Rubin
    Ross Rubin
    04.24.2011

    Each week Ross Rubin contributes Switched On, a column about consumer technology. Last week's Switched On discussed some of the challenges the Flip camcorder faced trying to grow in the marketplace, an effort abruptly scuttled by an indifferent Cisco. But while Kodak, Sony and others are now poised to fill the Flip void, no competitor exactly matched Flip's combination of simplicity and sharing. With point and shoot cameras, camcorders, traditional MP3 players and standalone GPS units in decline, the jury remains out on how long portable electronics can fight the smartphone, but Flip's success taught the industry some valuable lessons that may have relevance going forward.