Nokia's first TD-SCDMA-based 6788 ready for China Mobile's 500 million subscribers

CarlZeiss posts

Granted, this was totally expected, but we can't possibly be more excited to see such a peripheral emerge before the Micro Four Thirds segment even has a chance to blossom. Cosina, parent company of Voigtländer, has just introduced a new adapter which aims to make Micro Four Thirds cameras (you know, like Panasonic's Lumix DMC-G1) compatible with a slew of existing Voigtländer, Leica and Carl Zeiss lenses. Unfortunately, we're told that the device is mechanical only, which could cause issues with some of the more advanced features that require tight knit camera-lens communication. Head on past the break for a full list of suitable lenses, and feel free to ping your favorite Japanese importer with a mailing address and at least ¥19,800 ($205).
Last year Carl Zeiss tantalized us with promises of an eye-level, "cinema quality" display for iPods (and only iPods). The result was a somewhat funky looking set of "video eyeware" that, to put it mildly, didn't quite catch on in the Apple community like the company's tiny lenses have elsewhere. Undaunted, Herr Zeiss is releasing a new version -- cunningly titled the Cinemizer plus -- that offers mostly minor tweaks, like improved cable management and better compatibility with external (higher quality) earbuds. The company is also pushing studios to produce more content that will show off these things' 3D capabilities, but we're guessing there still won't be much of the stuff available when these drop in March for $499.
We've seen dynamic contrast ratios on HDTVs climb as high as 2,000,000:1, but an in-house design from the famed Carl Zeiss blows that right out of the water. The powerdomeVELVET planetarium projector was obviously not designed with home cinema in mind, though the specifications are no less impressive. We've got a 2,500,000:1 contrast ratio, DLP / BrilliantColor technologies, a 1,200p native resolution and a DVI input. Not like you're actually considering one for your own domed theater, but it'll be available for a small fortune in Q1 2009.

If you're here for surprises, you're not apt to leave satisfied, but if you're interested in a few extra deets on Sony's latest duo of megazoom digicams, this is the spot. Set to replace the DSC-H2 and DSC-H5 just about one year after their respective releases, Sony once again did a horrendous job keeping the DSC-H7 and DSC-H9 on the low, but we're not complaining or anything. Anyways, future H7 / H9 owners can look forward to a Carl Zeiss 15x optical zoom lens, 8.1-megapixel sensor, face detection technology, HDTV output, the ability to shoot up to 1/4000 of a second, Bionz processing engine (seen in the Alpha lineup), Super Steady Shot optical image stabilization, up to ISO 3200, and red-eye reduction. The H9 steps it up ever so slightly by adding a three-inch flip-up LCD (compared to the H7's 2.5-inch rendition) and Sony's own NightShot technology, which purportedly allows photographers to snap legible shots even in dark alleys. Notably, neither camera sports any kind of movie mode whatsoever, and those hoping to shoot in RAW will also be sorely disappointed, but if you're fine with those two oversights and the massive zoom tickles your stalking instincts, both cameras will be landing in April for $400 (DSC-H7) / $480 (DSC-H9).









