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Canon PowerShot D20 ruggedized point-and-shoot camera hands-on (video)
Remember the Canon PowerShot D10? The company's first ruggedized underwater cam was a solid snapper, but its bulky submarine-like design made it impractical for most surface-based shoots. The PowerShot D20 offers a drastic improvement over its predecessor in the appearance department, more closely resembling a compact point-and-shoot than a subaqueous vessel. We can't speak to the cam's image quality just yet, but assuming its on-par with the D10, we'd say the latest D model is worth some serious consideration as an upgrade, even for a reduction in footprint alone. The D20 includes a 12.1-megapixel HS (high-sensitivity) CMOS sensor, a bright 3-inch LCD and a 5x 28mm optically stabilized zoom lens. It's waterproof to depths of 10 meters (33 feet), can survive drops from a height of 1.5 meters (5 feet) and can operate in temperatures ranging from 14 degrees to 104 degrees Fahrenheit. There's also a top sensitivity of ISO 3200, and a built-in GPS.We spent a few minutes with the D20 at Canon's booth at CP+ 2012 in Yokohama, Japan, and were quite impressed with the improved design. Naturally, it's a solid-feeling point-and-shoot, with protected components and airtight port covers. Company reps didn't bat an eye when we unintentionally tested the camera's durability with a mild drop. There's a standard-issue PowerShot interface, with a fairly straightforward menu structure, and the camera felt plenty snappy, focusing and firing off an image almost instantaneously. It's noticeably larger than the company's more compact land-limited models, but there's no reason you wouldn't feel just as comfortable using this to shoot your child's first birthday party as you would their first scuba lesson. The $349 PowerShot D20 won't be hitting stores until May, but you can jump past the break for a quick look in the meantime.
Canon EOS-1D X and Nikon D4 ISO 204,800 shooting hands-on (video)
With mirrorless cameras offering high-resolution APS-C sensors and consecutive shooting speeds of up to 10 frames-per-second, what's left to make a $6,000 full-frame DSLR a compelling purchase, especially for amateur photographers? Low-light performance, for one -- the Canon EOS-1D X and Nikon D4 are both capable of capturing images at up to ISO 204,800, letting you snap sharp photos in even the dimmest of lighting conditions. The benefits of a top sensitivity of ISO 204,800 are significant -- jumping from one ISO to the next doubles your shutter speed. So an exposure of f/2.8 at 1/2 second at ISO 400 becomes 1/4th at ISO 800, 1/15th at ISO 3200, 1/60th at ISO 12,800, 1/250th at ISO 51,200 and a whopping 1/1000th at ISO 204,800 -- fast enough to freeze a speeding car.Both Canon and Nikon have yet to allow us to take away samples shot with the 1D X or D4 -- the companies even taped CF card slots shut to prevent show attendees from slipping their own card in -- but we were still able to get a fairly good idea of high-ISO performance from reviewing images on the built-in LCDs. At the cameras' top sensitivity of ISO 204,800, noise was visible even during a full image preview. Zooming into the image revealed significant noise, as expected. However, within each camera's native range of ISO 100 to 25,600, noise was barely an issue at all. Both cameras are still pre-production samples at this point, so we'll need to wait for production models to make their way out before we can capture our own samples, but based on what we saw when reviewing ISO 204,800 images on the built-in LCDs, that incredible top-ISO setting may actually be usable. Scroll on through the gallery below to preview some top sensitivity shots on the Canon EOS-1D X (camera poster) and the Nikon D4 (Japanese model), and join us past the break for an even closer look in our video hands-on.
Kodak to shutter digital camera production this year
This year has not been a kind one for Kodak. Last month, the photography pioneer announced that it was filing for bankruptcy (and suing Samsung, incidentally), and now the company has let it be known that it will be dropping out of the digital camera business -- and then some -- marking an end to its line of digital point-and-shoots, pocket camcorders and digital photo frames. Production will end the first half of this year. The future for the company will hold printers, brand licensing, enterprise services and photo labs. Kodak will, however, continue to honor warranties on existing products.
Sony Cyber-shot TX300V inductive charging camera and dock hands-on (video)
You may have thought that Sony's Cyber-shot TX200V was the company's most powerful point-and-shoot to date, but that's not exactly true. The company has a Japan-only version of the TX200V called the TX300V, and it's quite a compelling upgrade. The camera's most appealing addition comes in the form of a wireless charging and transfer dock -- it refuels your pocket snapper through inductive charging while also wirelessly transferring images to your computer using TransferJet. It can also draw power from your computer's USB port (no AC adapter required). Oh, and it ships in the camera box.Sadly, there aren't any plans to sell this iteration outside of Japan, and Sony's mum on pricing and availability. The camera transferred images and charged without issue during our demo (the Charge indicator lit up, at least -- we didn't stick around to watch it charge the camera). We went hands-on with the TX300V and its charging dock at CP+ in Yokohama, and you can check the camera kit out in all its glossy black glory just past the break.
Olympus black E-M5 Micro Four Thirds camera and internals eyes-on
By now we're quite familiar with the Olympus E-M5's attractive external appearance, but what does it look like on the inside? The company carefully disassembled its new flagship model, and displayed the components in ten layers for us to examine at CP+ in Yokohama, Japan. The image sensor module is perhaps the most impressive component, due in part to its five-axis sensor-shift image stabilization. We can also spot the magnesium alloy shell, main system board and top plate. Another display encased a compete E-M5 kit, with a lens, split right down the middle. You'll find a variety of views in the gallery below, along with a special treat: the all-black version of the E-M5, in all its smooth metal glory.
Sony promises eight more NEX E-mount lenses by the end of 2013, doesn't elaborate
Have you been holding out on that NEX purchase because of the currently limited E-mount lens selection? Well, Sony's got some good news for you -- there will soon be eight additional lenses to choose from (for a total of 15), with all models making it into circulation by the end of 2013. That's still no match for the hundreds of optics available for Canon or Nikon DSLRs, but you'll at least be able to build a collection that covers (almost) all of your bases. Sony hasn't detailed any of these upcoming models, but the company's chart above lists a few categories, including a High Performance Standard Zoom in the pricey Zeiss category, along with High-magnification, Standard, Wide Angle and Mid-magnification Zooms. There will also be a trio of prime lenses, including a Large Aperture Standard lens, a Middle Telephoto and a "Snap" (pancake) optic. We're just as anxious as you to find out exactly what Sony has in mind for each of these categories, but you should at least take some comfort in knowing that the E-mount collection is far from complete.
Pentax K-01 mirrorless camera doesn't feel as cheap as it looks, we go hands-on (video)
After Pentax boasted about the performance of its incredibly small Q mirrorless cam, we're certainly justified in approaching the company's latest ILC with a bit of skepticism -- especially given its blatant toy-like appearance. But after spending a few minutes with the K-01 at Pentax's CP+ booth, we can confirm that the compact camera doesn't feel nearly as cheap as its looks may imply. The camera includes a brand new 16.28-megapixel APS-C CMOS sensor -- a far cry from the 12-megapixel 1/2.3-inch imager included with the petite Pentax Q. There's also a bright 920k-dot 3-inch LCD, a sensitivity range of ISO 100-25,600 (!) and 1080/30p video capture. It's also, believe it or not, compatible with Pentax's range of K-mount DSLR lenses.The K-01 is a bit hefty for a mirrorless camera -- it dwarfs the near-pocketable Pentax Q -- and has a weight to match its rather large footprint. The cam actually feels quite durable, though we're definitely not sold on its "fun" Michael-Graves-meets-Fisher-Price design (think smooth corners and bright colors). There's a built-in pop-up flash, along with a hot shoe positioned just over the lens. There's also -- much to our surprise -- a microphone input. We can't imagine pairing this thing with a pricey external mic rig, but if you're not too embarrassed using this for professional applications, the included audio input may come in handy. Jump past the break for a quick video walkthrough from Japan, and keep an eye out for the camera closer to home -- the $750 (body only) K-01 is expected to hit stores next month.
Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video)
Olympus's inaugural OM-D mirrorless interchangeable lens camera, the E-M5, boasts the world's fastest autofocus and a pretty fantastic design, but it's also the first camera to implement a new five-axis sensor-shift image stabilization technology, that allows the lens to compensate for camera shake. The company was on hand at CP+ 2012 to demo the new sensor, which really does shift every which way to keep your photos and video still. We'll of course need to spend some time shooting photos and video with the E-M5 before labeling the five-axis sensor a success, but from the demo we saw today, it looks pretty darn promising. Jump past the break for a video hands-on, and scroll through the photos below for an up-close view of Olympus's latest Micro Four Thirds masterpiece.
We're live from CP+ 2012 in Yokohama, Japan!
As Macworld continues on its path towards irrelevance, another post-CES trade show is gaining heat on the other side of the Pacific. This is our first year at the CP+ Camera & Photo Imaging Show, taking place at Pacifico Yokohama, just a short from JR train ride away from the hustle and bustle of Tokyo. While the show itself is little known outside of Japan, it's prompted a barrage of camera announcements over the last few weeks. In addition to the dozens of new consumer models that are set to hit the market, CP+ also gives us another chance to fire off some flagship professional DSLRs, including the Canon 1D X, and the Nikon D4 and D800. We're also expecting to take a behind-the-scenes look at some new sensor tech -- and who knows, we may even find ourselves standing below an RC photo chopper or two -- so check back often to get your fill from what's shaping up to be one of the biggest photography trade shows of the year.
Olympus unveils SZ-31MR camera: 16 megapixels, 24x optical zoom
Japanese camera manufacturer Olympus has just introduced the successor to its SZ-30MR compact shooter. The new snapper not only sees a minimal increment on its stage name, SZ-31MR, but it also keeps the same 16-megapixel backlit sensor as its predecessor, as well as an identical 24x (25-600mm) optical zoom. Though, the newcomer does get a fresh image processor, making the jump from a TruePic III to a TruePic V, thus bringing along better low-light performance, scene enhancements and keeping high-quality shots while using the zoom feature. Amongst other traits, the device is packing a 3-inch (920,000-dot) LCD, 6400 ISO and 1080p video capture at 30fps. Olympus is also implementing a new technology dubbed iHS (Intelligent, High-Sensitivity and High-Speed), which the company claims will produce sharper and more vivid images. All this can be yours for a mere $399 this April when it's released, but if you want to know more before parting with that cash, check the pic gallery below and the PR after the break.
Olympus OM-D E-M5 Micro Four Thirds camera preview (video)
Olympus has embraced the camera designs of yesteryear for several generations, from its first Micro Four Thirds models to last year's E-P3. But now the Japanese camera maker is stepping up its retro game, announcing a brand new line of Micro Four Thirds cams. Meet the OM-D. A dramatic departure from the more modern-looking PEN cameras, this new line of mirrorless models, specifically the E-M5, in many ways duplicates the design elements of the 1970s-era OM System. The first consumer camera in that SLR lineup, the OM-10, served as clear inspiration for the slightly boxy, black or silver and black magnesium alloy digital model we have today. We were able to spend some time with the Olympus E-M5 before tonight's announcement, and were very impressed with what we saw. Jump past the break for our impressions and an Olympus-guided video walkthrough, and thumb through the gallery below for a detailed look at the company's answer to the Fujifilm X-Pro1.
Olympus updates its Tough lineup, intros TG-820 ruggedized shooter
Olympus isn't planning on staying far behind its competition in the ruggedized camera department. That's why it's taking the wraps off its TG-820. The newest addition to the Tough lineup brings along predictable traits for a shooter of its kind, such as being waterproof up to 33 feet, shockproof, freezeproof and crushproof. All the "proofs" aren't the only set of features present amongst its offerings, the Tough TG-820 comes sporting a 12-megapixel, back-side illuminated CMOS sensor (compared to the 14-megapixel CCD on its predecessor), 1080p video recording capabilities, as well as a 5X optical and 4X digital zoom. Also included in the package is a 3-inch, HyperCrystal LCD, plus a plethora of shooting modes to choose from, some of which include: Panorama, Sensor-shift IS, Backlight HDR and a Pet mode. Olympus' new rugged shooter will hit shelves next month for $299, in the meantime you can pick which color best suits you by checking out the press shots below.
Pentax refreshes its rugged camera lineup with the Optio WG-2 series
Exactly twelve months after the unveiling of the Optio WG-1 family, Pentax is now introducing the successors to its colorful and ruggedized shooters. And while its macho design hasn't changed much, the newcomers usher in a host of predictable spec bumps. The new all-terrain shooters are sporting a 16-megapixel, back-illuminated CMOS sensor, 1080p (30fps) movie mode, micro-HDMI for when you feel like sharing your adventures and a 3-inch, 460,000 -dot LCD to help you frame your shots. Of course, this wouldn't fall under the rugged category if it couldn't handle anything you threw at it, which is why any WG-2 is waterproof up to 40 feet, shock-resistant and dustproof. If you're thinking about taking one of these on the trails with you, be ready to unleash around $350 for the unguided model or about $50 more for a GPS-enabled number. Neither will be available until March, so you'll have to wait a while, but in the meantime we've got the full PR below along with some press shots.
Olympus OM-D E-M5 leaks continue, 'super fast' AF and 3D tracking system on the way?
A certain purported Olympus Micro Four Thirds shooter has been anything but shy prior to its official unveiling (whenever that happens). Now, 43 Rumors is keeping the intel flowing with tidbits it received from a "super European source." The fresh bits suggest the E-M5 could sport a "super fast" autofocus and 3D tracking system, an external "weather-sealed" GN10 flash and additional filters. And, if rumors are to be believed, you'll be able to see the effects of the image stabilization through the electronic viewfinder. Though your skep-alarm should be on high alert, we can't keep you from believing, so hit up that source link to find the rest of the alleged details.
Nikon confirms 36.3-megapixel D800, we go hands-on
Thirty-six megapixels. That's the native resolution of Nikon's long-awaited FX-format digital SLR. The D800 was designed with all professional photographers in mind, but with 36.3-megapixel captures (yes, that also means 36.3 megapixels in RAW, or 15.4 in DX format), the Japanese camera maker's latest DSLR output is likely to far exceed the needs of many. It also limits low-light shooting capabilities -- the D800 is a full-frame camera, but even so, with a standard sensor capturing 36.3 megapixels, its high-ISO performance is unlikely to match the likes of the D4, or Canon's new 1D X. It's for this reason that Nikon limited the camera's top native sensitivity to ISO 6400, or 25,600 in Hi2 extended mode. Want to see more? Thumb through the gallery below and jump past the break for a closer look at the latest full-frame DSLR to hit the market.
Sony Alpha NEX-7 mirrorless camera review
Remember the NEX-7? Ever since a days-long shooting session back in September, Sony's prized mirrorless cam has eluded us -- and the rest of the world. As you may recall, the flagship Alpha ILC was hit by the Thailand floods, resulting in delay after delay, eventually missing the holiday shopping season entirely before resurfacing late last month. Another week later and our beloved Sony Alpha NEX-7 has finally arrived, ready to take on the streets of New York City. So what exactly is the NEX-7, and why does it cost as much as a mid-range DSLR? First off, the 24.3-megapixel APS-C ILC captures, well, 24.3-megapixel images, offering the highest resolution of any mirrorless model on the market. Its APS-C sensor is identical to the one found in Sony's A77 DSLR, measuring larger than Micro Four Thirds and on par with most full-size digital SLRs.If having the ability to capture mural-size images ranks fairly low on your digicam wish list, you may take comfort in some of the NEX-7's other features, such as its gorgeous and durable magnesium alloy body, built-in XGA OLED electronic viewfinder, 3-inch, 921k-dot articulating LCD and unique tri-navi control interface that enables direct access to key settings adjustments, including both aperture and shutter speed in manual mode. There's also 1080/60p HD movie capture with full manual control and microphone input support, a 10 frames-per-second continuous shooting mode (with exposure and focus locked) and a BIONZ image processor that's capable of delivering low-noise images all the way through ISO 16,000. These features combine to make the NEX-7 one of the most powerful mirrorless cameras to date, but are they enough to justify the $1,200 body-only price tag? Join us past the break to find out.
Nikon unveils Coolpix P510 42x superzoom, P310 with f/1.8 lens
This evening's Nikon post is presented in partnership with the letter P. The Coolpix P-series welcomed a new pair today, with point-and-shoots that "pack a potent punch... and powerful performance" -- and a plentiful portion of P, as you'll notice in the press release past the break. The Coolpix P510 "breaks the zoom barrier" with a 42x 24-1000mm optically stabilized lens. It features a 16.1 megapixel BSI (backside illuminated) CMOS sensor, a 921k-dot 3-inch vari-angle LCD, can shoot 1080p HD video with stereo sound and supports ISO 100-3200 shooting with Hi1 (ISO 6400) and Hi2 (ISO 12800, monochrome) options. GPS functionality is also included, with support for tracking and photo geotagging.Those of you seeking a more-pocketable P-series may want to consider the Coolpix P310, which offers the same 16.1 megapixel BSI CMOS sensor, a 921k-pixel 3-inch LCD, a native sensitivity range of ISO 100-3200 (Hi1 of ISO 6400) and a 4.2x 24-100mm f/1.8 (maximum) optically stabilized zoom lens. As Nikon's high-end pocketable model, the P310 offers advanced exposure modes, including program, shutter- and aperture-priority, along with a full manual mode. There's also 1080/30p video capture with stereo sound and in-camera editing. Both cameras will be available in February, with the Coolpix P510 shipping in black and red for $430 and the black-only P310 running you $330. Oh, and don't forget about that plenary P-PR past the break.
Panasonic introduces Lumix DMC-ZS20 and ZS15 compact superzoom cameras
We've seen Panasonic's 2012 lineup of ruggedized and entry-level point-and-shoot cameras, but now the Japanese-based manufacturer is unleashing a pair of compact "Traveler Zoom" cams to the 2012 mix. The Lumix DMC-ZS20 and ZS15 include 20x (24-480mm) and 16x (24-384mm) optically stabilized zoom lenses, respectively, 3-inch 460k-pixel LCDs, 1/2.3-inch High Sensitivity MOS sensors and a 10 fps burst shooting mode (5 fps with continuous AF). The higher-end ZS20 features a 14.1 megapixel sensor and 1080/60p video shooting while the ZS15 captures 12.1 megapixel stills and 1080/60i HD clips. Both cameras include 0.1-second "Light Speed Autofocus" and top sensitivity levels of ISO 3200, though you'll need to opt for the ZS20 to take advantage of GPS with map logging and a noise-canceling stereo mic. The pair will ship in March, with a black, red, white or silver ZS20 running you $350, compared with a $280 price tag on the black or silver ZS15. As always, you'll find the full PR after the break.
Sony grows Cyber-shot family by three with DSC-WX50 and WX70, ultra-thin TX200V
Far more svelte than its lengthy product name, the Cyber-shot DSC-TX200V is Sony's new point-and-shoot flagship, packing an 18.2 megapixel Exmor R CMOS sensor, 26mm 5x optical zoom lens, 1080/60p video capture and a 3.3-inch Xtra Fine TruBlack OLED touchscreen. Sony claims that the cam's BIONZ processor can help it capture stills and video with extremely low noise, and an improved focusing system can deliver speeds of about 0.13 seconds in daylight and 0.25 seconds in lower-light conditions. Its reflective durable housing enables waterproof shooting down to 16 feet, and can protect the camera from dust and freezing temperatures of 14 degrees Fahrenheit.If price is more important to you than an ultra-thin design and top-of-the-line spec list, then the DSC-WX70 and DSC-WX50 might be of interest. Both cameras include 16.2 megapixel Exmor R CMOS sensors, 25mm 5x optical zoom lenses, 12 megapixel stills during video capture, and 1080/60i HD shooting. There are nine "Picture Effects" options, adopted from the NEX series and also found on the TX200V. Both the WX50 and WX70 have a nearly identical list of features, though the first model includes a 2.7-inch display, compared to a 3-inch touchscreen on the WX70. All three cameras are expected to ship in March in a variety of colors. The TX200V will be available in silver, red and violet finishes with a retail price of $500, while the WX70 and WX50 will run you $230 and $200, respectively. Hit up the press release just past the break for the full list of colors and specs.
Tamron and Kenko bring third-party glass to the Micro Four Thirds bash
The fresh trend of Micro Four Thirds shooters is on the rise, thus it shouldn't come as a surprise that more glass-makers are jumping on the MFT bandwagon. Joining the likes of Panasonic, Olympus and Kodak as part of the Micro Four Thirds Group, is a trifecta of third-party lens manufacturers: Tamron, Kenko Tokina and ASTRODESIGN. Following closely behind rival Sigma, the newcomers are looking to make a dent in the four-thirds universe. Better late than never, right? There's still no sign of these optics being available for you to stack in your camera bag, but the news just came in, so it shouldn't be too long before you can get some extra glass for your shiny new GX1.
