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Engadget's CES 2013 Preview: Digital Cameras
With CES looming like an electrically charged storm of news and announcements, it's time for us to give you our best bets on what you'll see come January. During the month of December, we'll bring you a series of CES preview posts, forecasting what you can expect when the news deluge begins. For more of what's to come, check out our hub. Las Vegas has seen its fair share of digital camera launches, but with the PMA show all but defunct, manufacturers are shifting their focus to overseas events, like Photokina in Cologne, IFA in Berlin and even newcomer CP+ in Yokohama, Japan. That trade show trio helps to keep the international airlines in business, but it doesn't do us much good at CES, when nearly every other consumer electronics category gets a major products boost. That's not to say there won't be any new cameras at all -- PMA does have a small presence at the show, and major players like Canon, Nikon, Samsung and Sony all invest in significant floor space (they'll need some new products to fill their shelves, after all). But announcements are largely spread throughout the year.
Olympus E-PL5 and E-PM2 interchangeable lens cameras leak into view
Secrets have been hard to keep in the camera world lately, and now Olympus has undergone its second leak in as many days, but this time with a couple of higher-profile actors -- the E-PL5 and E-PM2 mirrorless cameras. Both will use the Olympus E-M5 sensor with TruePic VI image engine and touchscreen, and are reported to be priced at €399 ($520) for the E-PM2 with a 14-42mm kit lens (in silver, below the break) and €599 ($780) for the E-PL5 with the same lens, shown above. That follows earlier leaks from Sony, Fujifilm and others, along with two upcoming lenses from Olympus that were also outed ahead of time. Hopefully, there'll still be a couple of surprises left when Photokina rolls around next week. [Image credit: Digicam Info]
Canon EOS-1D X field review
Just before Halloween in 2009, Canon announced its most powerful DSLR to date. The $5,000 professional-grade EOS-1D Mark IV was the company's answer to Nikon's market-leading D3S, which rang in just shy of $5,200. On the basis of price alone, Canon won that round. Then, after two years of silence, the company launched its new flagship, the 1D X. The date was October 18th, 2011 -- roughly 10 (or "X") years after the very first model in the series was announced, way back in 2001. A decade ago, Canon priced that introductory 1D at $5,500 -- a princely sum considering the 4.15-megapixel CCD on board. Now, the 1D X, which is arguably the most powerful sub-five-figure camera available, commands 6,799 of your hard-earned dollars, or $800 more than the D4, Nikon's $6,000 equivalent. All this talk of price may seem to skirt the camera's long list of lust-worthy features, but when the cost of any piece of hardware approaches a year's tuition at a public university, a purchase decision deserves thorough consideration. A camera in this league is absolutely to be used as a professional tool. And while deep-pocketed amateurs may pick one up -- in the way folks with cash to burn may build a collection of overpowered two-seaters -- the vast majority will live in $30,000-plus kits, where they'll reach six-figure shutter counts, and will likely change hands several times before their eventual retirement. Right now, you're probably researching the 1D X as exhaustively as you would a new car -- in fact, you may have even lined up a test drive, through the company's Canon Professional Services group. Many months after it was first announced, we've had an opportunity to take the new eXtreme model for a spin ourselves, and it's every bit as impressive as its price tag suggests. Canon's top model isn't any smaller or lighter than its predecessors, the 1D Mark IV or 1Ds Mark III -- but is all that bulk justified, despite strong contenders like the workhorse 5D? Buckle up and join us in the field (ahem, after the break) to find out.%Gallery-163255%
Olympus hangs $57 million loss on austerity, strong yen and declining compact camera market
Olympus is reporting a $56.7 million loss for its first quarter of 2012. While its coveted medical imaging arm remains profitable, its life-science and industrial unit suffered thanks to corporate belt-tightening. Unsurprisingly, its low-end compact camera market is shrinking, but sales of its OM-D E-M5 ILC increased by 50 percent, offsetting some of the losses and reducing operating losses from $89 million last quarter to $19 million in this one. Like many of its Japanese rivals, it's also found a strong yen has stifled its return to productivity, a trend that isn't likely to change soon.
Sony releases Q1 2012 financial results, eats $312 million loss
Sony's first-quarter figures for 2012 show that despite the company's optimism three months ago, it's made a net loss of $312 million. It pulled in a whopping $19.2 billion in sales for the three months ending June 30th, partly credited to bringing Sony Mobile fully into the family. However, the cost of restructuring the Mobile Products and Communications Division (of which Sony Mobile is a part) came to $143 million, wiping out the additional gains to record a loss of $356 million. Gaming-wise, the PlayStation maker suffered a $45 million loss as falling sales of the PSP and PS3 were only partially offset by the sales of the PS Vita. There was better news in its imaging division, while sales of compact cameras fell, DSLRs and "Professional" products took up the slack, resulting in a profit of $160 million. In a trend we've seen across the Home Entertainment industry, sales of LCD televisions continued to fall, forcing the company to eat a loss of $126 million. Movie and TV recorded a loss of $62 million, although that's primarily due to a dip in advertising sales in India and the cost of marketing (but not producing) The Amazing Spider-Man, the profits of which won't be recognized until September. Finally, while it spent big to purchase EMI this quarter, big-ticket albums like Usher's Looking 4 Myself and One Direction's Up All Night helped the division make a profit of $92 million. While Sony's treading water to execute Kaz Hirai's "One" Strategy, it's still got $8.4 billion stashed under the mattress, and in the face of lower sales, is hoping that reduced costs will help it make $1.6 billion in profit by the end of March 2013.
Canon EOS M mirrorless camera hands-on (video)
There have been plenty of false alarms in recent months, but Canon's first mirrorless interchangeable lens camera (ILC) is finally here -- in fact, we're holding it in our hands. The EOS M is clearly reminiscent of a point-and-shoot, such as the company's high-end PowerShot S100. Sure, Canon could have added some of the dedicated controls that its professional user base would demand, but photojournalists aren't the target here, for a few reasons. Canon's primary motivation, at least from an official perspective, was to create a camera that serves to bridge the gap between pocketable compacts and full-size DSLRs with a simple user interface designed to educate, not intimidate. Also key, however, was avoiding cannibalization of the company's low-end and mid-range Digital SLR models, which clearly still have a place in the lineup one tier above this ILC. Consumers willing to sacrifice hardware controls for a touchscreen-driven UI won't be missing out on much else -- functionally, the EOS M is a near-clone of Rebel T4i with the same 18-megapixel APS-C CMOS sensor, DIGIC 5 processor and 3-inch touchscreen. Even the advanced two-stage focusing system has made its way from the T4i, which utilizes both phase-difference and contrast AF in order to achieve focus more efficiently when capturing video. The housing design and lens mount are unlike any other that Canon has produced, however, combining features from other models without completely eliminating the need for a DSLR, or a compact for that matter. If you can get by without granular controls, you'll do just fine here -- the design really is spectacular. With an $800 price tag, the EOS M falls within the upper tier of the mirrorless category, and it remains to be seen whether it will be an obvious pick when it finally hits stores in October, a month after competitors tease their own products at the massive Photokina expo in Germany. How does it fare today? You'll find our impressions just past the break.%Gallery-160939%
Canon unveils EOS M mirrorless: 18 MP APS-C, EF compatibility, $800 in October with 22mm lens
Rumors of a Canon mirrorless camera have circled the web since long before Nikon's foray into the compact ILC space. And while that manufacturer's model fell far short of some expectations, it appears that Canon's iteration may in fact have been worth the not-so-insignificant wait. Unlike the Nikon 1 Series, Canon's new EOS M isn't a drastic departure from the company's existing mid-range DSLR lineup. In fact, under the hood it's quite similar to the Rebel T4i, with an 18-megapixel APS-C CMOS sensor, DIGIC 5 processor, 3-inch 1.04MP smudge-resistant touchscreen and the T4i's new hybrid autofocus system, which pairs both contrast and phase-difference AF for speedier, more accurate performance. Externally, however, the EOS M looks more like a cross between the PowerShot G1 X and S100, tipping the scale at 14.2 ounces with the included EF-M 22mm f/2 STM kit lens, compared to 27.4 ounces for the T4i, and 19 for the G1 X. It's physically smaller than the G1 X as well, and only slightly larger than the pocketable S100. The camera offers a sensitivity range in line with the competition, ranging from 100 to 25,600 (extended) in still mode and 12,800 (extended) when shooting video -- captured in 1920 x 1080 format at 24, 25 or 30 progressive frames per second. There's also a continuous shooting mode at 4.3 frames per second with fixed focus and exposure. The EOS M's control layout should be more familiar to Canon point-and-shoot owners than DSLR users -- as one component of the size compromise, dedicated buttons are replaced with touchscreen options and a bit of menu diving. There's also no electronic viewfinder, though a full-size hot shoe is included with full support for Canon's lineup of Speedlite flashes, including the new $150 90EX strobe and ST-E3-RT Transmitter, and the GP-E2 GPS Receiver. Though the camera lacks certain direct controls, it still supports full manual shooting, even in video mode. There's also a built-in stereo mic with manual level adjustment. In addition to that 22mm kit optic, Canon is offering an EF-M 18-55mm f/3.5-5.6 IS STM lens for $300, or you can add the $200 EF-EOS M mount adapter to enable use with existing lenses. The $800 EOS M kit is set to ship in October, and will be available in retail stores in black, though Canon's online store will also stock a white model (which will be paired with the same black lens). You can peek at both configurations, along with the new lenses and accessories in the gallery below. Then shoot past the break for the full PR from Canon. Michael Gorman contributed to this report.
First DSLR 4K video from prototype Canon EOS-1D C reportedly emerges
If you've been wondering what kind of eye candy Canon's EOS-1D C is capable of, you might be in luck. The crew over at EOSHD have apparently snagged some 4K sample footage from an early prototype of the unreleased, professional-grade DSLR. The clip looks slick to us, albeit lacking in the scenery department. Even so, EOSHD comments that while a "massive step up for image quality compared to all previous DSLRs" the video footage isn't as sharp as stills from the 1D X (the 1D C's less-endowed sibling) and "not near what true 4K should look like." (Of course, anyone looking for true 4K is advised to step up to Sony's $70k F65 CineAlta, so we guess you get what you pay for). You can check out the minute-long clip, unfortunately scaled to a Vimeo-friendly 1,920 x 1,080, after the break. If your discerning eye demands the raw footage, however, why not grab the few seconds available at the source link and let us know your thoughts? That's what the comments are for, after all.
Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on)
There wasn't much reason to upgrade with last year's T3i, but that's certainly not the case with the Canon EOS Rebel T4i. This new entry-level DSLR packs a redesigned 18-megapixel APS-C CMOS sensor with brand-new focus capabilities, enabling the camera to use both phase- and contrast-detection autofocus when paired with one of two new STM lenses. The center portion of the sensor uses traditional phase-detection technology, while points nearer to the perimeter aid by recognizing contrast in a scene, enabling a more accurate autofocus technique for both stills and video shooting. On the video front, the new lenses -- an EF-S 18-135mm f/3.5-5.6 IS STM for $550 or the EF 40mm f/2.8 STM "pancake" for $200 -- allow for much more silent zoom and focusing during video capture, so you don't need to worry about those sensitive stereo mics picking up mechanical noise. The camera still did a bit of focus hunting while recording video during our hands-on, but autofocus performance was quite impressive while capturing stills, even in low light. On the spec front, there's an articulating 3-inch Clear View smudge-resistant glass LCD, with a 1.04-megapixel resolution and new capacitive multitouch functionality, letting you pinch and zoom pictures and tap your way through menus just the same -- you'll still have the full array of physical controls if you'd prefer to go that route. There's the same bounty of video modes available with the T3i and T2i, including 1080 at 30p, 25p and 24p, 1080/60i and 50i, and VGA at 30 and 25 frames-per-second -- there's also a stereo mic on board, along with a dedicated microphone input jack on the side. In burst mode, the T4i can snap up to 5 consecutive frames per second. The camera also includes the same LP-E8 battery pack as previous Rebels, with a 1120mAh capacity. The Rebel T4i will be available in a body-only configuration for $850, $950 with the 18-55mm kit lens or $1200 with the new 18-135mm STM optic, all of which are set to ship later this month. If you feel that the new features don't justify the price, you'll rest easy knowing that Canon has no plans to pull the T3i from store shelves -- that T2i, however, is destined for retirement.%Gallery-156563%
HD video possible in upcoming Leica compact, bon vivants check trust funds
Full-frame HD video in a brand new compact body, with Leica lenses? It could happen, but if you have to ask why exorbitant Leicas don't already do video then you probably can't afford it. While still calling the feature "theoretical", Leica's chairman Dr. Andreas Kaufmann intimated that the company had solved issues with data rate, battery life and heat for a possible M9 replacement. He also said that HD would be shown soon on "existing and new models", and Leica would stick with Truesense imaging, the former Kodak shop which supplies the M9 CCD, to make the new full-frame sensor. Whether that means video could also be retrofitted to existing M-series rangefinders remains to be seen, but more will be revealed on September 18th. Until then, if you need to make an extravagant splurge, the Hermes M9-P, perhaps?
Fujifilm FinePix XP170 rugged camera pays a visit to the FCC, leaves raincoat behind
It was only a matter of time before Fujifilm's latest ruggedized shooter, the FinePix XP170, made a quick stop by the FCC offices and, well, it's about that time. The filings don't reveal many details we didn't already know, meaning you're still getting those WiFi sharing features to Android / iOS and that 14-megapixel CMOS sensor with 1080p video capabilities to take on your adventures. At this rate it's safe to say that you better have those 280 bucks ready, as this rugged Fuji's next stop is sure to be the retail shelves. We don't think FCC chairman, Julius Genachowski, would mind you peeking at the black and white files, so hit the source link below if you're interested in doing so.
Olympus OM-D E-M5 Micro Four Thirds camera review
More Info Olympus OM-D E-M5 Micro Four Thirds camera preview (video) Cameras, Olympus OM-D E-M5 five-axis sensor-shift image stabilization hands-on (video) Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April) Stepping across the great DSLR divide into the land of mirrorless cameras always requires some compromise. Focusing speed, image quality, lens compatibility and battery life are frequent casualties, but for everyone except professional shooters, the size and cost benefits of swapping a full-grown beast for a compact ILC surely help soften the blow. The latest Micro Four Thirds model from Olympus, the OM-D E-M5, adds functionality that expand that list of betterments even further, allowing more versatility than larger DSLRs have to offer. These perks include a water-resistant design, for starters, along with a nifty lens that offers macro shooting and both manual- and powered-zoom in one compact package. One area where the 16-megapixel E-M5 does match the footprint of its full-size brethren is in price: you'll drop a cool grand for the body alone, while the 12-50mm f/3.5-6.3 lens kit will bump that tag up another $300. Make no mistake, the E-M5 is a fantastic camera, but $1,300 is mighty steep for any mirrorless model, especially one with a Micro Four Thirds sensor. This, however, is no ordinary MFT camera. As the first model in Olympus's OM-D line -- taking design cues from the company's popular line of OM film cameras -- the E-M5 is in a class of its own, at least as far as Olympus's portfolio is concerned. Besides physical appearance, perhaps, the most notable selling point is its focus speed: press the shutter release, and your subject comes into clarity with rapid-fire precision, whether you're shooting in bright sunlight or a dark restaurant. But though the E-M5 has already received accolades for its powerful focusing, you might be wondering how the whole package performs. Meet us past the break to find out.
Fujifilm X-Pro1 high-ISO shots go under the loupe in mirrorless standoff with OM-D E-5 and NEX-7
We'll soon be putting Fujifilm's new interchange able shooter through our own wringer, but in the meantime we found an apt low-light comparison with two of its non-reflex brethren. Although blogging photog Steve Huff admits the tests are "crazy" and depend on the camera's own auto-exposure choices, the results do give some food for thought. How would the pricier rangefinder-bodied X-Pro1 stack up against the Sony NEX-7 and Olympus OM-D E-M5? If we had to guess -- and we really do, given his methodology -- the noise levels on the Fuji at ISO 3200 and 6400 look to be slightly better than the Sony and smaller-sensored Olympus. If you'd like to take a stab at judging for yourself, follow the link below.
Canon teases 'exclusive screening' in Las Vegas, new Cinema EOS products coming at NAB?
With both its 1D and 5D-series models already confirmed for 2012, today's Canon teaser hints at something slightly different -- and, according to our sources, a major announcement. The event is set for April 15th -- during the National Association of Broadcasters (NAB) show in Las Vegas -- further confirming that whatever imaging device we'll see will likely be geared towards the motion picture and television communities. So, what could it be? A new Cinema EOS cam with a 1D form-factor? A lower-priced model poised to compete with the RED Scarlet? We have but a month to wait for confirmation, so if you haven't already placed your C300 order, it might not be a bad idea to hang tight until after Canon's Tax Day reveal.
Kodak agrees to sell Gallery online photo service to Shutterfly for $24 million
Remember that Kodak Photo Gallery online picture service that we didn't use? It appears that years of shipping packed-in with the company's cameras have netted it some 75 million users, making it an asset that now-bankrupt Kodak has agreed to sell off to Shutterfly for $23.8 million. The deal isn't quite done yet, with Shutterfly's offer entered as a stalking horse bid while other buyers may also submit proposals before the process is targeted to close in the spring. This is all a part of Kodak's pivot away from digital cameras and related products as it focuses on enterprise services and desktop printers instead. Under the current agreement, current gallery customers uncomfortable with being shipped off to Shutterfly will be able to opt out and either download their stored pics or buy them on DVDs. Otherwise, their accounts will be transferred in a way that is "preserved, and protected" -- that is to say, almost entirely unlike the way they're handled on iOS and Android.
Olympus OM-D E-M5 Micro Four Thirds camera to ship on March 31st? (update: now April)
If a ship date pops up on Amazon for a date in the not-so-distant future, we're typically inclined to listen up -- after all, the world's largest e-tailer probably has a fairly good idea of when its products will first leave the warehouse. This time, it's the Olympus OM-D E-M5, which just appeared on the distributor's Japanese site with an estimated release date of March 31st. There's no mention of a date on the company's U.S. site, however, so it's still unclear whether or not the Micro Four Thirds cam will hit North American shores on the 31st as well. Still, unless a trip to Japan is in the cards for the end of Q1, your best bet for getting early access to the highly-anticipated mirrorless cam would probably be to get your pre-order on at our coverage link below.Update: We're now seeing US retailers listing the device with an April 10th release date. Check the More Coverage links below.
Sony boosts superzoom collection with DSC-HX200V, HX30V, HX20V, HX10V, H90 Cyber-shots
Sony unleashed a small handful of cameras before this month's CP+ Camera & Photo Imaging Show, but its spring 2012 line was far from complete. Today's announcements round out the collection, however, with a total of nine new models making their way through the Tokyo camera maker's news gate. Five of these point-and-shoots fit within the company's new H-Series, including the Cyber-shot DSC-HX200V, HX30V, HX20V, HX10V and H90. As you may have gathered, that H represents high-zoom -- this recent offering ranges from the H90 and HX10V, which sport 16x (24-384mm) optical zooms, to the HX200V, with a whopping 30x (27-810mm) lens. Filling in the gap, we have the HX20V and HX30V, both with 20x (25-500mm) optics.All of the cameras include 18.2-megapixel Exmor R CMOS sensors, with the exception of the lower-shelf H90, with its 16.1-megapixel CCD. That lower-end model also stands alone in the display department, with a 3-inch 460k-dot LCD, compared to the 3-inch 921k-dot screens on the other four models. All five cameras can capture HD video, with the H90 shooting at 720/30p, the HX10V offering 1080/60i and the HX20V, 30V and 200V capturing at 1080/60p. As you may have gathered, the H90 is the least expensive of the lot, and is also the only model to exclude GPS, selling for $250 when it hits stores next month. The HX10V and HX200V will also ship in March, with pricing set at $330 and $480, respectively, while the HX20V and 30V will be available in May for $400 and $420. As always, you'll find full details in the PR just past the break.
CP+ Camera & Photo Imaging Show wrap-up
It's never easy to leave Japan -- the friendly people, incredible food, cutting-edge tech, clean streets and efficient public transit network mean we never hesitate when given an opportunity to visit this incredible country. But sadly, our latest adventure has come to an end. This year's CP+ Camera & Photo Imaging Show brought thousands of photography fans to Yokohama, a metropolis just a short train ride away from Tokyo. And while CP+ is still primarily a Japanese trade show, it served as the global launching ground for dozens of top camera models, including the Nikon D800, Olympus E-M5 and Pentax K-01, just to name a few. Bag and tripod manufacturers could be found spattered amongst the Japanese camera giants, but overall this show was more about the latest cameras than gimmicky accessories. There was still plenty of entertainment to be found on the show floor, so scroll through our gallery below for an inside look at life at CP+, or jump past the break for a roundup of our hands-ons and related news stories. Sayonara!
Sony 500mm f/4 G SSM lens hands-on (video)
You don't see many lenses pop up 'round these parts, but Sony's new 500mm f/4 G SSM optic is impressive enough to warrant some hands-on attention. We spotted the new A-mount telephoto mounted on an Alpha A77 at Sony's booth at CP+ 2012, and queued up for a chance to take some shots. The lens focused surprisingly quickly, especially given its massive 500mm fixed focal length. Moving from subject to subject at varying distances, we were typically able to achieve focus in a fraction of a second. Long lenses have traditionally been tricky on the focus front, but this guy handled it like a champ, with speeds that appeared to rival far shorter primes. The SAL500F40G, as it's to be known, will be hand built to order beginning in March, with a yet-to-be-confirmed (likely sky-high) price tag. Click on past the break to see just how quickly we can zero in on some wild CP+ show floor action.
Canon PowerShot ELPH 530 HS WiFi iPad transfer hands-on (video)
Sure, your iPad 2 has a camera, but that doesn't mean you should be using it to take pictures. One of the biggest point-and-shoot trends to pick up speed in 2012 is built-in WiFi, letting you capture higher quality stills and videos with your dedicated imaging device and transfer them directly to the web, or to a smartphone or tablet on the same WiFi network. The PowerShot ELPH 530 HS is Canon's latest pocket shooter to employ this feature, and the company had a few samples on hand at CP+ 2012 in Yokohama, Japan to demonstrate how it works.We took the 530 HS for a cordless spin, connecting the iPad to the camera's Ad-Hoc (point-to-point) network and launching the Canon CameraWindow app. After a few seconds (and quite a few taps on the 10-megapixel cam's 3.2-inch LCD), we had the two devices communicating, with a final click sending the image from the ELPH directly to the iPad's screen. That seconds-long connection delay may be inconsequential when transferring a day's worth of photos, but it's a slight inconvenience if you're only trying to transfer a single image. The camera also includes built-in Twitter and Facebook upload functionality, though, bypassing the Apple middleman entirely. The $349 ELPH 530 HS won't be shipping until April, at which point you may be refreshing your tablet as well. Jump past the break for a quick video demo.
